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The Brief

The most important stories for you to know today
  • The best taquitos, flautas, fried tacos in LA
    A plate of rolled fried tacquitos with sour cream and salsa. Shredded cheese pours out of a cheese grater.
    We toured L.A. for the best of a classic, but oft-maligned, dish: crunchy tacos.

    Topline:

    There’s something sacred about a crunchy taco — a tortilla filled and fried until the edges turn deep amber and the aroma becomes irresistible. Here's a list of the best tacos dorados this city has to offer, from century-old institutions on Olvera Street to modern chefs reimagining classics in Echo Park and El Sereno.

    Why it matters: Crunchy tacos, in the guise of flautas, taquitos or just tacos dorados, are often underrated, but in the best hands, they have a lot to offer: each one a masterclass in crunch craft, and cultural inheritance.

    Why now: Modern chefs are reimagining classic dishes, including some who've worked in the city's top restaurants, experimenting with new creative takes on their crunchy tacos of their childhood memories.

    Where to go: We recommend you roam across the city, from lobster taquitos at Evil Cooks in El Sereno, to Cielito Lindo's offerings covered in avocado salsa in DTLA, to El Dorado's consommé-dipped beef tacos dorados in Sylmar.

    There’s something sacred about a crunchy taco — a tortilla filled, sealed with a toothpick, shaped into a paper-thin hard shell or rolled with intent, then fried until the edges turn deep amber and the aroma becomes irresistible.

    What it’s called varies by region and style: fried tacos, taquitos, flautas (longer, thinner, often plated with crema and a salsa trio), the oft-maligned “hard shell” taco built on a prefabricated U. In Mexico, they typically all fall under the category of tacos dorados.

    For a lot of us, crunchy tacos feel sacrosanct because they are the taco our parents and grandparents made most at home for taco night. A perfect taco dorado bite can evoke a Proustian flashback to a loud family dinner table where everyone finally quiets down and all you hear is a Mexican ballad of fried tortillas breaking apart.

    Yet ironically, many people — even some Mexican immigrants — see hard shell tacos as too American to be “real tacos.”

    “A crunchy taco to me is a big no-no,” chef Andrew Ponce from A Tí — the Taco Madness-winning modern Mexican restaurant in Echo Park — said, laughing. “Because my dad didn’t let me have any growing up. It wasn’t Mexican enough.”

    That can probably be traced to the well-worn and important tale about Glen Bell and Mitla Cafe in the 1950s — the gist being that Bell stole a Mexican-American invention and mass-produced it. And somehow, that became the crunchy taco origin story.

    But long before that, crispy tacos already were part of Mexican cuisine. Their roots stretch back to the colonial period, when Spanish frying methods collided with Indigenous ingredients like maíz and lard. Corn tortillas had long been central to Mesoamerican diets, but frying them into golden shells was a post-conquest innovation — one that Mexican mothers and street vendors turned into something more: an edible memory.

    Here’s a lovingly curated list of the best tacos dorados this city has to offer — from century-old institutions on Olvera Street to modern chefs reimagining classics in Echo Park and El Sereno — each one a masterclass in crunch, craft and cultural inheritance.

    Chuy’s Tacos Dorados (DTLA)

    Idolo Potato Taco
    Chuy’s takes humble pantry staples — mashed potatoes, spicy chorizo and creamy beans — and carefully transforms them into a richly layered filling. Folded into a hand-pressed corn tortilla, topped with melting cheese and fried until crisp, this taco showcases how texture elevates simplicity. The tortilla crunch, the gooey interior, the slight chew — each bite reveals a crafted alchemy that belies its ingredients.

    A Tí (Echo Park)

    Beef Shank Taco Dorado
    The former chef de cuisine at Bestia, Andrew Ponce at A Tí calls this taco an ode to his Culver City roots — where Tito’s Tacos reign supreme. But his version is a rebellious upgrade: a love letter wrapped in technique. Ponce slow-braises high-quality beef shank until it’s fall-apart tender, then packs it into a paper-thin Kernel of Truth tortilla, flash-fried into a perfectly crisp U-shaped shell. A handful of shredded cheese adds a simple juxtaposition of texture, while the beef inside drips with reduced braising jus. Every element is intensified by that final fry — sharpening texture, deepening flavor and demanding respect.

