The Brief

California’s primary election is Tuesday — and one race poses a challenging question to voters: Should a judge who’s accused of ethics violations by the state watchdog of judges get re-elected?

That’s the situation for Judge Robert Draper, who’s running to keep his seat in the Los Angeles County Superior Court. With about 15 years on the bench, Draper, 84, told LAist he hasn’t had disciplinary issues until now.

The California Commission on Judicial Performance, the state body that oversees judicial complaints, conducted an investigation into complaints and charged Draper with misconduct in office. The commission’s members, who are also the final decision-makers here, won’t make a determination on whether to discipline him until after the primary.

Here’s what you should know about what’s at stake and what could happen next.

A quick primer

Draper was appointed by former Gov. Jerry Brown in 2012. Superior Court judges have to run for reelection after they’ve been appointed. Draper is running for a third full term and is on the ballot for all L.A. County voters under Office No. 2, facing a challenge from Tal Valbuena, a deputy district attorney.

The commission has charged him with seven counts of violating judicial ethics. (The proceedings against him aren’t civil or criminal, but the commission uses similar terminology.) The commission is an 11-member group of judges, lawyers and others who are appointed by the governor, the Legislature and the California Supreme Court.

Draper is currently assigned to “chambers work only.” He and his attorney told LAist Draper's court-issued email account is restricted and his room does not have a computer or staff. He hasn’t heard a case since he returned in June 2023 from an involuntary leave that, according to commission records, was tied to the alleged ethics violations.

Among the allegations Draper is facing:

• Sending nude photos from a confidential child abuse case to colleagues via a court email address, according to commission records.
• Making irrelevant comments about race, including using the term “coal black,” during a case, and calling women in the courthouse “attractive” and “cute,” according to commission records.

A panel of independent “special masters” oversaw a six-day hearing earlier this month on the charges. The special masters are expected to issue a report on their findings within the next several weeks — but a decision on possible disciplinary action still rests with the commission.

According to the commission’s charge document, the allegations against Draper center on willful misconduct in office, failure to perform his duties and actions that affect the judicial office’s reputation. Draper has denied some of the claims and, in an interview with LAist, gave reasons for others.

The commission initially claimed that his behavior was evidence of an unnamed disability that interferes with his duties (which could get judges removed from the bench, if proven), but LAist confirmed that claim has been withdrawn.

Draper told LAist he is navigating health issues. Over the last few years, he’s been prescribed medication that made his Parkinson’s disease worse, he said, and had a detached retina and a rotator cuff injury. He added that he’s also coping with grief — his son died this year shortly before the hearing.

The seven counts Draper faces from the judicial ethics commission cover accusations dated 2022 and 2023. We’ll explore the main ones.

Comments on race

According to records from the judicial performance commission, Draper admitted to making statements that have been called “irrelevant” and “inappropriate” by other judges who reviewed his decisions on a 2023 case.

In February that year, the defense in a sexual harassment case Draper presided over was seeking a new trial. A jury had reached a verdict earlier, putting them on the hook for $10 million.

During a hearing, Draper brought up his personal views on interracial mixing and Black history, according to excerpts of the court transcripts. Draper told LAist these comments were intended to convince the two sides to “make a reasonable settlement.”

According to the transcripts, Draper used the terms “coal black” and “light brown” to describe Black skin tones. Draper defended his statements, telling LAist he viewed the comments as “almost like describing what color dress you’re wearing today.”

“Now, why did I say it? Race was not involved in the case, except that almost everybody was Black,” he said.

The commission said the comments at issue reflected “bias, prejudice, or harassment.” Draper’s written response to the charges said the dialogue had been taken “wholly out of context.” He told LAist he “ wasn’t talking about a bias for or against” and added he “probably won’t use the word ‘black’ ever” again if re-elected.

“Do I imagine I’ll continue to make comments about appearance? No,” he said. “I probably won’t.”

Women in the workplace

The same day of the 2023 hearing, Draper brought the all-women legal team into his chambers, according to records, where he made other comments that the commission alleges violated judicial ethics.

