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The Brief

The most important stories for you to know today
  • Income losses could be up to $500 million
    A wide look at the front of the restaurant, which is covered in meal advertisements and large banner at the bottom saying Altadena Strong, we will rebuild. A person is seen inside near the entrance.
    El Patron is located in the burn zone and has fought to survive after the Eaton Fire destroyed many nearby businesses and neighborhoods.

    Topline:

    We’re learning more about the January fires’ effects eight months later. New data is out that looks at the financial impact on mandatory evacuation zones that weren’t burned by the fires.

    What does it show? The evacuations around the L.A. fires may have cost Angelenos hundreds of millions in lost income. It also suggests the Eaton Fire area may have been hit harder in the short term with business disruption.

    How so? The Palisades burn zone had nearly two thirds of affected businesses and employees. But when the area was expanded, the Eaton Fire’s evacuation areas made up roughly three quarters.

    The numbers: Between the burn and evacuation areas, models show a potential loss ranging from $5 billion to $10 billion in all sales of goods and services — and up to $1.6 billion in taxes.

    New data is out that suggests the January fires in the L.A. region affected the local economy on a wider scale than just the burn zones.

    The findings come from the  L.A. County Department of Economic Opportunity and the  L.A. County Economic Development Corporation (LAEDC), a nonprofit organization that measures growth in the region.

    Listen 0:43
    Business shutdowns outside of the LA Fires may have cost workers up to $500 million in lost income

    Research initially focused on the loss of housing and jobs in the burn zones of the Palisades and Eaton fires. It’s now been expanded to include “secondary areas” — the periphery sections that were under mandatory evacuation but didn’t burn.

    What happened to the local economy next to the burn zones?

    While businesses in the burn zones were damaged or completely destroyed, those in the nearby areas were still significantly affected, said Dan Wei, an economist at LAEDC.

    “ Even they did not experience any property damages, many of those businesses face cleanup, safety checks and challenges, such as staffing shortages and slower return of customer demand,” she said.

    To see the financial effects, researchers modeled two scenarios for the evacuation zones where business was completely disrupted for two lengths of time. The first scenario was a shorter one where business was disrupted for about 20 days, while the second was a longer one that ended at around 45 days. Here’s what they found:

    • Loss of sales for all goods and services: $625 million to $1.2 billion
    • Employment losses: 3,250 to 6,140 job-years (this measures jobs for one calendar year)
    • Labor income losses: $250 million to $473 million
    • Loss of federal, state and local taxes: $119 million to $234 million

    Factoring in the burn and evacuation zones, between $5 billion and $10 billion may have been lost in total economic output, and up to $1.6 billion in taxes.

    The county has launched a campaign called "Shop Local. Dine Local. Recover Local." to help small businesses get back on their feet. Residents have also started restaurant crawls and dining clubs.

    How was housing affected?

    The flames destroyed or affected more than 18,000 structures, according to  CalFire damage inspection data, which doesn’t count smoke and ash damage.

    “ While Eaton’s losses were concentrated in larger single family development, the Palisades experienced more diverse impacts across housing types, schools and community structures,” said Matthew Skyberg, a  senior GIS research analyst with LAEDC.

    Single-family homes took the hardest hit between both fires, making up 68% of all destroyed structures.  

    Rent and home sales

    Fears of rent gouging were commonplace just after the fires. But when rental prices from last year were compared to current data from ZORI, Zillow’s rent index, the data only showed a slight short-term increase in the median rent for L.A. County after the fires started.

    “ However, by six months from the end of the wildfire in June, the middle rent in the county had cooled below’s 2024 trend,” LAEDC’s Max Chomas said.

    The increase was more pronounced in ZIP codes closer to the fires, but prices also dropped six months out.

    A graph with multiple lines extending horizontally showing the passeage of time. The lines represent different distances away from the fires compared to price changes. Properties less than 5.5 miles away saw the greatest increasin the four months after the fires, which lessened as you get further away. As of June, almost all the lines dip below the 2024 rent average.
    The surge decreases the farther you get away from the fires.
    (
    Courtesy LAEDC Institute for Applied Economics
    )

    The median amount doesn’t include high and low  rents. As LAist has reported, some rents did spike above California’s 10% limit on price gouging after disasters.

