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The Brief

The most important stories for you to know today
  • Vermouth, kalimotxo and gin tonic hit LA
     Three gin tonics in stemmed glasses on a marble table, garnished with rosemary and shifting from clear to blue to deep purple.
    The three house gin tonics at Telefèric Barcelona in Long Beach, each an homage to a different region of Spain.

    Topline:

    A wave of Spanish drinking culture has been quietly landing locally — enough to build a full day of it without a passport. Try LAIE, a new California-founded Spanish vermouth, for la hora del vermut; or Wine and Cola, a canned kalimotxo that launched exclusively in L.A. this summer; or the theatrical gin tonics at Telefèric Barcelona in Long Beach, where the Ibiza pour shifts from blue to purple tableside.

    Why it matters: Spanish food has a foothold in L.A. — tapas bars are pervasive, but the drinking culture that's inseparable from it is only now arriving. Now Angelenos can actually buy, pour and enjoy classic Spanish drinks at home, as well as at bars across the city.

    Why now: With the World Cup happening and Spain among the favorites, there's no better excuse to gather friends and drink the way Spaniards do. A hot L.A. summer suits the country's chilled, low-alcohol style — refreshing, but unusual enough to keep you interested.

    When I was 16, my family moved to Madrid, where I got a crash course in Spanish culture — including a legal drinking age that happened to match my own. Lucky me. (For those wondering, it’s now 18).

    In Spain, there’s a whole rhythm to drinking; it’s less about getting drunk and more about the intentionality of what you reach for and when. A vermouth before lunch to open the appetite. And after dinner, a gin tonic, (yes, that's gin tonic, the Spanish way — not gin and tonic) nursed slowly over a long conversation. And if things get loose, a kalimotxo: red wine and Coke, the drink Spanish teenagers have been mixing in plazas since before they were legally allowed to.

    Over the last few years, a wave of Spanish drinking culture has been quietly making its way into L.A. Even José Andrés — the chef behind downtown's San Laurel, and probably the city’s most famous Spaniard — devotes a chapter of his new book, Spain, My Way, to how his countrymen drink, arguing it's inseparable from how they eat. It's a good match for L.A. too: like Spain, we have a Mediterranean climate — hot, dry summers made for chilled, low-ABV drinking.

    You can now experience those rituals I first saw in Madrid — enjoying vermouth, kalimotxo, gin tonic — at spots around town. So why not get a taste of Spain… without booking a flight?

    La hora del vermut

    A bottle of LAIE vermouth beside two cocktails — a bubbly orange spritz and a dark vermouth over ice garnished with orange and an olive.
    LAIE, a cava-based Spanish vermouth, served over ice with orange and an olive.
    (
    Brook Olsen
    /
    Courtesy LAIE
    )

    Most of us will know vermouth as the splash in a good martini. But it can be so much more than that, if you know what to drink. "It's not just a mixer… it's something you can enjoy by itself," says Alex Cardona, co-founder of a Barcelona-based vermouth company, LAIE (pronounced El-ay-yeah) with California restaurateur Raj Nallapothola.

    The traditional way to drink vermouth — or vermut — in Spain is the ritual known as la hora del vermut — the vermouth hour, a midday get-together to share the drink over a few snacks.

    There are many different kinds of vermouth, from pale, dry blanco to sweet, dark rojo. LAIE is a rojo, light in color but finishing sweet, made by a longtime family producer just outside Barcelona. It drinks like a lighter-bodied wine, blended with more than twenty botanicals. If you've ever enjoyed an Italian amaro, you're almost there.

    Serve it before lunch, over ice with an orange slice and an olive — and if you want to kick things up, a splash of gin.

    Where to get it:
    Bars:
    Santa Monica: Xuntos, Crudo E Nudo and Citrin in Santa Monica
    Highland Park: Amiga Amore and Hermon's.

    Stores:
    K&L Wines, Hi-Lo Liquor Market and Gjusta Grocer in Venice.

