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The Brief

The most important stories for you to know today
  • Artists ask labels to geo-block their music

    Topline:

    Since September, more than 1,000 artists and labels including Lorde, Björk and Massive Attack have joined an international initiative to remove their music from Israel. The boycott, called No Music for Genocide, is straightforward: artists are asking their labels and distributors to geo-block their music so it cannot be streamed in Israel.

    Why now: According to the movement's website, this act is "just one step toward honoring Palestinian demands to isolate and delegitimize Israel." Despite a fragile ceasefire currently in place, No Music for Genocide organizers say they're continuing the boycott amidst additional airstrikes in Gaza.

    Historic precedents: The No Music for Genocide movement, which is a decentralized volunteer network of musicians and labels, cites the success of cultural boycotts against South Africa during apartheid as a major inspiration. While artists like Hugh Masekela and Miriam Makeba made music a core tenet of anti-apartheid activism, international artists also played an important role. In 1985, E Street Band guitarist Steven Van Zandt led dozens of musicians, including Bruce Springsteen, Miles Davis and Rubén Blades, in the Artists United Against Apartheid effort to record "Sun City." The hit single referred to a luxury whites-only resort where artists including Queen and Linda Ronstadt had performed; the song's lyrics criticized their actions and pledged to avoid playing there until the end of apartheid.

    Since September, more than 1,000 artists and labels including Lorde, Björk and Massive Attack have joined an international initiative to remove their music from Israel. The boycott, called No Music for Genocide, is straightforward: Artists are asking their labels and distributors to geo-block their music so it cannot be streamed in Israel. According to the movement's website, this act is "just one step toward honoring Palestinian demands to isolate and delegitimize Israel." Despite a fragile ceasefire currently in place, No Music for Genocide organizers say they're continuing the boycott amidst additional airstrikes in Gaza.

    "Boycott is one of the most effective and enduring efforts that one can take to fight a militarized, overtly violent, three-headed monster of a system," blues poet Aja Monet, one of the participants, tells NPR. "We're in a place where capitalism rules everything. The most effective thing we can do is to be strategic about where we put our resources."

    The musicians' coalition coincides with a similar pledge from some Hollywood stars to boycott Israel's state-funded film industry. In September, an independent United Nations commission of inquiry concluded that Israel is committing genocide in Gaza, and that countries helping to arm the Israeli government, like the United States, are complicit in the violence. Israel strongly denies that it is committing genocide — and some Israelis say the artists' efforts are misguided, because the boycott affects even those who oppose the war. In a statement to NPR, the Israeli embassy in Washington, D.C. condemned the musician-led protest.

    "The attempt to boycott Israeli culture under the banner of 'No Music for Genocide' is discriminatory, immoral and misguided," reads the statement. "Such boycotts do nothing to advance peace or improve the lives of either Israelis or Palestinians. On the contrary, they deepen division and harm the very people they claim to support."

    Although the State Department also rejected the U.N. report, some American musicians are demanding action and accountability over the U.S. government's role in the attacks.

    "As a U.S citizen, I have a connection to this genocide that is happening using my tax dollars. As a musician, I am sensitive — I think that is necessary for making art," composer and singer-songwriter Julia Holter, another participant in the campaign, said in a statement shared with NPR. "Every day for over a year and a half now, we have seen horror stories abound in Gaza, and every malnourished baby I see with horrific injuries, every mother or father I see hovered over their child targeted by a sniper makes me think of my child, makes me think of anyone I have ever loved. I feel a responsibility to do something, however small it may be."

    Historic precedents 

    The No Music for Genocide movement, which is a decentralized volunteer network of musicians and labels, cites the success of cultural boycotts against South Africa during apartheid as a major inspiration. While artists like Hugh Masekela and Miriam Makeba made music a core tenet of anti-apartheid activism, international artists also played an important role. In 1985, E Street Band guitarist Steven Van Zandt led dozens of musicians, including Bruce Springsteen, Miles Davis and Rubén Blades, in the Artists United Against Apartheid effort to record "Sun City." The hit single referred to a luxury whites-only resort where artists including Queen and Linda Ronstadt had performed; the song's lyrics criticized their actions and pledged to avoid playing there until the end of apartheid.

    In 2023, artists ranging from Pedro Pascal to Quinta Brunson called for a ceasefire amidst the conflict in Gaza, but No Music for Genocide is a musician-led boycott. In a statement shared with NPR, vocalist, guitarist and boycott participant Marisa Dabice of the band Mannequin Pussy said mainstream artists could make a real difference.

