Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

The Brief

The most important stories for you to know today
  • Teens curate Y2K pieces in new exhibition
    Scattered individuals look at black walls filled with different artwork. The title "Piece of Me" is displayed on the left wall. There is a black and white portrait of Britney Spears across a pink background among various other artworks.
    The "Piece of Me" exhibition at the UC Irvine Langson Orange County Museum of Art’s ongoing biennial features many Y2K pieces.

    Topline:

    Art pieces connected through the theme of adolescence take center stage at an ongoing biennial at the UC Irvine Langson Orange County Museum of Art. Within the biennial, 15 Orange County teenagers curated an entire exhibition.

    The context: This youth-led exhibition is part of the museum’s Orange County Youth Curators program. It’s the first of its kind for OCMA.

    Read on … for more on how the exhibit came together.

    Adolescence is the main theme of this year’s Desperate, Scared, But Social biennial at the UC Irvine Langson Orange County Museum of Art's Costa Mesa location.

    The exhibition takes its name from the first album of punk rock riot grrrl outfit Emily’s Sassy Lime. Pieces about youth culture and girlhood are on full display at the museum, and part of the exhibition is curated by teenagers.

    Listen 3:20
    Orange County teens curate art exhibition on adolescence

    ‘Piece of Me’: An exhibition curated by teenagers

    A smaller exhibition within the biennial was curated entirely by 15 Orange County teenagers. Their exhibition, titled Piece of Me, is named after Britney Spears’ 2007 single.

    These teens were a part of the inaugural Orange County Youth Curators cohort through the museum. As part of the program, they worked together to create the exhibition, carefully choosing pieces from the museum’s existing collection, picking the color palette, and writing the title walls.

    “ I think curating art is really about storytelling first and foremost,” 17-year-old curator Laura Wagner said. “It's not about what you like personally. It's about what's important to show [to viewers] … to learn about a topic, to think about themselves and the world.”

    Britney Spears takes center stage 

    This is a portrait of a woman across a pink background. The woman herself is painted black and white.
    Alison Van Pelt's "Britney" was one of the first pieces chosen by the inaugural Orange County Youth Curators program for the "Piece of Me" exhibition.
    (
    James Chow
    )

     The main centerpiece of the exhibition is a never-before-seen Alison Van Pelt oil and graphite portrait of Spears.

    In it, Spears wears a cross around her neck and has cutouts of stars as pupils in her eyes. The picture seems clear, but if you get up close, it’s actually blurry.

    Wagner said that in the deliberation process for what to install for the exhibition, Van Pelt’s “Britney” made it in almost immediately.

    “I think that attracted me and all of the other teens in general, firstly because of how vibrant it is. It includes a very vibrant color of pink on it. But also just because of Britney Spears and her story and what she represents for media in general,” Wagner said. “As a teenager, [Spears’] entire life was put on blast, and everyone thinks that they know Britney so personally. But on the inside, I don't think anybody really knows the true Britney. And we also think that the blurriness kind of represents how identity functions up close.”

    Why the museum chose to center teen voices

     While the pieces in the exhibition span generations, for OCMA chief curator Courtenay Finn, what was exciting about the project was giving teenagers a chance to draw connections and reflect on their own experiences.

    “ As part of the planning for the biennial, we really wanted to make sure that there was a space where teens had a voice in the exhibition. And this dovetailed very nicely with a shared interest that we all had in starting a teen program at the museum,” Finn said.

    This was the first biennial to take youth as a central theme, and Finn said having teens deliberate their own exhibition gave her a fresh perspective on how she approaches her own work as a curator.

    “ We really had this idea to dig deep into the sort of theme of how creative and how important it is to listen to young people and how impactful they are at the age that they are," Finn said. "Not just when you grow up, that you can do something, but the way that they look at the world and what they're imagining for our future.”

    Desperate, Scared, But Social is up now until Jan. 4 at the UC Irvine Langson Orange County Museum of Art's Costa Mesa location.

  • Super Bowl brings spotlight ahead of LA28 Olympics
    An Asian man with blonde hair in a red uniform gestures while holding a football on a field.
    Team Japan scores a point against Team Panama during the NFL Flag International Championship at Moscone Center in San Francisco on Tuesday.

    Topline:

    The sport is set to make its Olympic debut at the 2028 Summer Games in Los Angeles, and NFL players will be allowed to take part.

    Why it matters: With 20 million players, flag football is one of the world’s fastest-growing sports and a growth area for the NFL and its international counterpart, the International Federation of American Football.

