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The Brief

The most important stories for you to know today
  • Immigration agents deploy tech for tracking people
    two men in face coverings and hats hold up phones to film
    Two ICE agents film the press using smartphones in the hallway outside the immigration court at 26 Federal Plaza in New York on July 11. The Department of Homeland Security has been acquiring new tools to identify people and monitor them.

    Topline:

    Immigration and Customs Enforcement (ICE) is acquiring powerful new surveillance tools to identify and monitor people.

    What kind of tools? They include apps that let federal agents point a cell phone at someone's face to potentially identify them and determine their immigration status in the field, and another that can scan irises. Newly licensed software can give "access to vast amounts of location-based data," according to an archive of the website of the company that developed it, and ICE recently revived a previously frozen contract with a company that makes spyware that can hack into cell phones.

    What are opponents saying? Some Democratic members of Congress are raising legal concerns about the new technologies and are asking questions of ICE that are going unanswered. A group of U.S. senators have called on ICE to stop using a mobile facial recognition app. Privacy and civil liberties advocates also warn these surveillance tools represent a grave threat and say there is not a sufficient regulatory framework in place or oversight to ensure federal agents are using new technologies in a way that protects privacy and constitutional rights.

    Read on ... for more on how these new technologies might be deployed.

    Immigration and Customs Enforcement (ICE) is acquiring powerful new surveillance tools to identify and monitor people.

    They include apps that let federal agents point a cell phone at someone's face to potentially identify them and determine their immigration status in the field and another that can scan irises. Newly licensed software can give "access to vast amounts of location-based data," according to an archive of the website of the company that developed it, and ICE recently revived a previously frozen contract with a company that makes spyware that can hack into cell phones.

    The federal agency is also ramping up its social media surveillance, with new AI-driven software contracts, and is considering hiring 24/7 teams of contractors assigned to scouring various databases and platforms like Facebook and TikTok and creating dossiers on users.

    The Trump administration is seeking to employ new technology as it tries to boost deportations to a million a year, a target that could be helped with tech to identify and locate noncitizens subject to removal.

    Some Democratic members of Congress are raising legal concerns about the new technologies and are asking questions of ICE that are going unanswered. A group of U.S. senators have called on ICE to stop using a mobile facial recognition app.

    "Americans have a right to walk through public spaces without being surveilled," Democratic Sen. Edward Markey of Masschusetts told NPR.

    Privacy and civil liberties advocates also warn these surveillance tools represent a grave threat and say there is not a sufficient regulatory framework in place or oversight to ensure federal agents are using new technologies in a way that protects privacy and constitutional rights.

    "Immigration powers are being used to justify mass surveillance of everybody," said Emily Tucker, the executive director of the Center on Privacy and Technology at Georgetown Law.

    "The purpose of this is to build up a massive surveillance apparatus that can be used for whatever kind of policing the people in power decide that they want to undertake," she said.

    Scanning teens' faces

    The way ICE and Border Patrol agents use these technologies was on display in a video posted to TikTok last month by an account in Aurora, Ill. The video appears to show a group of masked Border Patrol agents as they jump out of an SUV and approach two young people on bikes on the sidewalk near East Aurora High School. The agents ask them their citizenship and to show ID.

    One of the young men, who is filming the incident and does not appear on camera, says he is 16 and is a U.S. citizen but does not have an ID.

    "Can you do facial?" an officer is heard asking. Another officer then takes out a cell phone and points it as if taking a photo. He then asks the young person's name and the video ends shortly after that.

    The person who posted the video did not respond to a message but said in comments on the post that the video was of their cousins. NPR was able to verify the location where the video was shot.

    It is not clear which app the officer used. ICE has a mobile facial recognition app known as Mobile Fortify that uses images of people's faces and fingerprints to try to identify people in the field. A Department of Homeland Security document says the app searches for matches against Customs and Border Protection databases, including photos taken when people enter and exit the U.S., and can return information like a subject's name, birth date, alien number, possible citizenship status and "Possible Overstay Status."

    In another section of the document, it says ICE will receive "limited biographic data" if the individual matches a photo from a specific list of targets, called the "Fortify the Border Hotlist," and non-matches "will not return any additional information."

    It also says individuals cannot decline to be photographed and that photos are stored for 15 years, even if there is no match.

    The existence of the app and documentation on how it works were both first reported by 404 Media, which obtained the DHS document through a Freedom of Information Act request.

    This week, the outlet also reported that Customs and Border Protection made a different facial recognition app, Mobile Identify, available on Google's app store for state and local law enforcement agencies that are deputized to work with ICE.

