The Brief

You may have heard that Los Angeles is getting a new area code this year: 738.

It will be an “overlay” around downtown, where 213 and 323 numbers currently get assigned, starting in November, the 12th area code in the region. Expect many to give this new kid on the block a side eye, because, as many Southern Californians know, we rep our area codes hard.

They may just be three numbers, but they're a badge of identity, and say a lot about you.

213? Congrats, you have an OG code and may have lived in L.A. a long time. (Or you just got lucky in the phone store in which case, we salute you). 626? SGV folk, you’re so invested they named a night market after it.

We wanted to know what you thought about your numbers, and you did not disappoint. Here’s what you told us:

The 310 

When Alejandra Alarcon was in middle school in L.A. County, she loved to call her friends a lot on the family’s landline. But around that time, she had to make a transition. The 310 region — which mostly covers west L.A. and the South Bay — was overlaid with a 424 area code, so she had to make sure to start dialing her friends with their full numbers. Then it was time to get her first cell phone — and potentially a 424 number — a moment she keenly remembers.

“I was pretty sure that if I were given a 424 number, I would have told the person, ‘please give me 310.’ Thankfully, I didn't have to do that,” she said. “To me, having a 310 phone number is my way of letting people know I don't just live in the South Bay. I am born and raised in the South Bay.”

(The pool of available phone numbers gets added to all the time, so yes, you can ask for a specific area code!)

Alarcon says she doesn’t know why Angelenos are so passionate about their area codes, but it’s akin to feelings about a sports team for her.

When her cousins moved to Mid-City and got a 323 area code, that number change was also symbolic of contrasting experiences.

“There was something about that that signified you live in Los Angeles, but it's a different Los Angeles.”

The official map of area codes in Southern California.

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Courtesy North American Numbering Plan Administrator

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The string of numbers can represent big things like wealth, environment and culture. It can show an experience that people in other areas might not share, like living in a beach city or up in the desert. But for Alarcon, 310 still shows off her South Bay love better than 424 ever could.

The 818 

Danny Duarte proudly has “818 till I die” in his Instagram bio, which is a nod to late comedian Brody Stevens who included the line in his sets.

“I just want people to know where I'm from,” Duarte said. “It’s a way to keep Brody Stevens’ legacy alive because that was his saying and he was from Reseda.”

The 714 

Daphne Ruiz, who was born and raised in Anaheim, keenly remembers how it felt to hear Gwen Stefani give a shout-out to Harbor Boulevard in her song “Cool” and it’s part of why Ruiz is so proud of the 714.

“Even though in the media you only see the south side depicted — it means a lot to me that I grew up around Mexican and Vietnamese immigrants. I just feel like there’s so much life in North Orange County, in the 714.”

The 909

Area codes can also indicate where you got your phone. Renée Saldaña, who grew up on the border of the San Gabriel and Pomona valleys, handpicked her code at first because she wanted to fit in.

Saldaña and her sisters got their first cell phones around the time that KROQ’s Kevin and Bean show cracked a lot of jokes about the 909 Inland Empire residents.

“My sisters and I really wanted to disassociate ourselves from being anywhere with the 909, even though our home landline was a 909 number,” Saldaña said. “We wanted people to think that we were from like L.A. or at least like the Pasadena area, which was back then, you know, seemingly a lot cooler than the 909.”

Their solution? Drive far away and get a 626 number. They would only get new phones squarely in places like the San Gabriel Valley, Rowland Heights and the City of Industry. But as she’s gotten older, the drive to look cool has changed.

“I care less about the area codes and what county I'm associated with, ironically,” she said. “I live in Eagle Rock now, but I still have a 626 area code. I do still kind of have a heart for 626. I like keeping that area code.”

The 626 

Some codes are far more popular than others. If there were a ranking list of codes, a lot of Southern Californians would go to the mat for 626.

For Brandon Yung, that area code is synonymous with his experience growing up in the San Gabriel Valley.