    Kalimotxo

    Five tall cans of Wine and Cola — Original, Diet, Cherry, Rosé, and Citrus — on a ledge with the downtown Los Angeles skyline behind them.
    Wine and Cola's five styles launched exclusively in L.A. this summer.
    (
    Courtesy Wine and Cola
    )

    In 1999, when I was a teenager in Madrid, I’d see young people in the evening filling the plazas in droves, corner-store box wine and two-liters of Coke in hand — and the municipal workers who'd hose it all down by morning, only for the scene to repeat the next weekend.

    Yes, wine and Coke, known in Spanish as kalimotxo, apparently go very well together, and dates to the ‘70s Basque Country, where festival-goers mixed spoiled wine with Coke to save it. While my taste for wine wasn’t really developed at the time, I appreciated the ingenuity of the drink for what it was.

    Now, a ready-to-drink, canned version is arriving in L.A., the straightforwardly named Wine and Cola. The brand is modernizing the kalimotxo for the U.S. market, according to CEO Dale Laflam, who works with beverage brands for a living and saw canned cocktails booming while wine sat flat. Putting a kalimotxo in a can, ready to grab from a cooler, was the obvious move.

    It's a deliberate 50-50 wine-and-cola blend, built cola-forward so it lands even if you're not a wine drinker. The cola leads, with a dry wine hum underneath. It comes in five styles — Original, Diet, Cherry, Rosé, and a citrusy one that drinks like white wine and Sprite.

    Most lean sweet, thanks to that cola-forward base; I'd have taken more cherry in the Cherry, but that's me. I found the citrus the most balanced.

    If you need more convincing, the drink's got famous fans. Lady Gaga has said her go-to is red wine and Diet Coke — a kalimotxo by any other name — and soccer's GOAT, Lionel Messi, recently copped to loving red wine with Sprite, the lighter cousin behind the citrus can.

    As Laflam puts it, the whole thing "sounds wrong, tastes right."

    Where to get it:
    Certain independent liquor stores from West Hollywood to Echo Park. Check out the list on Wine and Cola’s site.

    Gin tonic — and the art of the sobremesa

    Three colored gin tonics on a bar top with a bartender standing behind a wall of bottles.
    Bar manager Gerard Belmonte builds Telefèric's gin tonics, including the color-changing Ibiza.
    (
    Gab Chabrán
    /
    LAist
    )

    After a lovely Spanish dinner — a paella, maybe, or a chuletón with patatas and piquillo peppers — the meal doesn't really end. It eases into sobremesa, the long stretch of table time after the plates are cleared, and that's when the gin tonic arrives.

    Yes, that’s right. Spain loves their gin tonics. It isn't Spanish by birth (it was actually started by British officers in India drinking quinine-laden tonic to beat malaria), but Spain adopted it and made it a national obsession, where the drink is poured over ice in big balloon glasses and loaded with botanicals.

    At the Telefèric Barcelona resturant in Long Beach, at 2nd & PCH, with locations in California and Arizona, drinking gin tonics is a nightly ritual. It's owned by the Padrosa family, and the lineage traces back to their original location in Barcelona.

    "We always do a gin tonic after dinner," bar manager Gerard Belmonte told me. "We keep it on the table for three, four hours, talk with people. It's a good digestive, too — that's in our culture."

    Belmonte walked me through three of the house pours, each of which pays homage to a different corner of Spain. The Catalan is the driest — mostly gin and tonic, garnished with juniper, rosemary, grapefruit, and a touch of lemon for a clean, refreshing finish. The Galicia gets a blue stripe of Bombay Sapphire's edible paint brushed inside the glass, then builds on Nordés, a Galician gin with Atlantic notes, with cardamom and bay leaf. And the Ibiza — named, Belmonte says, for the island's party-and-good-vibes energy — starts with Bombay Premier Cru infused with butterfly pea tea and a touch of edible silver dust. As it's built, the drink shifts from blue to purple, shimmering like a magic potion out of Harry Potter.

    Where to get it: 
    Telefèric Barcelona, 6420 Pacific Coast Hwy, Ste. 160, Long Beach

  • What local election officials found
    Peopl fill out ballots at a voting center with blue dividers.
    Voters fill out their ballots at a vote center at Pacific Beach/Taylor Library in San Diego on June 2, 2026.

