The Brief

There’s no question people in L.A. County consume a lot of pot — nearly a million pounds of cannabis each year according to official reports. While the demand is clearly there, legal cannabis businesses in the city of Los Angeles say they are struggling just to stay open.

Cannabis business owners told LAist they struggle to pay high taxes and fees while they watch illegal operations go unchecked. They say when they’ve tried to talk to city officials, they’ve been stonewalled and shut out.

Some licensed cannabis business owners have had to close. Others say they are months — if not weeks — from having to shut their doors, leading to lawsuits and a rowdy, confetti-filled confrontation at a public meeting.

Many of these business owners are part of L.A.’s Social Equity Program, which was supposed to provide a boost to Black and Brown communities disproportionately targeted by previous criminalization of pot. Instead of a leg up, the business owners told LAist the program has led to a cycle of stress, debts and broken promises.

They’re not the only ones with debts to pay.

One state audit found that grant funds meant to help cannabis businesses may not have been spent as intended. The L.A. Department of Cannabis Regulation (DCR) estimated the city may need to return up to $10 million they received from that grant to the state.

An audit of another grant found that $1.8 million meant to go directly to social equity businesses was also not used according to grant agreements, according to email correspondence LAist acquired through a public records request.

In emailed responses to LAist questions, Jennifer Marroquin, a spokesperson for DCR, said a resolution was made with the state on the $1.8 million figure and that the department has returned nearly $48,000 in grant money that was not spent during the grant term. Marroquin said the state recently granted another $3.5 million to support L.A.’s Social Equity Program.

Marroquin said the program provides “free and low cost legal assistance” to applicants and business owners. The department is a permitting agency, Marroquin said, and “does not get involved in private business disputes, business decisions, collect taxes or engage law enforcement for unremitted taxes.” LAist has reached out to Mayor Karen Bass, who did not respond prior to publication.

Whitney Beatty told LAist that she was promised grants, technical assistance and legal services through the Social Equity Program to help run her dispensary, Josephine & Billie’s in Exposition Park. She’s one of about 240 current cannabis business owners licensed through the program — among about 700 total legal shops in the city.

“ I'm spending tens of thousands of dollars just to stay licensed and compliant, in a system that charges my customers over 40% in taxes while they can walk across the street to an unlicensed shop and buy untaxed, untested product for half the price,” Beatty said at a Cannabis Regulation Commission meeting on July 2.

“This isn't just bad policy, it's a betrayal of the equity promise.”

The high price of cannabis business

Los Angeles created the Social Equity Program in 2019 “to promote equitable ownership and employment opportunities in the cannabis industry, with the purpose of decreasing disparities in life outcomes for marginalized communities directly impacted by the War on Drugs,” according to the city’s website.

Since then, the program has provided about $13 million in grants directly to business owners, according to an LAist analysis of DCR data. In all, the 271 applicants who got grant funding received an average of around $48,000.

Even some business owners who received the maximum total grant amount — about $93,000 — told LAist that the money didn’t go far to cover taxes, fees and other costs they say were imposed on them by DCR.

Business owners have to pay a variety of fees, costing tens of thousands a year.

Taxes on cannabis products in the city of L.A. are significantly higher than those on other products.

In addition to the standard 9.75% city sales tax, cannabis businesses pay another 10% in business tax, and a state cannabis excise tax of 19%. That brings the total tax rate on legal cannabis in L.A. to a staggering 39.75%, according to an L.A. City Council motion presented by Councilmember Imelda Padilla in July.

Padilla’s motion called for an analysis of the potential effects of lowering the city’s cannabis tax in an effort to make L.A.’s shops more competitive — both with unlicensed shops and with neighboring cities that have lower base tax rates like Long Beach (8%) and Pasadena (4%).

Many L.A. business owners like Brandon Brinson say they simply can’t afford to pay all of their taxes in the current market. While Padilla’s motion is still making its way through committees at the City Hall, he and others say they’re running out of time.

Brinson and his wife, Evelyn, opened their business in 2022. Just three years later, Brinson is closing up The Green Paradise shop in Mid-Wilshire. He said the high taxes, fees and rent are to blame.

Brinson spoke with LAist at his cannabis dispensary storefront on July 25, the day before he had to turn over his keys to his landlord. His shop’s shelves were bare.

Brinson said his experience with the social equity program has been frustrating from the start and has “ led to nothing but complete debt and devastation.”

He first applied for the social equity program in 2019, and it took a lawsuit for him to be able to apply for a license.

The lawsuit, filed by social equity applicants against the city in 2020, claimed that some were given an unfair advantage by being allowed to access the application portal before it officially opened. Every second was crucial, they said, in a race that only gave the first 100 applicants an opportunity to open a licensed business. As a result of the lawsuit, the city issued additional licenses to entrepreneurs including Brinson.

