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The Brief

The most important stories for you to know today
  • Latino-owned brewhouse is the first in the area
    Ray "Ricky" Rivera, co-owner of Mexican Monk Brewhouse, wearing a Dodgers World Series cap, pours beer into a branded Mexican Monk glass while reaching toward a row of monk-figured tap handles.
    Ray Ricky Rivera, co-owner of Mexican Monk Brewhouse.

    Topline:

    Mexican Monk Brewhouse opens in Paramount as the city's first Latino-owned craft beer taproom, built by independent brewer Ray Ricky Rivera and cafe owners David and Ashley Vazquez.

    Why it matters: Paramount is over 80% Latino and has never had a craft beer taproom. Mexican Monk isn't just filling a gap — it's doing so with a deliberately curated program of Latino-owned breweries, a stellar food menu that holds its own, and a space that the community began claiming as its own before it even opened.

    Why now: The opening comes roughly a year after Paramount made national headlines when federal agents massed near a Home Depot on Alondra Boulevard and the community spilled into the streets. Mexican Monk represents a different chapter for the city — one its residents are actively choosing to write.

    Read on... for more on their backstory and mission.

    Walking into Mexican Monk Brew House, you're greeted by a space filled with natural light. Repurposed cathedral window frames hang as artwork alongside a few well-placed mirrors; Selena plays over the sound system.

    A massive mural of its logo dominates an exposed concrete block wall. A robed monk dressed in a sombrero and serape, eyes closed, cradling a beer as an offering — an image that tells you immediately who this place is for and who built it.

    A large mural on an exposed concrete block wall depicts the Mexican Monk logo — a robed figure in a sombrero holding a beer, flanked by hop leaves, with "Mexican Monk Brew House" lettered in an arc above.
    The Mexican Monk Brewhouse mural that greets you inside the Paramount taproom.
    (
    Gab Chabrán
    /
    LAist
    )

    Located in the city of Paramount, Mexican Monk is an independently Latino-owned craft beer taproom, the first of its kind in the area. The space is the vision of independent craft brewer Ray Ricky Rivera, who has spent the past decade building toward this moment. He's partnered with David and Ashley Vazquez, who have operated Horchateria Rio Luna since 2016 — first at a smaller location, then in their current home in 2020 — the cafe next door where Mexican Monk now lives.

    Mexican Monk is currently in its soft-opening phase, open Thursday through Sunday, with a grand-opening celebration planned for the coming weeks.

    Three medium-dark-skinned Latino adults,stand together smiling inside a room with repurposed cathedral window frames and a decorative cactus.
    Ashley Vazquez, David Vasquez, and Ray Ricky Rivera inside Mexican Monk Brewhouse at Horchateria Rio Luna in Paramount.
    (
    Gab Chabrán
    /
    LAist
    )

    Half a mile away

    Last summer, the city of Paramount found itself at the center of a national debate about who belongs when federal immigration agents massed near a Home Depot on Alondra Boulevard and the community spilled into the streets to meet them.

    David Salinas is the second-generation owner of Paramount Barbers. He watched the raids ripple through the neighborhood in real time.

    "Foot traffic wasn't happening. Everyone was just on alert," Salinas said. According to local business roundtable meetings he attended, commerce in the area dropped 20% to 30% on average in the aftermath. "For some smaller businesses, that became tough."

    But even as the neighborhood absorbed the blow, something was already taking shape a few blocks away.

    Crafting a partnership

    Like a lot of things these days, the Brew House began with an exchange on Instagram. Rivera noticed that Vasquez had started offering beer at the cafe, specifically from Brujeria — a local, Latino-owned brewery in Pico Rivera — and sent him a DM. What followed was a series of visits, casual conversations, and eventually an unexpected pitch: Vasquez and his partners had an empty 1,400-square-foot room adjoining the cafe and were looking for someone to bring it to life.

    Rivera had been sitting on the Mexican Monk concept for about five years — a robed monk in a sombrero, a brewer, a mythical figure with a whole backstory. He pitched it. Vasquez, who was born and raised in Paramount, loved it.

