Carmelo Alvarez near the Levitt Pavilion in MacArthur Park, which now hosts an annual Radiotron event.
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Brian Feinzimer
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LAist
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Topline:
Radiotron was integral to L.A.'s nascent hip-hop scene in the early 1980s, proving a space for young artists to breakdance, MC and make art. Carmelo Alvarez made it happen.
The background: As New York City’s foundational hip-hop presence continued to develop, more people in Los Angeles started experimenting with electro-music, funk and R&B, and dance forms like popping and locking. The place to do it was Radio Club in MacArthur Park. It became a place for emerging artists to bring what they saw from the East Coast to the West — and apply their own L.A. spin. Ice-T was the MC. Madonna would hang out to check out the trends.
Then enter a dancer from MacArthur Park named Carmelo Alvarez, who transformed the club into the space known as Radiotron — where kids could go after school to breakdance and work on their art.
When 12-year-old Wilber “Wilpower” Urbina saw two kids breakdancing for the first time in MacArthur Park back in 1982, he knew he had to get involved.
“It was the coolest thing I had ever seen, but I didn't know what it was because I had never seen it before,” Urbina recalls. “The music sounded very strange, but interesting. From then on, I was just trying to copy the moves that the kids were doing.”
About a year later, Urbina heard from other kids about a new place across the street from MacArthur Park where kids could breakdance for hours for less than 75 cents.
It was called the Youth Break Center, Inc. or better known as Radiotron.
The first Radiotron graphic painted for the 1984 movie Breakin'
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Carmelo Alvarez
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Carmelo Alvarez
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A space for LA’s nascent hip-hop scene
Before Radiotron opened itself to neighborhood youth, it was an avant garde, underground space called Radio Club. In Jonathan Abrams’ The Come Up: An Oral History of the Rise of Hip-Hop, rapper and actor Ice-T recalls Radio Club originally being a punk rock space where people would get on stage and practice their new work. Then the owner started bringing in hip-hop artists from the East Coast.
As New York City’s foundational hip-hop presence continued to develop, more people started experimenting with electro-music, funk and R&B as well as dance forms like popping and locking in Los Angeles. Radio Club became integral to that new movement in the city. It became a place for emerging artists to bring what they saw from the East Coast to the West.
LA Bazar Girl and DJ Antron were regulars at Radiotron
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Carmelo Alvarez
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Carmelo Alvarez
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At the same time, these culture innovators were mixing the East Coast style with the West Coast environment, aesthetics and attitudes, says Jonathan Calvillo, a sociology professor at Emory University, and author of the forthcoming book In The Time of Sky Rhyming: How Hip Hop Resonated In Brown Los Angeles.
Calvillo says when the owners brought in Ice-T as an emcee at Radio Club, it solidified the spot as a hip-hop space, and ushered in more people of color.
Before he was the original gangster rapper and before he became Detective Odafin Tutuola on Law & Order: Special Victims Unit, Ice-T appeared in early 1980s L.A. breakdancing films as an emcee and dancer — the documentary 'Breakin ‘n’ Enterin’ and the now classic movies Breakin’ and Breakin’ 2: Electric Boogaloo, which were all set in Radio Club.
“Ice-T brought in more local street credibility,” Calvillo says.
Kurtis Blow and Kid Frost also visited Radio. DJ Chris “The Glove” Taylor, who frequently deejayed there, wrote about how Michael Jackson recruited some of his dancers for Thriller from Radio. It was a place where even celebrities like Madonna would go to check out the latest trends.
Then in 1983, Carmelo Alvarez, a young Mexican American dancer who had dreams of opening up a performance arts center in his childhood neighborhood of MacArthur Park, decided to rent out office space from the owner of the building Radio occupied. As Alvarez tells it, the owner then asked him to manage the building. It was his opportunity to create that performance space for kids.
Radiotron begins
Alvarez was raised in the MacArthur Park area where he was influenced by gangs. He recalls an art teacher pushing him to try out dancing at the Barnsdall Art Center and Junior Arts Center. There he met veteran artistic director and choreographer Chester Whitmore, who invited Alvarez to be in his tap troupe. He was also a part of the L.A. Inner City Cultural Center and toured with Lula Washington in a dance company.
He recalls seeing breakdancing in New York City in 1980 as a pivotal time for him. “Hip-hop is the vehicle,” Alvarez explains. “The main important thing was the youth.”