    David Bier, director of immigration studies at the libertarian Cato Institute, called it a "big leap" that DHS now can have agents in the field simply point their phone at someone's face and instantly learn details about them.

    "The whole idea of anonymity in public, it's really gone when the administration or the government can immediately identify who you are," Bier said, adding that this technology could have a chilling effect on people's willingness to attend public protests.

    A group of Democratic senators, led by Markey, called on ICE in September to stop using the technology and answer questions about its use. ICE did not respond to their questions and the senators renewed their demand on Monday.

    "This type of on-demand surveillance is harrowing and it should put all of us on guard," Markey told NPR. "It chills speech and erodes privacy. It ultimately undermines our democracy."

    In their letter, the senators ask a long list of questions, including the legal basis to use the app, how it was developed, whether U.S. citizens are included in the database of photos the app matches to, whether there are policies for using it to identify U.S. citizens and if it has been used to identify protesters and minors.

    Markey told NPR facial recognition is unreliable, especially for people of color, and expressed concern the Trump administration would "weaponize that technology against anyone who disagrees with the government."

    Neither ICE or DHS responded to NPR's specific questions about mobile facial recognition apps.

    An ICE spokesperson said in a statement, "Nothing new here. For years law enforcement across the nation has leveraged technological innovation to fight crime. ICE is no different. Employing various forms of technology in support of investigations and law enforcement activities aids in the arrest of criminal gang members, child sex offenders, murderers, drug dealers, identity thieves and more, all while respecting civil liberties and privacy interests."

    DHS sent a statement that said, "While the Department does not discuss specific vendors or operational tools, any technology used by DHS Components must comply with the requirements and oversight framework."

    The growing use of facial recognition technology comes as DHS published a proposed rule that would expand the agency's ability to ask for biometric data from noncitizens and their U.S. citizen relatives when they apply to adjust their immigration status, such as to obtain a green card or citizenship. Under the rule, the agency could ask for facial images, iris scans, finger and palm prints, voice prints and even DNA.

    The public has an opportunity to comment on the rule until early January.

    Spyware delivered by text

    In August, the Trump administration revived a previously paused contract with Paragon Solutions, an Israeli-founded company that makes spyware. A Paragon tool called Graphite was used in Europe earlier this year to target journalists and civil society members, according to The Citizen Lab, a research group based at the University of Toronto with expertise in spyware.

    Little is known about how ICE is using Paragon Solutions technology and legal groups recently sued DHS for records about it and tools made by the company Cellebrite. ICE did not respond to NPR's questions about its Paragon Solutions contract and whether it is for Graphite or another tool.

    Graphite can start monitoring a phone — including encrypted messages — just by sending a message to the number. The user doesn't have to click on a link or a message.

    "It has essentially complete access to your phone," said Jeramie Scott, senior counsel at the Electronic Privacy Information Center (EPIC), a legal and policy group focused on privacy. "It's an extremely dangerous surveillance tech that really goes against our Fourth Amendment protections."

    Adding to an already robust surveillance infrastructure

    DHS has been steadily expanding its surveillance capabilities under both Republican and Democratic administrations since its founding in the wake of 9/11.

    As of 2022, a report by Georgetown Law's Center on Privacy and Technology found ICE could locate three out of four U.S. adults through utility records and had scanned a third of adult Americans' driver's license photos.

    But Georgetown's Tucker, who co-authored the report, said the situation is more dramatic now because of the Trump administration's aggressive posture on immigration enforcement and willingness to push legal boundaries.

    "Even if there weren't robust laws and regulations for rights protection, there were some norms that were seen as not really transgressible basically by all the presidential administrations up until that point," Tucker said of the situation a few years ago. "Not only are the norms gone, but this administration is willing to break whatever laws do exist."

    NPR's Martin Kaste contributed to this report

  • What to expect from the show

    Topline:

    Bad Bunny is headlining today's Superbowl halftime show — a historic moment for some, a controversial choice for others.

    The backstory: Bad Bunny, made history at the 2026 Grammy Awards when he became the first artist to win album of the year for a Spanish-language album. The artist has been vocal in his opposition to federal ICE raids.

    Why now: But this Sunday, Bad Bunny will meet a larger and potentially more politically divided audience at the Super Bowl. Since late September when the NFL, Apple Music and Roc Nation announced their invitation to Bad Bunny, many took to social media to voice their indignation at the choice to platform an artist who has only released music in Spanish.