    Comparing the fires’ effects

    The two fires had different effects on Altadena and Pacific Palisades communities.

    In the burn zones, nearly 1,900 businesses and 10,000 workers were affected. Most of those were concentrated in the Palisades Fire.

    For evacuation areas, that jumps to about 5,000 businesses and nearly 37,500 employees. The Eaton Fire takes the lion's share there.

    Justin Adams, a senior economist with LAEDC, said  this is consistent with their overall findings.

    “This suggests that while the Palisades experienced more concentrated direct damage, the Eaton fire potentially created wider reaching business disruptions,” he said.

    “ While these businesses may recover more quickly, their temporary closure during the crisis did contribute significantly to economic losses and supply chains disruptions throughout the region,” Adams added.

    Recovery metrics

    Chomas said  there doesn’t appear to be evidence of a long-term flight of residents from the area. According to the data, house listings and sales in the burn areas have aligned with historical trends so far.

    But there’s still much to be done to keep people in their communities. As of Sept. 9, officials have approved 798 permits, which represents 3% of destroyed residential buildings. Compared to other recent fires,  L.A. County is in the middle here on recovery.

    A grid chart that shows the percentage of permits issued for the Carr, Camp, Marshall, Maui, and Tubbs fires at seven, 18 and 36 months. For example, the Carr Fire was at 4% at seven months, then 22% and then 36%. However, the Camp Fire was at 0%, then 7% and then 17%.
    Some rebuild permits for the L.A. fires have taken longer than expected to issue.
    (
    Courtesy LAEDC Institute for Applied Economics
    )

    “However, every wildfire seems to have its own recovery path,” Chomas said.

    As of May 2025, 94% of filed insurance claims have been paid, which are mostly for residential properties. Nearly two thirds of those claims are for lots in the Palisades Fire.

    Debris has also been cleared for nearly all parcels that signed up for federal removal.

  • Long Beach Unified seeking new operator
    parents walk their children along a sidewalk with a chainlink fence on one side and a row of cars on the other side.
    In this file photo from 2018, parents walk their kids to Edison Elementary School on the first day of school in Long Beach.

    Topline:

    The Long Beach Unified School District is looking for a new operator to handle a major after-school program following the city of Long Beach’s decision not to participate in an attempt to save money.

    Backstory: Since 2002, the city’s Parks Department has helped anchor the initiative, known to families as WRAP. It provides free programming for hundreds of transitional-kindergarten through eighth-grade students across seven local campuses.

    What's next: District officials emphasized that the state funding remains fully intact and that student services will continue without interruption.

    Read on ... for more on what the school district plans to do to keep the program running.

    The Long Beach Unified School District is looking for a new operator to handle a major after-school program following the city of Long Beach’s decision not to participate in an attempt to save money.

    Since 2002, the city’s Parks Department has helped anchor the initiative, known to families as WRAP. It provides free programming for hundreds of transitional-kindergarten through eighth-grade students across seven local campuses: Garfield, Edison, King, Grant, Lafayette, Burbank and Herrera.

    Long Beach Unified officials stress that the vital student services will continue under a new operator this fall. It’s not clear yet who it will be and what, if any, changes they’ll make.

    The city’s quiet retreat from the program has sparked deep anxiety among three full-time and 80 part-time municipal workers who now face potential layoffs.

    Workers say they were first notified of the decision during a June 15 staff meeting with a city superintendent, where they were told their employment with the program would conclude on Aug. 15.

    “Everybody was kind of caught off guard,” said one 13-year city employee based at an elementary school, who spoke on the condition of anonymity to protect her position. “I mean, again, I’ve been doing this for 13 years; we had people there that had been doing it over 20 years that had never moved sites.”

    Today, the before- and after-school services are paid for primarily through the state-funded Expanded Learning Opportunities Program (ELOP), a combination of California’s After School Education and Safety (ASES) grant and specific ELOP apportionments.

    Historically, the city was granted this funding by the school district without a formal bidding process, typically receiving roughly $15 per student plus administrative fees, which it supplemented with allocations from its own general fund.