“ They just painted this grand opportunity to rebuild the Black community . . .  to help rebuild or restore the harm done from the War on Drugs,” he said. “ So we jumped in. It was a no-brainer at that time.”

Three years after opening, he said social equity applicants like himself received “crumbs” compared to what they were promised in support from the city.

Instead, Brinson said he found himself paying high taxes, fees and rent that pushed him out of business.

To make matters worse, he said he had to compete with an unlicensed shop right next door.

LAist has confirmed that the shop next door is not licensed with the city and sells cannabis.

LAPD Captain Ahmad Zarekani, who heads the department’s Gang and Narcotics Division, told city officials at a committee meeting in February that enforcing cannabis laws is “not the priority” for his department after legalization.

Zarekani said that proactively policing illegal cannabis businesses takes resources away from other priorities. Even when his division makes arrests and shuts down a business, Zarekani said there are rarely consequences for those cases.

“The people basically just move, move to another location, open the business, and they're back making money,” Zarekani told members of the Government Operations Committee, adding that he believes licensed businesses are “victimized” by illegal cannabis shops.

Brinson said that even though he is licensed and the shop next door is not, he is the one who has to deal with law enforcement.

“ The police have come and raided me,” Brinson recounted to LAist before sharing videos of California Highway Patrol officers pulling up to his store and moving his employees away from the cash register.

Kika Keith, owner of the dispensary Gorilla RX in South L.A., said she has had similar experiences with law enforcement.

She told LAist in May that officers had come to her store four times in eight months to collect taxes for the state.

“They come with 20 officers,” Keith said. “They disarmed the security guard.  I mean, you would think that there was an armed killer inside of my store with the level of force and presence that they show, yet they don't go right down the street and shut down those [illicit] stores.”

Kika Keith poses for a photo at her dispensary, Gorilla RX, in South L.A. on May 1, 2025.

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Brinson and Keith both emphasized that as licensed businesses, they sell tested and regulated products. They say there is no way to know what is in the products at the unlicensed shops.

Other licensed cannabis distributors have decided they will no longer pay the city’s taxes.

“Until we get services, Catalyst Cannabis Co. and a bunch of others . . . are withholding our tax money from the city of L.A.,” Elliot Lewis of Catalyst Cannabis Co. announced at a City Council meeting in April.

Councilmember Padilla, who chairs the city’s Government Operations Committee, said at a June meeting that 700 cannabis businesses had fallen behind on their taxes.

An LAist analysis found there are currently only about 700 cannabis businesses with active licenses. And business owners told LAist their mounting tax bills don’t just go away when they’re forced to close.

Cancelled committee hearings

Kika Keith told LAist that the Cannabis Regulation Commission has for months denied cannabis business owners the opportunity to discuss the effect state and local taxes have had on their businesses.

Thryeris Mason, president of the commission, set aside time ahead of their March meeting for that discussion. Then it was removed from the agenda without explanation.

“At the Feb. 6, 2025, meeting, I did request that taxation be on this agenda,” Mason said at a commission meeting on March 20. “For reasons unknown to me and other members of this commission, that did not happen, so I am going to again request that taxation be placed on a future agenda within the next 30 days.”

Mason added that, as president of the commission, she is responsible for setting the agenda, according to the commission rules and operating procedures.

A discussion of taxation was on the agenda released ahead of a May 15 commission meeting, but was placed last, after eight other items. Business owners told LAist they had been promised a special meeting on the topic, and were concerned there would be too little time to address their concerns.

Keith told LAist that she and other business owners believed control of the commission had been “subverted” by department administrators.

Business owners spoke during the public comments portion of the May meeting. Brinson called the commission a “circus” before showering the podium with confetti.

Brandon Brinson shoots confetti into the air while giving public comments at a Cannabis Regulation Commission meeting on May 15, 2025.

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When it was clear to the business owners that the commission was not going to discuss tax issues, some in the crowd began yelling at the commission members who then called the meeting to a close.

The crowd was guided into an adjacent room.

Soon, more than a dozen officers began pouring out of elevator doors to see a raucous crowd.

Someone in the crowd yelled out, “Hey, bring it in!”

Another called, “Kika, we need you in the group photo!”

One of the cannabis business owners counted down and snapped pictures on a cell phone, before they turned their attention to the police officers.

“I didn’t know you all responded this fast!” A business owner yelled to the officers, “It takes an hour and a half to get to my South L.A. store!”

The next two scheduled meetings were cancelled after the disruption.

Cannabis business owners disrupt the Cannabis Regulation Commission meeting on May 15, 2025, after discussions on tax rates were removed from the agenda.

