Adolfo Guzman-Lopez
is an arts and general assignment reporter on LAist's Explore LA team.
Published August 3, 2023 4:31 PM
Gene Block has been UCLA chancellor since 2007. He plans to retire in 2024.
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Amanda Friedman
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Courtesy UCLA
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Topline:
The UCLA chancellor oversaw growth of the university’s budget, enrollment, and grants while also improving housing for undergraduates and promoting underrepresented faculty to leadership positions.
Labor tensions: Some faculty complain that Block oversaw a steep rise in hiring of faculty lecturers who don’t have the same benefits as professors. Workers at UCLA and other campuses went on strike last year for six weeks.
What's next: After stepping down in July 2024, Block said he’ll resume the work he carried out before becoming chancellor: how bodies regulate being awake and asleep during night and day.
Before taking the top leadership post at UCLA, Gene Block made a name for himself as a neurobiologist with an expertise in biological clocks — how bodies regulate being awake and asleep during night and day.
On Thursday, however, Block was at the center of a different cycle: He said he will step down as chancellor of UCLA, effective July 2024.
“This decision was by no means an easy one,” Block wrote in an email to UCLA students and employees. “But I have the greatest confidence in UCLA’s future, and I feel that the time is right — for me, for my family, and for our campus.”
UCLA faculty and students agree with some of the praise, but also say Block fell short at times.
“I am especially pleased by the initiatives launched to address the need for increased faculty and student diversity and a more diverse [administration],” said Belinda Tucker, UCLA professor emerita of psychiatry and biobehavioral sciences who has researched Black family relationships.
During Block’s tenure many UCLA students and faculty engaged in the national conversations about race. Some faculty praised the chancellor for striking the right tone at times of conflict, such as the 2020 George Floyd protests. When LAPD used the school's Jackie Robinson stadium to process arrests of protesters, Block said the administration was "nothing short of outraged."
“His responses seemed to be from a place of honest concern and clear opinion and not just the wordsmithing from a corporate communications professional,” said UCLA psychology researcher Edward Dunbar.
“I think this sensitivity set an important tone for our students, to realize some persons in positions of power took the moral responsibility of their roles seriously,” Dunbar said.
Other faculty praised Block for elevating faculty from underrepresented communities to university leadership positions.
Campus growth has led to a need for more instructors. In the last 10 years the number of faculty lecturers — part-time instructors who are not provided the benefits and security of tenured faculty — has risen 44% at UCLA, compared with 25% in the entire UC system.
A six-week strike by workers at UCLA and other campuses underlined that the university has fallen short of raising wages and working conditions for all employees.
“The biggest, gargantuan, and most massive thorn is that UCLA is a bureaucratic nightmare and the UAW strike only served to exacerbate that,” said UCLA public health researcher Jennifer Wagman. She praised Block, though, for increased campus funding to support faculty-led research on social justice, racism, and fighting discrimination and hatred.
Gab Chabrán
covers what's happening in food and culture for LAist.
Published July 21, 2026 5:06 PM
The uni kiritampo, Bengara's take on a traditional Akita prefecture rice skewer, finished with uni and scallion.
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Wonho Frank Lee
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Courtesy Bengara
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Topline:
Chef Tyler Burges came upon genshiyaki, an ultra-rare ambient-heat grilling method, at a single robatayaki spot in the coastal city of Fukuoka in Japan — and spent six months building a custom pit to bring it to his new Arts District restaurant.
Why it matters: L.A.'s Japanese dining scene defaults to ramen and omakase; Bengara's fire-driven menu, built by a Michelin-starred Saison/Angler alumnus, offers something genuinely uncommon, even in Japan.
Why now: Bengara just launched an eight-course tasting menu ($98) centered on the technique, giving readers a fresh reason to visit.
WhenBengara opened in Los Angeles' Arts District earlier this year, its owner and head chef had something special lined up in their kitchen arsenal.
It was genshiyaki, a rare traditional Japanese grilling method that dates back 1,500 years.
Chef and co-owner Tyler Burges had only encountered it once while traveling in Japan at a robatayaki spot in Fukuoka, a port city on the island of Kyushu.