    Topline:

    The Trump administration is demanding that almost every California county review its claims that noncitizens are registered to vote. Some of the information appears outdated, officials say.

    Why now: Election officials from across California questioned the accuracy of the federal government’s methodology for finding noncitizen voters after the Trump administration threatened them with criminal charges last week. The counties on Friday were given 48 hours to commit to working with federal authorities and to segregate ballots from a list of people federal authorities claimed were likely noncitizens.

    More details: The letters said the list of names were from the same group of 20,000 people that the Trump administration flagged as noncitizens and then sued California over, demanding that state officials not count those ballots until they verify the voters’ citizenship. State officials have questioned the accuracy of the data and have refused to comply, saying the federal government risks disenfranchising thousands of voters in an attempt to illegally meddle in state elections. On Tuesday, a federal judge appeared skeptical of the Trump administration’s legal arguments.

    Read on... for more on the what local election officials found.

    Election officials from across California questioned the accuracy of the federal government's methodology for finding noncitizen voters after the Trump administration threatened them with criminal charges last week.

    The counties on Friday were given 48 hours to commit to working with federal authorities and to segregate ballots from a list of people federal authorities claimed were likely noncitizens.

    The letters said the list of names were from the same group of 20,000 people that the Trump administration flagged as noncitizens and then sued California over, demanding that state officials not count those ballots until they verify the voters’ citizenship.

    State officials have questioned the accuracy of the data and have refused to comply, saying the federal government risks disenfranchising thousands of voters in an attempt to illegally meddle in state elections. On Tuesday, a federal judge appeared skeptical of the Trump administration’s legal arguments.

    Meanwhile, the letters counties received last week threatened potential criminal charges for election officials who “knowingly tabulate ballots cast by individuals identified by federal agencies as noncitizens.”

    Butte County Clerk-Recorder Keaton Denlay said he received one such letter and a demand to not count ballots from a list of 47 people.

    “Upon inspection of the list of names, it appeared to be a print screen of a poorly formatted excel spreadsheet with missing and jumbled information,” he said in a statement.

    Denlay said he reviewed the list and found that 32 of the people were not on Butte County's active voter rolls and were not sent ballots. Seven others “did not have sufficient information … to match to our voter list with confidence” since the list only contained partial names, partial addresses, no dates of birth, no drivers’ license numbers or Social Security numbers.

    Six of the names belonged to people who may not be eligible to vote, but Denlay said California law requires those challenging a voter’s eligibility to have extraordinary levels of proof.

    “Given the overall inaccuracy of the list provided and its lack of specificity, I believe the Department of Justice has not met that burden,” Denlay said. “There will be no further action taken at this time.”

    Fresno County Registrar of Voters James Kus also received a letter, but he said he couldn't tell how many ballots federal prosecutors wanted him to segregate, since the “not particularly legible” list was a printed sheet, in small font, and “not in a format that facilitates counting or reviewing.” He said the county already follows state and federal voter registration laws.

    “We will not be deviating from those legal requirements for this letter,” Kus told CalMatters in an email.

    Francisco Diaz, San Benito County registrar of voters, said his office received a demand with 33 names. A preliminary review found that some on the list weren’t registered to vote.

    “Hand-delivering a letter via armed federal agents with an arbitrary 48-hour deadline does not circumvent state law,” Diaz said in a statement. “We will not be intimidated by agents with guns for simply doing our jobs, nor will we be rushed into compromising confidential voter data.”

    Orange County Registrar of Voters Bob Page said he wasn’t notified of a letter alleging his county had 1,754 “likely aliens” on the voter rolls until after business hours on Friday.

    That's because, he told reporters in an email, federal prosecutors had addressed and hand-delivered the letter not to Page but to Orange County Clerk-Recorder Hugh Nguyen, who handles such documents as marriage licenses and property deeds.

    On Monday, Page said federal agents delivered a correctly addressed letter to his office, along with a “data storage drive.”

    Page planned to respond by the Wednesday deadline, he said.

    The messy voter lists counties described fits a pattern, said David Becker, executive director of the Center for Election Innovation & Research, a nonprofit whose mission is to restore trust in the American election system

    He noted that the Department of Homeland Security recently claimed that Nevada had nearly 16,000 noncitizens on its voter rolls. DHS sent the state the names of only 185 voters. Nevada officials confirmed the voters had attested they were all U.S. citizens.