Carmelo Alvarez, founder of historic hip hop youth center Radiotron, holds a photo of Radiotron in its former space near Park View and 7th in MacArthur Park.
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Brian Feinzimer
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Alvarez says he originally had a whole other game plan for the youth center, but the kids had seen what was happening in Radio Club. The kids were itching to breakdance.
Radio was reborn into Radiotron in 1983 when the producers of Breakin’ approached Alvarez. They named the club in the movie “Radiotron'' and it stuck.
So did the art. The crew left behind the graffiti that was part of the film's set design. Alvarez thought it brought color and light to the space, so he kept it. “I said ‘no, no, no. Leave it alone’. Before that it was all dark and black,” Alvarez recalls.
Photograph caption dated July 5, 1985 reads, "Graffiti art decorates Radiotron's walls, adding to the atmosphere of this no-age-limit nightclub, where kids 6 on up can do their thing and prove their stuff till 3 in the morning."
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James Ruebsamen
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Herald Examiner Collection/ L.A. Public Library
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Tino Montelongo, then 18, of Fillmore's Radiotron Wizards break-dancing troupe dancing outside the Coliseum during the Olympics in the summer of 1984.
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Chris Gulker
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Herald Examiner Collection / L.A. Public Library
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A photo from June 1985 identifies the man spinning records at Radiotron as DJ Tony.
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James Ruebsamen
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Herald Examiner Collection / L.A. Public Library
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Then came the kids.
“So I get a knock on the door and it was a little kid and he said ‘Hey mister, can we break in there?’” Alvarez recalls. “And I said 'sure.’ And they said, ‘Hey! the man said we can break in there!’ And they called a bunch of kids together and they went in there and they started breakdancing.”
“It went from an after-hours nightclub to an after-school youth center,” Alvarez says.
Calvillo says when Radio Club did not agree to the conditions Carmelo requested, its managers moved the club to another location downtown.
A 'safe haven'
When Radiotron opened, it quickly became viewed as a safe space for kids; a place where young people could fully express themselves and stay away from drugs and gangs.
“Radiotron presented an opportunity for young people to experiment and learn from folks who have been expressing themselves through the hip-hop elements,” Calvillo says. “For a whole generation, early West Coast innovators were being acculturated into hip-hop culture at Radiotron.”
Lifelong breakdancer Wilber “Wilpower” Urbina was one of them.
“All the kids wanted to go to this place,” Urbina recalls. “They knew that you could see some of the best kids, and when you see kids who are more advanced than you are, that makes you get better, you get inspired.”
Wilber 'Wilpower' Urbina as a kid circa 1984 Los Angeles
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Wilber 'Wilpower' Urbina
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He recalls Alvarez being kind and welcoming to all kids who wanted to do graffiti and breakdance at the center.
“He was kind of like a father figure,” Urbina says. “ Inbarriosor hoods, most people just grew up with just a mom. To see and hear a kind person say good things, that’s great. He didn’t want anything in return. He wants you to do good, to stay away from trouble. To do art. In this place, you could do graffiti, it was really a safe haven.”
The rise of L.A. hip-hop
Many people know about the day that hip-hop supposedly jumped off. Two teen siblings from the South Bronx — DJ Kool Herc and Cindy Campbell — held a back-to-school party in their neighborhood in 1973 and Herc tried something new on the turntables, dropping what many historians say was the first hip-hop beat. But there were other elements that came to define hip-hop.
It wasn’t just the MCing or DJing or the graffiti — it was also the movement, the breakdancing. While young people in New York were b-boying and doing more street dances on the floor, in L.A. and other California cities, Black and brown kids were creating more funk-style dance moves that were placed in a larger umbrella category called “breakin’."
Even before hip-hop took off, California was the place where both popping and locking were created by young people in the 1970s. For example, a 20-something-year-old Soul Train dancer named Don Campbell created locking, an early street dance that influenced breakdance moves in L.A., back in the funk era.
In MacArthur Park, young people from all different background were getting in on it.
“At the time, MacArthur Park was not a particularly safe place to be. But it was a place that was experiencing a lot of growth, a lot of movement, a lot of migration,” Calvillo says. “A lot of the early practitioners that were learning hip-hop culture, and experimenting and adapting it to their surroundings, many of them were Central American.”