    Marisco Jalisco (various locations)

    Taco de Camaron
    So much has been written and said about Marisco Jalisco chef and owner Raul Ortega’s iconic shrimp taco that it’s tempting to expect the hype to be impossible to meet expectations. But each time, nay, each bite, far exceeds it. Ortega’s secret recipe includes a guiso of shrimp, tomato and chiles, packed into a tortilla and fried until it shatters like glass. A splash of salsa on top cools the heat of the fried shell and brightens every bite, a masterclass in texture and balance.

    Arturo’s Puffy Tacos (Whittier)

    Taco de Carne Guisada
    Arturo’s Puffy Tacos elevates the tortilla into a golden vessel. They shape raw masa into a disc and fry it until it puffs into a perfectly airy shell — crispy outside, gooey inside. Everything works well in this vessel, but their deep-braised carne guisada — stewed, seasoned and reduced — is the standout. The balance of the puffy tortilla and stewed beef is an explosion of juiciness, contained in a cloud-like, textured shell: a true celebration of time and technique.

    La Casita Mexicana (Bell)

    Flautas Tres Moles
    At first, chefs Jaime and Ramiro at Flautas Tres Moles refused to sell tacos at their elevated Mexican concept in the heart of working-class Southeast L.A., hoping to show the community the richness of the Mexican kitchen as fine dining with a little abuelita alchemy. But then they realized they could still serve a version of a taco that does just that. Enter their flautas. Each is delicately rolled and fried to the perfect crisp. But the magic is in the moles: rojo, verde and negro — all made from scratch using family recipes, using the community’s love of street food to take them on a culinary tour through Mexico’s most complex sauces.

    Taco Nazo (various locations) 

    Potato Tacos Dorados
    Taco Nazo is best known for its incredible fish tacos. But the take on the potato taco also is remarkable. The filling is a well-seasoned mash of potatoes infused with spices, folded into tortillas that are fried until crisp yet pliable. Topped with a snowy dusting of cotija, crema and a generous amount of shredded lettuce and tomatoes, these tacos turn pantry staples into something surprisingly elegant — and endlessly crave-worthy.

    Los Dorados LA (El Sereno)

    Black Bean Flautas
    Los Dorados isn’t just a name — it’s a promise. The entire menu is filled with all manner of incredible, long, crisp fried tacos. But the black bean flautas feel like something your grandma would make back on the rancho over an open flame in an outdoor kitchen. The beans are slowly simmered and seasoned to the point of velvet, then tucked into tortillas and fried with surgical precision. The result is a crunchy exterior with an earthy, savory core, elevated by salsas that change with the seasons and the chef’s mood.

    Evil Cooks (El Sereno)

    Rock Lobster
    Chef Alex Garcia at Evil Cooks first dreamed up this lobster taquito as a teenager working prep at a Chinese restaurant in Long Beach, where he learned to make fried wonton stars filled with lobster. Excited to share his new skills, he reimagined the dish as a taquito dorado for his mom one New Year’s Day — a deeply personal fusion of Mexico City roots, Chinese technique and L.A. street food form.

    Today, that childhood spark has become one of James Beard semifinalist Evil Cooks’ most popular dishes: lobster seasoned and folded into a taquito, then fried to a shattering crisp. The flavor is richer now, bolder — thanks to the evolution of the filling over decades, a secret Garcia and his partner Chef Elvia hold tight. The taco is dunked in an old-school fast-food-style deep fryer before being topped with guacamole, salsa cruda, cilantro and pickled onions. It’s indulgent, theatrical and somehow still deeply grounded in Mexican technique and story, like almost every dish.

    Cielito Lindo (DTLA)

    Beef Taquitos
    The OG of L.A.’s fried taco scene, Cielito Lindo has been rolling and frying its beef taquitos by hand — slow-cooked, tight, blistered — in avocado salsa since 1934. The salsa itself, a thin, tangy blend of avocado, tomatillo and chiles, is legendary: “You can’t eat just two,” say fan accounts, and its cult status brings dozens through the door daily. It’s a lesson in restraint, balance and staying power.