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“We’re being abused”

The Social Equity Program is managed by the Department of Cannabis Regulation (DCR), a full cost-recovery department that is primarily funded through fees on licensed cannabis businesses. Unlike most other departments, it does not receive money from the city’s general fund. Cannabis business owners like Madison Shockley say they believe this incentivizes the department to charge businesses more in fees, and then waive some of those fees using grant funds from the state, which the department can then keep to pay for department expenses.

“ So they say this fee would've cost $9,000,” Shockley told LAist, “but look, we waived it for you, so we saved you some money. But that was money they were supposed to give to me to spend on what I needed to spend.”

Update: Hours after dispensary owner talked to LAist, state seizes over $10,000 in back taxes from his legal cannabis business

From 2019 through last year, the Department of Cannabis Regulation has received more than $44 million from the state as part of two grants according to agreement records — about $22 million meant to help social equity program applicants and an additional $22 million for the city from transition provisional cannabis licenses to annual licenses.

Business owners aren’t the only ones with questions about where that money went. State officials also say some of those funds were not properly distributed by the city.

The Governor’s Office of Business and Economic Development, or GO-Biz, conducted an audit of the Department of Cannabis Regulation’s grant spending and found issues with how some funds were spent.

In emails obtained by LAist through a public records request, officials for GO-Biz called for $1.8 million of the funds meant for social equity applicants to be returned to the state.

LA’s social equity program director Imani Brown told GO-Biz that, instead of going directly to equity business owners the money in question was used by the city to waive licensing fees of social equity applicants and pay contracted vendors.

The city argued that this use of the funds was approved by the state. William Koch, a deputy director at GO-Biz disagreed, replying that the city department failed to show that the funds were used in line with grant agreements.

What's next

Jason Killeen, an assistant executive director in the department who spoke at a City Council budget hearing on May 2, said the state could make L.A. return up to $10 million of the funds provided from the two grants.

Shockley told LAist that he thinks the department is charging business owners like him more than city policy requires.

He filed a lawsuit against the city last month, claiming DCR is requiring him to pay more than $15,000 in fees for an annual licensing process he says he never applied for.

Shockley said that paying the additional fees, about half of which were set to be due on July 31, would put him out of business. On the other hand, he said, not paying the fees after DCR started the process on his behalf would mean he would become ineligible for a license in 2026, also putting him out of business.

Unable to find a lawyer in time for the hearing, Shockley represented himself in a hearing before Judge Theresa M. Traber on July 25.

Shockley called the hearing a “Hail Mary effort” to keep his business alive.

When Judge Traber considered issuing a temporary restraining order on the city, deputy city attorney Patrick Hagan said the city would agree to put a hold on Shockley’s fees until further hearings could be held.

Shockley said this victory in court saved his business, but that similar situations have forced other business owners to close their doors.

While cannabis businesses struggle, the Department of Cannabis Regulation has been growing.

A report presented to the City Council in April on proposed fee increases found that the department’s staff had grown 73 percent and salary rates had increased 18 percent since fiscal year 2021, when the fees were last updated.

The report recommended that fees be increased to cover the additional costs, but Shockley says business owners haven’t received any noticeable increase in services from the larger department staff.

 ”We've been at every commission meeting, every council meeting,” Shockley told LAist, adding that he has met with the Mayor Karen Bass four times in the past month.

“At the last [Cannabis regulation] Commission meeting, I told the commissioners that we are being retaliated against,” he said, “we're being abused by the leadership of this department . . . and you guys aren't doing a thing about it.”

Caption for lead image: Brandon Brinson poses for a photo in late July next to cleared shelves at his shuttered L.A. cannabis dispensary. Brinson started the business with his wife, Evelyn, as part of the city's Social Equity Program.

A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

Now he’s doing that with vinyl records, too.

“We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

“It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

“He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

Searching for the bright side

The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

The new album blends political themes, optimism and musical experimentation.

Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

“We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

“Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

The 432 Hz experiment

The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

“It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

Marley sees the move as part of a larger search for new creative approaches.

“I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

“Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

Building a dream

Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.

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“My father had a dream, and I had a dream too,” Marley said.

Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

“There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

Ziggy Marley in the hallway of his new studio in North Hollywood.

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For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

“I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

What’s next

Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

“We're doing back to back,” he said.

Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.

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Getty Images

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He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

“Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

“ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

About the mansion tax

L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

“By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

“Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

What the data show

The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

“We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

“We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

What the committee did

Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

“This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

“Without knowing where this money's coming from, I'm going to have to vote no,” he said.

Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

“Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

"My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

In her closing remarks, Jurado reflected on the three-member committee’s past work.

“We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

The ad hoc committee's recommendations now move to the full City Council.

Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

What to expect

Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

Writer Julian David Stone gives a presentation at a past Monsterpalooza event.

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Perry Shields

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Courtesy Julian David Stone

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Stone said that the two classic movies have left a lasting impact.

“Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.

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Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

“It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.

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Who's attending

If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.