The Brief

L.A. officials moved forward with an encampment clearing in Hollywood on Friday, after payment problems to homeless service providers caused a week-and-a-half delay. Over 25 people accepted motel rooms from the encampment as part of Mayor Karen Bass’ Inside Safe program, according to a spokesperson for the mayor.

An LAist reporter was there for the first hour of the operation in front of the Sunset Sound recording studio early Friday, and spoke with unhoused people, Mayor Karen Bass and other city officials.

L.A. Mayor Karen Bass (second from left) at the encampment operation in front of Sunset Sound in Hollywood on Friday, May 31, 2024.

(

Nick Gerda / LAist

)

Unhoused people said they were feeling hopeful and looking forward to moving indoors.

“I'm pretty excited about this. This is looking pretty promising,” said Sean Caffey, a sculptor and cancer survivor who’s been living on the streets with his dog. He was missing almost all of his teeth, and said they were knocked out when he was beaten up by people who stole his sculpting tools.

“It's harder than you think to get housing,” he said. “I've been trying to get a house for like a minute, like at least a year.” Bass told him the city would make sure he gets dental care.

“I'm excited to shower and to have a bed and clean clothes,” said another man, who gave his first name as Adam and didn’t provide a last name.

Bass was there for over an hour, going tent to tent to talk with unhoused people, as well as outreach workers and reporters, and waved goodbye to the first bus of unhoused people who left for the motels.

L.A. Mayor Karen Bass waves to the first bus of unhoused people leaving an encampment in front of Sunset Sound in Hollywood and heading to city-provided motel rooms on May 31, 2024.

(

Nick Gerda / LAist

)

“No human being should live like this,” the mayor said of the city’s encampments.

“Even though it takes a while [to move people indoors], and even though it's expensive, it is far more expensive in terms of human lives compromised, and in terms of the businesses, the safety, everything else, to leave people on the street,” she added.

Bass announced to the Hollywood Chamber of Commerce earlier this week that a series of large encampments in the area would be going away over the next month.

A worker removes items from an encampment in front of Sunset Sound in Hollywood on Friday, May 31, 2024, after unhoused people began to be bused to motel rooms.

(

Nick Gerda / LAist

)

How many people have come inside under the mayor’s program? 

Bass acknowledged challenges around service providers being stretched to their limits, which the nonprofits say stems from being shortchanged and paid late by the city and county’s homelessness agency, the Los Angeles Homeless Services Authority.

“We've been working so fast, we've done so many of these [Inside Safe operations], that we've really pushed to the limit the community based organizations,” Bass told reporters Friday.

L.A.’s homeless population has surged in recent years, with the latest count showing 32,680 people living outdoors. The latest report posted by the city, with data through March 15, shows the Inside Safe program has brought 2,482 people indoors since the mayor started it in December 2022. Among them, the report says 78% are still sheltered or housed.

As part of the current fiscal year budget, approved a year ago, the city council required two data reports about Inside Safe each month. The latest report on the city’s website is two months old.

Judge David O. Carter has scheduled a hearing for next Thursday to press for more frequent public updates about Inside Safe spending. Carter is overseeing L.A.’s biggest homelessness case, in which downtown business and property owners are pushing for faster city action to shelter people and clear encampments.

A delay over payment problems

The Hollywood encampment clearing was delayed by a week and a half over late payments by the city and county’s joint homeless services agency — a problem that exploded into public view recently.

At the county Board of Supervisors’ meeting last week, multiple homeless services providers said they have to take out loans, and are at risk of not being able to pay their staff, due to delayed payments from the agency for contracted services. They warned officials last week that they’re at the “breaking point” over the problem and faced possible cuts to staff and services. The supervisors and Mayor Bass vowed to work quickly to fix the issue.

The Sunset Sound operation was scheduled for last Tuesday, but the nonprofit that would serve people at motels indicated it would be unable to serve people at the motels because of the payment delays by the Los Angeles Homeless Services Authority.

That issue has since been worked out, according to PATH and city officials.

LAist asked the mayor about the payment problems delaying Friday’s operation.

“This system is broken in a lot of different ways, and it has been for years. What I believed when I came in office, and I believe today, this is an emergency. We have to get people off the streets immediately, while at the same time we're fixing the system,” she responded.

“But we did come to a little bit of a crisis point, because again we had stretched the system so far. So we had to take a step back for a minute, fix the financing, make sure that the community based organizations got their payments.”

What services will people receive?

The people who accepted motel rooms Friday were bused to two motels served by PATH under a city-funded contract.

There, people will get three meals a day, on-site security and have access to case managers on site every day from 7 a.m. to 11:30 p.m., said Sasha Morozov, who oversees that work as PATH’s regional director.