    "Without the participation of major label artists, this boycott cannot grow in the way it needs to make the largest possible impact," she wrote. "We live in a day and age where unified direct action can make an impact —- we just have to be focused and unrelenting."

    The No Music for Genocide website notes that all three major U.S. labels — Sony Music, Warner Music Group and Universal Music Group — ceased operations in Russia shortly after the invasion of Ukraine and pledged to support humanitarian relief efforts. The group argues the same should be done on behalf of Palestinians.

    Yasir Razak of the shoegaze band Nabeel, one of the artists geo-blocking his music from Israel, says he sees a link between the war in Gaza and the way Western powers have historically intervened in the Middle East. Razak was born in Baghdad around the time of the first Gulf War and grew up in the U.S. during the Iraq War. Although the Iraq War and the current conflict are markedly different, he says, they're not entirely separate.

    "What makes me most sad is the idea that folks in other countries can't be seen," he says, adding that this is often the case with people from the Middle East. "We've gone to great lengths to dehumanize them to the point where we can carry out these kinds of attacks against the majority popular opinion."

    In September, a New York Times and Siena University poll found that a majority of American voters oppose continued U.S. economic and military support for Israel in the war, a reversal from public opinion shortly after the Hamas-led attacks in Israel on Oct. 7 in 2023, which killed 1,200 people according to the Israeli government. In July, a Gallup poll found that 60% of Americans disapprove of Israel's military actions in Gaza which have killed more than 67,000 Palestinians, according to the Gaza Health Ministry.

    Razak says he has mostly received positive feedback from his fans for participating in the boycott. One downside, he notes, is that some digital service providers include Israeli-occupied Palestinian territories in the geo-block as part of Israel. After hearing directly from an affected listener, Razak found a workaround to provide free downloads of his music on the music distribution platform Bandcamp. But he says beyond the logistics of where the music is or isn't accessible, there is an underlying anxiety that comes with publicly voicing his stance against the Israeli state. (Several artists NPR reached out to declined to comment on the boycott).

    "Ultimately, this is a humanitarian issue. We've all been seeing videos coming out of Gaza. We've heard members of the Israeli government speaking about what their intentions are. I think any right-minded person would look at that and say this is something to take a stand against," Razak says. "But the attempt to conflate that in any way with hatred or antisemitism has been so dangerous and paralyzing, and fear-inducing for those of us who really feel like there's a moral obligation for us to stand against."

    Backlash against musicians

    In April, Cornell University dropped R&B singer Kehlani as the headliner of a campus concert. In a statement, University President Michael I. Kotlikoff wrote that Kehlani "espoused antisemitic, anti-Israel sentiments in performances, videos, and on social media." Kehlani has been an outspoken advocate for Palestinians; the video for their 2024 song "Next 2 U" features a quote from Palestinian-American poet Hala Alyan, along with the phrase "Long Live the Intifada." (The Arabic word generally translates to "uprising" and has a long history within the context of the war in Gaza.)

    During their performance at NPR's Tiny Desk last year, Kehlani wore a keffiyeh — the traditional Arab headdress that's become a symbol for Palestinians — and stopped to address the audience. "I want to take a second to say: Free Palestine. Free Congo. Free Sudan. Free Yemen. Free Hawaii. Free Guam," Kehlani said. "It's deeper than this. I need everybody that's here right now, everybody that's watching, to step up, to use their voices."

    After Cornell's decision, New York nonprofit City Parks Foundation, which organizes the SummerStage concert series, also cancelled Kehlani's scheduled Pride performance following pressure from the mayor's office and citing "security concerns." Brooklyn-based rapper MIKE, who is participating in No Music for Genocide, curates an annual hip-hop festival in partnership with SummerStage. He tells NPR he cancelled this year's edition in solidarity with Kehlani.

    "You have to sacrifice for a bigger purpose," he says. "One of the things that I see people trying to do with hip-hop is further detach it from its political foundation, its anti-establishment foundation."

    MIKE says music played a key role in shaping his political awareness, and he hopes his involvement in the geo-block movement stirs something in listeners. He's already received messages from fans in Israel over the removal of his music; he says he hopes the boycott inspires deeper reflection on the oppression of Palestinians and all peoples.

    Impact on Israeli music fans

    But on the ground in Israel, the boycott has led to some confusion. Linda Dayan, a reporter for Haaretz based in Tel Aviv, says that while most participating artists' music has been pulled from SoundCloud, several discographies are still available on other streaming platforms like Spotify. Dayan says blocking the music is "just a punishment" for the many Israelis who have long-opposed the war in Gaza.

