Carmelo Alvarez near the Levitt Pavilion in MacArthur Park, which now hosts an annual Radiotron event.
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Brian Feinzimer
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LAist
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Topline:
Radiotron was integral to L.A.'s nascent hip-hop scene in the early 1980s, proving a space for young artists to breakdance, MC and make art. Carmelo Alvarez made it happen.
The background: As New York City’s foundational hip-hop presence continued to develop, more people in Los Angeles started experimenting with electro-music, funk and R&B, and dance forms like popping and locking. The place to do it was Radio Club in MacArthur Park. It became a place for emerging artists to bring what they saw from the East Coast to the West — and apply their own L.A. spin. Ice-T was the MC. Madonna would hang out to check out the trends.
Then enter a dancer from MacArthur Park named Carmelo Alvarez, who transformed the club into the space known as Radiotron — where kids could go after school to breakdance and work on their art.
When 12-year-old Wilber “Wilpower” Urbina saw two kids breakdancing for the first time in MacArthur Park back in 1982, he knew he had to get involved.
“It was the coolest thing I had ever seen, but I didn't know what it was because I had never seen it before,” Urbina recalls. “The music sounded very strange, but interesting. From then on, I was just trying to copy the moves that the kids were doing.”
About a year later, Urbina heard from other kids about a new place across the street from MacArthur Park where kids could breakdance for hours for less than 75 cents.
It was called the Youth Break Center, Inc. or better known as Radiotron.
The first Radiotron graphic painted for the 1984 movie Breakin'
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Carmelo Alvarez
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Carmelo Alvarez
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A space for LA’s nascent hip-hop scene
Before Radiotron opened itself to neighborhood youth, it was an avant garde, underground space called Radio Club. In Jonathan Abrams’ The Come Up: An Oral History of the Rise of Hip-Hop, rapper and actor Ice-T recalls Radio Club originally being a punk rock space where people would get on stage and practice their new work. Then the owner started bringing in hip-hop artists from the East Coast.
As New York City’s foundational hip-hop presence continued to develop, more people started experimenting with electro-music, funk and R&B as well as dance forms like popping and locking in Los Angeles. Radio Club became integral to that new movement in the city. It became a place for emerging artists to bring what they saw from the East Coast to the West.
LA Bazar Girl and DJ Antron were regulars at Radiotron
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Carmelo Alvarez
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Carmelo Alvarez
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At the same time, these culture innovators were mixing the East Coast style with the West Coast environment, aesthetics and attitudes, says Jonathan Calvillo, a sociology professor at Emory University, and author of the forthcoming book In The Time of Sky Rhyming: How Hip Hop Resonated In Brown Los Angeles.
Calvillo says when the owners brought in Ice-T as an emcee at Radio Club, it solidified the spot as a hip-hop space, and ushered in more people of color.
Before he was the original gangster rapper and before he became Detective Odafin Tutuola on Law & Order: Special Victims Unit, Ice-T appeared in early 1980s L.A. breakdancing films as an emcee and dancer — the documentary 'Breakin ‘n’ Enterin’ and the now classic movies Breakin’ and Breakin’ 2: Electric Boogaloo, which were all set in Radio Club.
“Ice-T brought in more local street credibility,” Calvillo says.
Kurtis Blow and Kid Frost also visited Radio. DJ Chris “The Glove” Taylor, who frequently deejayed there, wrote about how Michael Jackson recruited some of his dancers for Thriller from Radio. It was a place where even celebrities like Madonna would go to check out the latest trends.
Then in 1983, Carmelo Alvarez, a young Mexican American dancer who had dreams of opening up a performance arts center in his childhood neighborhood of MacArthur Park, decided to rent out office space from the owner of the building Radio occupied. As Alvarez tells it, the owner then asked him to manage the building. It was his opportunity to create that performance space for kids.
Radiotron begins
Alvarez was raised in the MacArthur Park area where he was influenced by gangs. He recalls an art teacher pushing him to try out dancing at the Barnsdall Art Center and Junior Arts Center. There he met veteran artistic director and choreographer Chester Whitmore, who invited Alvarez to be in his tap troupe. He was also a part of the L.A. Inner City Cultural Center and toured with Lula Washington in a dance company.