During the conversation, he told them a story about how male attorneys used to tell female secretaries “you better be able to f*** better than you can type.” Draper told LAist his comments have been misconstrued to sound like he was bragging about behavior at his last law firm. In fact, he said, he was referring to how other firms had “that attitude towards secretaries” when he started practicing law.

“I was so proud of the country [because] now it wouldn’t happen at all,” he said.

His comments and other issues ultimately led to the California Court of Appeal to overturn the verdict and order a new trial. Draper is also alleged to have touched a lawyer’s hair during proceedings in that case without reason, which he testified before the special masters hearing did not happen.

Other allegations cited by the commission involve multiple comments Draper has admitted to making about women in the courthouse in 2022 and 2023, according to records and LAist’s interview with him. The commission said these statements violated judicial ethics, which Draper disputes.

In one instance, Draper told his presiding judge she “looked cute” when she was mad, according to records. Another time he called a woman involved in a case before him “quite attractive” in a “global way.”

Draper told LAist the language he used was “not a come-on” and that he was “trying to make them feel good about themselves.”

“ I’m not going to walk around with my handkerchief in my mouth. I can just say, ‘Hey, you’re looking cute today,’ and people understand that,” he said. “But I’m not going to be walking around the court picking out the cute ones and telling them they’re cute.”

Leave, email and other issues

Draper has also been charged with allegedly not following his courthouse leadership’s directives.

When he was placed on involuntary leave in March 2023, according to the commission, Draper continued to do administrative work on cases despite receiving verbal and written directives to not access the courthouse and its resources.

Draper told LAist his supervisors were aware that his work was continuing because he was emailing them about it.

“They understood what I was doing, and they approved it by not speaking up,” he said.

Draper also testified that he wasn’t immediately told not to work while on leave. The commission said Draper wasn’t “candid” when he testified to that.

Judge Robert Draper on the first day of his hearing at the California Court of Appeal building in downtown Los Angeles on April 27.

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Cato Hernández

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LAist

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The commission also cited problematic emails Draper admitted to sending from his court email address, according to records and his testimony. This included allegations that Draper sent files including nude photos from a confidential court case to people not authorized to receive them under state code.

In June 2023, Draper sent an email to commission staff and other Superior Court judges with various materials, according to records. The attachments included details from a July 2017 confidential child abuse case.

The case involved child sexual abuse allegations with a public figure. Draper emailed nude photos from the case files of children bathing, according to records and his testimony.

One of the recipients of the email with nude photo attachments was retired Judge Lance Ito — best known for presiding over the O.J Simpson murder case in 1995. Ito testified to not being personally acquainted with Draper at the time and called the email “unusual.” Draper testified that the email blast was intended to show his legal contributions and that he is authorized under statute to consult with other judges. He said he copied Ito on the thread because of his leadership role in teaching judges.

Draper also emailed photos of himself “from behind without clothes” to the commission and other judges, according to records. He testified that this was to show his colleagues proof of an injury.

In another charge, the commission said Draper has not cooperated with its ethics inquiry that started in 2022 — such as repeatedly missing deadlines — and has been disrespectful to commission staff. Draper told LAist the commission’s investigation was more like an inquisition because they didn’t interview him before the hearing.

“ That is a big problem with the way the CJP operates,” he said. “They’re not there to help judges. They’re kinda trying to catch judges.”

An endorser speaks out

Kimberly Repecka is one of four judges who have endorsed Draper for re-election. She’s a prior public defender who’s known Draper for about 10 years and testified in his hearing last month.

She told LAist people have latched on to ageist narratives and that his character is being misrepresented. According to Repecka, it’s common for older judges to share “war stories.”

Repecka defended Draper’s reasoning for bringing up race in the sexual harassment case.

“I think most of us most of the time view it exactly how Judge Draper said he intended it: an attempt to connect on a more human level and remind ourselves that there’s a world bigger than the courtroom and case we’re in,” she said.

Repecka told LAist she wouldn’t use the same words he used to talk about skin color in the courtroom. She would be concerned it could cause discomfort.

“ As a white person, I would be pretty careful about how I address that if it seems relevant to the case itself,” she said.

Laurie Levenson, a professor at Loyola Law School well-versed in judicial ethics, described it as a “real stretch” to view Draper’s comments on race and appearance as appropriate under any circumstances. Levenson said she can’t imagine other judges talking like this.