The case managers, she told LAist, build relationships and help people with what they need, like getting an ID and other documents together to qualify for permanent housing, or access to a vaccine for their pet.

“Our goal at PATH is to end homelessness,” she said. “That's our mission.”

In just four days, the Los Angeles Official Martin Luther King Day Parade will take over South L.A.

The LA Local recently spoke with Sabra Wady, the parade’s lead organizer, who said this year’s parade will look much the same as recent years.

So, whether you’re attending the parade or watching it on TV, here’s everything you need to know about Monday’s parade:

The procession will begin at 10 a.m., with ABC7 set to begin a broadcast at 11 a.m.

What time does the parade start? How can I watch? Is anything happening after?

Wady said the best place to catch the parade in person is the intersection of Crenshaw Boulevard and Martin Luther King Jr. King Boulevard, or “camera corner,” where the parade will culminate and organizers are planning a live preshow. Bleacher seats, though, will be limited.

The Metro K Line runs directly to the intersection, dropping people off at the Martin Luther King Jr. Metro station.

Onlookers can also post up along the parade route with folding chairs and other self-arranged seating, Wady said.

The parade broadcast will run until 1 p.m., but Wady said the procession is expected to keep going until mid-afternoon.

“After the cameras stop rolling, it’s the people’s parade,” Wady said.

LA City Council President Marqueece Harris-Dawson and Councilmembers Curren Price and Heather Hutt – who represent council districts 8, 9 and 10, respectively — will organize the annual MLK Freedom Festival in the Leimert Park Plaza from 11 a.m. to 5 p.m.

What route will the parade take?

The route will remain the same, running down King Boulevard from Western Avenue to Crenshaw Boulevard before turning south down Crenshaw and heading to Leimert Park. Much of the route will be closed to traffic overnight before the parade.

More than 150 groups, including bands, floats, horseback riders and marchers, will trek down the boulevard. Wady said organizers cut off new sign-ups weeks ago in order to keep the parade manageable.

What will road closures look like?

Colin Sweeney, a spokesperson for the LA Department of Transportation, said in an email that the department will close off traffic down the main parade route overnight.

Here are the roads that will be closed to all vehicles for the duration of the parade and festival.

• King Boulevard from Vermont Avenue to Crenshaw Boulevard 
• Crenshaw Boulevard from King Boulevard to 48th Street
• Leimert Boulevard from 8th Avenue to Leimert Park 
• Degnan Avenue between 43rd Street and Leimert Park

Sweeney said only residents will be allowed to drive into the band of neighborhoods directly along the length of the parade route. That includes the blocks from 39th Street to 42nd Street along King Boulevard and the blocks between McClung Drive and Victoria Avenue along the Crenshaw closure.

The transportation department will allow traffic to cross the parade route at major intersections — including Western Avenue, Arlington Avenue and Stocker Street — but those crossings will be shut down at 10 a.m. All closed roads will stay blocked off until the parade and festival wrap up and transportation officials determine crowds have sufficiently dispersed, Sweeney said.

Wady said the parade is expected to peter out around mid-afternoon. The festival at Leimert Park Plaza is scheduled to end at 5 p.m.

Vehicles parked in the parade assembly area, parade route and disbanding area will be subject to impound or tickets, Sweeney wrote.

Topline:

By the numbers: Film and television shoot days totaled 4,625 in the final three months of 2025, up 5.1% in that timeframe. But overall last year, there were 19,694 shoot days, which is down 16.1% from 2024's total of 23.480.

Why it matters: Production in Los Angeles has been slow to rebound since the COVID-19 pandemic and the Hollywood writers and actors strikes in 2023. There is also increased competition from other states that offer appealing film tax credits and other incentives for productions that decide to take their shoot outside of California. This summer, Gov. Gavin Newsom expanded California's Film and TV Tax Credit Program in an effort to lure productions back to the Golden State.

What's next: Film L.A.'s Phil Sokoloski says that many of the productions approved under the expanded tax credit program are just now getting underway, and he hopes the industry will start to see the effects of not only the tax incentive expansion in 2026, but also L.A. Mayor Karen Bass' directives to streamline the permitting and shooting process in the city.

In L.A., there is no shortage of events to celebrate Martin Luther King Jr. Day this year.

Since 1986, the federal holiday is observed on the third Monday of January to honor the life and legacy of the Civil Rights leader.

California African American Museum

The California African American Museum is hosting a King Day scavenger hunt on Sunday from 2 to 3 p.m. On Monday, it is hosting an all-day event honoring King that will culminate with a performance by the Inner City Youth Orchestra of L.A., which is billed as the largest majority Black youth orchestra in the country.

Orchestra at Skirball

The orchestra will also perform at the Skirball Cultural Center on Saturday evening. The free event is already at capacity, but you can try your luck by signing up for the waitlist here. Earlier Saturday, the orchestra will join the Santa Monica Symphony for its annual MLK concert.

