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The Brief

The most important stories for you to know today
  • The L.A. venue shuts its doors after 25 years
    A view looking up at the large sign for The Conga Room at LA Live with the name of the nightclub written in all capital white letters that light up at night, set against red and gray conga drums, trimmed at the bottom with what looks like yellow flames.
    The sign for The Conga Room at LA Live, its second location in Los Angeles. The nightclub closes March 27 after 25 years.

    Topline:

    After 25 years of headlining Latin and international acts from all over the world, the Conga Room closes its doors this week.

    Why it matters: Other Latin music clubs existed in L.A., but the vibe of the Conga Room was new to the city in the late 90s. The LA Times described it as having “two things most [salsa clubs] didn’t: money and taste.” Founded by real-estate developer Brad Gluckstein in 1998, Jennifer Lopez, Sheila E., Jimmy Smits, and Paul Rodriguez were among the initial investors,

    Why now: A closing night party will be held on March 27th, hosted by Smits and Rodriguez. The music-filled event will include performances by Salsa legend Gilberto Santa Rosa, and a jam session led by Jerry Rivera, Andy Vargas, and Reggaetón sensation BLESSD.

    What's next: The music of the Conga Room lives on through the non profit Conga Kids, which provides dance and music throughout 18 school districts in the L.A. area.

    “We're into this thing called the Conga Kids, which is serving many Los Angeles schools with bringing music and culture to young people,” Smits says. “So it's like another generation passing down to another generation.”

    A place to discover Latin artists and dance salsa or bachata all night, the Conga Room, founded by entrepreneur Brad Gluckstein, became a Los Angeles institution, backed with some major star power.

    Jennifer Lopez, Sheila E., Jimmy Smits, and Paul Rodriguez were among the initial investors and at least two of them occasionally performed in the space.

    A smiling light-skinned man in jeans and a sport coat stands between smiling actor Jimmy Smits, tall with a graying beard and dark hair and also wearing a sport coat, and smiling comedian Paul Rodriguez, shorter and wearing a dark suit and a black fedora hat.
    Conga Room founder Brad Gluckstein stands between early investors in the nightclub, actor Jimmy Smits and comedian Paul Rodriguez
    (
    Eddie Sakaki
    /
    Conga Room
    )

    The backstory

    Other Latin music clubs existed in L.A., but the vibe of the Conga Room was new to the city in the late 90s. The L.A. Times described it as having “two things most [salsa clubs] didn’t: money and taste.”

    It first opened on Wilshire Boulevard in 1998 with Celia Cruz headlining the intimate venue with the hit “Que Le Den Candela.”

    An older woman with light brown skin and blond curls to her shoulders stands on stage smiling with a microphone in front of drum cymbals and a lit up sign that appears to spell out "Conga Room"
    Celia Cruz performs at the Conga Room
    (
    Courtesy of the Conga Room
    )

    Attendees over the years could catch acts ranging from Tito Puente to Ivy Queen to Bad Bunny, and performers of other genres also came across the stage. The venue shifted from salsa club to pan-Latin and world music.

    In the 90s, you might have seen South African trumpeter Hugh Masekala, as well as Prince play the Conga Room. Private events included the post-Grammy win party for Carlos Santana, where a dinner of 125 attendees sang “Las Mañanitas” to Edward James Olmos for his birthday.

    The space was “old Havana for the new millennium,” Gluckstein says.

    By 2008, the Conga Room had outgrown its Miracle Mile location and moved to a larger space, downtown, at LA Live. More artists, including Black Eyed Peas rapper and producer will.i.am were brought on as investors. The new venue was nearly three times as large, with a VIP area, and a lot more parking. Food was “nueva Latina” cuisine and the “pan-Latin” interior was designed in collaboration with artists Jorge Pardo and Sergio Arau.

    The venue was all the rage.

    “You get 1100 people in a room listening to some beautiful Latin sounds…It's going to be more than lively,” says actor and Conga Room investor Jimmy Smits with a laugh.