He recalls seeing breakdancing in New York City in 1980 as a pivotal time for him. “Hip-hop is the vehicle,” Alvarez explains. “The main important thing was the youth.”
Carmelo Alvarez, founder of historic hip hop youth center Radiotron, holds a photo of Radiotron in its former space near Park View and 7th in MacArthur Park.
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Brian Feinzimer
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LAist
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Alvarez says he originally had a whole other game plan for the youth center, but the kids had seen what was happening in Radio Club. The kids were itching to breakdance.
Radio was reborn into Radiotron in 1983 when the producers of Breakin’ approached Alvarez. They named the club in the movie “Radiotron'' and it stuck.
So did the art. The crew left behind the graffiti that was part of the film's set design. Alvarez thought it brought color and light to the space, so he kept it. “I said ‘no, no, no. Leave it alone’. Before that it was all dark and black,” Alvarez recalls.
Photograph caption dated July 5, 1985 reads, "Graffiti art decorates Radiotron's walls, adding to the atmosphere of this no-age-limit nightclub, where kids 6 on up can do their thing and prove their stuff till 3 in the morning."
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James Ruebsamen
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Herald Examiner Collection/ L.A. Public Library
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Tino Montelongo, then 18, of Fillmore's Radiotron Wizards break-dancing troupe dancing outside the Coliseum during the Olympics in the summer of 1984.
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Chris Gulker
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Herald Examiner Collection / L.A. Public Library
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A photo from June 1985 identifies the man spinning records at Radiotron as DJ Tony.
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James Ruebsamen
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Herald Examiner Collection / L.A. Public Library
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Then came the kids.
“So I get a knock on the door and it was a little kid and he said ‘Hey mister, can we break in there?’” Alvarez recalls. “And I said 'sure.’ And they said, ‘Hey! the man said we can break in there!’ And they called a bunch of kids together and they went in there and they started breakdancing.”
“It went from an after-hours nightclub to an after-school youth center,” Alvarez says.
Calvillo says when Radio Club did not agree to the conditions Carmelo requested, its managers moved the club to another location downtown.
A 'safe haven'
When Radiotron opened, it quickly became viewed as a safe space for kids; a place where young people could fully express themselves and stay away from drugs and gangs.
“Radiotron presented an opportunity for young people to experiment and learn from folks who have been expressing themselves through the hip-hop elements,” Calvillo says. “For a whole generation, early West Coast innovators were being acculturated into hip-hop culture at Radiotron.”
Lifelong breakdancer Wilber “Wilpower” Urbina was one of them.
“All the kids wanted to go to this place,” Urbina recalls. “They knew that you could see some of the best kids, and when you see kids who are more advanced than you are, that makes you get better, you get inspired.”
Wilber 'Wilpower' Urbina as a kid circa 1984 Los Angeles
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Courtesy of Wilber 'Wilpower' Urbina
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Wilber 'Wilpower' Urbina
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He recalls Alvarez being kind and welcoming to all kids who wanted to do graffiti and breakdance at the center.
“He was kind of like a father figure,” Urbina says. “ Inbarriosor hoods, most people just grew up with just a mom. To see and hear a kind person say good things, that’s great. He didn’t want anything in return. He wants you to do good, to stay away from trouble. To do art. In this place, you could do graffiti, it was really a safe haven.”
The rise of L.A. hip-hop
Many people know about the day that hip-hop supposedly jumped off. Two teen siblings from the South Bronx — DJ Kool Herc and Cindy Campbell — held a back-to-school party in their neighborhood in 1973 and Herc tried something new on the turntables, dropping what many historians say was the first hip-hop beat. But there were other elements that came to define hip-hop.
It wasn’t just the MCing or DJing or the graffiti — it was also the movement, the breakdancing. While young people in New York were b-boying and doing more street dances on the floor, in L.A. and other California cities, Black and brown kids were creating more funk-style dance moves that were placed in a larger umbrella category called “breakin’."
Even before hip-hop took off, California was the place where both popping and locking were created by young people in the 1970s. For example, a 20-something-year-old Soul Train dancer named Don Campbell created locking, an early street dance that influenced breakdance moves in L.A., back in the funk era.
