The Brief

The Los Angeles County Department of Public Health is reporting an extremely rare situation.

A Baldwin Park resident has been diagnosed with dengue after catching it locally, the department announced on Monday. Dengue is a disease caused by a virus that spreads mainly through mosquito bites.

While a very low amount of L.A. County residents catch dengue through travel yearly, this is the first time the L.A. County Department of Public Health has reported a locally-acquired case.

That means there are likely infected mosquitoes in the county.

What is dengue?

Dengue is common in tropical and subtropical regions, like the Caribbean, Central and South America, Southeast Asia, and the Pacific islands.

This is California’s third locally-acquired dengue case. Two others were reported in Long Beach and Pasadena in fall 2023. Those cities have their own public health departments.

Locally-acquired means the person had no history of travel to areas where the disease is endemic.

The risk of it spreading in L.A. County remains low, but the announcement comes at a time when dengue cases have been rising globally. The 2024 calendar year has had the highest number of cases on record, according to a recent health advisory.

More than 11 million cases of dengue have been reported in North, Central, and South America and the Caribbean in 2024, according to the CDC.

Dengue is primarily passed on to people through the bite of infected Aedes mosquitoes, which are invasive to California.

Dengue can cause a range of flu-like symptoms. Those include fevers, headaches, pain behind the eyes, joint and muscle pain, rash, and even mild bleeding. About 1 in 20 cases develop serious disease symptoms, which could be life-threatening. But for most, symptoms usually last from a few days to a week.

What’s being done

The county Department of Public Health is working with vector control districts on prevention. The department said field teams are going door-to-door with information on dengue risk and mosquito bites nearby.

“This case further indicates that dengue fever is present in our community... ,” said Muntu Davis, L.A. County health officer, in a statement. “We must remain vigilant and prevent further cases through public education and mosquito control efforts.”

San Gabriel Valley’s vector control district is also increasing mosquito trapping to allow for more testing and to reduce the risk of additional spread in the Baldwin Park neighborhood.

How you can protect yourself

Because dengue is spread through mosquitoes, avoiding bites is the best way to protect yourself.

Aedes mosquitoes prefer to breed in small spaces, like containers and even bottle caps. And they are known as ankle biters that can be active during the day and in well-lit areas at night.

• Clear water and gaps

You’ll want to make sure to clear standing water around your home. A lot of the water sources that mosquitoes thrive off of are generated by us — think a dripping spigot, or water left outside for your pets. Clogged rain gutters, drying out buckets, and even fresh water in bird baths can become a breeding ground.

Give your home a check for gaps that mosquitoes can get through, like a broken window screen. The Greater L.A. County Vector Control District has a checklist that you can use to check your property.

• Use insect repellent

You’ll want to look for ones with specific active ingredients such as DEET, picaridin, oil of lemon eucalyptus, IR3535, and 2-undecanone.

• Call in the experts

If the mosquitoes where you live won’t take the hint, call your local vector control district. They can catalog, remove, and document the spread — at no cost.

From demogorgons clasping onto a white truck to a decibel reader device, much of the props in Stranger Things were designed with the intention to feel vintage and authentic.

Much of that is thanks to Shane Dzicek, a special effects designer based out of Burbank. Beyond Stranger Things, Dzicek worked on the Faztalker device in the most recent Five Nights at Freddy’s film, the jets on Top Gun: Maverick and the Roomba-esque vacuum cleaner shoes in Hocus Pocus 2.

LAist’s Julia Paskin talked with Dzicek about working on this latest season of Stranger Things and what it’s like to design special effects in the age of AI.

The process of designing the props in “Stranger Things”

Julia Paskin: What can you share on this date in terms of anything that you worked on in the new season?

Shane Dzicek:  One of the things that I was excited to work on was a device that Steve actually has in the squawk van. It's this great device that counts from zero to 99.

