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The Brief

The most important stories for you to know today
  • Investigating government's use of social media
    a collage of mug shots and social media posts set against a red background with white letters at the top that say "Arrested"

    Topline:

    Social media accounts from the White House, the Department of Homeland Security and other immigration agencies have spent much of the past year posting about people detained in the administration's immigration crackdown, typically portraying them as hardened, violent criminals.

    What NPR's investigation shows: NPR's research of cases in Minnesota shows that while many of the people who have been highlighted on social media do have recent, serious criminal records, about a quarter are like Chandee, with decades-old convictions, minor offenses or only pending criminal proceedings. Scholars of immigration, media and criminal law say such a media campaign is unprecedented and paints a distorted picture of immigrants and crime.

    Read on ... for more on how the government is using social media to aid its immigration crackdown.

    Two days after At Chandee, who goes by Ricky, was arrested by U.S. Immigration and Customs Enforcement, the White House's X account posted about him, calling the 52-year-old the "WORST OF WORST" and a "CRIMINAL ILLEGAL ALIEN."

    Except that the photo the White House posted was of a different person. The post also incorrectly claimed Chandee had multiple felony convictions — he has one, for second-degree assault in 1993 when he was 18 years old. He shot two people in the legs and served three years in prison.

    Chandee, who came to the U.S. as a child refugee, was ordered to be deported back to his home country, Laos. But Laos had not been accepting all of the people the U.S. wanted it to, so the federal government determined that it was likely infeasible to deport him, his lawyer Linus Chan told NPR. Chandee therefore was granted permission to stay in the U.S. and work so long as he checked in with immigration authorities periodically. He has not missed a check-in in over 30 years and has not had another criminal incident.

    People who know Chandee do not see him as "worst of the worst."

    After Chandee completed his prison sentence, he finished school and became an engineering technician. He worked for the city of Minneapolis for 26 years, became a father, and his son grew up to join the military.

    In his free time, Chandee enjoys hiking and foraging for mushrooms, Minnesota Public Radio reported.

    "We are proud to work alongside At 'Ricky' Chandee," said Tim Sexton, Director of Public Works for the City of Minneapolis in a statement. "I don't understand why he would be a target for removal now, why he was brutally detained and swiftly flown to Texas, or how his removal benefits our city or country."

    Chandee is petitioning for his release in federal court.

    Chandee's case is not unique 

    Social media accounts from the White House, the Department of Homeland Security and other immigration agencies have spent much of the past year posting about people detained in the administration's immigration crackdown, typically portraying them as hardened, violent criminals. That's even as over 70% of the people detained don't have criminal records according to ICE data.

    NPR's research of cases in Minnesota shows that while many of the people who have been highlighted on social media do have recent, serious criminal records, about a quarter are like Chandee, with decades-old convictions, minor offenses or only pending criminal proceedings. Scholars of immigration, media and criminal law say such a media campaign is unprecedented and paints a distorted picture of immigrants and crime.

    A year into President Trump's second term, the X accounts of DHS and ICE have posted about more than 2,000 people who were targets of mass deportation efforts. Starting late last March, DHS and ICE began posting on X on a near daily basis, often highlighting apprehensions of multiple people a day, an NPR review of government social media posts show.

    Among the 2,000 people highlighted by the agencies, NPR identified 130 who were arrested by federal agents in Minnesota and tried to verify the government's statements about their criminal histories.

    In most of the social media posts, the government did not provide the state where the conviction occurred or the person's age. Public court records do not tend to include photos so definitive identification can be a challenge.

    NPR derived its findings from cases where it was able to locate a name and matching criminal history in the Minnesota court and detention system, in nationwide criminal history databases, sex offender databases, and in some cases, federal courts and other state courts.

    In 19 of the 130 cases, roughly 1-in-7, public records show the most recent convictions were at least 20 years ago.

    Seventeen of the 19 cases with old convictions did include violent crimes like homicide and first-degree sexual assault. ICE provided some of those names to Fox News as key examples of the agency's accomplishments. "It's the most disturbing list I've ever seen," said Fox News reporter Bill Melugin on X, highlighting the criminal convictions of each person on the list.

    For seven people, their only criminal history involved driving under the influence or disorderly conduct.

    Six of the 130 Minnesota cases highlighted by the administration involved people with no criminal convictions. The government's social media posts for those six instead rely upon the charges and arrests as evidence of their criminality, even though arrests don't always lead to charges and charges can be dismissed.

    In yet another case, the government highlighted a criminal charge even while noting it had been dismissed. (The person did have other existing convictions.)

    For 37 of the 130 people, NPR was unable to confirm matching criminal history after consulting the databases and news coverage. Some of the names turned up no criminal history at all. The government said these people committed crimes ranging from homicide and assault to drug trafficking, and cited one by name to Fox News. NPR tried to reach out to all 37 people and their families for comment but did not receive a response from any.

    In a statement to NPR, DHS's chief spokesperson Lauren Bis did not dispute NPR's findings or provide documentation where NPR wasn't able to confirm matching criminal history.