Robatayaki, a style of slow, ember-cooked grilling rooted in Japan's rural coastal kitchens, usually centers on an open charcoal hearth. But the restaurant Burges visited had something even more noteworthy: a genshiyaki pit, a gentler, ambient method of cooking that uses radiant heat instead of direct flame.
Loving the unusually subtle, delicate flavor and texture it produced, he and head chef Phil Mireles decided to bring genshiyaki back to the U.S. and build their Arts District restaurant around it. The genshiyaki pit is a rare enough technique that Burges had to work with fabricator Phil Roxworthy for six months just to get the grill built to spec.
It's Burges' and Mireles' first L.A. project. The pair are also behind Smoke Door, their acclaimed Lake Tahoe restaurant, and Bengara brings a more casual, day-to-day take on the same fire-driven cooking.
All roads lead to the Arts District
Chef/owner Tyler Burges (left) and head chef Phil Mireles at Bengara.
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Wonho Frank Lee
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Courtesy Bengara
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Burges and Mireles both got their start at San Francisco's Saison and Angler under chef Joshua Skenes — who's now just down the street in L.A. at LYNX with fellow alum Brandyn Tepper.
Burges traces Bengara's DNA back to two mentors: Ron Siegel, who introduced him to Japanese ingredients and technique in his mid-20s, and Skenes, who taught him to cook with live fire. It was Skenes, Burges said, who showed him that fire didn't have to mean char and bravado.
"The one thing I loved about wood-fire cooking is you get this subtle, sweet barbecue flavor when you cook correctly over embers, and you don't cook directly over the fire," Burges said. "Most places, when you think about grilling something, you think of char, bold flavors, masculine flavors. But Chef Josh — it's like a master art, getting really delicate, subtle flavor using that grill method."
The uni kiritampo, Bengara's take on a traditional Akita-prefecture rice skewer, finished with scallion.
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Wono Frank Lee
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Courtesy Bengara
)
What sets the food apart
Take their luscious miso cod. On a normal grill, the marinade's sugars would blacken before the fish cooked through. On the genshiyaki pit, the cod sits at a distance from the embers, cooking gently until the very end, when it's given one last pass directly over the coals — what Burges describes as a final "kiss" of heat before it hits the plate.
To fuel genshiyaki's slower, ambient style, ordinary charcoal or wood is replaced with binchotan, an ultra-dense, pure-carbon hardwood charcoal traditionally made in Japan, which burns hotter and cleaner.
The signature dish
A perfect example of how this cooking style comes together is the uni kiritampo, the Akita prefecture rice skewer, reimagined with uni and cooked via genshiyaki — born of an offhand kitchen conversation with one of the restaurant's Japanese chefs about regional dishes cooked over fire.
Once they realized genshiyaki was the dish's original, historic cooking method, the rest fell into place.
"It's like the most delicious thing," Burges said. "I don't know why it never made it over to the United States earlier."
Bengara's Arts District dining room pairs industrial bones with warm, low lighting and long communal tables.
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Wonho Frank Lee
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Courtesy Bengara
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The chewy exterior, with just a hint of smoke, gives way to a creamy inside, like a caramelized custard, that’s topped with a decadent amount of uni, providing a semi-sweet finish — one memorable bite.
Tasting menu option
Bengara recently added a daily eight-course tasting menu ($98) that doubles as a greatest-hits tour of the kitchen — Toyosu carpaccio with chili coffee oil, pork belly "tacos" wrapped in mochi crepes, miso cod, Mary's half chicken, and handmade citrus soba, with optional wagyu and uni add-ons.
The price includes a beverage pairing, with a full non-alcoholic option alongside the boozy version. Walk-ins are welcome, and reservations can be booked via OpenTable.
Location: 806 E. 3rd St., Ste 140, Arts District Hours: Sunday, Tuesday–Thursday, 5–9:30 p.m.; Friday–Saturday, 5–10:30 p.m.; weekend lunch 11:30 a.m.–1:30 p.m.; closed Monday
Makenna Cramer
covers the daily drumbeat of Southern California — events, processes and nuances making it a unique place to call home.