 I put in an alpha numerical display. Back in the ‘80s, they might have used different tech…And the original one weighed like 35, 40 pounds. So I hollowed the ones that we remade from scratch. So that way, Steve [Harrington] could have this thing with him and not have to worry about the weight.

A screengrab from the "Stranger Things" season 5 trailer. Special effects designer Shane Dzicek created the decibel system device to the right of Joe Keery's character Steve Harrington.

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Courtesy of Netflix

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Julia Paskin: In the trailer, there's the truck with demogorgons on top of it. And you did some work on that. Can you tell us about that as well?

Shane Dzicek:  Murray [Bauman] was driving the truck. [The actors inside] need to be able to act. They need to have cameras right there, so you can't always have this all strapped on a big truck or on a process trailer moving down the road. So we built rigs that we can move the trucks around [and] be able to do any type of heavy riding, if there's big bumps they gotta go over, if you gotta move and flip the truck over any of that type.

A screengrab from the trailer for "Stranger Things" Season 5. Special effects designer Shane Dzicek rigged the truck to withstand heavy riding.

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Courtesy Netflix

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The impact of AI on the SFX industry

Two years ago, actors and writers in Hollywood went on strike, demanding protections from AI in TV and film writing. Last year, those same fears creeped into labor negotiations between the Animation Guild and studios and streaming companies, with the Guild calling generative AI a top concern.

But when it comes to special effects, Dzicek is optimistic about his field withstanding AI’s threats to job security.

Julia Paskin:  Are you dealing with the same kind of AI anxiety that other industries are fearful of, including myself?

Shane Dzicek: [AI] is a powerful tool. I'll probably end up seeing directors and producers and creative people that might be using it as references, being like: "Hey, I AI generated a thing now. I need you to make this come to life and be physical and practical." So I don't see AI necessarily taking that practical part of making this a real thing. That takes a lot of just ingenuity and years of education on how to fabricate and build things and bring all these elements together to create a working prop.

The other thing is you gotta train AI on the knowledge that we have. And [this] kind of knowledge is all handed by word of mouth. It's not written down anywhere. So good luck trying to protect that. Good luck trying to get the information out of all of us.

These excerpts have been condensed and edited for clarity. Watch the full interview below.

We have a winner in the bidding war for Warner Bros-Discovery.

Netflix is in final talks to buy Warner's film and TV studios, plus its streaming assets and some debt, in a deal worth nearly $83 billion.

In a statement Friday, Netflix said the two entertainment giants had "entered into a definitive agreement under which Netflix will acquire Warner Bros., including its film and television studios, HBO Max and HBO." The announcement caps what had been a closely watched bidding war in Hollywood that involved top competitor Paramount.

The deal would be valued at $82.7 billion, or an "equity value of $72.0 billion," the streaming giant said.

“Our mission has always been to entertain the world,” Ted Sarandos, co-CEO of Netflix, said in a statement. “By combining Warner Bros.’ incredible library of shows and movies — from timeless classics like Casablanca and Citizen Kane to modern favorites like Harry Potter and Friends — with our culture-defining titles like Stranger Things, KPop Demon Hunters and Squid Game, we'll be able to do that even better. Together, we can give audiences more of what they love and help define the next century of storytelling.”

The deal would give Netflix one of Hollywood's most valuable libraries, including the Harry Potter, Game of Thrones, and the DC Comics properties.

The Directors Guild of America told Variety that the deal "raises significant concerns."

“The news that Netflix had secured exclusive rights to negotiate for WBD raises significant concerns for the DGA,” the guild said. “We believe that a vibrant, competitive industry — one that fosters creativity and encourages genuine competition for talent — is essential to safeguarding the careers and creative rights of directors and their teams."

For its part, Netflix said in it's statement that it "expects to maintain Warner Bros.’ current operations and build on its strengths, including theatrical releases for films."

The deal still has to clear regulatory and other hurdles, and would likely take around a year to close.

Breezy conditions will linger today for L.A. County mountains, but otherwise, expect a mild weather day. Come Sunday, temperatures will rise significantly continuing into next week.