In MacArthur Park, young people from all different background were getting in on it.
“At the time, MacArthur Park was not a particularly safe place to be. But it was a place that was experiencing a lot of growth, a lot of movement, a lot of migration,” Calvillo says. “A lot of the early practitioners that were learning hip-hop culture, and experimenting and adapting it to their surroundings, many of them were Central American.”
The end comes too quickly
In Breakin’ 2: Electric Boogaloo, the dancers team up together to do a benefit show to save their endangered community center.
Calvillo says the fictional story isn’t far from the truth.
“Much of the plotline of that story was based on what was happening with Radiotron,” Calvillo says. “The youth center was going to be closed, it was being threatened in terms of its location."
“He was kind of like a father figure. Inbarriosor hoods, most people just grew up with just a mom. To see and hear a kind person say good things, that’s great. He didn’t want anything in return. He wants you to do good, to stay away from trouble. To do art."
— Wilber "Wilpower" Urbina, breakdancer
Radiotron eventually closed in 1985 due in part to development. The building was torn down for the construction of the Park View Mall. According to news reports, the developers needed a parking lot — right where the Youth Break Center stood. Before that, Radiotron's weekend dances, which brought in revenue, were shut down for code violations. Doctors across the country started pointing out the dangers of breakdancing.
“Kids get hurt in football,” Alvarez says. “Kids get hurt playing on the playground. You don’t take the playground out. No, you go fix it. You tell them to be careful.” Alvarez and the Radiotron kids protested in front of City Hall to get the attention of city council members in order to keep the building but, Alvarez says, there was no luck. The building was lost. Radiotron was only in existence from 1983 to 1985.
Alvarez was heartbroken.
“I purposely had it underage, because the kids didn't have anything,” Alvarez says, reflecting on the importance of the youth center. “They were dancing in the street for money and they were getting tickets. And this is the era of crack and gangs and drive-bys. They needed something.”
Urbina said that after Radiotron closed there was nowhere else to go.
“Sometimes friends would invite us to go there to their lobby... but sometimes the lobby was small and it was carpet,” Urbina says. “So it was like ‘F---! We really miss Radiotron.’”
Alvarez says he’s opened a dozen youth centers since 1978, but it’s been hard to sustain them. The now 66-year-old Alvarez is retired and is working on a project called Community Action for Peace.
Radiotron’s lasting impact
Alvarez says there’s one major aspect of the Radiotron story that shouldn’t be missed:: just like there were kids that held a back-to-school party that launched hip-hop culture in the South Bronx, young people were also important in the hip-hop movement in L.A.
“Those kids were innovators,” he says. “They were the ones that created it.”
Radiotron launched the careers of a long list of dancers and artists. Alvarez says some of the graffiti artists he shepherded at Radiotron have had work featured in the Museum of Contemporary Art and in LACMA. He points out artists like Prime (who is known to be the founding father of stylized L.A. graffiti lettering), Shandu One and Zender, who all made names for themselves.
Carmelo Alvarez walks near a mural painted by fromer Radiotron memebr RETNA near Park View and 7th in MacArthur Park.
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Brian Feinzimer
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LAist
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Salvadoran American breakdancers like Urbina (aka Wilpower) and Cesar “Lil Cesar'' Rivas were a part of the trendsetting Air Force Crew, which was founded at Radiotron. After the youth center physically closed, Rivas helped Radiotron become a traveling dance competition. In the 1990s the Air Force Crew danced with Kurtis Blow, and became an inspiration for Korea’s b-boying scene.
“We don't often hear their stories in the same way as when folks talk about West Coast rappers because we think of the West Coast as mostly a movement of rappers,” Calvillo said. “But these are dancers that were actually going international.”
At 53, Urbina is still hungry for more. He wants to get the moves he had in his 20s and 30s. It’s hard work, but it’s fun. There’s just one caveat.
He’s not battling people anymore. He’s battling age.
Decades after Radiotron's closing, Wilber 'Wilpower' Urbina, now in his 50s, still finds time to breakdance.
