The Brief

A place to discover Latin artists and dance salsa or bachata all night, the Conga Room, founded by entrepreneur Brad Gluckstein, became a Los Angeles institution, backed with some major star power.

Jennifer Lopez, Sheila E., Jimmy Smits, and Paul Rodriguez were among the initial investors and at least two of them occasionally performed in the space.

Conga Room founder Brad Gluckstein stands between early investors in the nightclub, actor Jimmy Smits and comedian Paul Rodriguez

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Eddie Sakaki

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Conga Room

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The backstory

Other Latin music clubs existed in L.A., but the vibe of the Conga Room was new to the city in the late 90s. The L.A. Times described it as having “two things most [salsa clubs] didn’t: money and taste.”

It first opened on Wilshire Boulevard in 1998 with Celia Cruz headlining the intimate venue with the hit “Que Le Den Candela.”

Celia Cruz performs at the Conga Room

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Courtesy of the Conga Room

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Attendees over the years could catch acts ranging from Tito Puente to Ivy Queen to Bad Bunny, and performers of other genres also came across the stage. The venue shifted from salsa club to pan-Latin and world music.

In the 90s, you might have seen South African trumpeter Hugh Masekala, as well as Prince play the Conga Room. Private events included the post-Grammy win party for Carlos Santana, where a dinner of 125 attendees sang “Las Mañanitas” to Edward James Olmos for his birthday.

The space was “old Havana for the new millennium,” Gluckstein says.

By 2008, the Conga Room had outgrown its Miracle Mile location and moved to a larger space, downtown, at LA Live. More artists, including Black Eyed Peas rapper and producer will.i.am were brought on as investors. The new venue was nearly three times as large, with a VIP area, and a lot more parking. Food was “nueva Latina” cuisine and the “pan-Latin” interior was designed in collaboration with artists Jorge Pardo and Sergio Arau.

The venue was all the rage.

“You get 1100 people in a room listening to some beautiful Latin sounds…It's going to be more than lively,” says actor and Conga Room investor Jimmy Smits with a laugh.

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#257: Today, we’re saying goodbye to a space with a storied legacy in this city — the Conga Room. The Latin nightclub opened in 1998, and brought in artists ranging from Celia Cruz and Tito Puente to Maluma and Bad Bunny.  The club’s star studded list of investors included Jennifer Lopez, Sheila E., comedian Paul Rodriguez, and actor Jimmy Smits.  This week, the Conga Room is closing its doors. 

Jimmy Smits Says Goodbye To LA's Conga Room

#257: Today, we’re saying goodbye to a space with a storied legacy in this city — the Conga Room. The Latin nightclub opened in 1998, and brought in artists ranging from Celia Cruz and Tito Puente to Maluma and Bad Bunny.  The club’s star studded list of investors included Jennifer Lopez, Sheila E., comedian Paul Rodriguez, and actor Jimmy Smits.  This week, the Conga Room is closing its doors. 

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The Conga Room was a place to be in L.A. LAist’s Cynthia Covarrubias, senior human resources generalist, says she would go to the Wilshire location as “a young, professional Latina trying to find [her] place in the club world.”

Besides, her roommate at the time “really wanted to meet Jennifer Lopez.”

Why it's closing

The reasons this beloved venue are closing are two-fold.

As Gluckstein puts it, some of the reasons behind the venue’s closure are obvious — the effects of the pandemic and the economy. Rising rents at LA Live coupled with changes in music booking trends also meant the Conga Room wasn’t seeing the numbers it was used to.

“A staple of our venue was being able to attract international artists in a small venue,” says Gluckstein. But post pandemic, Gluckstein says, “royalties and other means of survival for the artists were tougher.” Artists who would normally stop by the Conga Room couldn’t afford a smaller stop on a tour, and there weren’t enough private events coming through the space to make it profitable.

The venue will be closing up in style, however, with a friends and family celebration on March 27th, hosted by Smits and Paul Rodriguez. The music-filled event will include performances by Salsa legend Gilberto Santa Rosa, and a jam session led by Jerry Rivera, Andy Vargas, and Reggaetón sensation BLESSD.

“I opened the Conga Room because I was a salsa aficionado, you know, I lived and died for it,” says Gluckstein.

Tito Puente performs on stage at the Conga Room

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Courtesy of the Conga Room

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Despite the sadness and nostalgia conjured up around the closure, Gluckstein is still finding joy in salsa, and in bringing music to classrooms around Southern California.

There’s a passing of the torch with the non profit Conga Kids, also founded by Gluckstein in 2016.

“We're into this thing called the Conga Kids, which is serving many Los Angeles schools with bringing music and culture to young people,” Smits says. “So it's like another generation passing down to another generation.”

LA students that are part of the Conga Kids program

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Eddie Sakaki

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Courtesy of the Conga Room

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What's next

Conga Kids brings music and dance from the African diaspora, where Latin music has roots, to 18 school districts across Southern California. That includes dances and genres like merengue, cumbia, salsa, and hip-hop. It’s got programs specific to 4th and 5th grades but includes school assemblies and family workshops for students in both elementary and middle school. Schools can request the Conga Kids program online through its website.

Working with the dancers, musicians, and artists in the Conga Kids program means “it's hard to be sad,” says Gluckstein.

And Smits adds that the Conga Room will "live on because music lives on, and music transcends everything.”