    Becker said the Trump administration has been making “broad political claims made with great fanfare” only to have them “fall apart as they’re subjected to scrutiny.”

    “I’m not entirely sure the DOJ wants to get into court and defend its evidentiary claims because I think they would fall apart, just as we’ve seen in other states,” said Becker, a former U.S. Justice Department attorney.

    In federal court on Tuesday, Bill Essayli, the first assistant U.S. attorney in Los Angeles, insisted the federal list of 20,000 people was accurate.

    “We stand by the reliability of the information,” he said. “We take our obligations and ethics very seriously.”

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

  • Sponsored message
  • A community ofrenda comes together in DTLA
    A woman with white and black face painting to resemble a skull poses in front on a Day of the Dead altar. TK TK
    Consuelo G. Flores first learned about the Day of the Dead tradition in the 1980s, at the Self Help Graphics community arts center in Boyle Heights.

    Topline:

    Consuelo G. Flores, a multidisciplinary artist and curator based in Alhambra, has been preparing for Día de los Muertos, or Day of the Dead, with a group of community members since July. Their creations are now part of a larger community altar on exhibition at Gloria Molina Grand Park in downtown L.A.

    About ofrendas: The altars, also called ofrendas in Spanish, feature gifts for the deceased. Often, these gifts are something they loved when they still walked this earth— a favorite drink, or maybe a favorite food.

    What's happening Wednesday: Flores will guide community members through the outdoor exhibition. She will also teach them how to make paper flowers.

    No experience needed: The flowers are easy to make, she said. After the first few, the process becomes automatic. People start chatting. “It's like a quilting circle,” Flores added. People begin to share stories about their loved ones. Strangers connect through their loss.

    Read on... for details on how to join and learn about the process.

    Consuelo G. Flores, a multidisciplinary artist and curator based in Alhambra, has been preparing for Día de los Muertos since July.

    Over these past few months, she’s hosted workshops to guide community members through the process of making altars in honor of their deceased loved ones.

    The altars, also called ofrendas in Spanish, feature gifts for the deceased. Often, these gifts are something they loved when they still walked this earth — a favorite drink, or maybe a favorite food. They’re also part of Día de los Muertos, which is traditionally celebrated in the first two days of November.

    Their creations are now part of a larger piece by Flores. The community altar is part of a 10-day cultural exhibition at Gloria Molina Grand Park in downtown L.A., where other artists are making ofrendas of their own.

    On Wednesday, Flores will guide community members through the outdoor exhibition. She will also teach them how to make paper flowers.

    The flowers are easy to make, she said. After the first few, the process becomes automatic. People start chatting.

    “It's like a quilting circle,” she said. People begin to share stories about their loved ones. Strangers connect through their loss.

    At her workshops, Flores has taught artists new and seasoned how to make papel picado, a traditional Mexican folk art made by cutting intricate patterns into the paper.

    Her small dining room is littered with art supplies: Tissue paper in bold colors. Pipe cleaners. Scissors. Glue.

    Flores keeps a permanent altar for her family in the dining room. As she and the community members worked with their hands, Flores shared everything she’s learned about the tradition’s Indigenous roots.

    “Everyone I've loved and lost has given me something,” Flores told LAist.

    “My dad taught me how to read in Spanish,” she said. “My mom taught me to be strong. My brother taught me about social justice. And my ex-husband, who just died, taught me to really look at things through an artistic lens, and to not hold back.”

    Join us!

    On Wednesday, Oct. 28, artist and curator Consuelo G. Flores will lead the tour and a paper flower making workshop for LAist readers and listeners.

    The event is free and open to the public.

    The Ohtli Yollotl Curanderismo Collective, a Southern California-based group of healers practicing traditional Mexican Indigenous healing and ancestral medicine, will offer spiritual cleansings starting at 5:30pm.

    There will also be drinks from Café Alegría and pan dulce for all. Get your free tickets here.