    This year, however, the school district was forced to overhaul its grant-funding process and consider bids to meet tightening state mandates for the program’s ELOP funding.

    Shortly after, the city informed the school district it would not bid on the program.

    City spokesperson Jennifer De Prez said the decision “was made so that the department can focus its limited financial resources” on other programs it runs.

    The city is facing an estimated $61 million budget shortfall in the upcoming fiscal year — a deficit that top administrators warn makes citywide reductions inevitable.

    The city could not immediately provide numbers on how much money it expected to save by ending its participation in the WRAP program. Last year, the city provided $193,254 of in-kind-services at its own expense on top of the program’s grant-funded budget, according to documents provided by De Prez.

    Meanwhile, the school district went ahead with a bid application for a replacement operator on May 22. Proposals were due June 12 and are scheduled to go before the Board of Education for consideration at its July 15 meeting.

    District officials emphasized that the state funding remains fully intact and that student services will continue without interruption.

    The district and the city are also working on a joint letter to families detailing the transition, which is scheduled to be sent out soon.

    But for the frontline staff, the transition has been destabilizing and abrupt.

    These part-time employees, who work between 20 and 30 hours per week depending on the season, rotate through campuses where individual site enrollment ranges from 85 to 160 students.

    The employee who spoke with the Post said that despite directives from supervisors to keep the changes quiet until future plans solidified, she chose to notify parents so they would have time to prepare.

    “As a parent, I would want to know if it’s not the same people that I’ve trusted my kids with for years,” she said.

    The long-term fate of the workforce remains unresolved, forcing many to look for employment elsewhere.

    “As far as employment opportunities, they didn’t lay us off, they didn’t fire us, they just basically told us the contract with the schools will be done August 15,” the anonymous employee said. “Past that, we have no idea what’s going to happen.”

    City officials say they will soon meet with representatives of the International Association of Machinists (IAM) union to discuss the workers’ future.

    “We are committed to ensuring this process is transparent, informed by complete information, and focused on protecting both employees and the quality and continuity of the vital services the WRAP program provides to the Long Beach community,” said Sashi Muralidharan, a spokesperson with IAM 947.

    Editor’s note: This story was updated with more information about the program’s cost to the city.

  • Sponsored message
  • South LA group criticizes policy around venues
    An aerial view of audience stands and a grassy field. Buildings are in the distance behind the arena.
    The 2026 FIFA Fan Festival was hosted at the Los Angeles Memorial Coliseum.

    Topline:

    A community organization in Los Angeles is criticizing how the FBI enforced a strict no-drone policy around World Cup venues after federal agents disrupted a community gardening event in South L.A.

    What happened: The incident took place the first Sunday of the tournament, while crowds were watching matches at the FIFA Fan Festival at the Los Angeles Coliseum. Nearby, the Los Angeles Neighborhood Land Trust was hosting a celebration for teenagers who had created a native plant garden. Then someone flew a drone to photograph the moment.

    How were agents involved: Moments later, the Department of Homeland Security agents, Los Angeles police officers and the FBI were on the scene, according to an organizer. They confiscated the drone and fined the person operating it.

    Background: The drone had violated temporary flight restrictions implemented for the World Cup.

    Read on … for what organizers and the federal government had to say about the incident.

    A community organization in Los Angeles is criticizing how the FBI enforced a strict no-drone policy around World Cup venues after federal agents disrupted a community gardening event in South L.A.

    The incident took place the first Sunday of the tournament, while crowds were watching matches at the FIFA Fan Festival at the Los Angeles Coliseum. Nearby, the Los Angeles Neighborhood Land Trust was hosting a celebration for teenagers who had created a native plant garden on a patch of land that used to be an oil drilling site.

    Then someone flew a drone to photograph the moment. Minutes later, Department of Homeland Security agents and Los Angeles police officers were on the scene, according to Bz Zhang, a project manager who was helping run the event. Soon the FBI arrived. They confiscated the drone and fined the person operating it.