    Why now: As the Seattle Seahawks and New England Patriots get ready to push, tackle and elbow their way to victory in Super Bowl LX, the NFL has been showcasing the contactless version of the sport leading up to the big game on Sunday in Santa Clara.

    The context: The NFL has ramped up efforts to support flag football in 15 countries, including Australia, Spain and Brazil, where the league is growing its reach with on-the-road NFL games next season. Flag football is also making inroads in the U.S. In December, all 32 NFL clubs voted to invest a collective $32 million to develop and launch a professional flag football league.

    As the Seattle Seahawks and New England Patriots get ready to push, tackle and elbow their way to victory in Super Bowl LX, the NFL has been showcasing the contactless version of the sport leading up to the big game Sunday in Santa Clara.

    With 20 million players, flag football is one of the world’s fastest-growing sports and a growth area for the NFL and its international counterpart, the International Federation of American Football. It’s set to make its Olympic debut at the 2028 Summer Games in Los Angeles, and NFL players will be allowed to take part.

    The NFL, which has invested heavily to expand flag football in the U.S. and abroad, planned no less than seven unique flag football-related events this week in the Bay Area, from the Pro Bowl Games to an under-13 international championship.

    Beth Spicer, a middle-school student from Ireland, traveled to San Francisco to represent Ireland in that match Wednesday — the first time the co-ed tournament was held during a Super Bowl week, according to the NFL.

    “I only learned how to throw a ball four months ago, and I just fell in love with it,” she said. “It’s not really like any other games. You’re getting tagged at the hips, so you have to move them. It’s unique, but it’s really good.”

    Back home, the most popular sports include Gaelic football, hurling and soccer, according to the Ireland team’s head coach, Rob Cooper. He said the flag football program at his school got underway after the NFL reached out, offering free training and equipment.

    “ We took it up, and the kids have loved every moment of it since then,” Cooper said. “I have no doubt that flag football, especially in Ireland, will continue to grow massively over the next couple of years.”

    Flag football is a less gear-intensive version of traditional tackle football. Instead of physical confrontations, players must strip a length of fabric dangling from either side of a ball carrier’s waist to stop their forward progress.

    The lack of contact means players aren’t required to wear helmets or pads, and in the version set to be played at the Olympics, the games are shorter, faster and have only five players per side, instead of 11.

    The NFL started its first international flag football program in Mexico in 2000, according to Afia Law, who heads international flag football development for the league.

    “ It’s all about creating access to the game for young adults and girls, regardless of the country you are in, regardless of your background, creating an opportunity for you to access the game,” Law said.

    The NFL has ramped up efforts to support flag football in 15 countries, including Australia, Spain and Brazil, where the league is growing its reach with on-the-road NFL games next season.

    Law said flag football’s Olympic debut will be “absolutely huge.”

    “We’ve had people that are passionate about this game playing around the world for so long, and now we finally get to see them on the world stage playing in the game that they’re fantastic at,” Law said.

    Kodie Fuller, an NFL and IFAF flag football ambassador from Australia, is excited that her sport is getting international recognition at the Olympics. She grew up playing traditional tackle football but transitioned to playing flag football three years ago.

    “ As I got a little bit older, not taking hits every weekend definitely felt a lot nicer on my body,” Fuller said.

    Now an Olympic hopeful herself, the 29-year-old said the Olympic debut will encourage more young athletes, especially young women, to get into the sport.

    “We can sell the Olympic dream to all of them, because it is a very real possibility now,” she said.

    Flag football is also making inroads in the U.S. In December, all 32 NFL clubs voted to invest a collective $32 million to develop and launch a professional flag football league.

    Last spring, the Atlantic East Conference launched the first-ever NCAA women’s flag football season. Since the 2023-2024 school year, flag football has been a statewide-sanctioned sport for high school girls in California, although not for boys.

    Watching the under-13 international flag football tournament at Moscone Center on Wednesday, Fuller said her “jaw was on the floor.”

    “The talent that is coming through is out of this world,” she said.

  • Sponsored message
  • Geffen Galleries to open to public this spring
    Museum attendees mill around the cement and glass interior of the David Geffen Galleries. In the background, illuminated street lights from the Urban Light public art installation are visible, along with palm trees and other museum buildings.
    Inside a preview of the new David Geffen Galleries on July 1, 2025.

    Topline:

    The David Geffen Galleries (aka “the amoeba monster”) is the new home of the Los Angeles County Museum of Art’s permanent collection and will open to the public this spring.