    Listen 12:21
    #257: Today, we’re saying goodbye to a space with a storied legacy in this city — the Conga Room. The Latin nightclub opened in 1998, and brought in artists ranging from Celia Cruz and Tito Puente to Maluma and Bad Bunny.  The club’s star studded list of investors included Jennifer Lopez, Sheila E., comedian Paul Rodriguez, and actor Jimmy Smits.  This week, the Conga Room is closing its doors. 
    #257: Today, we’re saying goodbye to a space with a storied legacy in this city — the Conga Room. The Latin nightclub opened in 1998, and brought in artists ranging from Celia Cruz and Tito Puente to Maluma and Bad Bunny.  The club’s star studded list of investors included Jennifer Lopez, Sheila E., comedian Paul Rodriguez, and actor Jimmy Smits.  This week, the Conga Room is closing its doors. 

    The Conga Room was a place to be in L.A. LAist’s Cynthia Covarrubias, senior human resources generalist, says she would go to the Wilshire location as “a young, professional Latina trying to find [her] place in the club world.”

    Besides, her roommate at the time “really wanted to meet Jennifer Lopez.”

    Why it's closing

    The reasons this beloved venue are closing are two-fold.

    As Gluckstein puts it, some of the reasons behind the venue’s closure are obvious — the effects of the pandemic and the economy. Rising rents at LA Live coupled with changes in music booking trends also meant the Conga Room wasn’t seeing the numbers it was used to.

    “A staple of our venue was being able to attract international artists in a small venue,” says Gluckstein. But post pandemic, Gluckstein says, “royalties and other means of survival for the artists were tougher.” Artists who would normally stop by the Conga Room couldn’t afford a smaller stop on a tour, and there weren’t enough private events coming through the space to make it profitable.

    The venue will be closing up in style, however, with a friends and family celebration on March 27th, hosted by Smits and Paul Rodriguez. The music-filled event will include performances by Salsa legend Gilberto Santa Rosa, and a jam session led by Jerry Rivera, Andy Vargas, and Reggaetón sensation BLESSD.

    “I opened the Conga Room because I was a salsa aficionado, you know, I lived and died for it,” says Gluckstein.

    A large band with several percussion instruments — conga drums, cymbals,  snare drums — performs on stage with a light skinned man to the side of the band, with gray hair in glasses and a dark suit, singing.
    Tito Puente performs on stage at the Conga Room
    (
    Courtesy of the Conga Room
    )

    Despite the sadness and nostalgia conjured up around the closure, Gluckstein is still finding joy in salsa, and in bringing music to classrooms around Southern California.

    There’s a passing of the torch with the non profit Conga Kids, also founded by Gluckstein in 2016.

    “We're into this thing called the Conga Kids, which is serving many Los Angeles schools with bringing music and culture to young people,” Smits says. “So it's like another generation passing down to another generation.”

    A group of eight elementary school aged children, most with brown hair and light brown skin, stand together in a line wearing different colored t-shirts — light green, yellow and turquoise — in front of a sign that says  "The Conga Room" set against black and red conga drums
    LA students that are part of the Conga Kids program
    (
    Eddie Sakaki
    /
    Courtesy of the Conga Room
    )

    What's next

    Conga Kids brings music and dance from the African diaspora, where Latin music has roots, to 18 school districts across Southern California. That includes dances and genres like merengue, cumbia, salsa, and hip-hop. It’s got programs specific to 4th and 5th grades but includes school assemblies and family workshops for students in both elementary and middle school. Schools can request the Conga Kids program online through its website.

    Working with the dancers, musicians, and artists in the Conga Kids program means “it's hard to be sad,” says Gluckstein.

    And Smits adds that the Conga Room will "live on because music lives on, and music transcends everything.”

  • Burger chain marks milestone with 80-cent burgers
    The Original Tommy's burger stand at night, glowing with red neon signage and marquee lights at the corner of Beverly and Rampart near downtown Los Angeles. A sign reads "Open 24 Hours.
    Eight decades in, the original Tommy's stand at Beverly and Rampart still glows.

    Topline:

    Original Tommy's turns 80 this week. To mark the octogenarian occasion, on Friday, a chili cheeseburger will cost you just 80 cents instead of the regular $5.50 at all locations, noon-8 p.m.

    Why it matters: In Los Angeles, you can't get more local than a Tommy's Burger. Consuming the smothered burger — its signature beanless chili dripping through the to-go wrapper — is a rite of passage for many. Eight decades in, the original stand is still standing at Beverly and Rampart.