    "We knew our city was underserved regarding cool, trendy spaces," Vasquez said, noting that residents have long made the drive to Long Beach, Orange County, or downtown Los Angeles to find what Mexican Monk is now bringing to their own backyard.

    A full pint glass printed with the Mexican Monk Brewhouse logo sits on a bar coaster, with a smiling medium-skinned Latino man visible in the background behind the bar.
    A pint of Sippin' Santos, Mexican Monk Brewhouse's Mexican-style lager, sits on the bar at the Paramount taproom.
    (
    Gab Chabrán
    /
    LAist
    )

    Rivera had a background in brewing, first as founder of the L.A.-based homebrew club SoCal Cerveceros, and then with his solo contract brewing operation Norwalk Brewhouse. Its flagship beer is named Bidi Bidi Blonde Blonde, a blonde ale named after the Selena classic.

    Mexican Monk, he said, is the physical realization of what Norwalk Brewhouse was always building toward — a space where the culture isn't a footnote, it's the foundation.

    What’s on the menu

    The beer list reads like a who's who of the Latino craft beer world — there are six house brews contract-brewed locally, from Sippin' Santos, a Mexican-style lager, to La Blanca 1544, a Belgian-style witbier, all priced between $8- $9. The remaining taps and a curated can wall of 26 selections draw almost entirely from independent Latino-owned breweries across Southern California and beyond.

    For food there's six different types of wings, including a spice-forward chorizo dry rub, a nutty salsa macha, and the standout of the bunch, the mole wings, whose chocolatey, earthy depth works surprisingly well with their slightly hop-forward West Blessed, especially after a proper dip in their house-made jalapeño ranch. The menu rounds out with nine-inch pizzas made with Mexican Monk lager dough and truffle fries.

    A wooden serving tray lined with checkered paper holds several sauced chicken wings topped with sesame seeds, alongside a small cup of green jalapeño ranch dressing and, in the background, a branded Mexican Monk pint glass.
    Mole chicken wings with house-made jalapeño ranch alongside a Mexican Monk pint at the Paramount taproom.
    (
    Gab Chabrán
    /
    LAist
    )

    For barber David Salinas, Mexican Monk is a catalyst — the kind of anchor business that he hopes will inspire others.

    "Ray and I talked, and we were saying there needs to be a little bit more," he said. "It can't just be his brewery for him to succeed. He needs a community around him."

    That may be growing. When you walk through the door at Mexican Monk, what you find is something quieter and more durable than a protest or a headline. A city imagining what comes next, one pint or plate of wings at a time.

    Location: 15950 Paramount Blvd., Suite B, Paramount
    Hours: Thursday – Friday, 5 – 9 p.m.; Saturday – Sunday, 1 – 9 p.m.

  • Remembering SoCal stations and personalities
    A vintage black and white photo of an office building.
    A 1938 photo of KNX's studios.

    Topline:

    With KNX's shift last month back to AM radio only, we asked Southern Californians to share their memories of listening to the radio.

    Why now: Back in April, broadcast company Audacy announced it was moving KNX News — one of the last-remaining all-news FM stations — off 97.1 FM, but keeping the long-running news format on 1070 AM where it's been for more than 100 years. The move officially happened in May to make way for a new sports talk station.

    A radio time capsule: AirTalk, LAist's flagship daily news show which airs on 89.3 FM, asked listeners to share their favorite memories of listening to the radio.

    Continue reading... for vintage photos from The Los Angeles Public Library's digital archive collections highlighting Southern California's rich radio history.

    Southern California was built on radio.

    "I can still hear the jingle KFWB News 98,” wrote  Taline in Los Feliz, during a recent conversation on LAist's daily news show, AirTalk, which airs on 89.3 FM. “I grew up hearing that in my dad's minivan on the way to and from school. It has a special place in my heart.”

    Back in April, broadcast company Audacy announced KNX News — one of the last-remaining all-news FM stations — was leaving the FM dial where it had simulcast on 97.1 FM since 2021. The station, which is also one of the oldest in L.A., is not budging from 1070 AM where it has been on the air for more than 100 years. The move away from FM officially happened in May to make way for a new sports talk station, which Audacy officials called an area of growth for advertisers in today’s media landscape.