The end comes too quickly
In Breakin’ 2: Electric Boogaloo, the dancers team up together to do a benefit show to save their endangered community center.
Calvillo says the fictional story isn’t far from the truth.
“Much of the plotline of that story was based on what was happening with Radiotron,” Calvillo says. “The youth center was going to be closed, it was being threatened in terms of its location."
“He was kind of like a father figure. Inbarriosor hoods, most people just grew up with just a mom. To see and hear a kind person say good things, that’s great. He didn’t want anything in return. He wants you to do good, to stay away from trouble. To do art."
— Wilber "Wilpower" Urbina, breakdancer
Radiotron eventually closed in 1985 due in part to development. The building was torn down for the construction of the Park View Mall. According to news reports, the developers needed a parking lot — right where the Youth Break Center stood. Before that, Radiotron's weekend dances, which brought in revenue, were shut down for code violations. Doctors across the country started pointing out the dangers of breakdancing.
“Kids get hurt in football,” Alvarez says. “Kids get hurt playing on the playground. You don’t take the playground out. No, you go fix it. You tell them to be careful.” Alvarez and the Radiotron kids protested in front of City Hall to get the attention of city council members in order to keep the building but, Alvarez says, there was no luck. The building was lost. Radiotron was only in existence from 1983 to 1985.
Alvarez was heartbroken.
“I purposely had it underage, because the kids didn't have anything,” Alvarez says, reflecting on the importance of the youth center. “They were dancing in the street for money and they were getting tickets. And this is the era of crack and gangs and drive-bys. They needed something.”
Urbina said that after Radiotron closed there was nowhere else to go.
“Sometimes friends would invite us to go there to their lobby... but sometimes the lobby was small and it was carpet,” Urbina says. “So it was like ‘F---! We really miss Radiotron.’”
Alvarez says he’s opened a dozen youth centers since 1978, but it’s been hard to sustain them. The now 66-year-old Alvarez is retired and is working on a project called Community Action for Peace.
Radiotron’s lasting impact
Alvarez says there’s one major aspect of the Radiotron story that shouldn’t be missed:: just like there were kids that held a back-to-school party that launched hip-hop culture in the South Bronx, young people were also important in the hip-hop movement in L.A.
“Those kids were innovators,” he says. “They were the ones that created it.”
Radiotron launched the careers of a long list of dancers and artists. Alvarez says some of the graffiti artists he shepherded at Radiotron have had work featured in the Museum of Contemporary Art and in LACMA. He points out artists like Prime (who is known to be the founding father of stylized L.A. graffiti lettering), Shandu One and Zender, who all made names for themselves.
Carmelo Alvarez walks near a mural painted by fromer Radiotron memebr RETNA near Park View and 7th in MacArthur Park.
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Brian Feinzimer
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Salvadoran American breakdancers like Urbina (aka Wilpower) and Cesar “Lil Cesar'' Rivas were a part of the trendsetting Air Force Crew, which was founded at Radiotron. After the youth center physically closed, Rivas helped Radiotron become a traveling dance competition. In the 1990s the Air Force Crew danced with Kurtis Blow, and became an inspiration for Korea’s b-boying scene.
“We don't often hear their stories in the same way as when folks talk about West Coast rappers because we think of the West Coast as mostly a movement of rappers,” Calvillo said. “But these are dancers that were actually going international.”
At 53, Urbina is still hungry for more. He wants to get the moves he had in his 20s and 30s. It’s hard work, but it’s fun. There’s just one caveat.
He’s not battling people anymore. He’s battling age.
Decades after Radiotron's closing, Wilber 'Wilpower' Urbina, now in his 50s, still finds time to breakdance.
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Wilber 'Wilpower' Urbina
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Wilber 'Wilpower' Urbina
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“You’re battling not getting injuries because breakdancing is very physical,” Urbina says. “Over 50, to be doing 20, 30, 40 headspins…it’s not so easy. I’m also a realist. There’s some moves where I’m like nah…my wrists aren’t the same any more.”
Nearly every student in the California State University system has used artificial intelligence tools, but most don’t trust the results, are worried about how AI will affect their future job security and want more say in systemwide AI policy.
CSU AI survey: CSU polled more than 94,000 students, faculty and staff, making it the largest survey of AI perception in higher education. Nearly all students have used AI but most question whether it is trustworthy. Both faculty and students want more say in systemwide AI policies. Faculty are divided about the impact of AI on teaching and research.