    "The fact that NPR is defending murderers and pedophiles is gross," Bis wrote. "We hear far too much about criminals and not enough about their victims." before listing four of the people with old convictions of homicide and sexual assault, underlining the date of deportation order for three of them.

    Images designed to trigger emotion

    The stream of social media posts with photos of mostly nonwhite people are meant to draw an emotional response, says Leo Chavez, an emeritus professor of anthropology at the University of California, Irvine. They "have been used repeatedly over and over to get people to buy into, really drastic, drastic and draconian actions and policies," he said.

    Chavez, whose most recent book is The Latino Threat: How Alarmist Rhetoric Misrepresents Immigrants, Citizens, and the Nation, recalls how political campaigns in past decades presented images of Latinos — often men — without context. "Just by showing their image, showing brown people, particularly brown men, it's supposed to be scary."

    The fact that the government's social media posts come with statements about criminal history as well as photos reinforces that emotional response, Chavez said. DHS has previously acknowledged inaccuracies on their website. But even if the department issues corrections, Chavez said, "the goal was actually achieved, which was to reinforce the criminality and the visualization."

    CNN's analysis of DHS's "Arrested: Worst of the Worst" website showed that for hundreds out of about 25,000 people posted on the website, the crimes listed were not violent felonies. Instead, DHS listed people with records that included traffic offenses, marijuana possession or illegal reentry. DHS said the website had a "glitch" that it will fix but also that the people in question "have [committed] additional crimes."

    "I've never seen anything like this when it comes to immigration enforcement in the modern era," said Juliet Stumpf, a professor at Lewis & Clark Law School who studies the intersection of immigration and criminal law. She said the drumbeat of social media posts focused on specific individuals was like "FBI's most wanted posters" or "like reality TV shows."

    Stumpf drew a parallel with an incident from the 1950s when the U.S. government deported two permanent residents suspected of being communists. "The government was kind of proclaiming and celebrating their deportation because getting rid of these communists was making the country safer," said Stumpf, "Maybe that's comparable to something like [this]."

    An analysis by the Deportation Data Project shows a dramatic increase in arrests of noncitizens without criminal records during President Trump's current term compared to President Biden's term.

    "If you look at research, immigrants actually tend to commit fewer crimes than even U.S. citizens do. And that's true of immigrants who have lawful status here and immigrants who don't," said Stumpf. "If we have a number of social media posts that are painting immigrants as the worst of the worst…it's actually really putting out a distorted version of reality about who immigrants actually are."

    Some claims are disputed by other authorities

    In some posts, DHS and ICE have also used photos of people and statements about their criminal histories to burnish the federal government's accomplishments, defend their agents and criticize states like Minnesota. State and local authorities have in turn pushed back, and some of the federal government's claims about the people it has detained have been met with setbacks in the courts.

    DHS accused Minnesota's Cottonwood County of not honoring detainers, written requests by ICE to hold prisoners in custody for a period of time so ICE can pick them up. In one post, the agency identified a person who was charged with child sexual abuse, writing "This is who sanctuary city politicians and anti-ICE agitators are defending."

    The Cottonwood County sheriff's office said DHS's post "misrepresented the truth" in their own post on Facebook. According to their account, the county did honor the detainer but ICE said it was unable to pick up the person before the order expired and the county had to release the suspect.

    The Minnesota Department of Corrections wrote in a blog post that dozens of people DHS listed on its "Worst of the Worst" website were not arrested as DHS described, but were transferred to ICE by the state because they were already in state custody. The Corrections Department has since launched a page dedicated to "correct the Department of Homeland Security's (DHS) repeated false claims."

    The "Worst of the Worst" website has some overlap with the department's social media posts, but it contains a much larger number of people — over 30,000 nationally. It included a Colombian soccer star who was extradited to the U.S., tried in Texas, convicted of drug trafficking and served time in federal prison. The website incorrectly describes him as being arrested in Wisconsin. The soccer player, Jhon Viáfara Mina, recently finished his sentence early and returned to Colombia, according to Spanish newspaper El Diario Vasco.

    In some instances, DHS and ICE wrote about incidents where they ran into conflict when carrying out arrests. In those posts, they named the arrestees and posted their photos. But in one case where the incident went to court, the government's account of the events shifted. After a federal agent shot Julio C. Sosa-Celis in Minneapolis in January, DHS claimed he was lodging a "violent attack on law enforcement." Assault charges against Sosa-Celis fell apart in court as new evidence surfaced, and the officers involved were put on leave.

    Despite the fact that the charges were dropped, DHS's post profiling Sosa-Celis remains online.

  • Unveiling today at Elephant Hill in El Sereno
    The photo captures a picturesque residential area nestled at the base of lush green hills. In the foreground, you can see houses and streets, while the background features rolling hills covered in grass and dotted with trees. Winding dirt paths meander through the hills, adding a sense of depth and exploration. The sky is clear and blue, suggesting a bright, sunny day. Tall trees on the right side of the image frame the scene beautifully.
    Elephant Hill in El Sereno.