    "I think if [artists] really do want to make an impact, they should be putting their money behind their morals when it comes to either donating to initiatives that ensure that Gazans can get the aid that they so badly need, and organizations — especially within Israel — who are doing this work on the ground, who are organizing these protests," Dayan says.

    She points to groups like Standing Together, a grassroots organization of Palestinian and Jewish citizens of Israel working to promote peace and unity. Dayan says she worries that instead of bringing people together, the boycott could further alienate Israelis.

    "There is a really big narrative among the Netanyahu government and among factions of the right: 'They don't hate you because of what we do, they hate you because of who you are,'" Dayan says. "These boycotts that target wide swathes of people without considering the work that they're personally doing with Palestinians, the work that they are doing against the government or toward a just peace is giving credence to that idea."

    For several participating artists, No Music for Genocide is not an end-all solution, but they say it's an important form of nonviolent action. Aja Monet says the boycott is only one part of a much larger collective resistance.

    "Just as much as we're talking about what's happening in Palestine, we're talking about the rising state of fascism in this country," she says. "We're talking about poverty. We're talking about the books that are being banned. We're talking about the immigrant community that's being attacked and kidnapped from their homes in their street corners. All of this is from the same arm of violence and threat and terror. All of those things concern us and we want an end to it."
    Copyright 2025 NPR

  • Dodgers fans grapple with loyalty ahead of it
    A man with medium skin tone, wearing a blue Dodgers shirt, speaks into a microphone standing behind a podium next to others holding up signs that read "No repeat to White House. Legalization for all" and "Stand with you Dodger community." They all stand in front of a blue sign that reads "Welcome to Dodger Stadium."
    Jorge "Coqui" H. Rodriguez speaks at a press conference outside Dodger Stadium on Wednesady to demand the Dodgers not visit the White House following their 2025 World Series win.

    Topline:

    Less than 24 hours before season opener, longtime Dodgers fans demand the team divest from immigration detention centers and decline the White House visit.

    More details: More than 30 people joined Richard Santillan on Wednesday morning for a press conference held near 1000 Vin Scully Drive to convey a message directly to the team. “We are demanding that the Dodgers stop participating in funding of inhumane treatment of families and do not go to the White House to celebrate with the criminal in chief,” Evelyn Escatiola told the crowd. “Together we have the power to make a change.”

    The backstory: The team’s 2025’s visit to the White House drew ire from the largely Latino fan base, citing the Trump administration’s ongoing attacks on immigrants. In June, the team came under further scrutiny when rumors swirled online that federal immigration agents were using the stadium’s parking, which immigration authorities later denied in statements posted on social media accounts.

    Read on ... for more on how some fans are feeling leading up to Opening Day.

    This story first appeared on The LA Local.

    Since 1977, Richard Santillan has been to every Opening Day game at Dodger Stadium. 

    “The tradition goes from my father, to me, to my children and grandchildren. Some of my best memories are with my father and children here at Dodger Stadium,” Santillan told The LA Local, smiling under the shade of palm trees near the entrance to the ballpark Wednesday morning. He was there to protest the team less than 24 hours before Opening Day.

    Santillan, like countless other loyal Dodgers fans, is grappling with his fan identity over the team’s decision to accept an invitation to the White House and owner Mark Walter’s ties to ICE detention facilities.

    More than 30 people joined Santillan on Wednesday morning for a press conference held near 1000 Vin Scully Drive to convey a message directly to the team. 

    “We are demanding the Dodgers stop participating in funding of inhumane treatment of families and do not go to the White House to celebrate with the criminal in chief,” Evelyn Escatiola told the crowd. “Together, we have the power to make a change.”

    Escatiola, a former dean of East Los Angeles College and longtime community organizer, urged fans to flex their economic power by “letting the Dodgers know that we do not support repression.”

    Jorge “Coqui” Rodriguez, a lifelong Dodgers fan, spoke to the crowd and called on Dodgers ownership to divest from immigration detention centers owned and operated by GEO Group and CoreCivic.

    A man with medium skin tone, wearing a blue Dodgers t-shirt, speaks into a microphone behind a podium.
    Jorge Coqui H Rodriguez speaks at a press conference outside Dodger Stadium on March 25, 2026, to demand the Dodgers not to visit the White House following their 2025 World Series win.
    (
    J.W. Hendricks
    /
    The LA Local
    )

    In a phone interview a day before the protest, Rodriguez told The LA Local he did not want the Dodgers using his “cheve” or beer money to fund detention centers. 