  • Civil right icon, labor leader dies at 96
    Dolores Huerta, an older woman with medium skin tone, wearing a hat, earring, and a blue coat, smiles as she looks the side.
    Dolores Huerta, the labor leader, civil rights activist and co-founder of the National Farm Workers Association, smiles as delegates take photos at the California Democratic Party's 2025 State Convention at the Anaheim Convention Center in Anaheim on Saturday, May 31, 2025.

    Topline:

    Dolores Huerta, who co-founded the United Farm Workers union to improve working conditions in the nation’s fruit and vegetable fields and coined the phrase “Sí, se puede!” that became a widespread rallying cry, has died. She was 96.

    Why it matters: She kept a busy schedule well into her 90s, marching in protests and speaking in cities across the country about race, poverty, LGBTQ+ and women’s rights on behalf of her Bakersfield, California-based foundation. Huerta’s resolve cemented her place in history as one of the nation’s most influential labor leaders, civil rights icons and feminist activists. Her three-word Spanish-language slogan — which translates to “Yes, it can be done” — was grounded in the belief that people could affect change.

    Homegrown activism: Huerta was born Dolores Clara Fernandez in 1930 in Dawson, New Mexico. Her father was a miner and union activist who went on to win a seat in the state Legislature. Her parents divorced when she was 3, and her mother took her and her brothers to California.

    Read on... for more on Huerta's life.

    Dolores Huerta, who co-founded the United Farm Workers union to improve working conditions in the nation’s fruit and vegetable fields and coined the phrase “Sí, se puede!” that became a widespread rallying cry, has died. She was 96.

    Huerta’s family said in a statement through her foundation that she died Wednesday at home.

    She kept a busy schedule well into her 90s, marching in protests and speaking in cities across the country about race, poverty, LGBTQ+ and women’s rights on behalf of her Bakersfield, California-based foundation.

    Huerta’s resolve cemented her place in history as one of the nation’s most influential labor leaders, civil rights icons and feminist activists. Her three-word Spanish-language slogan — which translates to “Yes, it can be done” — was grounded in the belief that people could affect change.

    Her work over the decades earned her a number of accolades, including the Presidential Medal of Freedom, the nation’s highest civilian honor. When then-President Barack Obama presented the award in 2012, he praised Huerta as a tenacious leader and joked that he had stolen her slogan for his 2008 campaign.

    This year, Huerta sent shockwaves through the Latino community when she revealed that she was sexually abused in the 1960s by the farmworker movement’s co-founder, César Chavez, leading to the birth of two children, a secret she kept for 60 years and long after he died.

    From the early 1970s on, Huerta’s life partner was Richard Chavez, César’s brother, and together they had four kids. She also had seven children from two earlier marriages.

    Huerta said she had kept silent for so long because she feared that coming forward would compromise her life’s work and unravel all the progress made for workers.

    When asked during a 2026 interview with the news organization Latino USA about keeping the secret, Huerta said: “It was my personal pain, it was my personal problem and, you know, I think it was worth it because it was my cross to bear. I’ll say it that way.”

    Homegrown activism

    Huerta was born Dolores Clara Fernandez in 1930 in Dawson, New Mexico. Her father was a miner and union activist who went on to win a seat in the state Legislature. Her parents divorced when she was 3, and her mother took her and her brothers to California.

    Immersed in a melting pot of Mexican, Filipino, African American, Japanese and Chinese working families, Huerta learned from her mother — who owned a restaurant and hotel — about independence, compassion and activism.

    Huerta was a young, energetic elementary school teacher in the farm-rich San Joaquin Valley when she decided to answer another calling after growing frustrated by her students’ poor living conditions.

    “I couldn’t stand seeing kids come to class hungry and needing shoes,” she said in a 2017 PBS Independent Lens documentary on her life. “I thought I could do more by organizing farmworkers than by trying to teach their hungry children.”

    Huerta’s early work with a civil rights group in Stockton resulted in her meeting Chavez. The two wanted to focus more on the plight of farmworkers, so in 1962 they started the National Farm Workers Association, which became United Farm Workers of America a few years later. She was a key leader and negotiator for the union for years.