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Wilber 'Wilpower' Urbina
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Wilber 'Wilpower' Urbina
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“You’re battling not getting injuries because breakdancing is very physical,” Urbina says. “Over 50, to be doing 20, 30, 40 headspins…it’s not so easy. I’m also a realist. There’s some moves where I’m like nah…my wrists aren’t the same any more.”
Yama Sushi Marketplace locations will host a rotating lineup of Asian-owned brands through the end of the month.
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Gab Chabrán
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LAist
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In this edition:
Stroll the Balboa Island Art Walk, play Ryan Adams’ pinball machines, read kids' books to trees and more of the best things to do this weekend.
Highlights:
Is there a more idyllic corner of SoCal than Balboa Island? Stroll the promenade and enjoy the art and the views at the 31st annual Balboa Island Art Walk. There’s live music and more than 90 artists showing their work with an ocean backdrop.
Head down to Anaheim to check out (and maybe bid on) your next game room addition. Ryan Adams — yep, that’s the one, former Mr. Mandy Moore and indie rocker royalty of the early 2000s — is apparently a big arcade collector, and he’s auctioning off much of his collection. There’s a wide range of arcade games and pinball machines on view to the public, plus opportunities to play, meet collectors and see the warehouse.
The John Rowland Mansion is the oldest extant brick building in Southern California, and has a unique history that the House Museum has recently been instrumental in preserving. Spend some time at the Greek revival building with the whole family for The Giving Trees, a reading of children’s books to trees (with gratitude to Shel Silverstein!) in the garden at the permanent installation Let’s Make a Garden From Old Wounds.
So many of us have stories about secret shows, celeb sightings and special guests showing up at the intimate Hotel Cafe over the past 26 years. The venue’s Instagram has a bevy of famous well-wishers popping into the chat. So it’s truly the end of an era as the iconic night spot hosts its final shows at the Cahuenga location, wrapping things up with a party called Last Dance at the Hotel Cafe featuring Sara Bareilles and many more on Friday.
But if you can’t score a ticket, fear not, because there’s plenty more music on the agenda for this weekend. Licorice Pizza’s Lyndsey Parker recommends Friday shows St. Lucia at the Fonda; Santigold at the Bellwether; Alejandro Sanz at the Greek; and Desert Daze’s Microdazing at the Bellwether, featuring various DJs, including KCRW’s Travis Holcombe and Beastie Boys producer Mario C. Saturday, Demi Lovato is at the Forum, friend-of-LAist Flea plays the Fonda and the big Japanese music festival Zipangu is at Brookside at the Rose Bowl, featuring Atarashii Gakko!, Ado and many more. And on Sunday, Echo & the Bunnymen are at the Greek, and Father John Misty plays the Fox Theater in Pomona.
Elsewhere on LAist, you can get a behind-the-scenes look at historic Santa Monica music store and venue McCabe’s Guitar Shop, find out what gets left behind at Metro’s Lost & Found and get tickets for next week’s LAist x Moth StorySlam at Los Globos.
Events
Los Angeles Old Time Social
Friday and Saturday, May 15 and 16 Velaslavasay Panorama 1122 W. 24th Street, University Park COST: SUGGESTED $20; MORE INFO
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Corey Burns
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Los Angeles Old Time Social
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The 16th annual Los Angeles Old Time Social celebrates the vibrant old-time music scene in Southern California. A kickoff concert on Friday is followed by a full day of activities on Saturday, May 16 at The Velaslavasay Panorama in West Adams. Attend workshops and jams for banjo, fiddle, guitar, singing and dancing. The event is capped off on Saturday night with a big square dance and musical cakes from 7:30 to 10 p.m. No experience or partner is needed. The square dance caller walks everyone through the moves before every song, so it’s easy to follow along in a fun and no-pressure environment.
Chocoholics and ice cream fiends will know pastry chef David Lebovitz’s work well. The Paris-based dessert king is in town promoting his cookbooks, The Great Book of Chocolate and Ready for Dessert with a special event at Friends & Family. His ice cream book is the bible for anyone who's tried their hand at making ice cream at home, and his other desserts also stand up to the test. Yum.