    “They can’t take our parking money, our cacahuate money, our cheve money, our Dodger Dog money and invest those funds into corporations that are imprisoning people. It’s wrong,” Rodriguez said. 

    Rodriguez considers the Dodgers one of the most racially diverse teams and said the players need to support fans at a time when heightened immigration enforcement has become more common across L.A.

    The team’s 2025’s visit to the White House drew ire from the largely Latino fan base, citing the Trump administration’s ongoing attacks on immigrants. 

    In June, the team came under further scrutiny when rumors swirled online that federal immigration agents were using the stadium’s parking, which immigration authorities later denied in statements posted on social media accounts.

    The team again came under fire after not releasing a statement on the impacts of ICE raids on its mostly Latino fan base at the height of immigration enforcement last summer. The team later agreed to invest $1 million to support families affected by immigration enforcement.

    When he learned the Dodgers were pledging only $1 million to families in need, Rodriguez called the amount a  “slap in the face.” 

    “These guys just bought the Lakers for billions of dollars and they give a million dollars to fight for legal services? That’s a joke,” Rodriguez said. “They need to have a moral backbone and not be investing in those companies.”

    According to reporting from the Los Angeles Times, former Dodgers pitcher Clayton Kershawsaid last week that he is looking forward to the trip.

    “I went when President [Joe] Biden was in office. I’m going to go when President [Donald] Trump is in office,” Kershaw said. “To me, it’s just about getting to go to the White House. You don’t get that opportunity every day, so I’m excited to go.”

    The Dodgers have yet to announce when their planned visit will take place. 

    Santillan sometimes laments his decision to give up his season tickets in protest of the team. His connection to the stadium and the memories he has made there with family and friends will last a lifetime, he said. On Thursday, he will uphold his tradition and be there for the first pitch of the season, but with a heavy heart.

    “It’s a family tradition, but the Dodgers have a lot of work to do,” he said.

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  • Warmer weather has caused more biting flies
    A zoomed in shot of a fuzzy black fly with some white spots.
    The warmer weather and high water flow are causing an early outbreak of black flies in the San Gabriel Valley.

    Topline:

    The warmer weather and high water flow are causing an early outbreak of black flies in the San Gabriel Valley, according to officials.

    What are black flies? Black flies are tiny, pesky insects that often get mistaken for mosquitoes. The biting flies breed near foothill communities like Altadena, Azusa, San Dimas and Glendora. They also thrive near flowing water.

    What you need to know: Black flies fly in large numbers and long distances. When they bite both humans and pets, they aim around the eyes and the neck. While the bites can be painful, they don’t transmit diseases in L.A. County.

    A population spike: Anais Medina Diaz, director of communications at the SGV Mosquito and Vector Control District, told LAist that at this time last year, surveillance traps had single-digit counts of adult black flies, but this year those traps are collecting counts above 500.

    So, why is the population growing? Diaz said the surge is unusual for this time of year.

    “We are experiencing them now because of the warmer temperatures we've been having,” Diaz said. “And of course, all the water that's going down through the river, we have a high flow of water that is not typical for this time of year.”

    What officials are doing: Officials say teams are identifying and treating public sources where black flies can thrive, but that many of these sites are influenced by natural or infrastructure conditions outside their control.

    How to protect yourself: Black flies can be hard to avoid outside in dense vegetation, but you can reduce the chance of a bite by:

    • Wearing loose-fitted clothing that covers the entire body. 
    • Wearing a hat with netting on top. 
    • Spraying on repellent, but check the label. For a repellent to be effective, it needs to have at least 15% DEET, the only active ingredient that works against black flies.
    • Turning off any water features like fountains for at least 24 hours, especially in foothill communities.

    See an uptick in black flies in your area? Here's how to report it

    SGV Mosquito and Vector Control District
    Submit a tip here
    You can also send a tip to district@sgvmosquito.org
    (626) 814-9466

    Greater Los Angeles Vector Control District
    Submit a service request here
    You can also send a service request to info@GLAmosquito.org
    (562) 944-9656

    Orange County Mosquito and Vector Control
    Submit a report here
    You can also send a report to ocvcd@ocvector.org
    (714) 971-2421 or (949) 654-2421

  • Rent hike to blame
    A black and brown dog lays down on a brown sofa on the foreground. In the background, a man wearing a plaid shirt sits.
    Jeremy Kaplan and Florence at READ Books in Eagle Rock.
    Topline:
    Local favorite mom and pop shop READ Books in Eagle Rock is facing displacement due to a steep rent hike. The owners say they’re just one of several small businesses along Eagle Rock Boulevard struggling to keep up with lease increases.