In the wake of the Eaton Fire, Altadena and Pasadena’s music community have really shown up to support fire survivors, especially fellow musicians who lost instruments and record collections.

That effort continues this weekend with a special donation concert at a Pasadena record store, with the aim of getting vinyl records back in the hands of survivors who lost their collections.

“You know, our name is Healing Force of the Universe, and I think that gives me a pretty clear direction… especially after the fires,” said Austin Manuel, founder of Pasadena record store, where Sunday’s show will be held.

The record donation effort is the brainchild of musician Brandon Jay, who founded the nonprofit Altadena Musicians after losing his home and almost all of his family’s instruments in the Eaton Fire. Through Altadena Musicians’s donation and registry platform, Jay said he and his partners have helped some 1,200 fire survivors get their music instruments back.

Brandon Jay.

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Robert Garrova

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LAist

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Now, that effort has fanned out to restoring vinyl record collections.

“All of that stuff evaporated for thousands of people,” Jay said. “Look at your own record collection and be like, ‘Wow, what if that whole thing disappeared?’”

You might know Jay from several bands over the years, including Lutefisk, a 1990s alt-rock band based in Los Angeles. He and his wife, Gwendolyn Sanford, composed music for TV shows, including Orange is the New Black and Weeds.

Jay plans to play some holiday tunes at Sunday's record donation show (which LAist is the media sponsor), along with fellow musician Daniel Brummel of Sanglorians. Brummel, who was also a founding member of Pasadena’s indie-rock sensation Ozma, said he was grateful to Jay for his fire recovery work and to Manuel for making Healing Force available for shows like this.

Brummel, who came close to losing his own home in the Eaton Fire, recalled a show he played at Healing Force back in March.

Ryen Slegr (left) and Daniel Brummel perform with their band, Ozma, on the 2014 Weezer Cruise.

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Even Keel Imagery

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“The trauma of the fires was still really fresh,” Brummel said. After playing a cover of Rufus Wainwright’s “Going to a Town,” that night — which includes the lyrics “I’m going to a town that has already been burnt down” — Brummel said his neighbors in the audience told him the rendition hit them hard. “It felt really powerful. And without that space, it just wouldn’t have occurred.”

Details

Healing Force of the Universe Record Donation Show
Featuring: Quasar (aka Brandon Jay), Sanglorians (Daniel Brummel) and The Acrylic.
Sunday, Dec. 14; 2 to 5 p.m.
1200 E. Walnut St., Pasadena
Tickets are $15 or you can donate 5 or more records at the door. More info here.

Topline:

The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.

The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.

What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."

What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."

Every year in Santa Ana, Luis Cantabrana turns the front of his home into an elaborate altar in honor of La Virgen de Guadalupe that draws hundreds of visitors.

Along the front of the house, the multi-colored altar is filled with lights, flowers and a stained-glass tapestry behind a sculpture of the Lady of Guadalupe. Cantabrana’s roof also is lit up with the green, white and red lights that spell out “Virgen de Guadalupe” and a cross.

Visitors are welcomed with music and the smell of roses as they celebrate the saint, but this year’s gathering comes after a dark year for immigrant communities.

Luis Cantabrana stands in front of the stunning altar he built in front of his home in honor of La Virgen de Guadalupe. Every year, his display draws hundreds of visitors.

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Destiny Torres

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LAist

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Why do they celebrate? 

In 1513, the Virgin Mary appeared before St. Juan Diego between Dec. 9 and Dec. 12, asking him to build a church in her honor. Her image — a brown-skinned woman wearing a green veil with her hands together in prayer and an angel at her feet — miraculously appeared on his cloak.

To celebrate in Santa Ana, worshippers gathered late-night Wednesday and in the very early hours Dec. 12 to pray the rosary, sing hymns and celebrate the saint.

Cantabrana has hosted worshippers at his home for 27 years — 17 in Santa Ana.

The altar started out small, he said, and over the years, he added a fabric background, more lights and flowers (lots and lots of flowers).

“It started with me making a promise to la Virgen de Guadalupe that while I had life and a home to build an altar, that I would do it,” Cantabrana said. “Everything you see in photos and videos is pretty, but when you come and see it live, it's more than pretty. It's beautiful.”

The Santa Ana home's elaborate altar in honor of La Virgen de Guadalupe draws hundreds of visitors each year.

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Destiny Torres

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LAist

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Gathering in a time of turmoil 

Many also look to the Lady of Guadalupe for protection, especially at a time when federal enforcement has rattled immigrant communities.

“People don’t want to go to work, they don’t want to take their kids to school, but the love we have for our Virgen de Guadalupe,” Cantabrana said. “We see that la Virgen de Guadalupe has a lot of power, and so we know immigration [enforcement] won’t come here.”

Margarita Lopez of Garden Grove has been visiting the altar for three years with her husband. She’s been celebrating the Virgencita since she was a young girl. Honoring the saint is as important now as ever, she said.

“We ask, and she performs miracles,” Lopez said.

Claudia Tapia, a lifelong Santa Ana resident, said the Virgin Mary represents strength.

“Right now, with everything going on, a lot of our families [have] turned and prayed to the Virgen for strength during these times,” Tapia said. “She's a very strong symbol of Mexican culture, of unity, of faith and of resilience.”

See it for yourself

The shrine will stay up into the new year on the corner of Broadway and Camile Street.