The Giving Trees
Saturday, May 16, 3:30 p.m. John Rowland Mansion 15959 E. Gale Ave., City of Industry COST: FREE; MORE INFO
The John Rowland Mansion is the oldest extant brick building in Southern California, and has a unique history that the House Museum has recently been instrumental in preserving. Spend some time at the Greek revival building with the whole family for The Giving Trees, a reading of children’s books to trees (with gratitude to Shel Silverstein!) in the garden at the permanent installation Let’s Make a Garden From Old Wounds.
Celebrity-Owned Private Collection Arcade and Pinball Auction
Sunday, May 17, 9 a.m. preview Captain’s Auction Warehouse 4421 E. La Palma Ave., Anaheim COST: FREE TO PERUSE; MORE INFO
File this one under weird and wonderful. Head down to Anaheim to check out (and maybe bid on) your next game room addition. Ryan Adams — yep, that’s the one, former Mr. Mandy Moore and indie rocker royalty of the early 2000s — is apparently a big arcade collector, and he’s auctioning off much of his collection. There’s a wide range of arcade games and pinball machines on view to the public, plus opportunities to play, meet collectors and see the warehouse.
Red Bull Soapbox Race
Saturday, May 16, 11 a.m. Gloria Molina Grand Park 200 N. Grand Ave., Downtown L.A. COST: FREE; MORE INFO
Daredevils will have a field day at Red Bull’s Soapbox Race, which will transform Grand Park into a cinematic racecourse, where 30 teams, selected from more than 400 applicants, will compete with gravity-powered, homemade crafts for ultimate bragging rights.
Black Association of Documentary Filmmakers: Day of Black Docs
Saturday, May 16, 12 p.m. to 6:30 p.m. American Film Institute 2021 North Western Ave., Los Feliz COST: FROM $23; MORE INFO
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Badwest
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Eventbrite
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Check out documentaries from Black filmmakers that “explore themes of social justice, self-determination, and community, highlighting the revolutionary leaders and movements that can help inform our present moment.” The day includes three feature-length films and one short film, with two that focus on L.A. history. Q&As will be moderated by journalist and AirTalk film critic Tim Cogshell.
Balboa Island Art Walk
Sunday, May 17, 9 a.m. to 5 p.m. South Bayfront Promenade Newport Beach COST: FREE; MORE INFO
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Courtesy Balboa Island Artwalk
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Is there a more idyllic corner of SoCal than Balboa Island? Stroll the promenade and enjoy the art and the views at the 31st annual Balboa Island Art Walk. There’s live music and more than 90 artists showing their work with an ocean backdrop.
AAPI Market at Yama Sushi Marketplace
Through Saturday, May 30 Various locations (West L.A., San Gabriel and Koreatown) COST: VARIES, MORE INFO
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Courtesy Yama Sushi
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A rotating lineup of makers featuring Asian-owned brands is popping up at Yama Sushi Marketplace throughout May. This weekend, Omiso founder Ai Fujimoto will be sampling her yuzu miso paired with Yama’s black cod; also available for purchase as a frozen item. On May 30, DoShop Cookies will be available with baker Thy Do sampling her fan-favorite cookies, debuting new flavors and hosting a raffle.
Aaron Schrank
has been on the ground, reporting on homelessness and other issues in L.A. for more than a decade.
Published May 14, 2026 5:00 AM
Two tents on a sidewalk in Hollywood
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Ethan Ward
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LAist
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Topline:
A group of volunteers in Hollywood say they are conducting their own homeless count in the area next week because they don't trust the results of the official regional one. The effort is organized by Hollywood 4WRD.
Hollywood count: About 60 volunteers, mostly staff from Hollywood service provider organizations, are expected to fan out across 30 census tracts Tuesday. Results will be made public a week later May 27, according to organizers.
Why it matters: The neighborhood count comes amid growing questions about the accuracy of the official regional homeless tally. The city of L.A.'s unhoused population decreased by 5.5% between 2023 and 2025, according to the Los Angeles Homeless Services Authority. But a2025 analysis by the RAND Corporation found LAHSA had undercounted people living outside in certain areas, including Hollywood.