    She was among those who joined Filipino grape pickers on the picket line in what became the five-year “Delano Grape Strike.” With Chavez, she negotiated collective bargaining agreements and contracts with big growers, winning the first health and benefit plans for farmworkers.

    Chavez, who died in 1993, once described her as fearless, committed to the cause and tough when it came to negotiations.

    On the campaign trail

    She met U.S. Sen. Robert Kennedy of Massachusetts during his visit to Delano in 1968 and became a volunteer on his presidential campaign, registering Mexican Americans in California to vote. Huerta was on stage with Kennedy after he won the California primary and he publicly thanked her moments before he was shot.

    The assassination devastated Huerta, but she kept organizing for farmworkers’ rights.

    Huerta was jailed 22 times for union demonstrating. In 1988, she was seriously injured while protesting Republican presidential candidate George H.W. Bush’s opposition to the UFW grape boycott during his visit to San Francisco.

    Caught in a crowd, she was struck by a police officer’s baton, suffered three broken ribs and a pulverized spleen, and required more than a dozen blood transfusions. She reached a settlement with the city to resolve her claims.

    After a long recovery, Huerta shifted focus and hit the road to campaign for women’s rights and encourage Latinas to run for office.

    She also campaigned for Democratic Presidents Bill Clinton, Obama and Joe Biden. California Gov. Gavin Newsom considered her a close friend.

    Fueled by courage

    Emilio Huerta, one of Dolores’ 13 children, once pointed to his mom’s courage during an interview, saying it was one of the most significant drivers of her life’s work.

    “To dedicate your life to building a dream of a union for farmworkers, to take on agriculture, which to this today is still a powerhouse. ... That took a lot of guts,” he had said.

    Huerta learned the art of lobbying politicians. She secured financial aid for the unemployed and disability insurance for California farmworkers. She spoke out against toxic pesticides, pushed for amnesty for immigrants in the country illegally and fought federal guest worker programs.

    By directing nationwide boycotts of grapes and lettuce in the early 1970s, she helped to create the economic pressure and political climate necessary for California to pass what would be the first state law recognizing farmworkers’ right to collective bargaining.

    Her work earned her many accolades. She was the first Latina to be inducted into the National Women’s Hall of Fame and she’s received nine honorary doctorates from U.S. universities.

    Schools are named in her honor in California, Texas and Colorado. Her image graces many murals, and streets bear her name, but she didn’t always win favor with more liberal activists.

    In 2016 when she endorsed Hillary Clinton instead of Sen. Bernie Sanders of Vermont in the presidential Democratic primary, actor Rosario Dawson — a Sanders supporter who played Huerta in a 2014 movie about César Chavez — said Huerta had become “an instrument of the establishment.”

    Dawson and Huerta eventually reconciled.

    Guitarist Carlos Santana later oversaw a documentary based on Huerta’s life after the pair had a late-night conversation about music while in Hawaii. Santana, a Miles Davis fan, discovered Huerta was a huge fan of bebop legend Charlie Parker.

    “I even met Charlie Parker. That’s my claim to fame,” Huerta joked during an interview with The Associated Press when she was 87.

    It was her work as a leader within the labor movement that reverberated through the U.S. and beyond, making her name synonymous with civil rights. In the 2025 documentary “Seeds of Change: The Life and Legacy of Dolores Huerta,” she recounted her decades-long journey in activism and talked about the inspiration she drew from the women’s movement during the 1970s, saying it provided validation that she too could stand on the stage with other labor leaders.

    “I hope that my legacy will be one of an organizer that organized to fight injustice,” she said in the film. “We want to give our children an inheritance of justice, right, not jewels or property or money because they’ll just fight over it. So the main thing to do is to give them this love for justice — and that is the greatest gift I think that any of us can have.”

    ___

    Associated Press journalist Brian Melley contributed to this report. Former AP journalist Russell Contreras also contributed reporting previously for this story.

  • Halloween fun, a super-show at the Bowl and more
    Performers in elaborate creature costumes with sunflower-like masks and colorful fabric gather in a wooded, fog-lit clearing at night.
    'Red at Night' captures the spirit of the season at the Nimoy.

    In this edition:

    Aerosmith and friends at the Bowl, spooky Halloween screenings, Taiwanese dance at USC, pick your pumpkin and don’t forget to vote!