    Puerto Rican superstar, Bad Bunny, made history at the 2026 Grammy Awards when he became the first artist to win album of the year for a Spanish-language project, with him winning for his album Debí Tirar Más Fotos. In addition to the top prize, Bad Bunny, whose given name is Benito Antonio Martínez Ocasio, took home the award for the best música urbana album and best global music performance for his song "EoO".

    In his acceptance remarks, and not unlike other moments throughout his career, the artist used the spotlight to express his political views.

    "Before I say thanks to God, I'm going to say ICE out," Bad Bunny said during his acceptance speech for best música urbana album. "We're not savages, we're not animals, we're not aliens — we're humans and we are Americans," he added in response to the ongoing U.S. Immigration and Customs Enforcement raids across the country.

    The crowd in Los Angeles, largely met his statements with applause and ovation.

    But this Sunday, Bad Bunny will meet a larger and potentially more politically divided audience at the Super Bowl, where he is set to headline this year's halftime show. Since late September when the NFL, Apple Music and Roc Nation announced their invitation to Bad Bunny, many took to social media to voice their indignation at the choice to platform an artist who has only released music in Spanish.

    To learn more about Bad Bunny's political history and what we might expect at the Super Bowl, Morning Edition host A Martinez spoke with Petra R. Rivera-Rideau, who chairs the American Studies Department at Wellesley College and the co-author, alongside Vanessa Díaz, of the new book, P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance. The two academics are also behind the Bad Bunny Syllabus, an online teaching resource based on Puerto Rican history and Bad Bunny's meteoric rise since 2016.

    Below are three takeaways from the conversation.

    Students come for Bad Bunny and stay for the history 

    Rivera-Rideau teaches "Bad Bunny: Race, Gender, and Empire in Reggaetón" at Wellesley and said the course uses Bad Bunny's work as a hook to get students into the seminar.

    "But we really actually spend most of our time talking about Puerto Rican history and Puerto Rican history is part of U.S. history," she said. "And Bad Bunny music has consistently made references to this history."

    Rivera-Rideau pointed to an example from 2018 when Bad Bunny debuted on a U.S. mainstream English language television show, The Tonight Show Starring Jimmy Fallon. The artist opened with a critique of the Trump administration's handling of Hurricane Maria, which had devastated his island in 2017.

    "After one year of the hurricane, there's still people without electricity in their homes. More than 3,000 people died and Trump is still in denial," Martínez Ocasio said.

    Latinos remain "perpetually foreign" to some

    Puerto Ricans are born U.S. citizens — but this has not always protected them from being caught in recent ICE operations.

    "I think part of that has to do with the kind of racialization of Spanish and the racialization of Latino communities of which Puerto Ricans are a part," she said. "And I think what it indicates is that, to me, Latinos in the United States, many of whom have been here for generations, are often understood to be perpetually foreign as a group of people that just does not belong."

    The Party is the Protest 

    Rivera-Rideau said if Apple Music's trailer for the Super Bowl halftime show — which features Bad Bunny dancing with a group representing a smattering of ages, faces and abilities — is any indication of what audiences can expect on Sunday's stage, the theme might be joy in the face of a difficult moment for immigrants and Latinos in the U.S.

    "One of the things we talk about in our book is that Bad Bunny is part of resistance, he does engage in protests but it's often through joy," she said. "We have a chapter in our book called 'The Party is the Protest' and I actually feel like that's what I expect at the Superbowl, a party and a protest.

    Copyright 2026 NPR

  • Why the football's beside the point for this Brit
    Can Bad Bunny outshine Kendrick?

    Topline:

    For LAist Senior Editor Suzanne Levy, who grew up in the U.K., the Super Bowl is a fascinating experience. Yes, there's the football — but for her that's the least interesting thing about it.

    Why it matters: Want to know how the Super Bowl looks to much of the rest of the world? Read on.

    Why now: It's Super Bowl Sunday... let the commercials and the half-time show begin!

    The Super Bowl, to someone who a) grew up in the UK, and b) doesn’t really get football, is a strange experience.

    Of course, I’m talking American football, not English football, by the way. If England gets into the World Cup quarter final you might find me at 7 a.m. in a pub in Santa Monica drinking a nice cup of tea and cheering the TV.

    The Super Bowl is a national cultural event, and there’s so much excitement running up to it, yet when it happens, the thing that everyone is fixated on is the thing you’re least interested in. As in, the football — the men with padded shoulders who pile into a heap. I mean, I get the ones in the middle are doing something, but the ones at the edges are just for show, right?

    All the running and the throwing and the tackling … well that just gets in the way of all the entertainment.