    The backstory: Over the past 19 years, many in the neighborhood have come to love READ Books for its eclectic collection of used titles and their shop dog Florence.

    What happened? The building where Kaplan and his wife Debbie rent was recently sold and the rent increased by more than 130% to $2,805 a month, Kaplan said. He told LAist it was an increase his small business simply could not absorb.

    What's next? While he looks for a new spot, Kaplan says he’s forming a coalition of local businesses and activist groups to see what can be done to help other small businesses facing similar displacement. He wants to address the displacement issue for businesses like his, which have made Eagle Rock the distinctive neighborhood that it is today.

    Read on... for what small businesses can do.

    A local favorite mom-and-pop bookshop in Eagle Rock is facing displacement due to a steep rent hike. The owners say theirs is just one of several small businesses along Eagle Rock Boulevard struggling to keep up with lease increases.

    Over the past 19 years, many in the neighborhood have come to love READ Books for its eclectic collection of used titles and shop dog Florence.

    Co-owner Jeremy Kaplan said it’s been a delight to grow with the community over the years.

    “Like seeing kids come back in, who were in grade school and now they’re in college,” Kaplan said.

    But the building where Kaplan and wife Debbie rent was recently sold, and the rent increased by more than 130% to $2,805 a month, Kaplan said. He told LAist it was an increase his small business simply could not absorb.

    Kaplan said he originally was given 30 days notice of the rent increase. After some research, assistance from Councilmember Ysabel Jurado’s office and some pro-bono legal help, Kaplan said he pushed back and got the 90-day notice he’s afforded by state law.

    California Senate Bill 1103 requires landlords to give businesses with five or less employees 90 days’ notice for rent increases exceeding 10%, among other protections.

    Systems Real Estate, the property management company, did not immediately respond to LAist’s request for comment.

    What can small businesses do? 

    Nadia Segura, directing attorney of the Small Business Program at pro bono legal aid non-profit Bet Tzedek said California law does not currently allow for rent control for commercial tenancies.

    Outside of the protections under SB 1103, Segura said small businesses like READ Books don’t have much other recourse. And even then, commercial landlords are not required to inform their tenants of their protections under the law.

    “There’s still a lot of people that don’t know about SB 1103. And then it’s very sad that they tell them they have these rent increases and within a month they have to leave,” Segura said.

    She said her group is seeing steep rent hikes like this for commercial tenants across the city.

    “We are seeing this even more with the World Cup coming up, the Olympics coming up. And I will say it was very sad to see that also after the wildfires,” Segura said.

    Part of Bet Tzedek’s ongoing work is to advocate for small businesses, working with landlords who are increasing rents to see if they are willing to give business owners longer leases that lock in rents.

    What’s next 

    After READ Books posted about their situation on social media, commenters chimed in to express their outrage and love for the little shop.

    While he looks for a new spot, Kaplan says he’s forming a coalition of local businesses and activist groups to see what can be done to help other small businesses facing similar displacement. He wants to address the displacement issue for businesses like his, which have made Eagle Rock the distinctive neighborhood that it is today.

    Owl Talk, a longtime Eagle Rock staple selling clothing and accessories in a unit in the same building as READ Books, is facing a “more than double” rent increase, according to a post on their Instagram account.

    Kaplan said he’s been in touch with the office of state Assemblywoman Jessica Caloza and wants to explore the possibility of introducing legislation to set up protections for small businesses like his, including rent-control measures or a vacancy tax for landlords. Kaplan said he also reached out to the office of state Sen. Maria Durazo.

    By his count, Kaplan said there are about a dozen businesses within surrounding blocks that are at risk of closing their doors or have shuttered due to rent increases or other struggles.

    When READ Books was founded during the Great Recession, Kaplan said he knew it was a longshot to open a bookstore at the same time so many were struggling to stay in business.

    “It was kind of interesting to be doing something that neighborhoods needed. That was important to me growing up, that was important to my children, that was important to my wife growing up,” Kaplan said.

    “And then somebody comes in and says, ‘We’re gonna over double your rent.”