    The details: On Friday, noon to 8 p.m. only, you can get 80-cent chili cheeseburgers (limit three per person) at all Southern California and Nevada locations. The anniversary celebration at the original downtown L.A. location includes the Belmont High School Marching Band, a DJ and a resolution from Assemblymember Mark Gonzalez , who represents the area, honoring 80 years of business in California.

    The backstory: Tommy Koulax opened the original stand at Beverly and Rampart in 1946. This week, the iconic SoCal chain, which spawned many competitors, celebrates 80 years across all 32 of its locations — and you're invited. Daughter Cynthia Koulax will be greeting the community Friday, alongside CEO Dawna Bernal and CFO Richard Hicks.

    Topline:

    Original Tommy's turns 80 this week. To mark the octogenarian occasion, on Friday, a chili cheeseburger will cost you just 80 cents instead of the regular $5.50 at all locations, noon-8 p.m.

    Why it matters: In Los Angeles, you can't get more local than a Tommy's Burger. Consuming the smothered burger — its signature beanless chili dripping through the to-go wrapper — is a rite of passage for many. Eight decades in, the original stand is still standing at Beverly and Rampart.

    The details: Friday, noon to 8 p.m. only, you can get 80-cent chili cheeseburgers (limit three per person) at all Southern California and Nevada locations. The anniversary celebration at the original downtown L.A. location includes the Belmont High School Marching Band, a DJ and a resolution from Assemblymember Mark Gonzalez , who represents the area, honoring 80 years of business in California.

    The backstory: Tommy Koulax opened the original stand at Beverly and Rampart in 1946. This week, the iconic SoCal chain, which spawned many competitors, celebrates 80 years across all 32 of its locations — and you're invited. Daughter Cynthia Koulax will be greeting the community Friday, alongside CEO Dawna Bernal and CFO Richard Hicks.

  • Sponsored message
  • Volunteers launch an unofficial homeless count
    Two tents next to each other on a sidewalk in Hollywood
    Two tents on a sidewalk in Hollywood

    Topline:

    A group of volunteers in Hollywood say they are conducting their own homeless count in the area next week because they don't trust the results of the official regional one. The effort is organized by Hollywood 4WRD.

    Hollywood count: About 60 volunteers, mostly staff from Hollywood service provider organizations, are expected to fan out across 30 census tracts Tuesday. Results will be made public a week later May 27, according to organizers.

    Why it matters: The neighborhood count comes amid growing questions about the accuracy of the official regional homeless tally. The city of L.A.'s unhoused population decreased by 5.5% between 2023 and 2025, according to the Los Angeles Homeless Services Authority. But a 2025 analysis by the RAND Corporation found LAHSA had undercounted people living outside in certain areas, including Hollywood.

    Since 2021, RAND researchers have conducted their own counts in Hollywood, Skid Row and Venice. That research effort, known as LA LEADS, has since lost funding.

    Read on ... for details on the Hollywood count.

    A group of volunteers in Hollywood say they are conducting their own homeless count in the area next week because they don't trust the results of the official regional one.

    The effort is organized by Hollywood 4WRD, a coalition of nonprofit service providers, businesses and residents. About 60 volunteers, mostly staff from Hollywood service provider organizations, are expected to fan out across 30 census tracts Tuesday.

    Results will be made public a week later May 27, according to organizers.

    The neighborhood count comes amid growing questions about the accuracy of the official regional homeless tally.

    The city of L.A.'s unhoused population decreased by 5.5% between 2023 and 2025, according to official estimates from the annual count conducted by the Los Angeles Homeless Services Authority, or LAHSA. But a 2025 analysis by the RAND Corporation found that LAHSA undercounted people living outside in certain areas, including Hollywood.

    Hollywood 4WRD executive director Brittney Weissman said the organization’s own experience volunteering for the LAHSA count this year raised even more questions about accuracy.

    “Our experience was so confounding, perplexing and inefficient that we've been really deeply questioning the value, utility and accuracy of the count for a couple of years now,” Weissman said.

    Organizers said the Hollywood count will use methodology developed by RAND researchers, who ran their own professional counts in Hollywood, Skid Row and Venice from 2021 until earlier this year.

    That research effort, known as LA LEADS, has since lost funding.

    “If LA LEADS was continuously funded into the future, we would not be doing this effort,” Weissman said. "Because it's no longer funded, we felt we needed to take our own initiative to understand the lay of the land here.”