    OK, OK, I’m kidding. I do get excited when a halfback grabs the ball and starts up the field, elbowing people out of the way, but even that can get a bit wearing when it happens over and over again. Just let the guy get to where he wants to go already!

    And that’s where the Super Bowl is ideal. It comes with ready prepared breaks in the action, so there’s no chance to get bored. There’s the commercials. Over the years, some of them have been so great, like that one with the kid and the Force, and that Eminem Detroit one.

    Some, not so much. That’s where I do my armchair critiquing. “Well I hoped they paid him a whole boatload of money for that one, his credibility’s down the toilet,” or, “Oh come on, ad agency, for a million dollars per millisecond, that’s all you can come up with?”

    But it’s the hope, the desire, that this moment you’ll be blown out of your chair. Wait, that sounds a lot like watching football. Hmm.

    Then there’s the half time show, which I always watch. “Call me when it starts!” I yell at my family as I walk out to do some very important laundry folding. As the music begins, I rush back in. Lady Gaga, Beyonce and now … Bad Bunny. As I watch pure perfection, I keep telling myself, they’re doing it live, in front of a billion people. They are not missing a damn note. Or step. Except that left shark. Hell, even the Weeknd won me over eventually.

    And then there’s the last quarter. I make sure I watch that. It’s the psychodrama of it all. The looks on the coach’s faces as they chew their gum, serious, determined. The fans, holding their breath. The commentators asking Tom Brady what it was like when he was doing it. And then.. the whistle blows. And one half of the stadium is ecstatic, giddy with delight, while the other half stares into the abyss. It's a Shakespearean tragedy come to life. For all the commercials and the music, this really is the can’t miss part, which brings me back year after year. Go Patriots! Go Seahawks! Let the game begin.

  • Bad Bunny Superbowl watch parties across LA
    A man with a gray beanie, a gray fur coat and sunglasses.
    Bad Bunny is introduced during the Super Bowl LX Pregame & Apple Music Super Bowl LX Halftime Show Press Conference at Moscone Center West on February 05, 2026 in San Francisco, California.

    Topline:

    On Sunday, fans are gathering at bars and house parties to pay witness to Bad Bunny's historic performance at Benito Bowls viewing parties all across the Southland.

    Why it matters: Superbowl halftime shows are always a big deal. But to many in Los Angeles and beyond, Bad Bunny's performance marks a particularly important cultural — and political — moment.

    Why now: "We're going through a lot of heaviness here in our community with ICE [and] people disappearing. It's sad, we're angry," said Bianca Ramirez, LAist's director of operations and a longtime fan of Bad Bunny, the Puerto Rican superstar whose real name is Benito Antonio Martínez Ocasio.

    Superbowl halftime shows are always a big deal. But to many in Los Angeles and beyond, Bad Bunny's performance marks a particularly important cultural — and political — moment.

    On Sunday, fans are gathering at bars and house parties to pay witness at so-called Benito Bowls viewing parties all across the Southland.

    "We're going through a lot of heaviness here in our community with ICE [and] people disappearing. It's sad, we're angry," said Bianca Ramirez, LAist's director of operations and a longtime fan of the Puerto Rican superstar.

    In the face of continual crackdown, she said, resistance shall take the form of pride and joy on Sunday. It'd be the first time the halftime show will be performed entirely in Spanish by a headliner.

     " This is definitely unprecedented," Ramirez said.

    Just a week before taking the Superbowl stage, Bad Bunny notched another first, winning album of the year at the Grammy's for the Spanish-language DeBí Tirar Más Fotos.

    A latina with glasses and headphones, holding a heart with a frown face plushie. She is sitting in front of a microphone with an LAist mic flag.
    LAist's Bianca Ramirez with her Bad Bunny plushie.
    (
    Bianca Ramirez
    /
    LAist
    )

    "[It]  was such a proud moment for our Latino community, not here in Los Angeles, but around the world," Ramirez said, characterizing the album as one of the artist's most political to date. "He dives into gentrification and making sure that we protect Puerto Rico and its roots. He does criticize the Trump administration a lot in that album."

    DeBí Tirar Más Fotos also won Best Música Urban album.

    "Before I say thanks to God, I'm going to say ICE out," the artist, whose real name is Benito Antonio Martínez Ocasio, said as he accepted that award.

    Later today, Ramirez is heading to a Benito Bowl — one of many gatherings held by Bad Bunny fans across the Southland. In her case, it's a backyard hang with childhood friends to celebrate a history-making concert "where these two other football teams so happen to be playing at the same time."