The results: Educators want a say in how and which AI tools are used. Students across the CSU system want to be included in those discussions. Some professors teach students how to use AI and encourage students to use it, while others forbid its use in the classroom. In addition to clarity around use of AI policies, students in this year’s survey said they want training that will be relevant to their careers. “I want to learn AI tools that are actually used in my industry, not just generic chatbots,” a mechanical engineering student responded. “Show me what engineers are actually doing with AI on the job.”
Nearly every student in the California State University system has used artificial intelligence tools, but most don’t trust the results, are worried about how AI will affect their future job security and want more say in systemwide AI policy.
That’s according to results of a 2025 survey of more than 80,000 students enrolled at CSU’s 22 campuses, plus faculty and staff — the largest and most comprehensive study of how higher education students and instructors perceive artificial intelligence.
Nationwide, university faculty struggle to reconcile the learning benefits of AI — hailed as a “transformative tool” for providing tutoring and personalized support to students — and the risks that students will depend on AI agents to do their thinking for them and, very possibly, get the wrong information. Educators want a say in how and which AI tools are used. Students across the CSU system want to be included in those discussions.
Some professors teach students how to use AI and encourage students to use it, while others forbid its use in the classroom, said Katie Karroum, vice president of systemwide affairs for the Cal State Student Association, representing more than 470,000 students.
“Both of these things are allowed to coexist right now without a policy,” she said.
Karroum said that faculty practices are too varied and that what students need are consistent and transparent rules developed in collaboration with students. “There are going to be students who are graduating with AI literacy and some that graduate without AI literacy.”
In February 2025, the CSU system announced an initiative to adopt AI technologies and an agreement with OpenAI to make ChatGPT available throughout the system. The system-wide survey released Wednesday confirms that ChatGPT is the most used AI tool across CSUs. The system will also work with Adobe, Google, IBM, Intel, LinkedIn, Microsoft and NVIDIA.
Campus leaders say the survey and accompanying dashboard provide much needed data on how the system continues to integrate AI into instruction and assessment.
“We need to have data to make data-informed decisions instead of just going by anecdote,” said Elisa Sobo, a professor of anthropology at San Diego State who was involved in interpreting the survey’s findings. “We have data that show high use, but we also have high levels of concern, very valid concern, to help people be responsible when they use it.”
Faculty at San Diego State designed the survey, which received more than 94,000 responses from students, faculty and staff. Among all responding CSU students, 95% reported using an AI tool; 84% said they used ChatGPT and 82% worry that AI will negatively impact their future job security. Others worry that they won’t be competitive if they don’t understand AI well enough.
“Even though I don’t want to use it, I HAVE TO!” wrote a computer science major. “Because if I don’t, then I’ll be left behind, and that is the last thing someone would want in this stupid job market.”
Faculty are divided about the impact of AI on teaching and research. Just over 55% reported a positive benefit, while 52% said AI has had a negative impact so far.
San Diego State conducted its first campuswide survey in 2023 in response to complaints from students about inconsistent rules about AI use in courses, said James Frazee, vice president for information technology at the campus.
“Students are facing this patchwork of expectations even within the same course taught by different instructors,” Frazee said. In one introductory course, the professor might encourage students to use AI, but another professor teaching the same course might forbid it, he said. “It was a hot mess.”
In that 2023 survey, one student made this request: “Please just tell us what to do and be clear about it.”
Following that survey, the San Diego State Academic Senate approved guidelines for the use of generative AI in instruction and assessments. In 2025, the Senate made it mandatory that faculty include language about AI use in course syllabi.
“It doesn’t say what your disposition has to be, whether it’s pro or con,” Frazee said. “It just says you have to be clear about your expectations. Without the 2023 survey data, that never would have happened.”
According to the 2025 systemwide survey, only 68% of teaching faculty include language about AI use in their syllabi.
Sobo and other faculty who helped develop the 2025 survey hope other CSU campuses will find the data helpful in informing policies about AI use. The dashboard allows users to search for specific campus and discipline data and view student responses by demographic group.
The 2025 survey shows that first-generation students are more interested in formal AI training and that Black, Hispanic and Latino students are more interested than white students. At San Diego State, students are required to earn a micro-credential in AI use during their first year — another change that was made after the 2023 survey.