    Highlights:

    • The Hollywood Bowl’s two “Aerosmith and Friends” all-star concerts feature Guns N’ Roses, Billy Idol and Steve Stevens, Heart, the Black Crowes, Sammy Hagar, Tom Morello, Chad Smith, Nuno Bettencourt, Sully Erna and Run-DMC — along with a rare appearance by Aerosmith themselves. If you don’t wanna miss a thing, you have two chances to catch this event; they'll all play the historic venue on both Thursday and Sunday. – Lyndsey Parker
    • Head to Hollywood’s Bollman House to get a real Halloween horror fix. They’ll use architectural projection mapping to transform the home’s façade all weekend long with animated illusions and tributes to movies including Psycho, The Shining, Frankenstein, Jaws, Nosferatu, 1950s monster classics, and more. The Henry O. Bollman House was designed by Lloyd Wright (Frank Lloyd Wright’s son) in 1922 — a true piece of Hollywood history!
    • Taiwanese dance company HUNG DANCE, along with their choreographer and artistic director LAI Hung-Chung, make their L.A. debut in BIRDY, which uses a mix of electronic and Chinese classical music to create a unique story that explores the “freedom and limitations” in Taiwan and the journey to modernity through dance.

    Trick or treat! Whether you’re dressing up as something silly (maybe grab a friend and go as Aerial Tramway and Red Heart) or scary (pick your favorite political meme), it’s Halloween weekend, so stay safe and have fun.

    Plus, don’t let election research get you down — if you haven’t voted yet, there’s still plenty of time to check out our OC and LA Voter Game Plan guides. You can take your mail-in ballot to a drop box, or head directly to the polls on Tuesday. Plus, there are plenty of incentives to cast your ballot; just show your “I Voted” sticker for discounts and freebies like donuts, discounts on food and more at participating local venues.

    Elsewhere on LAist, you can check out a noodle spot in Monterey Park where the owner tickles the ivories for diners or get a preview of November’s O.C. Book Fair.

    Music

    Jam your way through this week with Monster Mashes and Election Day bashes! Licorice Pizza’s music picks include:

    Wednesday

    Thursday

    Friday

    Saturday 

    Sunday

    Monday

    Tuesday

    Events

    Joni Mitchell

    Thursday and Friday, Oct. 29-30, 10 a.m. to 6 p.m. 
    L.A. Louver 
    45 N. Venice Blvd., Venice
    COST: FREE; MORE INFO

    The L.A. Louver opens its doors again for a special two-day pop-up exhibit of paintings from singer and renaissance woman Joni Mitchell. The 82-year-old songstress and grandmother of folk rock — who's seen a real renaissance onstage the last couple of years, as she's performed with Brandi Carlile and others — is showing 23 paintings in a series called "NEWS," done between 2001 and this year.


    Chef Marcus Samuelsson in Conversation with Laurie Ochoa and Sandra Jackson-Dumont

    Wednesday, Oct. 28, 7:30 p.m. 
    Hammer Museum 
    10899 Wilshire Blvd., Westwood 
    COST: FREE; MORE INFO

    A person in a patterned shirt and tan apron stands arms crossed in front of a wall decorated with photo plates and jars.
    (
    Courtesy Hammer Museum
    )

    Chef Marcus Samuelsson’s remarkable story spans from Sweden to Ethiopia to Harlem. He’s sitting down with L.A. Times food editor Laurie Ochoa and cultural strategist Sandra Jackson-Dumont to talk about how “the cross-pollination of cultural traditions in Los Angeles has enriched the food and the art that we make and consume.” Samuelsson will also sign copies of his newest book, Back to Green: Rediscovering a World of Delicious, Healthy Eating.