    The move is one in a long line of changes for radio and a reminder that before podcasts, playlists and algorithms, many Southern Californians built their days around radio broadcasts.

    Radio, a daily ritual

    Larry Mantle, now in his 41st year hosting AirTalk, remembers being a kid and dreaming of what it might be like to be behind the mic at one of these radio stations.

    “ I grew up with KNX," he said. “My dream job as a kid was to be an anchor on KNX or KFWB, the two local all-news radio stations, 'cause there was nothing like hosting AirTalk that even existed at that point.”

    Mantle opened up the phone lines on a recent show to hear from his fellow SoCal radio lovers about the shows they miss and the memories they have. Here's what they had to say:

    A love for radio, then and now  

    “When you'd walk down Hollywood Boulevard where the station was, you could hear it playing as you went down the street,” said  Olivia in Glendale about KLAC 570 with Al Jarvis.

     Larry in Yorba Linda shouted out KBCA Jazz for its 24-hour jazz, saying “When I first moved out here in '68 from Phoenix, which had like an hour a week, it was a real wonder.”

     Mark in Glassell Park emailed that he loves KCRW’s Henry Rollins, writing, “I used to bristle at his unique DJ persona, but over time, I came to love him and his crazy eclectic playlists. I find his knowledge in history and punk rock fascinating. He's a gem and a legend."

    "I'd like to give a shout-out to all the DJs working at KXLU, the college station at Loyola Marymount University, said  Jeremy in Culver City in an email. “That station's been on the air for nearly 60 years. I believe it's one of the best examples of what's possible with radio."

    "KFWB and KRLA back in the day when they were rock music stations —  Dr. Demento, one of my favorite on-air personalities, also had eclectic music taste," said  Carrie in Desert Edge.

    “ Dr. Demento was must listening when I was a kid in junior high school at Le Conte Junior High in Hollywood,” Mantle added. “Every Sunday night on KMET, we would make sure we were listening to Dr. Demento and his funny records.”

    The question remains…

    A vintage black and white photo of a male-presenting child being handed the keys to a car (seen behind him). A radio station sign, KMPC, can be seen in the background.
    An 11-year-old winning a car in a KMPC contest in 1963.
    (
    Los Angeles Public Library
    )

    Listener support is vital to any radio station, and it’s clear KNX has many lifelong fans. AirTalk listeners highlighted their support for household KNX names over the decades like Bill Keene, Melinda Lee, Mike Roy and Jackie Olden.

    As KNX makes changes, many are watching closely and thinking about the future of radio.

    Listeners like Tommy in La Quinta are left wondering if the radio dial will be the same…

    Im a hardcore listener, but I don't know about casual listeners [and] if they'll tune to AM,” he said.

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  • LA has a delayed deal to recoup Olympics costs
    A man wearing glasses and a jacket that has a patch that reads "LA28". He leans in to speak to the woman on his left who is leaning in to hear him. They sit behind a desk that reads "Paris 2024."
    LA28 chair Casey Wasserman speaks with L.A. Mayor Karen Bass at the Olympic Games Paris 2024 on August 10, 2024.

    Topline:

    After months of hand-wringing, Los Angeles and LA28 have come to a tentative agreement on how Olympics organizers will reimburse the city for its expenses for the 2028 Summer Games.

    What's in the deal? The private Olympic organizing committee will pay upfront for the estimated cost of services that are not eligible for federal reimbursement, like trash pick-up and traffic control. Under another proposal, the city would also be able to tap an LA28 contingency fund if it isn't fully repaid by the federal government for policing costs at Olympic venues.

    What happens now: The agreement is nearly nine months overdue and still needs approval by Mayor Karen Bass and the city council. The City Council's ad-hoc committee on the 2028 Games will meet Tuesday afternoon to vote on the agreement.