    Mariscos 4 Vientos (various locations)

    Famous Shrimp Tacos
    At Mariscos 4 Vientos, the shrimp taco dorado isn’t just a snack — it’s a full-on meal. Significantly larger than most, each taco is packed with tender, stewed shrimp folded into a generously sized tortilla, then fried until the edges crackle and the center steams. The house tomato-based seafood salsa poured on top adds a bright, savory depth, while thick avocado slices melt into the heat like a built-in guacamole.

    What sets it apart is scale and satisfaction. This taco is engineered for abundance but still delivers nuance: crispness without grease, richness without weight. It’s a statement on how simple ingredients, when treated with care, fried with precision and layered with intention, can transform into something unexpectedly soulful. A true cornerstone of L.A.’s crunchy taco canon.

    El Dorado Sinaloense Restaurant (Sylmar)

    Tacos Dorados De Res
    El Dorado Sinaloense brings a taste of northwest Mexico to Sylmar with their beef tacos dorados — fiery in flavor, crisped with precision, and steeped in Sinaloan heritage. In Sinaloa, a region celebrated for its hearty meats and vibrant sea-to-table cuisine, home cooks have long transformed simple proteins into soulful fillings. At El Dorado, the beef is finely stewed, then tucked into a tortilla and flash-fried until golden and crackling. A side of rich consommé — served with local tortillas — echoes the style of Sinaloan "tacos ahogados," offering an immersive, dunk-and-devour experience.

    Mariscos Corona (Van Nuys)

    Shrimp Hard Shell Tacos
    Order the taco dorado de camarón at Mariscos Corona and you might get a gentle warning from the server: “This isn’t your typical taco dorado.” And they’re right. What lands on your plate is something rare — a cross between a hard-shell taco and the beloved Sinaloan staple known as a taco gobernador, which traditionally combines sautéed shrimp, melted cheese and chiles in a folded, griddled tortilla. Mariscos Corona adds a crunchy twist to that luxurious blend of seafood richness and molten comfort, with a seasoned tortilla shell so thin and crisp, it shatters like annealed glass with every bite, unlocking the plump, freshly sautéed shrimp and gooey cheese.

    Mariscos El Chito (El Sereno)

    Tacos Dorados
    Chef Rubén Díaz’s signature tacos dorados at Mariscos El Chito are built around a thoughtful, deeply layered filling: ample shrimp sautéed and folded into mashed potatoes, bound by a secret chipotle mayo blend that adds smoke, spice and creaminess in one bite. The mixture is tucked into freshly pressed corn tortillas and fried until the edges curl and blister then finished with crema and cheese. Each taco is a balancing act of heat, fat and texture — crispy on the outside, rich and velvety within.

    The Basket Taco Co. (Whittier)

    Bean and Requeson Tacos Dorados
    Known for the stellar tacos de canasta and scrumptious torta ahogada, the most unexpected taco at the Basket Taco Co. might just be the most soulful. The taco dorado filled with beans and requesón — a fresh, ricotta-like Mexican cheese — is a quiet triumph of simplicity done right. The filling is earthy, creamy and deeply satisfying, striking a balance between comfort and finesse.

    Playita Mariscos (Silverlake)

    Camaron Dorados
    Playita Mariscos doesn’t overcomplicate things — and that’s exactly what makes the camaron dorados so satisfying. These crispy shrimp tacos are a masterclass in balance: well-seasoned shrimp tucked into a tortilla that’s fried to a perfect golden crunch, then topped with crema, avocado and a punchy house salsa that cuts through the richness like a squeeze of lime. The filling is straightforward but deeply flavorful, showcasing the freshness that defines Playita’s tightly focused seafood menu.