Since 2021, RAND researchers have conducted their own counts in Hollywood, Skid Row and Venice. That research effort, known as LA LEADS, has since lost funding.
Read on ... for details on the Hollywood count.
A group of volunteers in Hollywood say they are conducting their own homeless count in the area next week because they don't trust the results of the official regional one.
The effort is organized by Hollywood 4WRD, a coalition of nonprofit service providers, businesses and residents. About 60 volunteers, mostly staff from Hollywood service provider organizations, are expected to fan out across 30 census tracts Tuesday.
Results will be made public a week later May 27, according to organizers.
The neighborhood count comes amid growing questions about the accuracy of the official regional homeless tally.
The city of L.A.'s unhoused population decreased by 5.5% between 2023 and 2025, according toofficial estimates from the annual count conducted by the Los Angeles Homeless Services Authority, or LAHSA. But a2025 analysis by the RAND Corporation found that LAHSA undercounted people living outside in certain areas, including Hollywood.
Hollywood 4WRD executive director Brittney Weissman said the organization’s own experience volunteering for the LAHSA count this year raised even more questions about accuracy.
“Our experience was so confounding, perplexing and inefficient that we've been really deeply questioning the value, utility and accuracy of the count for a couple of years now,” Weissman said.
Organizers said the Hollywood count will use methodology developed by RAND researchers, who ran their own professional counts in Hollywood, Skid Row and Venice from 2021 until earlier this year.
That research effort, known as LA LEADS, has since lost funding.
“If LA LEADS was continuously funded into the future, we would not be doing this effort,” Weissman said. "Because it's no longer funded, we felt we needed to take our own initiative to understand the lay of the land here.”
What's at stake?
More than $300 million in federal and county dollars are allocated annually based on homeless count results. That includes $220 million from the U.S. Department of Housing and Urban Development and nearly $100 million from L.A. County's Measure A sales tax.
LAHSA conducted its most recent official homeless count in January. The agency said it hopes to release the results this summer but has not confirmed a release date.
In her reelection campaign, L.A. Mayor Karen Bass takes credit for reducing homelessness in the city. The official count underpinning her claim is the same one RAND found was missing nearly a third of unsheltered people in key neighborhoods.
Weissman said Hollywood service providers need to know now whether more people are living in vehicles or sleeping outside, so they can adjust how they're doing outreach.
Organizers timed the May 27 release to influence budget negotiations still underway at City Hall, according to Weissman.
She noted that Bass' proposed budget does not include funding for Safe Parking LA, a program that allows unhoused Angelenos to live legally in their vehicles within sanctioned parking lots.
"If we find that vehicular homelessness is on the rise here and we need it badly, this gives us evidence with which to petition decisionmakers for that resource in our community," she said.
What RAND found
RAND's LA LEADS project ran bimonthly counts in Hollywood, Skid Row and Venice from 2021 until this January.
Comparing LAHSA’s official counts to its own, a RAND report found the 2025 homeless count captured 68% of the unsheltered population across those three neighborhoods.
RAND found the population of unsheltered people in Hollywood dropped 49% in 2024, a decline it linked to the city’s Inside Safe program. But the official LAHSA count still captured only 81% of what RAND found in the neighborhood.
The people being missed were mostly vehicle dwellers and “rough sleepers” — people living with no shelter, RAND said.
Skid Row's official tally fared worse, capturing 61% of what RAND found there.
Hollywood 4WRD said its methodology follows RAND’s LA LEADS methodology, which the group said is more precise than LAHSA’s approach.
Each census tract will be covered by at least two independent volunteers, a quality-control measure that helps organizers flag areas that might need to be recounted.
Volunteers will also use pens and paper to record their observations, instead of a mobile app. LAHSA has used an app for its count since 2022 and has acknowledged repeated technical problems with it.
The unofficial homeless count this month is limited to Hollywood, unlike LAHSA's countywide effort. Weissman said she hopes the effort will encourage other neighborhoods to check their own local data.
Keep up with LAist.
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Gab Chabrán
covers what's happening in food and culture for LAist.
Published May 14, 2026 5:00 AM
Eight decades in, the original Tommy's stand at Beverly and Rampart still glows.