    Ramirez has her fingers crossed that the performance includes the song that first got her hooked.

    "Hopefully he surprises us with Cardi B [and] he plays I like it," she said. "Bring it full circle for me as a fan."

    No matter what, it's an iconic day.

    "It's just gonna be a moment for us to hang out and celebrate Latinidad and just [the] proudness that Bad Bunny brings to our communities and beyond," she said.

    Benito Bowls happening on Sunday

    • Costa Mesa

      Sevilla Nightclub

      1870 Harbor Blvd., Costa Mesa

      Doors open at 2 p.m.

    • Downtown L.A. historic core

      Hide Tide
      605 E. 4th St., Los Angeles
      Doors open at 2 p.m.

    • Long Beach

      The Q
      5321 Long Beach Blvd, Long Beach
      Doors open at 3:30 p.m.

    • Mid City

      Sueños Social Club
      5259 W Pico Blvd, Los Angeles
      Doors open at 4 p.m.

  • Photos from the Milan opening ceremony
     A general view of the Olympic flame in the Olympic cauldron designed by Marco Balich next to the Arco della Pace monument in Milan.
    A general view of the Olympic flame in the Olympic cauldron designed by Marco Balich next to the Arco della Pace monument in Milan.

    Topline:

    The 2026 Milan Cortina Winter Olympics kicked off in Milan on Friday evening, local time. Athletes representing over 90 countries march into the San Siro stadium filled with thousands of spectators during the opening ceremony in Milan.

    Read on ... to see photos from the 2026 Winter Olympics opening ceremony.

    The 2026 Milan Cortina Winter Olympics kicked off in Milan on Friday evening, local time. Athletes representing over 90 countries march into the San Siro stadium filled with thousands of spectators during the opening ceremony in Milan.

    The performance paid homage to Italian music, art and culture with tributes to composers, visual artists and films in a colorful spectacle. Performers included Italian actress Matilda De Angelis, American singer Mariah Carey, Italian singer Andrea Bocelli, Italian rapper Ghali and Italian ballet dancers Antonella Albano and Claudio Coviello, among dozens of other dancers.

    Here is a selection of images from the opening ceremony:

    Italian ballet dancers Antonella Albano and Claudio Coviello perform during the opening ceremony.
    Italian ballet dancers Antonella Albano and Claudio Coviello perform during the opening ceremony.
    (
    Wang Zhao
    /
    Getty Images
    )
    Colorful dancers perform under large tubes of paint suspended above them during the opening ceremony.
    Colorful dancers perform under large tubes of paint suspended above them during the opening ceremony.
    (
    Gabriel Bouys
    /
    Getty Images
    )
    Italian actress Matilda De Angelis (center) performs with dancers dressed as the three great masters of Italian opera: Giuseppe Verdi, Giacomo Puccini and Gioachino Rossini.
    Italian actress Matilda De Angelis (center) performs with dancers dressed as the three great masters of Italian opera: Giuseppe Verdi, Giacomo Puccini and Gioachino Rossini.
    (
    Piero Cruciatti
    /
    Getty Images
    )
     Mariah Carey sings during the opening ceremony.
    Mariah Carey sings during the opening ceremony.
    (
    Wang Zhao
    /
    Getty Images
    )
     Performers dressed in the colors of the Italian flag line up during the opening ceremony.
    Performers dressed in the colors of the Italian flag line up during the opening ceremony.
    (
    Piero Cruciatti
    /
    Getty Images
    )
     Members of The Corazzieri, the Italian Corps of Cuirassiers, raise the Italian flag during the opening ceremony.
    Members of The Corazzieri, the Italian Corps of Cuirassiers, raise the Italian flag during the opening ceremony.
    (
    Wang Zhao
    /
    Getty Images
    )
     Two performers are suspended between two large rings.
    Two performers are suspended between two large rings.
    (
    Piero Cruciatti
    /
    Getty Images
    )
     The Olympic Rings are revealed above dancers during the opening ceremony.
    The Olympic Rings are revealed above dancers during the opening ceremony.
    (
    Piero Cruciatti
    /
    Getty Images
    )
     An aerial view of the athletes parading into the San Siro stadium.
    An aerial view of the athletes parading into the San Siro stadium.
    (
    Antonin Thuillier
    /
    Getty Images
    )
     Stoats Milo and Tina, the Paralympics and Olympics mascots, dance before the Olympic opening ceremony.
    Stoats Milo and Tina, the Paralympics and Olympics mascots, dance before the Olympic opening ceremony.
    (
    Ben Curtis
    /
    AP
    )