    Two people are near a small grey drone that is on a dirt ground. One person is standing while holding a clipboard. Another is leaning over the drone and taking a photo on their phone. The dirt lot that they're standing on is vacant.
    The Neighborhood Land Trust was hosting a celebration for teenagers who had created a native plant garden on a patch of land that used to be an oil drilling site when authorities arrived.
    (
    Wendy Salvador
    )

    " We were unknowingly in violation of federal airspace, and we were told that we were a threat to national security," said Zhang, who witnessed the encounter.

    The drone had violated temporary flight restrictions implemented for the World Cup. The Federal Aviation Authority has banned unauthorized drones within "3-nautical-mile radius and up to 3,000 feet above ground level" around stadiums on match days and also prohibited them around certain fan events, like the one at the Coliseum.

    Since the tournament started in L.A., federal authorities have seized dozens of drones near SoFi Stadium and the Coliseum, according to the FBI. In total, more than 600 drones have been confiscated across the country.

    The crackdown is part of an effort across all 11 U.S. host cities to identify and remove unauthorized drones from the skies around World Cup venues and fan events. Ahead of the tournament, FEMA awarded host cities $250 million specifically to combat drone usage.

    "We knew we needed to act quickly to keep the World Cup safe from the rising threat of unmanned aircraft systems and that’s exactly what we did,” said Karen Evans, FEMA's acting cdministrator, in a statement announcing those funds.

    But Zhang said that the incident at the garden represented the unintended consequences of hosting mega-events like the World Cup for ordinary community members.

    " It's one thing to be aware of construction. … It's another to be expected as residents to know, to the 10th of a mile, that I'm in a particular zone and that, to the hour, I need to be in compliance," Zhang said.

    Laura Eimiller, FBI spokesperson, disagreed. She said drone operators are responsible for knowing the rules and that every person in L.A. who had a drone confiscated during the World Cup also received a fine.

    "There's been a zero-tolerance approach," Eimiller said.

  • Visit Caltech's Corona del Mar research outpost
    A black and white photo depicts a beachfront marine lab with a central tower and tiled roof.
    Kerckhoff Marine Lab, Corona del Mar, circa 1935

    Topline:

    Hiding out among the luxury beachfront condos in the Newport Beach neighborhood of Corona Del Mar is Caltech’s Kerckhoff Marine Laboratory.

    A ‘magical’ marine station: The place is one of the oldest running marine labs on the West Coast. Scientists that have conducted research there include Wheeler North, who studied the ecology of kelp forest.

    Keep reading ... to find out how you can visit ...

    Hiding out among the luxury beachfront condos in the Newport Beach neighborhood of Corona Del Mar is an outpost where scientists have been conducting important marine research for nearly a century.

    And you can go check the place out for yourself.

    A ‘magical’ marine station 

    With its Spanish style architecture that includes a central tower and red-tiled roof, Caltech’s Kerckhoff Marine Laboratory looks like it’s been teleported in from another time and place.

    Originally built as a boat and club house, it was purchased by Caltech in 1929 for use as a beachfront science outpost.

    Victoria Orphan, James Irvine Professor of Environmental Science at Caltech and director of the Kerckhoff Marine Lab, said the place is one of the oldest running marine labs on the West Coast.

    “There’s something just really magical about marine stations. They’re rustic, so it’s not like you’re going into a fully polished clean room. But that’s part of the charm and you really feel the history,” Orphan said.

    One of her favorite spots? The tower. That’s where Orphan said some famous papers were written.

    “Sometimes when I have writer’s block, I’ll go and sit in the tower and try to channel the scientists of old,” she told LAist.

    That would include the work of Wheeler North, one of Orphan’s heroes. From 1962 to 2002, he conducted pioneering research on the ecology of kelp forests. Orphan said North’s work was instrumental for learning how an imbalance in the sea urchin population can decimate kelp forests.

    These days that important research continues, with scientists at the lab looking at how microbes can capture carbon dioxide, mitigating global warming. They even have a 4-foot, bright yellow autonomous vehicle that scans the seafloor so scientists can learn more about seagrasses, which are important for oxygen creation and carbon capture, serve as fish nurseries and help protect the coastline from storm surge.