    Lupe’s Burritos (East LA)

    Ground Beef Taco Dorado
    This is the kind of taco that feels like it was pulled from a family stovetop in 1990s suburbs across East Los Angeles, Chicago, Atlanta or Texas. Each bite feels like Taco Tuesday, where a perfectly seasoned ground beef recipe is the star. Lupe’s take is savory, juicy and deeply comforting. The filling is folded into a corn tortilla and fried to a textbook golden crisp — thin, crunchy, and just greasy enough to feel indulgent. What lands on top also is as old school as it gets: crisp iceberg lettuce diced tomato and a generous handful of shredded cheddar. There’s no flash here, and Lupe’s doesn’t skimp on portions. This taco is a tribute to the roots of L.A.’s Mexican American food culture: resourceful, unpretentious and endlessly crave-worthy. It’s comfort food with backbone — crispy on the outside, home-cooked at its core.

  • Event celebrates West Coast small publishers
    Several dozen people walk across a courtyard buying books. A woman in the foreground wears a blue hat, blue sweatshirt, a white skirt, and carries a brown bag. She is putting something into the bag. People can be seen walking and in conversation behind her.
    People walk through a courtyard full of small publishers during LITLIT.

    Topline:

    The free book festival LITLIT, celebrates small independent publishers on the West Coast from Seattle to Santa Monica. It’s returning to L.A. the weekend of June 6 and 7.

    Why it matters: The “Big Five” major publishers dominate publishing in the country. The literary fair highlights works from small presses on the West Coast.

    The backstory: The Los Angeles Review of Books started LITLIT in 2019, to introduce LARB publishing workshop students to the industry; it has since grown into a festival celebrating independent publishers and other local literary arts practices.

    Read on... for details on the event.

    Held by the Los Angeles Review of Books since 2019, LITLIT, or The Little Literary Fair, started out as a way to introduce students from workshops to the publishing industry.

    It has since grown into a gathering of independent West Coast publishers from Seattle to Santa Monica. This year’s iteration on June 6 and 7 is the biggest yet, with more than 50 publishers participating in the event at Sci-Arc in Downtown L.A.

    People in a room look through a small library on an exhibition table in a room full of other book exhibitors. One woman wears a brown and black jacket. To her right a man wears a blue jacket and a white shirt and takes a picture of a book. People can be seen in the background wandering from table to table.
    People look through a small library of used books from "A Good Used Book," a Los Angeles based book pop-up, during LITLIT 2024.
    (
    Los Angeles Review of Books
    )

    It’s ‘small’ lit

    The fair aims to get the public in front of books that don’t originate from the so-called “Big Five” publishers — behemoths like Penguin Random House and HarperCollins.

    The Little Literary Fair
    Southern California Institute of Architecture (SCI-Arc)
    960 E. Third St., Los Angeles
    Preview day: Friday, June 5, 6 p.m.
    Full fair: Saturday, June 6, to Sunday, June 7, from 10 a.m. - 5 p.m.
    Free admission
    Info and RSVP

    “They really get to control what people get to see, and so we hope LITLIT lets people see more of what is out there and what they can support directly,” said Emily VanKoughnett, public programs and engagement director for LARB.

    One of VanKoughnett’s favorite independent publishers will be there. Two Lines Press, the publishing arm of San Francisco’s Center for the Art of Translation, deals specifically in translated works.

    Two people stop at a table filled with books under a white EZ-up. One of them wears a black dress and sunglasses. The other is obscured but can be seen wearing a light pink hat and a white t shirt. The seller is wearing a black polo shirt and is extending his arm to showcase the books on sale. There are people behind him and to his side. More people can be seen behind the people in front of the table of books.
    Two Lines Press, which specializes in translated works, show off their books to attendees of LITLIT.
    (
    Los Angeles Review of Books
    )

    They’ve published authors from across the world, translating books from more than 100 different languages into English.

    “ We do our work in quiet rooms, so it's really nice to be able to meet readers and talk to them about what's interesting them. These festivals are really valuable to us in that way,” said CJ Evans, publisher and editor-in-chief of Two Lines.

    Pressed locally

    Local favorite Angel City Press, which operates under the auspices of L.A. Public Library, will also be there with one of their newly published titles, Los Angeles Central Library POPS, that celebrates 100 years of the Central Library.