    What's at stake?

    More than $300 million in federal and county dollars are allocated annually based on homeless count results. That includes $220 million from the U.S. Department of Housing and Urban Development and nearly $100 million from L.A. County's Measure A sales tax.

    LAHSA conducted its most recent official homeless count in January. The agency said it hopes to release the results this summer but has not confirmed a release date.

    In her reelection campaign, L.A. Mayor Karen Bass takes credit for reducing homelessness in the city. The official count underpinning her claim is the same one RAND found was missing nearly a third of unsheltered people in key neighborhoods.

    Weissman said Hollywood service providers need to know now whether more people are living in vehicles or sleeping outside, so they can adjust how they're doing outreach.

    Organizers timed the May 27 release to influence budget negotiations still underway at City Hall, according to Weissman.

    She noted that Bass' proposed budget does not include funding for Safe Parking LA, a program that allows unhoused Angelenos to live legally in their vehicles within sanctioned parking lots.

    "If we find that vehicular homelessness is on the rise here and we need it badly, this gives us evidence with which to petition decisionmakers for that resource in our community," she said.

    What RAND found

    RAND's LA LEADS project ran bimonthly counts in Hollywood, Skid Row and Venice from 2021 until this January.

    Comparing LAHSA’s official counts to its own, a RAND report found the 2025 homeless count captured 68% of the unsheltered population across those three neighborhoods.

    RAND found the population of unsheltered people in Hollywood dropped 49% in 2024, a decline it linked to the city’s Inside Safe program. But the official LAHSA count still captured only 81% of what RAND found in the neighborhood.

    The people being missed were mostly vehicle dwellers and “rough sleepers” — people living with no shelter, RAND said.

    Skid Row's official tally fared worse, capturing 61% of what RAND found there.

    Hollywood 4WRD said its methodology follows RAND’s LA LEADS methodology, which the group said is more precise than LAHSA’s approach.

    Each census tract will be covered by at least two independent volunteers, a quality-control measure that helps organizers flag areas that might need to be recounted.

    Volunteers will also use pens and paper to record their observations, instead of a mobile app. LAHSA has used an app for its count since 2022 and has acknowledged repeated technical problems with it.

    The unofficial homeless count this month is limited to Hollywood, unlike LAHSA's countywide effort. Weissman said she hopes the effort will encourage other neighborhoods to check their own local data.

  • Balboa Island Art Walk, celeb pinball and more
    Three containers of different types of sushi were placed on a white background. On the bottom left is a roll containing thinly sliced lemon topped with pink salmon and avocado. The container next to it contains three large pieces of cut California roll sushi along with three pieces of sushi containing pink salmon,  white escolar, and red tuna. Above both is a large square container featuring various cuts of fish arranged next to each other. Between the containers is a short aluminum bottle with a green label and black top with the words 'Matcha Latte' printed.
    Yama Sushi Marketplace locations will host a rotating lineup of Asian-owned brands through the end of the month.

    In this edition:

    Stroll the Balboa Island Art Walk, play Ryan Adams’ pinball machines, read kids' books to trees and more of the best things to do this weekend.

    Highlights:

    • Is there a more idyllic corner of SoCal than Balboa Island? Stroll the promenade and enjoy the art and the views at the 31st annual Balboa Island Art Walk. There’s live music and more than 90 artists showing their work with an ocean backdrop.
    • Head down to Anaheim to check out (and maybe bid on) your next game room addition. Ryan Adams — yep, that’s the one, former Mr. Mandy Moore and indie rocker royalty of the early 2000s — is apparently a big arcade collector, and he’s auctioning off much of his collection. There’s a wide range of arcade games and pinball machines on view to the public, plus opportunities to play, meet collectors and see the warehouse.
    • The John Rowland Mansion is the oldest extant brick building in Southern California, and has a unique history that the House Museum has recently been instrumental in preserving. Spend some time at the Greek revival building with the whole family for The Giving Trees, a reading of children’s books to trees (with gratitude to Shel Silverstein!) in the garden at the permanent installation Let’s Make a Garden From Old Wounds.