    A photo shows a white marine lab building. The structure features a large tower and red-tiled roof
    Kerckhoff Marine Laboratory in Corona del Mar
    (
    Courtesy Caltech photo archive
    )

    “In areas where you have seagrass, you get less sediment erosion [and] a little more protection of the property on land, which people who live on the coast care about,” Orphan explained.

    Engineers from Jet Propulsion Laboratory are also interested in using autonomous vehicles in cooperation with the lab to see how they can help study the deep ocean right outside the harbor.

    You can visit the lab to learn about all of the science going on there, with free open houses on Tuesdays and monthly ‘Science and Sunsets’ events that include dinner and cocktails at the historic outpost.

    How to visit

    Kerckhoff Marine Laboratory
    101 Dahlia Ave., Newport Beach

  • Central Library exhibit targets world record
    Two men pose in front of a giant pop-up-book art installation featuring a tree, a feathered serpent and a sea turtle inside the LA Central Library rotunda.
    Matthew Reinhart, left, and Daniel González, right, created “Luceros y Penumbras,” a pop-up book seeking to break the world record for size.

    Topline:

    A pop-up book that’s seeking to break the world record for size has unfolded at the Central Library in downtown Los Angeles.

    The backstory: Luceros y Penumbras, which roughly translates to “starlight and shadows,” is part of the Central Library’s centennial celebration. The towering tome is rooted in L.A. artist Daniel González’s experience visiting the library and his family in Mexico as a child. “It's a knowledge tree that's been shaped by all these different things that I've learned at the library, about myself, about the city I grew up in [and] about the town where my family's from,” González said.

    How it was made: González sketched the images, carved them into linoleum, printed them with ink and then digitized them to add color and other details. Matthew Reinhart, a paper engineer, author and illustrator, designed the three-dimensional build. “ My job is really making mistakes,” Reinhart said. “Making mistakes, figuring out where they are and solving them and— of course— making them look good.”

    The stats: Luceros y Penumbras is four pages that open to create two scenes— one of the Central Library building and another of a sprawling tree. The book is 31 feet wide, more than 11 feet tall, and weighs 1,800 pounds.

    How to visit: The pop-up book is on display in the rotunda from Saturday through mid-November during the Central Library’s regular hours.

    Read on ... to learn more about what it took to create this 1,800-pound pop-up book. 

    A pop-up book that’s seeking to break the world record for size has unfolded at the Central Library in downtown Los Angeles.

    The art piece is 31 feet wide, more than 11 feet tall, and weighs in at 1,800 pounds.

    Luceros y Penumbras, which roughly translates to “starlight and shadows,” is rooted in L.A. artist Daniel González’s experience visiting the library and his family in Mexico as a child.

    “It's a knowledge tree that's been shaped by all these different things that I've learned at the library, about myself, about the city I grew up in, [and] about the town where my family's from,” González said.

    The nonprofit Library Foundation of Los Angeles collaborated with the library to commission the piece as part of the Central Library’s centennial celebration.

    The project is inspired, in part, by the library’s Toy Movable collection, an archive of more than 2,000 pop-up books.

    “Normal pop-up books … they seem so simple, but something amazing pops out when you open the page,” said Todd Lerew, the foundation’s director of special projects. “That sort of childlike wonder that you feel that's persistent, even as an adult, is something that was really important to capture and dial up to 11 with this project.”

    The origin of 'Luceros'

    The foundation asked González in June 2025 to create a book that told the story of his personal relationship with the library. As González pondered questions including  ”What did the library do for me as a young person?" and "Why was I so attracted to it?" he thought about how knowledge was passed down in his family through the generations.

    His grandmother told him stories about the stars above her farm near Teúl, Zacatecas, in Mexico. She said those that emerged at dawn — luceros — were among the most special because they signaled the start of a new day.

    “ I looked at those stars … and the histories that my grandparents were sharing with me as these guiding lights,” González said. “Just like the library is a guiding light for many people.”

    A woman wearing a wide-brimmed straw hat and a maroon shawl, smiles  at the camera in a garden.
    Daniel González's maternal grandmother, Isabel Gómez, told him stories about the creatures that lived near her farm, including owls, that could teach healing.
    (
    Courtesy Daniel González
    )

    González grew up blocks away from the Benjamin Franklin Library in Boyle Heights.