Temperatures in the Inland Empire and Coachella Valley will range from 67 to 73 degrees.

In Orange County, inland and coastal areas will stay in the 64- to 70-degree range.

For the L.A. County coast, expect highs from 64 to 72 degrees. For the valley communities, highs there will range from 68 to 74 degrees. In the Antelope Valley, highs will range from 60 to 65 degrees, but foothill communities will still see daytime highs in the upper 50s to around low 60s.

Beach hazards

High surf has come and gone, but now look out for high tides that could lead to pooling of water around walkways, parking lots or other low-lying areas near the ocean. These conditions will last until Saturday morning.

Eleven months after the January fires, childcare providers — especially those who operated businesses out of their homes — still are struggling to open up their doors.

“There were no state or federal funds provided to support families or providers connected to childcare,” said Cristina Alvarado, executive director of the Child Care Alliance of Los Angeles, at a recent legislative hearing. “Sadly, we will experience another disaster, another fire, another loss.”

The California Department of Social Services said as of this summer, 50 of 280 impacted childcare facilities remained closed. They stopped tracking the data in August.

Providers told lawmakers in October that they needed more support to survive in an already fragile childcare industry. Preschools have been closing in L.A. County. There also are not enough childcare providers, and those who are in business are chronically underpaid. A recent study out of Stanford found that most childcare workers struggle to afford basic needs.

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At least 280 childcare spaces were affected by the Eaton and Palisades fires in January. LAist reporter Libby Rainey and early childhood senior reporter Elly Yu followed two women who ran childcare businesses out of their homes until the Eaton Fire destroyed them. In this episode of Imperfect Paradise, they look at how these two childcare providers are rebuilding their lives and businesses, the catch-22 they found themselves in around government assistance, and the state of the child care industry at large.

Altadena childcare providers' struggle to rebuild raises questions about government disaster response

At least 280 childcare spaces were affected by the Eaton and Palisades fires in January. LAist reporter Libby Rainey and early childhood senior reporter Elly Yu followed two women who ran childcare businesses out of their homes until the Eaton Fire destroyed them. In this episode of Imperfect Paradise, they look at how these two childcare providers are rebuilding their lives and businesses, the catch-22 they found themselves in around government assistance, and the state of the child care industry at large.

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This means those childcare providers and the system as a whole are particularly vulnerable when a disaster strikes, like January's fires.

“ I lost my only source of income without a place to operate. I cannot work. I still had to pay my rent and my mortgage payment, as well as our living expenses such as food,” said Francisca Gunawardena, who lost her house and childcare business in the Eaton Fire. Nearly a year later, she still hasn't been able to re-open.

What was available for providers? 

Unlike during COVID, childcare providers didn’t receive dedicated relief money to recover from the fires. That left them to piece together federal support, state unemployment and private grants.

Providers who took care of children from low-income families and received state subsidies did receive payments from the state for 30 days after the fire. But that didn't get them very far. Gov. Gavin Newsom’s office then directed childcare workers to an unemployment phone line.

Providers who looked for help from FEMA and other agencies sometimes found a bureaucratic maze. Felisa Wright, a childcare provider who lost her home and business in the Eaton Fire, spent months trying to get the agency's support. She encountered a series of catch-22s. She was rejected when applying for a small business loan because she didn't make enough money. But to start making money again, she needed to reopen her childcare center.

In a statement, the agency said, “FEMA makes every effort to ensure that everyone eligible for assistance receives the help they need to recover,” and its program for assisting individuals has provided over $150 million to about 35,000 households.

The office of state Assemblymember Cecilia Aguiar-Curry, who co-chairs the select committee on childcare costs, said this fall that the committee will look at identifying legislation to help the childcare industry in times of natural disasters.

Providers say some kind of relief is necessary.

Hear the stories of two providers — Francisca Gunawardena and Felisa Wright — who both lost their homes and what their journeys reveal about recovery overall after the L.A. fires on the latest episode of Imperfect Paradise.