“There’s a lot of training for judges that has happened in the last decade about how you don’t talk about race unless it is a relevant issue,” she said, “and you especially don’t use some of the terms that Judge Draper was using in these hearings.”

Judges need to watch what they say in a courtroom because they need to not only be fair, but appear to be fair, Levenson said.

“He has the ethical obligation to be impartial and how he demonstrates that he’s being impartial is going to be evaluated by how he acts and what he says in the courtroom,” she said. “If you take his words at face value, there certainly would be reason to question how he’s treating people in that courtroom.”

Levenson has reviewed the hearing’s rough transcripts, the charges and Draper’s filed answer to them. She said it appears the commission “bent over backwards” to  give him a fair chance during their “robust” process.

What comes next 

The next step is for the special masters to put together a report of their conclusions for the commission members, which Draper will have a chance to respond to. The special masters won’t make recommendations about discipline.

That choice rests with the commission members. Remember, they brought these charges against Draper and will decide the outcome, likely in a couple of months. Among the options: The commission members could clear him, admonish or censure him, or remove him from office.

Loyola Marymount University is an underwriting sponsor of LAist. Like other funders, it has no influence on coverage.

Big surf from distant hurricanes in the Pacific could bring coastal flooding to Southern California starting this weekend.

Hurricanes Polo and Odalys are expected to cause coastal erosion, flooding and high surf along Southern California's already battered coastline. Swells from Polo are expect to arrive as early as late Sunday and peak Monday and Tuesday.

Bryan Lewis, National Weather Service meteorologist, told LAist that high tides could reach 7 feet. He said Long Beach and Avalon are among the more vulnerable areas for potential flooding and erosion.

Long Beach and Los Angeles warned residents to prepare for potential flooding and other effects through at least Wednesday.

In early September, Hurricane Marie brought coastal erosion and flooding that led homes being red- and yellow-tagged in L.A. and Orange counties.

This story first appeared on The LA Local.

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown. 

For organizer Arnold Byun, the launch is something of a homecoming. 

Nearly five years ago, Byun and his co-founder, Kioh Park, were living in Koreatown and spending months at Document Coffee Bar dreaming up what would eventually become Maum Market, the Asian makers market they launched in January 2022. The market now has a regular presence at ROW DTLA, where it hosts pop-up markets on Dock Street several times a year.

“The genesis of Maum Market is actually really embedded in Koreatown,” Byun, 31, told The LA Local. “And we have a lot of affection and personal history with Koreatown, so it’s a very personal thing for us just to return to our roots.” 

Most of the 24 vendors participating in the first Friends & Family Flea have some connection to Koreatown, Byun said. Some grew up in the neighborhood, some still live there and others have moved away but retain ties to the area. The vendor list includes apparel brands, artists, jewelry makers, beauty and wellness businesses and food vendors. 

“We’ve been trying to be pretty intentional about curating from the community as much as possible,” Byun said.

There will be plenty of food and shopping, including “sogeum-bbang,” or salt bread, tea, handmade candles, soaps and vintage clothing, as well as flash tattoos and burgers and fries from Love Hour. The LA Hwatu-Hanafuda Club will teach visitors about hwatu, the Korean deck of playing cards with roots in Japan. The club will also offer $5 tarot card readings.

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.

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Courtesy Eena Cho

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Eena Cho, founder of the LA Hwatu-Hanafuda Club, was born and raised in Koreatown. She remembers living with her mother in an apartment on Wilshire Boulevard and Vermont Avenue and volunteering at the senior center near Seoul International Park, where she spent time with older Korean residents.

She also grew up playing go-stop with her grandparents during Korean holidays, like Chuseok and Seollal. 

“That was a big part of my childhood,” said Cho, 24. “Another part is that living in LA where there’s so many different groups of people together, I remember my best friend Maria growing up, she was Mexican, and we would be playmates because both of our parents were working overtime.”

For Cho, joining Friends & Family Flea felt like a natural fit.

“Koreatown is a beautiful diaspora of many different cultures,” Cho said. “And I think that makes Koreatown, Koreatown.”

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.