    So many of us have stories about secret shows, celeb sightings and special guests showing up at the intimate Hotel Cafe over the past 26 years. The venue’s Instagram has a bevy of famous well-wishers popping into the chat. So it’s truly the end of an era as the iconic night spot hosts its final shows at the Cahuenga location, wrapping things up with a party called Last Dance at the Hotel Cafe featuring Sara Bareilles and many more on Friday.

    But if you can’t score a ticket, fear not, because there’s plenty more music on the agenda for this weekend. Licorice Pizza’s Lyndsey Parker recommends Friday shows St. Lucia at the Fonda; Santigold at the Bellwether; Alejandro Sanz at the Greek; and Desert Daze’s Microdazing at the Bellwether, featuring various DJs, including KCRW’s Travis Holcombe and Beastie Boys producer Mario C. Saturday, Demi Lovato is at the Forum, friend-of-LAist Flea plays the Fonda and the big Japanese music festival Zipangu is at Brookside at the Rose Bowl, featuring Atarashii Gakko!, Ado and many more. And on Sunday, Echo & the Bunnymen are at the Greek, and Father John Misty plays the Fox Theater in Pomona.

    Elsewhere on LAist, you can get a behind-the-scenes look at historic Santa Monica music store and venue McCabe’s Guitar Shop, find out what gets left behind at Metro’s Lost & Found and get tickets for next week’s LAist x Moth StorySlam at Los Globos.

    Events

    Los Angeles Old Time Social

    Friday and Saturday, May 15 and 16 
    Velaslavasay Panorama 
    1122 W. 24th Street, University Park
    COST: SUGGESTED $20; MORE INFO

    A view of a small stage with a sign that reads "Los Angeles Old Time Social.' A few people sit in chairs in the audience.
    (
    Corey Burns
    /
    Los Angeles Old Time Social
    )

    The 16th annual Los Angeles Old Time Social celebrates the vibrant old-time music scene in Southern California. A kickoff concert on Friday is followed by a full day of activities on Saturday, May 16 at The Velaslavasay Panorama in West Adams. Attend workshops and jams for banjo, fiddle, guitar, singing and dancing. The event is capped off on Saturday night with a big square dance and musical cakes from 7:30 to 10 p.m. No experience or partner is needed. The square dance caller walks everyone through the moves before every song, so it’s easy to follow along in a fun and no-pressure environment.

    As LAist's Roy Lenn notes, the Old Time Social serves as a lead-up to the Topanga Banjo Fiddle Contest & Folk Festival on Sunday, May 17 at King Gillette Ranch.


    David Lebovitz book signing x Now Serving

    Saturday, May 16, 10 a.m.
    Friends & Family Bakery
    5150 Hollywood Blvd., East Hollywood
    COST: FROM $30; MORE INFO

    Chocoholics and ice cream fiends will know pastry chef David Lebovitz’s work well. The Paris-based dessert king is in town promoting his cookbooks, The Great Book of Chocolate and Ready for Dessert with a special event at Friends & Family. His ice cream book is the bible for anyone who's tried their hand at making ice cream at home, and his other desserts also stand up to the test. Yum.


    The Giving Trees

    Saturday, May 16, 3:30 p.m. 
    John Rowland Mansion 
    15959 E. Gale Ave., City of Industry
    COST: FREE; MORE INFO

    The John Rowland Mansion is the oldest extant brick building in Southern California, and has a unique history that the House Museum has recently been instrumental in preserving. Spend some time at the Greek revival building with the whole family for The Giving Trees, a reading of children’s books to trees (with gratitude to Shel Silverstein!) in the garden at the permanent installation Let’s Make a Garden From Old Wounds.


    Celebrity-Owned Private Collection Arcade and Pinball Auction

    Sunday, May 17, 9 a.m. preview
    Captain’s Auction Warehouse
    4421 E. La Palma Ave., Anaheim
    COST: FREE TO PERUSE; MORE INFO

    File this one under weird and wonderful. Head down to Anaheim to check out (and maybe bid on) your next game room addition. Ryan Adams — yep, that’s the one, former Mr. Mandy Moore and indie rocker royalty of the early 2000s — is apparently a big arcade collector, and he’s auctioning off much of his collection. There’s a wide range of arcade games and pinball machines on view to the public, plus opportunities to play, meet collectors and see the warehouse.