    Concerns remain: The contract between the two parties doesn't fully resolve one of the biggest areas of financial risk for the city: the enormous cost of security for an event as extensive and high-profile as the summer Olympics and Paralympics.

    Read on...for more on concerns over security costs for 2028.

    After months of hand-wringing, Los Angeles and LA28 have come to a tentative agreement on how Olympics organizers will reimburse the city for its expenses for the 2028 Summer Games.

    According to the deal, the private Olympic organizing committee will pay upfront for the estimated cost of services that are not eligible for federal reimbursement, like trash pick-up and traffic control. Under another proposal, the city would also be able to tap an LA28 contingency fund if it isn't fully repaid by the federal government for policing costs at Olympic venues.

    The agreement is nearly nine months overdue and still needs approval by Mayor Karen Bass and the City Council.

    The 2028 Olympics are intended to be privately financed, and an existing city agreement with LA28 states that the Olympics organizers, not L.A., will pay for extra costs for public services in support of the Games. But L.A. is the financial back-stop for the Olympics, meaning if LA28 goes in the red, taxpayers will pick up the bill.

    Beyond that, the city services agreement presents another area where L.A. could incur additional unexpected expenses for hosting the Games. L.A. City Councilmember Monica Rodriguez warned LA28 CEO Reynold Hoover earlier this year that a bad deal could "bankrupt" the city.

    Jacie Prieto Lopez, an LA28 spokesperson, and Paul Krekorian, who leads the city's office of major events, said in statements that the freshly inked agreement would help deliver a fiscally responsible Games.

    "Mayor Bass’ priority is that the 2028 Olympic and Paralympic Games be fiscally responsible, protect taxpayers, and benefit Angelenos for decades to come. This agreement helps deliver that commitment," Krekorian said.

    But the contract between the two parties doesn't fully resolve one of the biggest areas of financial risk for the city: the enormous cost of security for an event as extensive and high-profile as the summer Olympics and Paralympics.

    Organizers are counting on the federal government to pay for public safety at Olympic venues that are considered part of a "national special security event." That includes costs for LAPD staffing. LA28 has not included security costs in its $7.1 billion budget — a fact that City Attorney Hydee Feldstein Soto criticized earlier this year.

    The federal government has so far allocated $1 billion for security costs for the Olympics. Exactly where those federal funds will go has not yet been determined, and there's no guarantee they will cover all of L.A.'s policing costs.

    To address this, city officials have also proposed an amendment to a 2021 agreement between the city and LA28. That amendment would establish that if L.A. is not reimbursed by the federal government for all its eligible expenses, it could dip into LA28's contingency fund of $270 million before the private organizing committee could use those funds for any legacy projects.

    But that bucket of money will first be used for any costs that Olympics organizers still owe if they run out of revenue — meaning if the Olympics don't turn a profit, the city's access to that money will depend on how much is left for the taking.

    Civil rights attorney Connie Rice, who has been tracking the city's negotiations with LA28, told LAist the agreement was a "PR document" not a deal. She pointed out that if the federal government does not pay up for security spending as expected, L.A. could be in trouble.

    " It leaves the taxpayers with a GoFundMe strategy," she said.

    The city services agreement lays the groundwork for more negotiations between LA28 and the city. Each venue will require its own agreement, to be negotiated by July 1, 2027. Venues in the city of L.A. include Dodger Stadium, the L.A. Convention Center, L.A. Memorial Coliseum and the Venice Beach Boardwalk.

    The City Council's ad-hoc committee on the 2028 Games will meet Tuesday afternoon to vote on the agreement.

  • Bass signs orders to boost Boyle Heights recovery
    A black and white SUV police car is parked in the middle of a street behind yellow police tape. Several red fire trucks are also parked in the street and thick black smoke is pictured in the distance.
    Cleanup is underway now at the Boyle Heights food storage warehouse that spewed smoke around L.A. earlier this month.

    Topline:

    Los Angeles Mayor Karen Bass signed a pair of executive orders Monday to ramp up efforts to clean the mess left by the fire that burned for a week at a Boyle Heights warehouse.