  • Ballots to be sent out
    A person sits in the carriage of a crane and places solar panels atop a post. The crane is white, and the number 400 is printed on the carriage in red.
    A field team member of the Bureau of Street Lighting installs a solar-powered light in Filipinotown.

    Topline:

    The Los Angeles City Council approved a plan in a 13-1 vote on Tuesday to send ballots to more than half a million property owners asking if they are willing to pay more per year to fortify the city’s streetlight repair budget, most of which has essentially been frozen since the 1990s. The item still requires L.A. Mayor Karen Bass’ signature, but her office confirmed to LAist on Wednesday that she’ll approve it.

    Frozen budget: Most of the city’s Bureau of Street Lighting budget comes from an assessment that people who own property illuminated by lights pay on their county property tax bill. The amount people pay depends on the kind of property they own and how much they benefit from lighting. A typical single-family home currently pays $53 annually, and in total, the assessments bring in about $45 million annually for the city to repair and maintain streetlights. Changing the amount the Bureau of Street Lighting gets from the assessment requires a vote among property owners who benefit from the lights.

    Ballots: L.A. City Council’s vote gives city staff the green light to prepare and send out those ballots. Miguel Sangalang, who oversees the bureau, said at a committee meeting earlier this month that he expects to send out ballots by April 17. Notices about the ballots will be sent out prior to the ballots themselves.

    Near unanimous vote: L.A. City Councilmember Monica Rodriguez was the only “No” vote on Tuesday, saying she wanted to see a more current strategic plan for the bureau. Sangalang said the bureau developed a plan in 2022 that lays out how money will be spent. Councilmember Imelda Padilla was absent for the vote.

    Vote count: Votes will be weighted according to the assessment amount. Basically, the more you’re asked to pay yearly to maintain streetlights, the more your vote will count. Ballots received before June 2 will be tabulated by the L.A. City Clerk.

    How much more money: According to a report, the amount needed in assessments from property owners to meet the repair and maintenance needs of the city’s streetlighting in the next fiscal year is nearly $112 million.

    Use of the money: Sangalang said at a March 11 committee meeting that the extra funds would be used to double the number of staff to handle repairs and procure solar streetlights, which don’t face the threat of copper wire theft. That would all potentially reduce the time it takes to repair simple fixes down to a week. Currently, city residents wait for months to see broken streetlights repaired.The assessment would come with a three-year auditing mechanism.

    Topline:

    The Los Angeles City Council approved a plan in a 13-1 vote Tuesday to send ballots to more than a half-million property owners asking if they are willing to pay more per year to fortify the city’s streetlight repair budget, most of which essentially has been frozen since the 1990s. The item still requires L.A. Mayor Karen Bass’ signature, but her office confirmed to LAist on Wednesday that she’ll approve it.

    Frozen budget: Most of the city’s Bureau of Street Lighting budget comes from an assessment that people who own property illuminated by lights pay on their county property tax bill. The amount people pay depends on the kind of property they own and how much they benefit from lighting. A typical single-family home currently pays $53 annually, and in total, the assessments bring in about $45 million annually for the city to repair and maintain streetlights. Changing the amount the Bureau of Street Lighting gets from the assessment requires a vote among property owners who benefit from the lights.

    Ballots: L.A. City Council’s vote gives city staff the green light to prepare and send out those ballots. Miguel Sangalang, who oversees the bureau, said at a committee meeting earlier this month that he expects to send out ballots by April 17. Notices about the ballots will be sent out prior to the ballots themselves.

    Near unanimous vote: L.A. City Councilmember Monica Rodriguez was the only “No” vote Tuesday, saying she wanted to see a more current strategic plan for the bureau. Sangalang said the bureau developed a plan in 2022 that lays out how money will be spent. Councilmember Imelda Padilla was absent for the vote.

    Vote count: Votes will be weighted according to the assessment amount. Basically, the more you’re asked to pay yearly to maintain streetlights, the more your vote will count. Ballots received before June 2 will be tabulated by the L.A. City Clerk.

    How much more money: According to a report, the amount needed in assessments from property owners to meet the repair and maintenance needs of the city’s streetlighting in the next fiscal year is nearly $112 million.

    Use of the money: Sangalang said at a March 11 committee meeting that the extra funds would be used to double the number of staff to handle repairs and procure solar streetlights, which don’t face the threat of copper wire theft. That would all potentially reduce the time it takes to repair simple fixes down to a week. Currently, city residents wait for months to see broken streetlights repaired. The assessment would come with a three-year auditing mechanism.