“It’s something I really identify with,” Yung said. “I had a friend growing up who tattooed 626 on his shoulder and kept it.”

Yung says he’s never changing his phone number, even though he lives in the Bay Area now. “San Gabriel Valley for life. That's what's up.”

The 626 code is an icon in some ways, and Yung says that it’s especially known in Asian communities. It’s slapped on merchandise, there’s the 626 Night Market and a host of other ways those three numbers have been turned into an identity.

But Filbert Aung has a “complicated relationship with claiming 626.” He saw it gain a lot more traction as he got older. When the 626 Night Market first started happening at Santa Anita Park, he remembers feeling good about his home getting representation.

But as it grew in popularity, he began to feel like there was a disconnect between the idea being sold as the 626 and his lived experience.

“Its traction kind of coalesced with this kind of broader online and commercial success, like marketing the 626 as an Asian destination or an Asian mecca,” Aung said.

And marketing isn’t just reaching Angelenos. There’s a 626 Night Market OC now. Aung says it’s like packaging aspects of the 626 — that idea of Asian identity — in the form of a night market and exporting to Orange County.

“I do resonate with it,” Aung says about the area code, “but I think it still prompts the clarification.”

When you’re drinking a glass of water, you might not think about the potential for microplastics floating around inside the cup.

Earlier this month, the Environmental Protection Agency proposed new standards for monitoring our drinking water, a move that lays the groundwork for future safety regulation.

But microplastics aren't included on the list — and many advocacy groups are concerned.

More than 250 health professionals added their names to a May letter to the EPA that called microplastics "a public health crisis that can no longer be ignored."

“It is estimated that the average person consumes 4,000 or more microplastic particles annually from drinking water alone,” the letter continued.

The EPA released a statement to LAist Wednesday saying the agency "acknowledges the interest in and concern for microplastics in drinking water" and is in the process of taking steps to prioritize the needed research.

Why it matters

The proposed new testing program would require public water facilities to test for a list of up to 30 chemicals and contaminants such as pesticides and PFAS — dubbed "forever chemicals" — which are found in products like nonstick cookware.

Water safety advocates say it’s important to test for those chemicals because they can seep into water systems by runoff, factory leaching and landfill leakages. Experts say testing the substances helps identify what contaminants pose a health risk, and how much is present in water systems.

Safety advocates say they want microplastics added to the list because research has shown that ingesting them is potentially harmful to humans.

Over the past few years, governors, attorneys general and almost 200 organizations sent letters to the EPA urging the agency to include microplastics on the test list.

Among them is California Attorney General Rob Bonta, who is part of a 14-state coalition petitioning to add microplastics to the proposed new screening list, known formally as the UCMR 6.

“Microplastics clearly warrant further monitoring and regulation due to their prevalence throughout the environment and the rapidly growing evidence of their negative impact on the environment and public health,” Bonta and others stated in a joint letter to the EPA last month.

So what’s the challenge?

It takes time to develop, test and approve methods for testing certain contaminants in water so that public systems can uniformly and consistently measure them. With microplastics, the research just isn’t there yet, according to EPA officials.

“There is no validated EPA or consensus drinking water analytical method with the proper quality control data, accuracy, and precision that could be used for UCMR 6,” agency officials said in a filing published early this month in the Federal Register.

What this means locally

The good news for Southern California residents concerned about microplastics is that the state has pulled ahead of the federal government in microplastic screenings. A law passed in 2018, Senate Bill 1422, called on regulators to implement a testing plan for microplastics in large community water systems.

Implementation of the law is still in its early stages, so only certain providers are required to test for microplastics. The state chose departments based on water supply, size of agency and forms of treatment.

Once more analysis is done with these agencies, the law is designed to expand its reach to all water departments.

The Irvine Ranch Water District is one of the agencies selected by the state to perform testing.

Although validated methods have not yet emerged, Jim Colston, the district's director of water quality and regulatory compliance, said he is confident that the area’s water is safe.