    The important dates: LACMA members will be able to access the new wing across Wilshire Boulevard starting April 19. It’ll open to the public on May 4.

    What you can see there: The museum pointed to Georges de La Tour’s “The Magdalen with the Smoking Flame,” Henri Matisse’s “La Gerbe,” Antonio de Arellano and Manuel de Arellano’s “Virgin of Guadalupe,” plus recent acquisitions like Vincent van Gogh’s “Tarascon Stagecoach.”

    What you can look forward to: “To celebrate the opening of the David Geffen Galleries, gallery spaces will include art activations, events, and programs throughout the spring and summer,” LACMA said in a statement. “Artworks by Mariana Castillo Deball, Pedro Reyes, Sarah Rosalena, and Diana Thater will be revealed in the spring, followed by Shio Kusaka’s work in the summer.”

    It’s a big update: The building will nearly double the square footage of the museum’s exhibition galleries to 220,000 square feet.

    To reserve a time to visit: Members can go to LACMA’s website. Details haven’t been announced for non-members.

    For a preview of the building: See here.

  • Child safety advocates scrutinize proposal
     A white OpenAI logo is seen on a black phone screen.
    A group of child safety advocates say the proposed Parents & Kids Safe AI Act provides insufficient protections.

    Topline:

    Online safety groups have criticized OpenAI and child advocacy group Common Sense Media’s jointly proposed ballot measure creating chatbot guardrails for kids, saying it would shield tech companies from accountability.

    Why it matters: In a letter, the advocates warned that the proposed measure could undermine age and privacy protections, in part by narrowly defining child protections to “severe harms,” effectively shielding AI companies from liability related to children’s mental health.

    Why now: The California Initiative for Technology and Democracy, or CITED, and Tech Oversight California — two groups that have sponsored anti-deepfake and AI laws — circulated a letter shared with lawmakers on Wednesday addressing the Parents and Kids Safe AI Act, announced by co-sponsors OpenAI and Common Sense Media in January.

    The response: In a statement sent to KQED on Thursday, Common Sense Media did not directly address the concerns outlined in the letter, but wrote the measure “will be the strongest, most comprehensive youth AI safety law in the country, whether it’s passed by the voters or the legislature.”

    Online safety groups have criticized OpenAI and child advocacy group Common Sense Media’s jointly proposed ballot measure creating chatbot guardrails for kids, saying it would shield tech companies from accountability.

    The California Initiative for Technology and Democracy, or CITED, and Tech Oversight California — two groups that have sponsored anti-deepfake and AI laws — circulated a letter shared with lawmakers Wednesday addressing the Parents and Kids Safe AI Act, announced by co-sponsors OpenAI and Common Sense Media in January.

    “Though seemingly well-intended, the measure would exempt AI companies from the robust framework of laws already established in California to give consumers meaningful protections,” the letter states.

    The letter warned that the proposed measure could undermine age and privacy protections, in part by narrowly defining child protections to “severe harms,” effectively shielding AI companies from liability related to children’s mental health.

    “This definition fails to account for mental or emotional distress caused by companion chatbots or exposure to age-inappropriate content that may contribute to psychological harm,” the letter reads.

    John Bennett, initiative director of CITED, told KQED that the definitions “raised a lot of alarm bells in our heads, because we didn’t think it was sufficiently protective of children.”

    The first alarm bell, Bennett said, was the fact that Common Sense and its CEO, Jim Steyer, negotiated alone with OpenAI, leaving out the fold of child and consumer advocates that had previously been working together to lobby for strong laws with lawmakers like Assemblymember Rebecca Bauer-Kahan (D-Orinda), chair of the Assembly Privacy and Consumer Protection Committee and author of a closely-watched AI child safety bill ultimately vetoed by Gov. Gavin Newsom last legislative session.

    In a statement sent to KQED on Thursday, Common Sense Media did not directly address the concerns outlined in the letter, but wrote the measure “will be the strongest, most comprehensive youth AI safety law in the country, whether it’s passed by the voters or the legislature.”

    That said, in his remarks introducing the joint effort on Jan. 9, 2026, Steyer presented his approach as primarily strategic, saying he would use any political tool available to get most of what he wants on behalf of children and their parents.

    “I cannot begin to know where Mr. Steyer’s mind actually is at,” Bennett said, adding that he was perplexed by this initiative nonetheless. “Usually, you try and introduce something that’s extremely strong — some might think overly strong. Then you use that as a negotiating arm within the legislature.”