    Topline:

    A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles officially opens this weekend.

    Why it matters: The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

    What's next: The trail is part of a decades-long effort to preserve the entire 110 acres of Elephant Hill. Read on to learn more.

    A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

    The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

    The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

    It's 0.75 miles in total, but packs a punch.

    "It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

    People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

    The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

    Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

    And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

    "We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

    A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

    "They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

    Here's a preview:

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  • Giant art pop-up takes over former Snapchat HQ
    White commercial building with large storefront windows displaying vibrant artwork and eclectic objects, including bicycles and abstract paintings.
    The former Snapchat buildings on the Venice Boardwalk are now pop-up art spaces, free for all to visit.

    Topline:

    A new art installation on the Venice Boardwalk features local and international artists, pop-up evening performances, and projects that explore the themes of childhood and home.

    Why it matters: The Venice Boardwalk is usually a daytime playground, but a new art installation and performance pop up aims to breathe new life into the evening scene at the beach.

    Why now: Two formerly vacant buildings with spaces facing the Boardwalk have been turned into free art installations after a new owner took over the former Snapchat-owned buildings.

    The backstory: Stefan Ashkenazy, founder of the Bombay Beach Biennale, brings some of his favorite collaborators into a new space on the Venice Boardwalk, giving a chance for tourists and locals alike to check out projects from artists including William Attaway, James Ostrer, Greg Haberny, Robin Murez, and more.

    Read on ... to find out how you can visit.

    The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

    “Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

    The concept doesn’t have an official name yet, but he’s been calling it “See World.”

    The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

    Over the past several weeks the installations have been created in real-time, in public.

    Venice Boardwalk art pop-ups
    The installations are open now and can be seen from the Boardwalk for free 24/7. They will be up for several months and evening performances are ongoing.

    All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

    Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

    New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

    “I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

    Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

    “It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

    While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

    Three artists work in a cluttered studio with white walls displaying various paintings and art supplies scattered on the green floor.
    Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.
    (
    Laura Hertzfeld
    /
    LAist
    )

    “I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

    While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

    Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

    “This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

  • Rally in City of Industry against latest project
    Rows of Lithium Ion batteries in an energy storage container with red cables coming out of them.
    Battery storage hubs are used to stabilize the energy grid but have led to lithium battery fires.

    Topline:

    San Gabriel Valley residents are rallying today against a battery storage project in the City of Industry. They warn it could bring environmental and health impacts and pave the way for more industrial development, like data centers.

    The backstory: City leaders approved the 400-megawatt Marici battery facility in January. But residents in nearby communities say they were not adequately informed and are concerned about safety risks.

    What's next: Some local activists have challenged the approval of the battery facility under the California Environmental Quality Act.

    The rally: Protesters will be at the Peter F. Schabarum Regional Park in Rowland Heights from 10 a.m. to 1 p.m.

    A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

    A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

    Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

    WHAT: Protest against battery storage facility in the city of Industry

    WHERE: Peter F. Schabarum Regional Park in neighboring Rowland Heights

    WHEN: 10 a.m. to 1 p.m.

    Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

    “Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

    Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

    Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

    Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

    A city spokesperson has not responded to requests for comment.

    The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

    A request for comment from Aypa was not returned.

    Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

    Yip pointed out that industrial developments make a lot of money for the City of Industry.

    “But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

  • Welder-artist makes a bench to celebrate the city
    A male presenting person sits on a bench. The bench is painted in bright blue and yellow.
    Steve Campos sits on a bench he calls the "LA Bench" that approriates the logo used by the Dodgers in a statement of civic pride.

    Topline:

    LA welder-artist uses the well-loved "L.A." logo to create an “LA Bench” to spark civic pride. It may look like a tribute to the Dodgers, but it's more complicated.

    Why it matters: Steve Campos is a second-generation welder born and raised in L.A. who is using his training and education to create work with more artistic designs.

    Why now: The Dodgers’ success is making their logos ubiquitous. But the team's success, some Angelenos say, came at the cost of mass displacement after World War II of working class communities where Dodger Stadium how stands.

    The backstory: The interlocking letters of the L.A. logo were used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

    What's next: Campos is offering the LA Benches for sale and hopes he can get permission from the Dodgers to install a few at Dodger Stadium.

    Go deeper: The ugly, violent clearing of Chavez Ravine.

    It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

    “This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

    Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

    The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

    “The monogram was here before the Dodgers,” Campos said.

    A second-generation welder

    Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

    The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

    “I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

    A metal sculpture in the shape of the letters "L" and "A".
    Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.
    (
    Courtesy Steve Campos
    )

    It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

    LA civic pride travels to Japan

    Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

    “They look at it and they go, 'Oh, Ohtani bench,'” he said.

    For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

    I would love to get a couple of them installed at Dodger Stadium.
    — Steve Campos, welder-artist

    Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

    While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

    “I would love to get a couple of them installed at Dodger Stadium,” he said.