    A crowd of people stand in a room with different tables. Books are displayed on the tables. The ground is concrete and grey. A person in the foreground carries a tote bag that says "LITLIT"
    People at LITLIT 2024 look through different small presses.
    (
    Los Angeles Review of Books
    )

    You’ll also find LA-based Errant Press, which specializes in books that break the traditional form — like a poem printed on measuring tape or a matchbox sized poetry collection.

    “It’s really cool to see the kinds of risks that people are able to take, the kinds of communities they’re able to serve and really highlight here on the West Coast,” said Irene Yoon, executive director of LARB.

    Panels, printing presses, and workshops

    The two-day fair also hosts various panels and workshops, including one on the art of comedic writing and another on how to tell the stories of Los Angeles through archival materials.

    “This is, I think, the most panels we've ever done,” VanKoughnett said.

    Dozens of people sit in rows of chairs and line the white walls of a room for a panel discussion at a Literary Fair. The walls are white. A transparent glass door to an outside street can be seen on the far right side of the picture.
    People sit down for a panel discussion at LITLIT 2024.
    (
    Los Angeles Review of Books
    )

    Workshops on how to navigate the literary world with a completed manuscript and making your own comics and zines are also on the itinerary.

    And Carson’s International Printing Museum will demonstrate how to screen print your own bookmark.

    “It's not until we're all in the same room with all our best books literally out on the table that you get to see kind of what a phenomenal publishing culture Los Angeles truly has,” said Terri Accomazzo, editorial director of Angel City Press.

  • Sponsored message
  • An online plea sparks support
    A long-haired woman in magenta scrubs crouches on the floor stroking a basset hound while another woman in the background holds a chihuahua.
    Stephanie Trujillo and her mother Linda Alashti have co-owned Wet Paws since 2023.

    Topline:

    After the Eaton Fire displaced most of its customers, Altadena pet groomer Wet Paws faced a June 1 deadline to decide whether to renew its lease. A social media plea sparked an outpouring of community support.

    The backstory: Wet Paws estimates its lost up to 90% of its customer base after the fire, leaving it struggling to stay afloat.

    What's next: The business has decided to renew its lease banking on Altadena's recovery and more customers returning to the area.

    Running a small business is tough under normal circumstances. Running one in a wildfire burn scar can feel nearly impossible.

    That's the reality many Altadena business owners are still navigating nearly a year and a half after the Eaton Fire destroyed the community and the local economy. Businesses are grappling with how do you stay open when so many of your customers are gone?

    At Wet Paws, a pet grooming business along Lake Avenue, that question recently came to a head.

    The shop reopened in January but business remained slow. Wet Paws co-owner Stephanie Trujillo estimates the fire had displaced up to 90% of their customers.

    A Cane Corso dog faces the camera while sitting on a black and white diamond floor.
    Marley, a Cane Corso from Pasadena, went for her first grooming session at Wet Paws in more than a year.
    (
    Josie Huang
    /
    LAist
    )

    Then came a conversation with their landlord several months ago that forced a decision.

    "He reached out and said, 'Are you going to re-sign your lease?'" Trujillo recalled.

    The answer wasn't obvious.

    Marketing Lab+
    Los Angeles County has launched a program offering free marketing assistance and storefront improvements to eligible Altadena businesses. The deadline to apply is June 8.

    "I said, unfortunately, we're not even making it. We're paying out of our own pocket," she said. "So he said, 'I'll give you until June 1.'"

    The deadline meant Trujillo and her mother, Linda Alashti, who have owned the business together since 2023, had only a few months to figure out whether Wet Paws had a future in Altadena.

    Wet Paws is hardly alone. As businesses struggle, Los Angeles County recently launched a program offering free marketing assistance and storefront improvements to fire-affected businesses. The deadline to apply is June 8.

    A sandwich board advertising dental cleaning for dogs sits on a sidewalk.
    A flag banner and sandwich board on the sidewalk outside Wet Paws advertises its services.
    (
    Josie Huang
    /
    LAist
    )

    The county also operates a gift card program to encourage residents to spend money at fire-impacted businesses.

    But relief has not arrived quickly enough for many businesses.

    One particularly slow April Sunday at Wet Paws drove home how dire the situation had become, when they had only one customer.

    As she drove home to Fontana, Trujillo began composing a social media post.