“There are many pervasive sources of microplastics in the environment, but the public water supply has not been shown to be a significant source,” Colston said.

LAist spoke to authorities at several Southern California water departments, and all said that consumers should not worry about their drinking water.

“Our drinking water is safe,” said Pat Versluis, director of water quality for the Orange County Water District, which serves 2.5 million people in the central and North Orange County area.

“I'd say the state of California's process, it's been methodical for several years," Versluis said. "They seem to be getting closer to a more refined sample collection, sample analysis, and kind of process for monitoring water sources.

"And we're following that closely.”

Where you come in

• The UCMR 6 program still needs to be finalized by the end of the year.
• Once it goes into effect in January 2028, the list of substances will be tested in a three-year sample period. The process of examining the research can then take two or more years after that.
• The EPA is accepting public comments on this issue until Aug. 31.
• If you want to weigh in on microplastics testing, you can contact local government representatives or the EPA. (Food and Water Watch, a nonprofit advocacy group, provides templates for people who don’t know where to begin.)

For a city that has more than its fair share of movie shoots — from Barbie’s high-speed chase along Chestnut Place to serving as Hollywood’s budget-friendly stand-in for Miami and San Diego — it’s high time that Long Beach sets aside time to celebrate it.

The inaugural Long Beach Film Festival will run Aug. 29–30, mooring its first-year slate at the historic Art Theatre on Retro Row with four feature films, multiple short film blocks and industry panel discussions.

The idea, according to organizers, came together exactly where one assumes — a kids’ birthday party at a Signal Hill playground. Festival board president Teodor Todorov struck up a conversation with local filmmaker Hunter Stiebel after spotting him with a Sundance T-shirt.

At first, Stiebel refused; it’s difficult to put together, he said, and hardly worth the headache. “It’s so much work,” he continued. But he quickly reconsidered, thinking how he’s always wanted a stronger local cinephile presence since moving to the city. “How best to find it rather than make it yourself?” said Stiebel, who now serves as the festival’s director of programming.

The festival’s four main narrative features span genres from psychological horror to romantic science fiction. Leading the slate is “Downbeat,” a 91-minute South by Southwest entry directed by Danny Madden (“Everything Everywhere All at Once”) that follows a musician caught between personal relationships and artistic ambition. The lineup also includes “Ugly Cry,” a 94-minute psychological horror film directed by Emily Robinson that explores an actor’s dangerous obsession with perfection following a devastating audition.

Rounding out the feature selections are “Again Again,” a time-loop romantic sci-fi feature written by and starring Mia Moore and executive produced by Lilly Wachowski (“The Matrix”) about a woman facing the terrifying uncertainty of a new day after escaping a decade-long loop, and “Rescued,” written, directed by, and starring local filmmaker DJ Hale alongside Lindsay Shaw (“Pretty Little Liars”). There will also be four 90-minute segments of short films.

Filmed on location in Long Beach, “Rescued” explores homelessness and redemption through the story of a man whose life transforms after adopting a stray dog.

Hale, who based the movie on experiences faced by himself, his friend and producer Dominique Smith, and his mother, says it’s “a tremendous honor” to show the film here. “It feels perfect, it feels like it was supposed to happen,” he said.

Moving to Long Beach in 2020, he started working on the film in late 2022 and finished in January after an eight-month hiatus to get money for production. “(Smith) just randomly got this huge settlement check from a work injury that happened years ago, and he selflessly just put a big chunk of that to restoring the project,” Hale said.

He hopes the film can dispel myths and misconceptions about being homeless, and remind people that anyone can fall into homelessness.

“A lot of times, it’s just people who are literally living paycheck to paycheck, and then something happens that is unforeseen that causes them to get behind,” Hale said. “Hours can get cut, they could lose a job, get sick for an extended period of time, so on and so forth. … It’s just a snowball effect.”