    Aerosmith and Friends: California Dream On

    Thursday, Oct. 29, and Sunday, Nov. 1
    Hollywood Bowl 
    2301 Highland Ave., Hollywood Hills 
    COST: SOLD OUT, RESALE AVAILABLE FROM $300; MORE INFO

    A singer holds a microphone stand on a lit stage as a guitarist plays beside a piano, with fog and crowd below.
    Steven Tyler and Joe Perry will make their return with a Hollywood Bowl performance.
    (
    Kevin Mazur
    /
    Getty Images
    )

    The Hollywood Bowl’s two “Aerosmith and Friends” all-star concerts feature Guns N’ Roses, Billy Idol and Steve Stevens, Heart, the Black Crowes, Sammy Hagar, Tom Morello, Chad Smith, Nuno Bettencourt, Sully Erna and Run-DMC — along with a rare appearance by Aerosmith themselves. If you don’t wanna miss a thing, you have two chances to catch this event; they'll all play the historic venue on both Thursday and Sunday. – Lyndsey Parker


    Día de los Muertos events 

    Sunday, Nov. 1, 12 p.m. to 3 p.m.
    Forest Lawn Cemeteries 
    Various locations
    COST: FREE; MORE INFO 

    A flyer for Forest Lawn's Dia de los Muertos 2026 event shows an illustrated skeleton in a floral headdress and teal dress against a pink background.
    (
    Courtesy Forest Lawn
    )

    Forest Lawn’s Covina Hills, Cypress and Glendale locations will each host Día de los Muertos events featuring marigolds, handcrafted Catrina and alebrijes (spirit guides), artworks and community ofrendas (altars).


    CAP UCLA: Red All Night

    Friday, Oct. 30, 8 p.m.
    The Nimoy
    1262 Westwood Blvd., Westwood
    COST: $19.14; MORE INFO

    A costumed creature with sharp orange claws and blue scaled body stands on a wooded trail.
    (
    Courtesy CAP UCLA
    )

    CAP UCLA kicks off Halloween weekend with a screening of Los Angeles-based artist duo Beck+Col’s latest horror film, Red All Night, at the Nimoy. A traditional slasher turns psychedelic in this unpredictable horror, which will be accompanied by live performance elements. Forest monsters, zombies, the evil Smile and more collide in this surreal alternate universe.


    LA Opera: Hercules vs. Vampires with live soundtrack 

    Friday and Saturday, Oct. 30-31
    United Theater on Broadway 
    929 S. Broadway, Downtown L.A. 
    COST: FROM $56; MORE INFO 

    A conductor leads an orchestra as a large screen displays a close-up of a man's face from a film.
    (
    Craig T. Mathew
    /
    LA Opera
    )

    The LA Opera’s annual old-movies-with-creepy-slash-super-cool-operative-orchestration is simply one of the best Halloween nights around. This year, they're taking on the undead with a screening of a cult classic — Mario Bava's 1961 Hercules in the Haunted World — that was revamped (no pun intended) with an operatic score into Hercules vs. Vampires. It will be performed with a live operatic soundtrack at the United Theater on Broadway. Don’t forget your costume; Halloween night features a costume contest with a $10,000 grand prize!


    HUNG DANCE: BIRDY

    Thursday, Oct. 29, 7 p.m.
    USC Visions and Voices 
    Bovard Auditorium 
    3551 Trousdale Pkwy., University Park
    COST: FREE; MORE INFO

    Dancers in blue costumes move in unison on stage, each wearing a long curved headpiece extending upward.
    (
    Ren-Haur Liu
    /
    USC Kaufman School of Dance
    )

    Taiwanese dance company HUNG DANCE, along with their choreographer and artistic director LAI Hung-Chung, make their L.A. debut in BIRDY, which uses a mix of electronic and Chinese classical music to create a unique story that explores the “freedom and limitations” in Taiwan and the journey to modernity through dance.


    Hollywood Horror

    Thursday to Saturday, Oct. 29-31, 7:30 p.m. to 9:30 p.m.
    Bollman House 
    1530 N. Ogden Drive, Hollywood 
    COST: FREE; MORE INFO

    Head to Hollywood’s Bollman House to get a real Halloween horror fix. They’ll use architectural projection mapping to transform the home’s façade all weekend long with animated illusions and tributes to movies including Psycho, The Shining, Frankenstein, Jaws, Nosferatu, 1950s monster classics and more. The Henry O. Bollman House was designed by Lloyd Wright (Frank Lloyd Wright’s son) in 1922 — a true piece of Hollywood history!