    "So this isn't easy for us to share," the post began, "but I wanted to reach out with an open heart and hope."

    In the message, Trujillo asked the community to book appointments and spread the word to help their business survive.

    Before posting it, Trujillo showed it to her mother.

    A woman in her 20s points a spray nozzle at a basset hound.
    Wet Paws groomer Elizabeth Ranes takes care of a basset hound client.
    (
    Josie Huang
    /
    LAist
    )

    "We're very prideful, and it's very hard to ask people for help," she said. "I felt embarrassed that we had to ask the community for help."

    Her mother's advice was simple. "Just post it," she told her. "The worst that's going to happen is nobody sees it or nobody cares."

    Instead, the opposite happened. By the next day, the post had been viewed and shared hundreds of times across Instagram and Facebook.

    The phone started ringing, said Wet Paws groomer Elizabeth Ranes.

    "I got well over 50 calls," Ranes said. "We booked out for the last three weeks of the month when we made that post.”

    Customers told Alashti that they “didn't know you were back, because they don't come this way anymore.”

    A framed sign reads "dog kisses fix any bad day"
    Decor inside Wet Paws embraces a playful canine motif.
    (
    Josie Huang
    /
    LAist
    )

    Among those who returned was Penny Dahlstrom, a Pasadena resident whose 113-pound Cane Corso Marley had been a Wet Paws regular before the fire.

    Dahlstrom had tried taking Marley to a large pet store chain while Wet Paws was closed.

    "My husband went in to pick her up, and he hears crying, and it was her," Dahlstrom said. "That's not just her nature."

    The social media appeal didn't just bring back former customers. It also introduced the business to new ones, Trujillo said.

    But recovery remains uneven.

    Some days are still slow. And the shop continues to deal with lingering fire-related electrical damage in the back of the building.

    Wet Paws is operating on a temporary electrical system, limiting how much power it can use at any given time.

    "If we run our AC, and the neighbors run their AC, we lose power," Trujillo said.

    As the June 1 lease deadline approached, Trujillo and her mother weighed their options. They could walk away and cut their losses. Or they could commit to rebuilding alongside a community they had come to love.

    Ultimately, they thought about the response to their post and the customers who had shown up when the business needed them most. And they had faith that Altadena would rebuild to its full strength.

    They chose to renew the lease for another three years.

    "I can't imagine what the community is going through, losing their homes and losing everything that they had," Trujillo said. "Yet they're still coming back."

    And as long as they do, she said Wet Paws will be there for them and their fur babies.

  • Artists transform public schools
    Mural on brick wall depicting two people looking around a handball court wall.
    Mural by Geoff McFetridge.

    Topline:

    A collective of artists has painted more than 70 murals across seven elementary schools in and around Los Angeles to bring art to students in under-resourced communities.

    Why now: The collective just wrapped up their latest murals at Breed Street Elementary in Boyle Heights.

    The backstory: The idea to paint murals at schools came from Erik Caruso, a fifth-grade teacher in Paramount, after he found out that many of his students had never been to an art museum.

    On a recent Monday, students at Breed Street Elementary in Boyle Heights started their day like no other — with a tour of the murals hand-painted over the weekend across the playground.

    It’s the latest of seven elementary schools in and around L.A. to get the treatment. Over 70 murals in the last 13 years, brought by a collective of artists to students in under-resourced neighborhoods with little access to art education.

    “The kids were so excited,” said Stefanie Barbee, a math teacher at Breed. “Just pure joy.”

    The students snaked through the paintings on handball courts and school walls: cartoon animals, bright orange flowers, a circle of meticulously painted lines. The works span genres and sensibilities.

    Red and yellow striped circle on light blue wall with windows above
    Mural by artist hi-dutch.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    “It's grassroots. We're not getting money from anyone,” said Erik Caruso, the fifth-grade teacher in Paramount who's the group glue. To them, they are just an assembly of like-minded friends — and friends of friends — who spend one weekend out of the year hanging out and painting murals for school kids.

    But the collective is anything but typical. It includes artists like the late Rich Jacobs, who died from leukemia this year; Tim Kerr; pro skater Ray Barbee; and Japanese artists Yusuke Hanai and hi-dutch. The vibe's always low-key, and somehow they've managed to stay under the radar.