    Red Bull Soapbox Race

    Saturday, May 16, 11 a.m.
    Gloria Molina Grand Park
    200 N. Grand Ave., Downtown L.A.
    COST: FREE; MORE INFO 

    Daredevils will have a field day at Red Bull’s Soapbox Race, which will transform Grand Park into a cinematic racecourse, where 30 teams, selected from more than 400 applicants, will compete with gravity-powered, homemade crafts for ultimate bragging rights.


    Black Association of Documentary Filmmakers: Day of Black Docs

    Saturday, May 16, 12 p.m. to 6:30 p.m. 
    American Film Institute
    2021 North Western Ave., Los Feliz
    COST: FROM $23; MORE INFO

    A poster on a brown background featuring the figure of a person with a film camera for a head standing in front of a car with film reels as headlights, with text reading "Day of Black Docs"
    (
    Badwest
    /
    Eventbrite
    )

    Check out documentaries from Black filmmakers that “explore themes of social justice, self-determination, and community, highlighting the revolutionary leaders and movements that can help inform our present moment.” The day includes three feature-length films and one short film, with two that focus on L.A. history. Q&As will be moderated by journalist and AirTalk film critic Tim Cogshell.


    Balboa Island Art Walk

    Sunday, May 17, 9 a.m. to 5 p.m.
    South Bayfront Promenade
    Newport Beach
    COST: FREE; MORE INFO

    Several paintings of landscapes and boats are set up on a dock overlooking a marina with many boats in it.
    (
    Courtesy Balboa Island Artwalk
    )

    Is there a more idyllic corner of SoCal than Balboa Island? Stroll the promenade and enjoy the art and the views at the 31st annual Balboa Island Art Walk. There’s live music and more than 90 artists showing their work with an ocean backdrop.


    AAPI Market at Yama Sushi Marketplace

    Through Saturday, May 30 
    Various locations (West L.A., San Gabriel and Koreatown)
    COST: VARIES, MORE INFO 

    A wide shot of a grocery store's interior where a sign reading "Sushi Marketplace" hangs from the ceiling.
    (
    Courtesy Yama Sushi
    )

    A rotating lineup of makers featuring Asian-owned brands is popping up at Yama Sushi Marketplace throughout May. This weekend, Omiso founder Ai Fujimoto will be sampling her yuzu miso paired with Yama’s black cod; also available for purchase as a frozen item. On May 30, DoShop Cookies will be available with baker Thy Do sampling her fan-favorite cookies, debuting new flavors and hosting a raffle.

  • The federal point-in-time count is months overdue
    Two people wearing reflective vests stand next to a makeshift shelter on the sidewalk.
    Henry Wilkinson and Kristina Ross record a makeshift shelter during LAHSA's homeless count Jan. 20.

    Topline:

    Every December, the federal government releases a report that reveals the number of homeless residents in each state and across the country. It’s now May and the report, which compiles data from a homeless census known as the “point-in-time count,” is nowhere to be found.

    Point in time count: For the past two decades, the federal Department of Housing and Urban Development has required local regions to take a census of their homeless populations every other year in a massive undertaking called the point-in-time count. Volunteers go out on foot over a day or two in January and count every person they see living outside. People sleeping in shelters are tallied as well. Counters also conduct surveys of a sample of unhoused people, collecting extra data on people’s race, age, gender, time spent homeless, medical and mental health conditions, and more. Each jurisdiction must submit their count to HUD by the spring. They also release their local data to the public. Meanwhile, HUD verifies the data, tallies the total count for each state and for the country as a whole, submits a public report to Congress and uploads more detailed data on its website.

    Why it matters: While there’s no legal deadline, that report usually comes out in December of the year of the count. It’s unclear why the 2025 report still isn’t out. The delay is a problem because the report dictates how funding is allocated in California and beyond. It also shapes policy decisions and provides the country’s main barometer for how the homelessness crisis is being managed. The five-month delay is leaving public officials, policymakers and advocates scratching their heads. California has filled the gap by tallying its own data, showing a 9% drop in the number of people sleeping outside. But unlike the official federal report, California’s analysis leaves out information such as the race, age and mental health status of the people who are counted. And without the full federal report, there’s no way to tell where California stands compared to other states.

    Every December, the federal government releases a report that reveals the number of homeless residents in each state and across the country.