    Why now: Since the warehouse fire was put out, the 85 million pounds of frozen food stored inside is now rotting, spreading foul smells throughout surrounding neighborhoods and raising concerns about an influx of pests. Residents have also been left with worries about air and water contamination after the fire and possible long-term public health effects.

    Spoiled food removal: Bass and city officials said Monday the warehouse owner, Lineage, began moving food debris on Sunday to landfills in Ventura and Riverside counties. The company predicts it will take 5,000 truckloads to remove it all.

    Reducing odors: Lineage plans to apply a chemical deodorizer, likely chlorine dioxide, to the food, debris and trucks leaving the warehouse. It’s also installing devices within the warehouse that will spray mist over the food inside until it is moved.

    Pest control: Lineage is responsible for pest management inside the warehouse, while the city of Los Angeles is responsible for it outside the warehouse. Both have hired private contractors to manage pest control.

    Air and water testing: The South Coast Air Quality Management District is overseeing efforts to measure harmful material in the air and posting data to its online air quality map. Lineage also hired private contractor Onterris to monitor air quality in the community surrounding the warehouse, with South Coast AQMD’s oversight. The Los Angeles Department of Sanitation has been monitoring water flowing from the site since firefighting operations began. It’s using a variety of methods, including containment tanks and catch basins, to divert the runoff into the sewer and prevent it from flowing into the L.A. River.

    What’s next: Bass’ two executive orders are intended to accelerate cleanup efforts, protect residents and hold accountable the companies responsible for the facility and its safety. One order directs the Fire Department to report on its investigation into the cause of the fire within 90 days. The orders also include a number of provisions to help Boyle Heights residents and businesses, including free public transit, financial assistance and expanded public health resources.

    Why it matters: Officials and advocates have called for transparency around the cleanup, especially because they say the neighborhood has been historically under-resourced and disproportionately subjected to environmental burdens. One of the orders signed Monday directs city officials to compile a report within 45 days on industrial areas across Los Angeles that sit close to homes and schools. The report also must include possible zoning and land use changes that would reduce negative health effects from existing and future industrial facilities.

  • Lawsuit filed over frozen federal funding
    Tents on a sidewalk in front of a downtown skyline
    Tents in the Skid Row area of downtown Los Angeles on June 11, 2026.

    Topline:

    L.A.’s lead homelessness agency, LAHSA, filed a lawsuit against the U.S. Department of Housing and Urban Development on Monday, asking a judge for relief from a federal funding suspension it calls unjustified.

    How we got here: On June 11, HUD suspended the Los Angeles Homeless Services Authority from federal grant activity pending an investigation into alleged mismanagement. The federal agency said the suspension means LAHSA cannot fulfill its role as collaborative applicant for the entire region’s application for federal homelessness dollars for the upcoming fiscal year. In its lawsuit, LAHSA says the suspension is the Trump administration’s back door attempt to eliminate the Continuum of Care program in L.A., which gives local officials discretion over homelessness projects submitted for federal funding.

    LAHSA’s challenge: LAHSA says HUD has failed to identify any public agreement or transaction that LAHSA has violated or cite proper evidence of mismanagement. LAHSA also claims several inaccuracies and misrepresentations in HUD’s original suspension letter, including relying on reviews that LAHSA says were irrelevant to federal funding. “HUD supports its position with an amalgamation of uncorroborated hearsay information apparently cherry-picked from the internet,” the complaint states.

    Legal argument: LAHSA's attorneys contend that HUD unlawfully suspended funding, arguing that the action violates the Administrative Procedure Act, the Constitution's separation of powers principle, and the Tenth Amendment. LAHSA is asking for a stay of the HUD suspension pending judicial review and a permanent injunction barring head from suspending LAHSA or blocking the work of the Los Angeles Continuum of Care.

    Why it matters: The deadline for the L.A. region to submit its application to HUD for regional homelessness grants is Aug. 26. LAHSA says the suspension jeopardizes $241 million in federal funding that supports more than 11,000 people across L.A. County. LAHSA says the HUD suspension could prevent the agency from other activities, including releasing the findings of its 2026 homeless count conducted in January.