    “The kids have no idea that they show in huge galleries or have pieces hanging in museums,” said writer Martin Wong, co-founder of the pioneering Asian pop culture magazine Giant Robot. "Or they're famous in the skateboarding scene or surf or music."

    Their reward is the Monday morning after, seeing the happiness on the kids’ faces.

    “The artists are waiting all weekend — it’s that moment,” Caruso said.

    A person on a ladder is painting a mural on a wall.
    Mural by artists Sandy Yang and James Hamblin.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    James Hamblin was at Breed for the meet-and-greet earlier this month. He painted a mural designed by his partner Sandy Yang on one of the handball walls.

    “Sandy's design is pretty abstract, so it was interesting because the kids were [asking], you know, ‘ What is it?’” Hamblin said. “It was great because I could tell them I had no idea and like, ‘What do you guys think it is?’"

    Bring the art museum to the school

    A man in glasses smiling and holding up a victory sign.
    Erik Caruso.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    The idea came to Caruso in 2011, after he took about two dozen students from his Paramount school to MOCA and discovered that only four had ever been to an art museum.

    I wonder if there's a way we can bring the art museum to the school,” he said.

    Caruso, a 24-year veteran, was no stranger to bringing art — and artists — directly to his students. In 2009, he launched a monthly art project for fifth-graders that culminated in a year-end show where they met and shared work with living contemporary artists.

    A classroom wall filled with drawings.
    Caruso's 5th grade art project, featuring works by artist Tim Kerr.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    The murals were next.

    They painted their first ones at his school in 2012. Soon, the project expanded to the rest of Los Angeles.

    Crew at work

    The painting takes place between Friday and Sunday, but planning takes months.

    At Breed, the connection was made through math teacher Barbee — wife of Ray — who is on a two-year stint at the Boyle Heights school to help students catch up on the subject.

    “I had sort of planted that seed that at some point I would love for a school I was working at to be the recipient of the beautiful work,” she said.

    Gray school building with multiple windows and chain-link fence in front.
    Breed Street Elementary in Boyle Heights.
    (
    Sandy Yang / James Hamblin
    )

    She brought Caruso out for a site visit last September.

    “He has a really amazing kind of vision about where to place the artists … based on just their artwork and where it is in relation to the street view,” Barbee said.

    Next came an introduction to the principal and the approval process.

    “One of the biggest challenges with what we are doing is, you know, they want flipping dolphins and stuff like that,” Caruso said. “But we want to cross over into fine art pieces.”

    Paying it forward

    Caruso estimated that as many as 40 artists and musicians have joined the effort.

    The core group now, he said, is about 11 people, and friends and families often tag along to help out, given they have just 16 hours over three days to finish the job.

    Among the regulars: Wong and his wife, Wendy Lau, who once organized DIY punk shows to fund music education at their daughter's Chinatown school. In Caruso, they saw a kindred spirit.

    Caruso later brought the collective to paint at that school and eventually invited their daughter, Linda Lindas bassist Eloise Wong, to join his fifth-grade art and music project.

    “All of these kids on the blacktop were all just screaming their hearts out,” Eloise said. “It's cool how Erik — Mr. Caruso to them — shows them, like, raw ways to express themselves through cool art.”

  • 3,000 vinyls for fire survivors
    A record shop interior with shelves stocked with vinyl records. The words "Record Shop" are overlaid on the image in large red and white script, with a stylized vinyl record graphic and a heart-shaped location pin in the center.

    Topline:

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    The backstory: After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost gear in the fires. Now he’s doing that with vinyl records, too.

    Read on ... to find details.

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

    Now he’s doing that with vinyl records, too.

    Record Shop grand opening
    Altadena Music Center
    1260 Lincoln Ave., Suite 1300, Pasadena
    Saturday, May 30
    Record donations starting at 1 p.m. Grand opening party is 6 - 9 p.m.
    For more info and to register a free ticket, check out the Altadena Music Center event page.
    LAist is a media sponsor for the event. 

    “We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

    Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

    “It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

    The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.