    In the absence of comprehensive, effective child protection legislation from Washington, California has helped lead the way on kids’ and teens’ tech privacy laws, as well as general consumer-focused tech safety laws. As a result, child advocates pay a lot of attention, early and often, to the rough and tumble of California AI-focused politics.

    Outside the U.S., Australia and Spain have rolled out aggressive restrictions on youth smartphone use, including banning social media use for children under 16. Some advocates speculate the fear of a similar ban in California prompted OpenAI, which did not respond with a comment in time for this story, to reach out to Common Sense Media and negotiate a compromise.

    Bennett has another theory. As with other ballot measures, if voters approve it, any changes will require a two-thirds vote of the legislature, making stronger, more effective regulation later difficult, if not impossible. “We can’t just come back and change this in a year or two if we see that there are new dangers and new harms that are coming about because technology’s evolving so quickly,” he said.

    The Parents & Kids Safe AI Act is still in the signature-gathering phase and has not yet qualified for the November 2026 ballot. Supporters have said they expect to start collecting the requisite 546,651 valid signatures from registered California voters this month.

  • A plática invites you to unpack the halftime show
    Artist Bad Bunny, a man with medium skin tone, wearing a stripped tan suit and white buttoned shirt with the top unbuttoned, sunglasses, and a straw hat, holds a microphone on a mic stand while looking to his left. Behind him, lit by a dark blue light, are musicians wearing guayabera shirts and holding instruments.
    Bad Bunny in concert on Aug. 3, 2025 in Puerto Rico.

    Topline:

    Now, as the Puerto Rican superstar is set to take the stage at the Super Bowl halftime show this Sunday, a Cal State LA professor is inviting the wider community to unpack what the moment says about Latinidad.

    About the talk: José G. Anguiano, a professor and department chair of Chicana/o and Latina/o Studies, is hosting a plática on Monday to reflect on how Latinos are celebrated and sometimes overlooked during major sports culture moments.

    Why now: The selection of Bad Bunny as the Super Bowl halftime performer has sparked much interest and controversy, with some perceiving the artist — who only sings in Spanish — as not American or mainstream enough to headline the show.

    Read on... for more details about the talk at Cal State LA.

    This story was originally published by Boyle Heights Beat on Feb. 6, 2026.

    Bad Bunny isn’t just topping charts — he’s landed on college syllabi.

    Now, as the Puerto Rican superstar is set to take the stage at the Super Bowl halftime show this Sunday, a Cal State LA professor is inviting the wider community to unpack what the moment says about Latinidad.

    José G. Anguiano, a professor and department chair of Chicana/o and Latina/o Studies, is hosting a plática on Monday to reflect on how Latinos are celebrated and sometimes overlooked during major sports culture moments.

    The selection of Bad Bunny as the Super Bowl halftime performer has sparked much interest and controversy, with some perceiving the artist — who only sings in Spanish — as not American or mainstream enough to headline the show.

    As part of the conversation — “Pláticas con Profes: ¿Bad Bunny ‘Too Latino’ for the Super Bowl?”— Anguiano wants to explore why some Americans see him as a controversial pick.

    Bad Bunny not falling in line with “white American Anglo culture” doesn’t make him any less American, said Anguiano.

    The professor reminds the public that Bad Bunny — born Benito Antonio Martínez Ocasio — is an American citizen. The fact that he speaks Spanish, “I would argue is a very American thing,” he said.

    “Given the current administration, I think that’s part of the conversation about why he’s so important,” Anguiano said.

    Anguiano is also gearing up to teach a special topics course on Bad Bunny in the spring of 2027 at Cal State LA. Bad Bunny, Anguiano said, is an entry point to learn about broader cultural history.

    He thinks of the song “El Apagón,” which sheds light on power outages, government corruption and the displacement of native Puerto Ricans. In “Yo Perreo Sola,” which Bad Bunny dedicated to “those who desire to dance alone and safely in the club,” Anguiano finds ways to talk about gender and sexuality.

    “I know some people don’t take popular music as a serious subject, but … there’s really important things that are happening through music,” Anguiano said.

    How to join the plática:

    Date: Monday, Feb. 9

    Time: 3 to 4:30 p.m.

    Location: Alhambra Room, U-SU (2nd floor) at Cal State LA

    Address: 5151 State University Dr, Los Angeles, CA 90032

    Phone: (323) 343-5001