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Courtesy Eena Cho

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The local focus is a big part of what Byun hopes will distinguish Friends & Family from other flea markets and fairs. He said organizers wanted to create something that “intentionally celebrates a specific neighborhood,” in this case, Koreatown. 

For the Koreatown market, that also means highlighting small businesses beyond the restaurants that often get the most attention.

“It’s more about, you know, where do we get our dry cleaning, where do we get our shoes done, or these kinds of services that I think don’t get highlighted as often as maybe restaurants do, but are really core and essential parts of a community business,” Byun said.

Byun’s own history with Koreatown also makes the neighborhood an especially fitting place to start.

His family immigrated to the South Bay from Korea in 2002, when he was 6. He remembers coming to Koreatown with his parents on the weekends for Korean meals and grocery trips.

Byun still thinks of the neighborhood as a second home for Korean immigrants, while appreciating how its community has grown more diverse.

“I’m just really happy to see it become a really beloved neighborhood,” he said.

The market is also giving back locally. Hats sold at the event will benefit the Koreatown Youth and Community Center, Byun said.

And this may not be a one-time run. If Saturday goes well, organizers hope to bring Friends & Family Flea back to Koreatown on a monthly basis. They also plan to offer discounted vendor fees to Koreatown residents.

“I feel like there was so much opportunity for us to really hone in and create something more hyperlocal and also really embed ourselves in the community as well,” Byun said.

When I lived in the UK, I worked on a BBC television show about birding. It was a strange experience as I couldn’t exactly book guests — “Hello Mr. Sparrow, could you be on location for an interview at 2 p.m.?”

So instead I spent a lot of time with the crew climbing up mountains with a large tripod on my shoulder. Did you know there’s a bird in the Scottish Highlands whose plumage turns white in winter to blend in with the snow? (It’s called a ptarmigan. Don’t pronounce the p.)

But it did mean I was attuned to British bird calls. I could hear something and pronounce solemnly: “Ah yes, that’s a lark. And that one's a chaffinch."

Moving to LA meant learning a new set of bird calls

When I moved to the U.S., however, it was a whole other story. I really didn’t recognize any of the bird calls. They were all so different. I just shrugged and figured they were part of the backdrop. But one day recently, a woman told me about a free app and said it was life-changing. "Hmm, I’ll see about that," I thought.

Merlin bird app

It’s called Merlin, from the Cornell Lab of Ornithology, and it’s kind of like Shazam for bird calls. As in, you click it, and it tells you what bird song you can hear around you. When I opened it in my backyard for the first time, a whole orchestra of bird sounds opened up around me. I admit: it was kind of life-changing.

Of course it first picked up a crow, which I know only too well, given its loud, raucous sound. But then it identified a house finch. Huh. Who knew they were in my backyard? And as I listened closely, I realized … I knew that sound! It’s the first thing I hear when I wake up at dawn, lovely and melodic.

The house finch, awakening the day.

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Cornell Lab of Ornithology | Macaulay Library

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So now when I open my eyes in the morning, I say, "Good morning, house finch, communing with fellow beings alive on a vibrant California morning!" It kicks off my day, although I guess I’ve been reading too much Mary Oliver.

The backyard birds you're probably hearing right now

But then other birds I didn’t know would pop up on my phone during the day, with names as intriguing as their calls: the spotted towhee, the orange-crowned warbler, or Cassin’s kingbird.

I mean, they do realize they’re in a backyard in Los Angeles, not some estate in Georgian England? My favorite for a while was the dark-eyed junco. Now we’re talking romantic heroes. Imagine him slyly popping across the apple tree limbs to call to you. Dark-Eyed Junco, at your service.

Dark-eyed junco, at your service.

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Cornell Lab of Ornithology | Macaulay Library

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Meet Swinhoe's white-eye, a non-native bird spreading across SoCal

And then there’s Swinhoe’s white-eye. Which sounds a little like an eye ailment, but there you go. It’s a tiny bright yellow bird with a white ring around each eye. So cute! I first noticed them when there were a bazillion of them in a tree outside my house. It was such an unusual sight that I mentioned it to a woman walking her dog, and we stood there, oohing and aahing, until we both realized we’d oohed a little too much, and it was time to go.

Swinhoe's white-eyes are not native to SoCal, but are thriving.