Parades and celebrations

Cedric the Entertainer will be the grand marshal of this year’s official L.A. MLK Day Parade on Martin Luther King Jr. Boulevard between Western and Crenshaw avenues on Monday. If you’re looking for a parade earlier in the weekend, you can head to Long Beach’s MLK Day parade on Saturday. Also on Saturday is a celebration of King’s legacy at the Veterans Memorial Auditorium in Culver City.

Volunteer opportunities

In 1994, President Bill Clinton officially decreed MLK Day as a day of service. If you’re looking for opportunities to volunteer, grab free tickets to Monday’s MLK Day Volunteer Festival at the L.A. Memorial Coliseum.

Free access to state parks

Gov. Gavin Newsom announced Friday that more than 200 California state parks will be free to enter on Monday. The move comes after the Trump administration eliminated MLK Day and Juneteenth from the list of days when it’s free to access national parks. There are 12 free state parks on the list in L.A. County, including Los Angeles and Will Rogers State Historic Parks, as well as Topanga and Malibu Creek State Parks. See the full list here.

A 2017 Los Angeles Times article tells the tragic story of Lai Hang, a terminally ill woman who killed her 18-year-old son George, who’d been diagnosed with schizophrenia.

It’s a carefully reported story by journalist Frank Shyong about a family, about the shame and stigma that can surround mental illness in Asian American communities, and how media portrayals of people with mental disorders can perpetuate harmful misconceptions.

So when Shyong was first approached about the idea of adapting the story he wrote into a narrative film, he had some “very intense” concerns about whether a film would get the story right.

But after conversations with the filmmakers, and thinking through the potential value of telling fictionalized stories based on real-life events, Shyong says, “ I think I realized that my story was in a lot of ways incomplete.”

Nine years later, the film, titled Rosemead, is finished. Directed by Eric Lin and written by Marilyn Fu, the film stars Lucy Liu as Irene, a character based on Hang, and Lawrence Shou as Joe, who’s based on George.

And Shyong, who is credited as an executive producer and served as a consultant on the film, says “it’s sort of completing the circle a little bit” — fleshing out Hang and George as “full 360 degree human beings” and giving glimpses of how their story might have ended differently.

Reporting on trauma in Asian American communities

Back in 2015, when the events depicted in Rosemead happened, the breaking news coverage revealed the basics of what was known at the time — that a woman had fatally shot her son in a Rosemead motel and turned herself in.

“ I think a lot of people probably realized there was more story there,” Shyong says. But the only person who knew the details, Hang’s longtime friend Ping Chong, had declined to talk to the media.

Still, Shyong kept following up because the court records hinted at a story that he thought should be told.

The court records revealed that Hang had been dying of cancer, and that Chong continued to visit her after she turned herself in, performing Buddhist rituals for her.

“Just knowing those two facts,” Shyong says, “and knowing Asian American families, and how complete and terrifying the sense of responsibility that a parent can feel toward a child, I just thought there's gotta be something there.”

He would visit Chong’s shop, a traditional Chinese pharmacy, leaving notes for her and talking to her about why he wanted to know more. And he gained her trust.

 ”You just have to say, ‘This is [the] story I think is here. And do you think that story is true? And if so, can you help me tell it?’ And that's all I did,” Shyong says. “I think that's all any journalist ever does.”

It’s a story that Shyong says he would come to learn is more common than many may expect.   “When you are a caregiver in these communities,” Shyong says, “you can find and name a tragic story like this in probably every zip code.”

How filmmaking and journalism can complement each other

Shyong’s article ends with this poignant quote from Chong, about her friend: “People will only know her as the mother who killed her son [...] But she was more.”

The piece itself goes a long way toward dispelling Chong’s concern, including details about Hang’s life — that she was a talented graphic designer, that she was “beautiful, smart and ambitious,” that she’d lost her husband to cancer, and that she deeply cared about her son.

But “in this case fiction,” Shyong says, “could give closure to characters in a way that I couldn't in reality. It could tell the fullness of this family story.”

The film shows Liu’s character Irene having fun with her son at the beach, and joining his therapy sessions at the urging of a psychiatrist, despite being visibly uncomfortable doing so.

It shows George (Joe in the film) with his friends, who come to visit him after he has an intense schizophrenic episode at school.

The sound design gives a sense of what it’s like to experience schizophrenia, and a part of the film where Joe runs away shows how quickly a boy with a mother and friends who care about him can become an unhoused person who someone might fear on the street.

Ultimately, the film ends on a note of hope, which grew out of something that Shyong learned from Chong after the article was published. In a way that he couldn’t do in print, “It added parts to the story that I wanted to see depicted.”