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Courtesy Original Tommy's
)
Topline:
Original Tommy's turns 80 this week. To mark the octogenarian occasion, on Friday, a chili cheeseburger will cost you just 80 cents instead of the regular $5.50 at all locations, noon-8 p.m.
Why it matters: In Los Angeles, you can't get more local than a Tommy's Burger. Consuming the smothered burger — its signature beanless chili dripping through the to-go wrapper — is a rite of passage for many. Eight decades in, the original stand is still standing at Beverly and Rampart.
The details: On Friday, noon to 8 p.m. only, you can get 80-cent chili cheeseburgers (limit three per person) at all Southern California and Nevada locations. The anniversary celebration at the original downtown L.A. location includes the Belmont High School Marching Band, a DJ and a resolution from Assemblymember Mark Gonzalez , who represents the area, honoring 80 years of business in California.
The backstory: Tommy Koulax opened the original stand at Beverly and Rampart in 1946. This week, the iconic SoCal chain, which spawned many competitors, celebrates 80 years across all 32 of its locations — and you're invited. Daughter Cynthia Koulax will be greeting the community Friday, alongside CEO Dawna Bernal and CFO Richard Hicks.
Topline:
Original Tommy's turns 80 this week. To mark the octogenarian occasion, on Friday, a chili cheeseburger will cost you just 80 cents instead of the regular $5.50 at all locations, noon-8 p.m.
Why it matters: In Los Angeles, you can't get more local than a Tommy's Burger. Consuming the smothered burger — its signature beanless chili dripping through the to-go wrapper — is a rite of passage for many. Eight decades in, the original stand is still standing at Beverly and Rampart.
The details: Friday, noon to 8 p.m. only, you can get 80-cent chili cheeseburgers (limit three per person) at all Southern California and Nevada locations. The anniversary celebration at the original downtown L.A. location includes the Belmont High School Marching Band, a DJ and a resolution from Assemblymember Mark Gonzalez , who represents the area, honoring 80 years of business in California.
The backstory: Tommy Koulax opened the original stand at Beverly and Rampart in 1946. This week, the iconic SoCal chain, which spawned many competitors, celebrates 80 years across all 32 of its locations — and you're invited. Daughter Cynthia Koulax will be greeting the community Friday, alongside CEO Dawna Bernal and CFO Richard Hicks.
Henry Wilkinson and Kristina Ross record a makeshift shelter during LAHSA's homeless count Jan. 20.
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Jordan Rynning
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LAist
)
Topline:
Every December, the federal government releases a report that reveals the number of homeless residents in each state and across the country. It’s now May and the report, which compiles data from a homeless census known as the “point-in-time count,” is nowhere to be found.
Point in time count: For the past two decades, the federal Department of Housing and Urban Development has required local regions to take a census of their homeless populations every other year in a massive undertaking called the point-in-time count. Volunteers go out on foot over a day or two in January and count every person they see living outside. People sleeping in shelters are tallied as well. Counters also conduct surveys of a sample of unhoused people, collecting extra data on people’s race, age, gender, time spent homeless, medical and mental health conditions, and more. Each jurisdiction must submit their count to HUD by the spring. They also release their local data to the public. Meanwhile, HUD verifies the data, tallies the total count for each state and for the country as a whole, submits a public report to Congress and uploads more detailed data on its website.
Why it matters: While there’s no legal deadline, that report usually comes out in December of the year of the count. It’s unclear why the 2025 report still isn’t out. The delay is a problem because the report dictates how funding is allocated in California and beyond. It also shapes policy decisions and provides the country’s main barometer for how the homelessness crisis is being managed. The five-month delay is leaving public officials, policymakers and advocates scratching their heads. California has filled the gap by tallying its own data, showing a 9% drop in the number of people sleeping outside. But unlike the official federal report, California’s analysis leaves out information such as the race, age and mental health status of the people who are counted. And without the full federal report, there’s no way to tell where California stands compared to other states.
Every December, the federal government releases a report that reveals the number of homeless residents in each state and across the country.
It’s now May and the report, which compiles data from a homeless census known as the “point-in-time count,” is nowhere to be found.
