The Brief

California will ban the sale of single-use, battery-powered vapes to fight plastic pollution under a law signed Monday by Gov. Gavin Newsom.

Vapes, sometimes called electronic cigarettes, are battery-operated devices that contain aerosolized nicotine or cannabis, often with flavorings and other chemicals. Refillable and disposable options are sold.

The ban targets single-use e-cigarettes, making it illegal to manufacture or import new or refurbished battery-embedded vapor devices starting Jan. 1, 2027. It also bans retail sales starting Jan. 1, 2028.

The measure allows local governments or the state to fine people $500 for their first violation of the ban, $1,000 for their second infringement and $2,000 for subsequent offenses.

It specifically tackles disposable e-cigarettes that contain tobacco. It won’t include vaping devices containing cannabis.

Experts say part of the appeal of disposable vapes is that they are often more easily accessible and cheaper than refillable devices. The devices are so prevalent they often end up in landfills where their batteries can create a fire hazard or on the ground where they can leak toxic chemicals, including lead and lithium.

Assemblymember Jacqui Irwin, who authored the bill, said it will help prevent battery acid from single-use vapes from leaching into lands and waterways.

Nearly 500,000 disposable vapes are discarded each day in the United States, according to the California Public Interest Research Group, or CalPIRG, a consumer advocacy group that supported the bill.

The California Grocers Association argued against a similar 2022 proposal, saying that it could lead to increased tobacco smuggling.

Usually when you go to a show at the Hollywood Bowl, you know what to expect: crisp air, views of the hills, plus maybe a picnic you brought.

Tuesday’s concert will have all of that. But visual artist Lauren Halsey is promising something much more out of the ordinary for her one-night takeover, called emajendat (pronounced “imagine that”).

Erykah Badu and the Alchemist are headlining, but Halsey’s visual art will take center stage — figuratively and literally — for a one-night “funk opera” that she hopes will be proof of concept for more events like it.

Who’s performing?

Beyond Badu and the Alchemist, who are touring for their new album "Before the World Blows," the night will also feature a performance from Flea of the Red Hot Chili Peppers and a DJ set from Anderson .Paak under his alias DJ Pee .Wee. Actor and comedian Yvonne Orji will host the evening.

Jazz duo Black Nile will appear on stage with saxophonist Devin Daniels and Halsey’s former teacher, Charles Gaines. Black Nile’s members, Aaron and Lawrence Shaw, have known Halsey for years and said playing to their biggest crowd yet in their hometown of L.A. is a matter of affirmation.

“You just don't see a lot of Black people in that way, you know?” said Aaron Shaw. “Unfortunately, popular society, they benefit off of not putting us in a positive light. Jazz, this Black American art form, has become the underground thing, when it shouldn't be.”

What to expect

The evening will also feature all kinds of art and family-friendly activities scattered across the Hollywood Bowl’s grounds, like a Technicolor pyramid, ping-pong, mini golf and a basketball game that Halsey said is inspired by one that she played at the Santa Monica Pier as a kid.

Halsey wanted to keep previews of emajendat “cryptic,” so if you’re curious, you’ll have to see it for yourself. But she was quick to mention her references, including George Clinton’s Parliament-Funkadelic. Though Clinton won’t perform, Halsey said “his musicality and the mythos around that” is a major inspiration for emajendat, and there’ll be plenty of Easter eggs for her fellow “hard core Funkateers.”

“Before I even knew there was a fine art world, before I knew I would have a practice and be a sculptor and all these things, I was already deeply embedded in the world of P-Funk,” she said. “ Literally any and everything is an ode to just what that band has done for me.”

Halsey is promising her stage concepts will feel tactile and energetic, and says much of the work on and off stage is handmade.

“You're gonna see Lauren, who doesn't touch music at all, put her craft and her mark on the stage, and it's gonna be revolutionary,” Black Nile’s Lawrence Shaw said. “Nobody's ever seen anything like this before.”

Halsey recommended showing up early since a funk opera is still an opera — not to mention the effort that went into the visuals and ephemera for the show.

“I know it's Tuesday, I know it's gonna be traffic on Cahuenga, on Highland, on Hollywood, I know,” Halsey said. “So I would say plan accordingly.”

Doors open at 6 p.m. Tuesday, Sept. 29, and the show starts at 8 p.m. sharp.

“Everyone's gonna get a program when you walk in that describes the run of show and my Funkafesto,” Halsey said. “We're gonna get to it, so please don't miss it.”

How the night came together

Like a lot of big concepts, emajendat started with a cold pitch — though Halsey had been envisioning and working on it for years before putting it in front of the right people.