Students in this year’s survey said they want training that will be relevant to their careers. “I want to learn AI tools that are actually used in my industry, not just generic chatbots,” a mechanical engineering student responded. “Show me what engineers are actually doing with AI on the job.”
The California Faculty Association, which represents about 29,000 educators in the CSU system, said in a February statement that faculty should be included in future systemwide decisions about AI, including whether the contract with OpenAI should be renewed in July.
“CFA members continue to advocate for ethical and enforceable safeguards governing the use of artificial intelligence,” the CFA said in the statement, asking for “protections for using or refusing to use the technology, professional development resources to adapt pedagogy to incorporate the technology, and further protections for faculty intellectual property.”
EdSource is an independent nonprofit organization that provides analysis on key education issues facing California and the nation. LAist republishes articles from EdSource with permission.
Fiona Ng
is LAist's deputy managing editor and leads a team of reporters who explore food, culture, history, events and more.
Published April 1, 2026 12:00 PM
Tennis courts featured in an April Fools' Day social media post by Irvine.
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City of Irvine / Instagram
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Topline:
Many Southern California cities and institutions are dropping big, grabby news today — from the city of Irvine going "pickle-ball" only, to the Huntington Botanical Gardens announcing it'll be bottling the scent of the famed corpse flower as a perfume.
Why now: Before you go "what the what" — remember today's the first day of April.
Read on ... to find a roundup of some of the April Fools' jokes from your city and local trusted institutions.
Many Southern California cities and institutions are dropping big, grabby news today. Before you go "what the what" — remember, it's the first day of April.
Here's a roundup of some of the April Fools' news dump items.
Irvine, the 'pickleball-only' city
Irvine announced that it'll be converting all tennis courts into pickleball courts by 2027. That's one notch for Team Pickleball in the ongoing turf war between tennis lovers and pickleball players over the fight for court space to engage in their beloved sport.
"Starting today, April 1, all tennis courts are being converted to pickleball courts as part of a citywide effort to make Irvine a pickleball-only City by 2027," the post stated. "We don’t just think this is a good idea … we dink it’s a great one."
Over in Long Beach, Mayor Rex Richardson announced the city's reigning royalty, the Queen Mary, will be renamed after another queen.
"After careful consideration, I am proud to announce that the Queen Mary will officially be renamed the RMS Queen Latifah," he said. "Long Beach is stepping into a new era as a major music destination — with a new amphitheater, a deep cultural legacy, and a future built on sound. It’s only right that our most iconic Queen reflects that energy."
In real-real news, LBC native and everyone's favorite Olympics commenter Snoop Dogg is headlining the grand opening show of the Long Beach Amphitheater in June. That's the new waterfront venue near the RMS Queen Latifah.
Suspense writer James Patterson has more than 200 novels to his name, selling more than 450 million copies. If anyone deserves his own namesake branch, it would be Patterson, no?
The Los Angeles Public Library certainly dinks so, announcing today the James Patterson Canoga Park branch, "with wall to wall Patterson books and programming centered around this prolific author."
The opening of the corpse flower has become an annual event at the Huntington Botanical Gardens. The event brings legions hoping to get a whiff of the famed flower's "pungent aroma."
The San Marino institution announced that it's bottling the scent, as part of its new "The Huntington's Stank Collection."
"A musky gym sock note opens this unique fragrance, with a sweet, rotten-egg base to ground it. Smells like you – but smellier," the post explained.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
Payton Seda
is an associate producer for AirTalk and FilmWeek, hosted by Larry Mantle.
Published April 1, 2026 11:30 AM
We curated some great spots to thrift throughout the region.
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Becca McHaffie
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Topline:
Southern California is home to a vast array of vintage boutiques, thrift stores, and resale shops. Here are the hottest recommendations from our most avid thrifters.
Palm Springs is a apparently a thrifting hot spot. This thrift chain has locations throughout the Coachella Valley.
Read more... for lots of other secondhand spots.
Los Angeles may not be the fashion capital of the world, but it could contend for best thrift, at least in our humble opinion!
The key is knowing where to look.
Here are some of the best thrift and resale stores in different parts of Southern California according to our listeners and (very stylish) LAist colleagues.
The pinnacle of Pasadena and open every third Sunday of the month, the flea market houses 400 vendors with goods ranging from antique furniture to unique second-hand clothing.