    It’s now May and the report, which compiles data from a homeless census known as the “point-in-time count,” is nowhere to be found.

    That’s a problem because the report dictates how funding is allocated in California and beyond. It also shapes policy decisions and provides the country’s main barometer for how the homelessness crisis is being managed.

    The five-month delay is leaving public officials, policymakers and advocates scratching their heads. California has filled the gap by tallying its own data, showing a 9% drop in the number of people sleeping outside. But unlike the official federal report, California’s analysis leaves out information such as the race, age and mental health status of the people who are counted. And without the full federal report, there’s no way to tell where California stands compared to other states.

    “It’s a big deal,” said Jesse Rabinowitz, spokesperson for the National Homelessness Law Center. “This is, by what I can tell, the latest any point-in-time count has ever come out, including the years where it was delayed during COVID.”

    'Point-in-time' count

    For the past two decades, the federal Department of Housing and Urban Development has required local regions to take a census of their homeless populations every other year in a massive undertaking called the point-in-time count. Volunteers go out on foot over a day or two in January and count every person they see living outside. People sleeping in shelters are tallied as well. Counters also conduct surveys of a sample of unhoused people, collecting extra data on people’s race, age, gender, time spent homeless, medical and mental health conditions and more.

    The count isn’t perfect (volunteers can easily miss people, and different counties use different methods), but it’s a key tool policy makers use to measure changes in the population.

    Each jurisdiction (which is known in HUD parlance as a “continuum of care” and typically is made up of a county and the cities within it) must submit their count to HUD by the spring. They also release their local data to the public. Meanwhile, HUD verifies the data, tallies the total count for each state and for the country as a whole, submits a public report to Congress and uploads more detailed data on its website.

    While there’s no legal deadline, that report usually comes out in December of the year of the count. In 2021 and 2020, when COVID disrupted counts, the reports came out the following February and March, respectively.

    It’s unclear why the 2025 report still isn’t out. The report is so much later than usual that some counties, including San Francisco, already released their 2026 count data.

    HUD refused to comment.

    “It is perplexing that HUD has not released this information,” Tara Gallegos, a spokesperson for Gov. Gavin Newsom, said in a statement to CalMatters. “Perhaps the Trump administration is afraid to release clear data that demonstrates California’s strategies for addressing this issue are actually extremely effective.”

    What California's data show

    California’s data does point to a reduction in homelessness, suggesting the state’s methods are starting to work. Data provided by the Newsom administration, and echoed by an independent analysis, show a 4% overall decrease between 2024 and 2025, and a 9% drop in people sleeping in tents, on the sidewalk, in cars or in other places not meant for habitation.

    That data comes from the 30 California continuums of care that counted their street homeless populations last year. The remaining 14 that counted this year instead (they’re only required to count at least every other year) are not included.

    “I think it shows that the headwinds in California continue to be very strong and continue to push more people into homelessness,” said Alex Visotzky, senior California policy fellow for the National Alliance to End Homelessness, “but the investments to build up the response to homelessness have made a really big difference and are moving people out of homelessness faster than ever before.”

    That runs counter to President Donald Trump’s platform, which holds California up as an example of failed homelessness policy. California follows a principle called “housing first,” which prioritizes getting people into housing immediately and then addressing their other needs (such as mental health and substance use help). The Trump administration wants to end housing first, which it says isn’t working, and instead withhold housing until people enroll in addiction treatment or other programs.

    California also uses most of its federal funds to pay for permanent housing, which experts say is the most effective way to end someone’s homelessness. The Trump administration recently tried to divert that money to temporary shelters where people stay for a limited time.

    California's homelessness strategy

    California is one of 19 states suing the Trump administration over that change. That case is ongoing, but, in a win for the states, a federal judge has temporarily blocked the Trump administration’s changes.

    A drop in homelessness in California would have a significant impact on the country’s overall homeless population. Nearly a quarter of all unhoused Americans lived in California as of 2024 — a total of more than 187,000 people, according to the most recent HUD report.

    The New York Times found homelessness also dropped in other places around the country last year, including Chicago, Denver, Washington, D.C., Minnesota, Florida and Maine, which it found points to a nationwide reduction.

    If homelessness dropped nationwide in 2025, it would be the first time in eight years. In 2024, the national count hit 771,480 — an 18% increase from the year before.

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.