Halsey, who grew up taking school trips to the Bowl to watch the Los Angeles Philharmonic’s open rehearsals and estimates she’s been there 50 or 60 times, calls it “the people’s venue.” One of her favorite memories was as a guest in one of the venue's box seats at a 2002 Ms. Lauryn Hill show, as she and her neighbors got to know each other in the venue’s “beautiful scoop.”

The last few years have been very prolific for Halsey: She’s displayed sculptures at the Los Angeles County Museum of Art’s new David Geffen Galleries and the roof of New York’s Metropolitan Museum of Art, and opened a sculpture park on 76th and Western in L.A. called Sister Dreamer.

Halsey, who already had hundreds of renderings of what the night would look like, put the ideas in front of the Hollywood Bowl’s Johanna Rees, who runs its non-classical programming.

“ I said, ‘Hey Johanna, could you ever imagine an artistic takeover of the campus, from entrance to exit? And could you ever imagine me proposing a stage concept?’" Halsey said. “She's like, ‘Yeah, I can imagine that.’ That's not even a pun.”

Lauren Halsey poses at her sculpture park located on 76th Street and Western Avenue in Los Angeles, sister dreamer.

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Courtesy Lauren Halsey

)

But to get a yes, Halsey needed headliners. She’d booked artists like Doechii, Ms. Lauryn Hill and Parliament-Funkadelic for past art events, so she drew on connections she said she’d built “strategically.”

Halsey, who estimated she’s been to the Bowl 50 or 60 times, said one of her favorite memories is when she got to sit in the box during a 2002 Ms. Lauryn Hill unplugged show and experience the social connections being made in the venue’s “beautiful scoop.”

“You get to know your neighbors. It's a whole thing,” Halsey said.  “It's always been on my list, and it'll always be on my list. It's just, like, it's the Bowl.”

Lauren Halsey's plans for the future

Beyond deepening Halsey’s artistic connections with musicians, taking her work to a broader audience is another goal of emajendat, since not everyone is tapped into the world of fine art where Halsey often works.

Halsey said since the fine art world where she often presents her work can be niche, she’s energized by people entering her world for the first time. To make the show as accessible as possible, she said she intentionally booked the show with the L.A. Phil as the promoter to keep ticket prices down.

“It's cool that so many Angelenos are gonna come through and just get to experience all on the same playing field,” Halsey said.

Halsey said that if you can’t make it to Tuesday’s show, [emajendat is] “a proof of concept for the type of — perhaps it's a park, perhaps it's a festival, perhaps it's both — that I want to bring to the city one day soon,” she said.

A federal judge on Monday blocked the authority of President Donald Trump’s administration to withhold some federal counterterrorism funding from states that don’t meet its election administration demands.

Courts have largely rejected the administration’s previous efforts, which reflect untrue claims about widespread voting fraud and come ahead of November’s midterm elections where Democrats seek to take control of one or both chambers of Congress and check Trump’s power.

U.S. District Judge Amir Ali in Washington, D.C., wrote in a 24-page opinion that federal agencies didn’t have the authority from Congress to add such conditions to the grants, and that the conditions didn’t meet legal thresholds requiring them to relate to the underlying grant purpose.

Neither the Department of Homeland Security nor its subagency handling the grants, the Federal Emergency Management Agency, immediately responded to a request for comment. The grant conditions were the latest in a line of actions by Trump’s administration to shape how elections are run, a task that has long been the job of states.

The plaintiffs that sued were Columbus, Ohio; Nashville and Davidson County, Tennessee; and El Paso and Harris counties in Texas.

Over the summer, a FEMA antiterrorism grant announcement included a list of election-related requirements, saying that 20% of grants for states and urban areas would be withheld until they comply.

The program includes more than $1 billion for states and local and tribal governments for a variety of programs aimed at preventing terror at crowded places, online, with border security — and around elections. FEMA expects to award 56 grants.

The list of items for states includes verifying the citizenship of all registered voters and election workers.

Places that use electronic voting systems that use barcodes or QR codes to count votes would have to submit plans to switch to hand-marked paper ballots. Every jurisdiction would have to show it audits results.

In the lawsuit, the cities and counties said FEMA had no authority to impose those conditions, “not under its governing statute and not under the Constitution.”

Congress authorized FEMA to help jurisdictions protect critical infrastructure from terrorism and cyberattacks, not to decide who can vote, how ballots must be counted or how states maintain voter rolls, the cities and counties wrote.

“Never before has FEMA purported to regulate how states and counties run elections,” they said in the lawsuit.