If you’re looking for more affordable clothing and household items, Delaine Ureño, LAist senior institutional giving officer, frequents Hotbox Vintage in South Pasadena.
This thrift shop in San Pedro is owned and operated by the Peninsula Chapter of National Charity League and comes recommended by Mel in the South Bay, who says proceeds support local charities and scholarship funds.
This thrift store rec near Elysian Park comes from Lulu in Glendale, who says shoppers can grab a cute pair of pants along with unique furniture to put them in.
Anything on Long Beach’s aptly named Retro Row is worth hitting, according to AirTalk producer Manny Valladares. His favorite spot is Far Outfit. They have unique finds mostly from the early 2000s with a self-described “weird” factor.
With several locations throughout Orange County, including Costa Mesa and Aliso Viejo, LAist reporter Yusra Farzan recommends Laura’s House, noting they have a great curated collection and proceeds help domestic violence victims.
Old Towne Orange is home to many great thrift stores and antique malls. If you’re looking for some good streetwear and sports jerseys, Timeless Vintage is a good choice. They have a great selection of 90s Looney Tunes and Disney graphic tees as well.
Another O.C. favorite is a fairly new addition to downtown Fullerton. Retropolis has a wide selection of apparel, but I like to go there for their chunky 80s sweaters and colorful jackets.
“[Eco Thrift] has really good discount days on top of already affordable clothing,” said Dañiel Martinez, LAist’s Weekend Edition producer. “Tons of good vintage and designer finds hidden in the racks.”
“I went to Palm Springs where they have some of the best thrifting,” said AirTalk listener Monica in Artesia. She bought a pair of Ferragamo shoes for just $8.
Kevin Tidmarsh, LAist’s All Things Considered producer, specifically recommends Revivals, a thrift chain with locations throughout the Coachella Valley.
The storefront at Echo Park Eats, which rents ghost kitchens to 40 restaurants.
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Jarrett Carpenter
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Crosstown
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Topline:
Some of Los Angeles’s most iconic eateries — Papa Cristo’s in Pico-Union, Guerrilla Tacos in Downtown and French eatery TAIX in Echo Park — have closed their doors, prompting hand-wringing about the decline of the city’s rich and diverse food scene. But those closures obscured a more notable achievement; 758 new restaurants opened last year, surpassing the previous record set in 2024, when 729 restaurants opened.
Self service and delivery apps: The explosion of digital-order services has rewritten the business model for restaurants, which are now operating with less space, reduced staff and tighter margins. Many of the new eateries do much of their business from behind a screen — either through self-service tablets or off delivery apps such as DoorDash, GrubHub and Uber Eats.
Ghost kitchens: Ghost kitchens, or private kitchens used exclusively for delivery and takeout, have become a business model of their own. At Beverly Bites, 56 restaurants operate out of one facility serving the densely populated Beverly Hills and Beverlywood neighborhoods, though not all of them are open simultaneously. At Echo Park Eats, 40 restaurants are now within a five minute walk of Dodger Stadium.
Some of Los Angeles’s most iconic eateries — Papa Cristo’s in Pico-Union, Guerrilla Tacos in Downtown and French eatery TAIX in Echo Park — have closed their doors, prompting hand-wringing about the decline of the city’s rich and diverse food scene.
But those closures obscured a more notable achievement; 758 new restaurants opened last year, surpassing the previous record set in 2024, when 729 restaurants opened.
The split-screen view of dining in Los Angeles is part of a broader transformation that is reshaping the industry nationwide.
The explosion of digital-order services has rewritten the business model for restaurants, which are now operating with less space, reduced staff and tighter margins. Many of the new eateries do much of their business from behind a screen—either through self-service tablets or off delivery apps such as DoorDash, GrubHub and Uber Eats.
So-called “limited-service” restaurants now account for nearly a third of all newly opened establishments. The number of traditional, or full-service, restaurants has also been growing, hitting 539 openings in 2025, and a record-high 587 the year before. If you count the number of coffee, smoothie and snack joints, the numbers rise even further.
Pizza to go
Many of Los Angeles’s restaurateurs are adapting to this burgeoning business model. Last year, Liz Gutierrez turned her pop-up restaurant, Fiorelli Pizza, into a small brick-and-mortar location in Beverly Grove with just a couple of stools at a counter for seating. As she saw restaurants closing their doors, the advantages of the new business model quickly dawned on her.