    “ I spent summers there because it was literally the coolest place to be,” González said. “It just gave me the opportunity to explore anything that I had an interest in.”

    A childhood snapshot a boy with brown hair, resting his chin in his hand as he sits on a floral-print couch holding a pencil. He wears a white "Saint Mary's Aztecs" T-shirt, with newspapers spread out beside him.
    Daniel González, as a child, after an unsuccessful attempt to make a kite after a trip to the library.  "My dad's like, 'I'm gonna take a picture of you so you can see what you look like when you get grumpy,'" he said.
    (
    Courtesy Daniel González
    )

    Later, he’d visit the Central Library during a middle school field trip and return on the bus to wander the stacks and ask the staff questions.

    “ I'm really lucky that I met the people that nurtured that curiosity,” González said.

    From sketches to ‘paper engineering’

    First, González sketched the images, carved them into linoleum, printed them with ink and digitized them to add color and other details.

    A linocut print of an oak tree sits in a display case alongside the carved block, ink roller and carving tools used to make it.
    A few of Daniel González's tools. In the future, he plans to sell prints related to "Luceros y Penumbras."
    (
    Mariana Dale
    /
    LAist
    )

    Matthew Reinhart, children’s book author, illustrator and “paper engineer,” was tasked with translating the images into three dimensions.

    “ My job is really making mistakes,” Reinhart said. “Making mistakes, figuring out where they are and solving them and — of course — making them look good.”

    The construction and the fabrication of the book took the work of more than 30 people over a series of months. At least a dozen people using giant poles capped with cushions turn the pages.

    Fast facts about Luceros y Penumbras

    Dimensions: 31 feet wide, more than 11 feet tall, and
    Weight: More than 1,800 pounds
    Materials: paper, corrugated cardboard and fabric
    Artist: Daniel González
    Paper engineer: Matthew Reinhart
    Fabricated by: Goodnight & Co.

    Luceros y Penumbras is four pages that open to create two scenes — one of the Central Library building and another of a sprawling tree with an I Spy-like collection of creatures and images throughout. The featured pages will change throughout the exhibition, which is open until mid-November.

    A giant pop-up spread featuring a tree, feathered serpent, coyote and sea turtle towers over a regular-sized copy of the same pop-up book at the L.A. Central Library.
    There are at least a dozen different symbols throughout “Luceros y Penumbras."
    (
    Mariana Dale
    /
    LAist
    )

    The sea turtle at the base of the tree is a reference both to the creatures that live in the San Gabriel River and to the original inhabitants of the L.A. basin. The Gabrielino-Tongva Tribe tells a story that connects the region’s earthquakes to the turtles.

    “When we think of sea turtles, we think of these faraway places where they live, like tropical places,” González said. “But they exist here and they've had to adapt to a changing climate, a changing environment, and find places to call home, just as people do.”

    Other images include:

    • A star resting in an outstretched hand in honor of Octavia E. Butler, the science fiction writer who also spent time in the library. 
    •  Quetzalcoatl, the feathered serpent Aztec deity and a frequent motif in East L.A.’s murals. 
    • An owl, a symbol of knowledge associated with the Greek goddess Athena and the Roman goddess Minerva. 

    González said the goal is for viewers to create their own narrative about what they see.

    “ I just hope that people carry with them a sense of curiosity to further explore the things that I present, but also maybe something within them,” González said.

    Visit the pop-up book

    Central Library Centennial Festival

    See Luceros y Penumbras — and visit LAist — at the celebration of the library’s 100th birthday.
    When: Saturday, 10 a.m.-4:30 p.m.
    Cost: Free
    Address: 630 W. Fifth St., Los Angeles
    More information, including parking, here.

    On display

    When: Saturday through mid-November
    Address: Central Library, 630 W. Fifth St. Los Angeles
    Hours: 
    10 a.m.-8 p.m. Monday-Wednesday
    9:30 a.m.-5:30 p.m. Friday-Saturday
    1 p.m.-5 p.m. Sunday
    Parking: Validated rate available during library hours at 524 S. Flower St., more information