The timing of the festival — in the dead of summer and amid a boon in indie theater attendance — almost couldn’t be better. Kerstin Kansteiner, vice president of the nonprofit Art Theatre, said the venue has a lot more flexibility with its schedule in the summer as opposed to the fall and winter, when major films are shown on studio-mandated terms leading up to the awards season.

And there’s a strong appetite for independent film, she added, saying the theater has had a strong increase in ticket sales she says is tied to event programming over the past couple of years.

“This new generation is embracing film, but it’s more than just film. … I think what they’re looking for is community and an event-based experience,” Kansteiner said, adding that summer programming allows the theater to run unique screenings, Q&A sessions, and local festivals like the Cambodia Town Film Festival and QFilmFest. “It’s been very, very successful.”

Where other festivals, including new ones in Glendale and Santa Monica, have relied on grants for funding, the Long Beach festival is seeded mainly by small monetary gifts and in-kind donations, with an almost entirely volunteer-based workforce.

Organizers say they want the festival, in years ahead, to become a happy medium between a benefit for local talent and a must-stop in the region to see films that dominate the festival circuit.

“A festival that feels both world-class and deeply rooted in Long Beach,” Stiebel said. “So, at this time when film and TV production has been fleeing California, Los Angeles, even the United States … we feel that it’s time that we are able to plant a flag here locally.”

Ahead of the August weekend, festival organizers will host a fundraiser Wednesday at Wine on Second in Naples. The event features a preview of “Rescued,” along with wine and hors d’oeuvres. Proceeds will support LBFF StoryLab, a local youth filmmaking initiative.

Individual screening tickets start at $10, while $150 VIP passes offer access to an opening night party at the Queen Mary, filmmaker mixers, panel sessions, and the festival’s VIP lounge. Tickets and schedule details are available on the festival website.

University of California officials announced Wednesday they have offered admission to a record number of California students. Around 102,000 residents were offered seats, about 1,400 more than last year. UC also admitted about 29,400 California community college transfers, another record high, officials said.

In Southern California, UCLA offered seats to 57% of California residents who applied, UC Irvine 52% and UC Riverside 87%. Around 2,500 of the admitted California students at UCLA are first-generation college students.

“For generations, a University of California education has been one of the state’s most powerful engines of social mobility, opening doors for talented students from every background and region of the state,” said UC President James B. Milliken. “The record number of California students we’re welcoming this year reflects UC's enduring commitment to expanding opportunity while preparing the next generation of leaders, innovators, educators and public servants."

UC has also increased its offer of admissions to out-of-state students and international students.

Why it matters

UCs increasing California student admissions is tied to a deal the university system struck with lawmakers after facing increased complaints from parents and students that the top UC schools — UCLA, UC Berkeley and UC San Diego — were so hard to get into.

The deal, UC’s Multi-Year Compact, requires UCs to increase in-state students by 1% every year and make it easier for community college students to transfer. In turn, the state would increase its funding to UCs to make up for the loss of revenue from non-state students — about a 5% increase every year.

The University of California has said it's on track to meet that goal.

Race and ethnicity in admissions

Earlier this year, the Justice Department accused UCLA of “intentionally” selecting students based on their race, favoring Black and Latino students. This is part of a larger trend of the Department of Justice pursuing legal action against the University of California in President Donald Trump’s second term, including suing UCLA over allegations that the university allowed antisemitism on campus. The Justice Department also unsuccessfully demanded a range of concessions to bring UCLA more in line with its ideology, in addition to more than $1 billion in fines. The administration also tried to freeze the university’s research funding, prompting an effort to have the state of California be a backstop.

But admission trends in race stayed mostly the same as in previous years.

Around 6% of California students offered admissions at UC identify as Black, proportional to the state’s Black population, while around 38% of the in-state admitted students are Latino. Around 40% of the state’s population is Latino.

Around 18% of the in-state students offered admissions identified as white and 33% Asian.