“This was something that could be operated with minimum labor, it could be way more manageable in terms of fixed costs and expenses, and we could still deliver restaurant-quality [food],” Gutierrez said.
The bevy of new food establishments opening their doors is a lone bright spot in an otherwise bleak economic picture: The total number of new businesses opening in the city is nearly half what it was a decade ago. That is driven in part by some of the same forces, such as Amazon.com, Inc. and other online retailers that put pressure on businesses operating out of traditional storefronts.
But the flourishing restaurant industry has been able to buck that trend so far. While Amazon can deliver clothes and even groceries, it still can’t deliver a fresh pizza or poké bowl.
The QR code will take your order
Linchi Kwok, a hospitality management researcher at Collins College of Hospitality Management at California State Polytechnic University, Pomona, said a lack of interest in working in the hospitality industry, paired with rising labor costs, has pushed restaurant owners to find cost-effective workarounds to run their operations with fewer people.
“Limited-service restaurants don’t have to hire many people to do the work. It saves labor costs, saves space, and saves the service turn-around time. They don’t have to worry about it,” Kwok said.
Restaurants must share a portion of their already slim profit margins—usually between 2-4% in L.A.—with an app service and the driver. To offset that, restaurants have cut down on staff, letting go of waiters, hostesses and dishwashers, many of whom are no longer needed when orders are increasingly being delivered in disposable containers.
Despite the record number of openings, running a restaurant in the city has not gotten any easier. Jot Condie, president and chief executive of the California Restaurant Association, noted that in 2024 taxable restaurant revenue hit $11 billion, which, when adjusted for inflation, is on par with 2012 levels.
“The piece of the pie that each restaurant gets is slimmer.”
Condie also said that the hollowing out of entertainment work, increased presence of Immigration and Customs Enforcement and stricter regulations “are conspiring against the L.A. restaurant scene.”
Condie said that regulations from city hall, such as stricter labor oversight and a proposal for a $30 minimum wage for some workers, are making it even tougher.
“The business environment is bad generally in L.A., but the city council and the mayor seem to be throwing salt in the wound.”
As the number of new restaurant openings has spiked, so have the number of closings reported to the city. However, business closure figures are not as reliable as business opening data, as some establishments close without reporting it to the city. Since 2021, 593 full- and limited-service restaurants have reported closing, compared with 3,148 openings.
Jimmy Chu spent several years working in fine dining, which inspired him to start his own restaurant. He knew it would be expensive. Rather than opening another fine-dining establishment, he opted for a limited-service restaurant where customers could order at the counter, no waiters involved.
Chu quit his job by the end of 2024, and in May 2025, he opened Bomb Hot Dog in Downtown Los Angeles. He estimates that his eatery gets roughly a third of its customers through mobile delivery orders.
Ghost kitchens
Ghost kitchens, or private kitchens used exclusively for delivery and takeout, have become a business model of their own. At Beverly Bites, 56 restaurants operate out of one facility serving the densely populated Beverly Hills and Beverlywood neighborhoods, though not all of them are open simultaneously. At Echo Park Eats, 40 restaurants are now within a five minute walk of Dodger Stadium. The Los Angeles Dodgers schedule was hung on the wall inside the facility, so owners can anticipate heavy foot traffic and delivery orders during home games.
Last December, Ali Elreda rented out a space for his Mediterranean-Mexican fusion restaurant, Fatima’s Grill, at Echo Park Eats.
Elreda operates four brick-and-mortar Fatima’s Grill locations, and this is his first time renting a ghost kitchen. He said the decision to start a delivery and takeout location was both a matter of savings and efficiency.
“A lot of people are going the ghost-kitchen route because it’s quicker, it’s faster,” Elreda said. “You avoid a lot of overhead and foot traffic and having to find staff these days with the expensive economy out there is kind of tough.”
With ghost kitchen facilities, business owners also no longer have to compete with each other to find prime real estate in Los Angeles.
“You don’t have to do that research where you’ve got to find the right location. It’s just right there waiting for you,” Elreda said.
How we did it: We examined more than 15 years of business license data reported to the Los Angeles Office of Finance. Have questions about our data or want to ask us something? Write to use at askus@xtown.la Hyperlocal News