That’s a problem because the report dictates how funding is allocated in California and beyond. It also shapes policy decisions and provides the country’s main barometer for how the homelessness crisis is being managed.
The five-month delay is leaving public officials, policymakers and advocates scratching their heads. California has filled the gap by tallying its own data, showing a 9% drop in the number of people sleeping outside. But unlike the official federal report, California’s analysis leaves out information such as the race, age and mental health status of the people who are counted. And without the full federal report, there’s no way to tell where California stands compared to other states.
“It’s a big deal,” said Jesse Rabinowitz, spokesperson for the National Homelessness Law Center. “This is, by what I can tell, the latest any point-in-time count has ever come out, including the years where it was delayed during COVID.”
'Point-in-time' count
For the past two decades, the federal Department of Housing and Urban Development has required local regions to take a census of their homeless populations every other year in a massive undertaking called the point-in-time count. Volunteers go out on foot over a day or two in January and count every person they see living outside. People sleeping in shelters are tallied as well. Counters also conduct surveys of a sample of unhoused people, collecting extra data on people’s race, age, gender, time spent homeless, medical and mental health conditions and more.
The count isn’t perfect (volunteers can easily miss people, and different counties use different methods), but it’s a key tool policy makers use to measure changes in the population.
Each jurisdiction (which is known in HUD parlance as a “continuum of care” and typically is made up of a county and the cities within it) must submit their count to HUD by the spring. They also release their local data to the public. Meanwhile, HUD verifies the data, tallies the total count for each state and for the country as a whole, submits a public report to Congress and uploads more detailed data on its website.
While there’s no legal deadline, that report usually comes out in December of the year of the count. In 2021 and 2020, when COVID disrupted counts, the reports came out the following February and March, respectively.
It’s unclear why the 2025 report still isn’t out. The report is so much later than usual that some counties, including San Francisco, already released their 2026 count data.
HUD refused to comment.
“It is perplexing that HUD has not released this information,” Tara Gallegos, a spokesperson for Gov. Gavin Newsom, said in a statement to CalMatters. “Perhaps the Trump administration is afraid to release clear data that demonstrates California’s strategies for addressing this issue are actually extremely effective.”
What California's data show
California’s data does point to a reduction in homelessness, suggesting the state’s methods are starting to work. Data provided by the Newsom administration, and echoed by an independent analysis, show a 4% overall decrease between 2024 and 2025, and a 9% drop in people sleeping in tents, on the sidewalk, in cars or in other places not meant for habitation.
That data comes from the 30 California continuums of care that counted their street homeless populations last year. The remaining 14 that counted this year instead (they’re only required to count at least every other year) are not included.
“I think it shows that the headwinds in California continue to be very strong and continue to push more people into homelessness,” said Alex Visotzky, senior California policy fellow for the National Alliance to End Homelessness, “but the investments to build up the response to homelessness have made a really big difference and are moving people out of homelessness faster than ever before.”
That runs counter to President Donald Trump’s platform, which holds California up as an example of failed homelessness policy. California follows a principle called “housing first,” which prioritizes getting people into housing immediately and then addressing their other needs (such as mental health and substance use help). The Trump administration wants to end housing first, which it says isn’t working, and instead withhold housing until people enroll in addiction treatment or other programs.
California also uses most of its federal funds to pay for permanent housing, which experts say is the most effective way to end someone’s homelessness. The Trump administration recently tried to divert that money to temporary shelters where people stay for a limited time.
California's homelessness strategy
California is one of 19 states suing the Trump administration over that change. That case is ongoing, but, in a win for the states, a federal judge has temporarily blocked the Trump administration’s changes.
A drop in homelessness in California would have a significant impact on the country’s overall homeless population. Nearly a quarter of all unhoused Americans lived in California as of 2024 — a total of more than 187,000 people, according to the most recent HUD report.
The New York Times found homelessness also dropped in other places around the country last year, including Chicago, Denver, Washington, D.C., Minnesota, Florida and Maine, which it found points to a nationwide reduction.
If homelessness dropped nationwide in 2025, it would be the first time in eight years. In 2024, the national count hit 771,480 — an 18% increase from the year before.