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Cornell Lab of Ornithology | Macaulay Library

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When I researched them, I was surprised to find they’re not native to SoCal. They’re actually pretty new to the area. There were just a handful in Orange County 20 years ago, probably having been brought over from Asia as pets and escaped. And now, they’re thriving and have spread everywhere from Baja to San Luis Obispo. Who knows where they’ll end up next? If anyone sees a chartreuse cutie in New York, let me know. It'll probably be very tired.

Yes, you can see I’ve become slightly annoying with my newfound bird interest. I’ll be asking my family what they want for dinner, and I’ll say, “Wait, is that the spotted towhee?” and turn to my phone, and my teenager will wrest it out of my hand and say, “Mom, be in the present!” Which is right. But my morning serenade as the birds come online one by one and greet the new day — well, that’s as present as you can be.

Walk through the automatic doors at the Carson Library and you’ll see on your left a 1973 painting called "Dominoes" by John Riddle.

Riddle, a prominent Black artist, has worked in the L.A. County Museum of Art and the Brooklyn Museum, and has been collected by Jesse Jackson and Roberta Flack.

Riddle's work was previously owned by the Golden State Mutual Life Insurance Company in West Adams. Over two decades, the company’s art director, William Pajaud, an L.A. artist himself, carefully collected hundreds of pieces of Black art. Each piece in the collection, Pajaud said, would be a chapter telling the story of African Americans in the U.S. The collection included oil paintings, watercolors, and sculptures in clay, wood and metal.

When Golden State Mutual Life Insurance shut down, the company sold most of the best pieces at a private auction in 2007, with some selling for hundreds of thousands of dollars. L.A. County was able to acquire about 120 works, including Riddle's piece.

To keep the works accessible to the public and free of charge, county officials chose four public libraries and three community centers to show the work. Earlier this year, the county arts department created a new website with a map to make them easier to find. The locations include the Golden State Mutual historic building in West Adams, plus:
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Libraries

• Carson Library (Carson)
• A.C. Bilbrew Library (Willowbrook)
• Masao W. Satow Library (Gardena)
• View Park Bebe Moore Campbell Library (View Park/Windsor Hills)
  

Community centers:

• Curtis Tucker Behavioral Health Center Health Services (Inglewood)
• Willowbrook Senior Center Aging and Disabilities (Willowbrook)
• Mark Ridley-Thomas Behavioral Health Center Health Services (on the Martin Luther King, Jr. Medical Campus).

“All of these are county-owned spaces that are available, accessible to the public and to patrons to be able to live with the works, learn about the works, see the works, learn about the works,” said Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Dominoes by John Riddle. The painting was part of the Golden State Mutual Life Insurance collection but is now part of the Los Angeles County Civic Art Collection.

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Adolfo Guzman-Lopez/LAist

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As you walk past the checkout desk at the Carson Library, toward the teen section, you’ll see another remarkable piece from the county’s holdings. It’s a two-foot-tall sculpture made from one piece of mahogany. It’s called "The Embrace" by artist Elizabeth Catlett, whose work is in the collection of New York’s Museum of Modern Art, among many other institutions. Catlett depicted two people hugging, their faces and bodies fused together, their eyes looking at the viewer.

Detail of El Abrazo (The Embrace) by Elizabeth Catlett.

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Adolfo Guzman-Lopez/LAist

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In the auction catalogue for the Golden State Collection, Catlett wrote: “I still work figuratively, trying to express emotion through abstract form, color, line, and space. I attempt to reach out to ordinary people who have little or no experience or understanding of art principles, and extend to them what I may feel about a subject."

Ancestral Fragments by Stanley Wilson.

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Adolfo Guzman-Lopez/LAist

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Meanwhile at A.C. Bilbrew Library, north of Compton, there’s a piece by Charles White, who lived in L.A. County for decades and mentored many artists in the region. His paintings and drawings in the 1960s took on the issues of the Black Civil Rights Movement, and that led well-known Black Americans like Nat King Cole and Eartha Kitt to buy his art.

County officials are hopeful that the communities around these neighborhoods enjoy the art’s benefits, including “mental health, in our education, our youth development, our sense of inclusion and belonging,” Sakoda said.