Published July 21, 2026 4:48 PM
The long-awaited Lucas Museum of Narrative Art is set to open at Exposition Park on Sept. 22.
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Courtesy The Lucas Museum
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Topline:
General admission tickets are now on sale for the Lucas Museum of Narrative Art ahead of its fall opening with thousands trying to secure a spot, according to Tuesday’s virtual queue.
Why it matters: Museum officials said you will “likely experience high demand and long wait times in the queue" and thanked people for their patience.
LAist saw estimated wait times up to 6 hours, and it took a little more than 4.5 hours for this reporter to get through. On the bright side, there were still plenty of tickets left, including for the first day. Do not refresh the page or you may lose your spot.
The details: Alltickets are timed entry. Tickets are $25 for adults and $21 for those 65 and older. Children, members, active-duty military, personal aides or attendants and EBT cardholders have free entry. Museum neighbors in the LM37 program will also be free, with that pass opening in August.
But how do I buy: Each person is limited to nine tickets, and you’ll have 20 minutes to check out once they’re added to your cart, according to the museum. You can find the link here.
What's next: The grand opening is Tuesday, Sept. 22.
Location: One Lucas Plaza, Los Angeles
Regular hours: Monday, Wednesday, Thursday from 10 a.m. to 5 p.m., Friday from 10 a.m. to 9 p.m., Saturday from 9 a.m. to 9 p.m., Sunday from 9 a.m. to 5 p.m. (Closed Tuesdays)
General admission tickets are now on sale for the Lucas Museum of Narrative Art ahead of its fall opening with thousands trying to secure a spot, according to Tuesday’s virtual queue.
Why it matters: Museum officials said you will “likely experience high demand and long wait times in the queue" and thanked people for their patience.
LAist saw estimated wait times up to 6 hours, and it took a little more than 4.5 hours for this reporter to get through. On the bright side, there were still plenty of tickets left, including for the first day. Do not refresh the page or you may lose your spot.
The details: Alltickets are timed entry. Tickets are $25 for adults and $21 for those 65 and older. Children, members, active-duty military, personal aides or attendants and EBT cardholders have free entry. Museum neighbors in the LM37 program will also be free, with that pass opening in August.
But how do I buy: Each person is limited to nine tickets, and you’ll have 20 minutes to check out once they’re added to your cart, according to the museum. You can find the link here.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
Inglewood officials are working on a full rewrite of the city map for the first time in nearly 40 years, laying out how they want the city to grow and change for the next two decades.
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Isaiah Murtaugh Barish
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The LA Local
)
Topline:
Inglewood officials are working on a full rewrite of the city map for the first time in nearly 40 years, laying out how they want the city to grow and change over the next two decades.
Why now: It’s all part of the ongoing process for Inglewood’s new general plan, the foundational guide that governs things like what kind of buildings can be built where in the city and how they need to look. A draft land-use plan will go before the Inglewood City Council on Tuesday, then go into the environmental impact review process. The new update to the general plan could set the city’s direction until 2050.
Mixed use development and housing: Planners hope to change some of the city’s commercial corridors into mixed-use zones that allow for housing and businesses alongside each other or even stacked on top of each other. Planners are aiming to open up room for new housing and to revitalize some of the city’s flagging business corridors, without changing the city’s existing residential blocks or sacrificing the grocery stores, barbershops and local restaurants that make neighborhoods tick.
Inglewood officials are working on a full rewrite of the city map for the first time in nearly 40 years, laying out how they want the city to grow and change for the next two decades.
Along part of Manchester Boulevard, city planners are setting up an option for developers to rebuild rows of small storefronts with a mix of homes and commercial space. On La Brea Avenue, south of Centinela Avenue, they envision the possibility of dense housing and business blocks as high as six stories.
Jerome Johnson, an Inglewood local, said he’s lived through three decades of change in the city. He recalled watching a “raggedy market” at the corner of La Brea and Centinela make way for the two-story shopping center that’s there today. He said the potential developments around the intersection could be a catch-22.
“There’s a shortage of housing,” Johnson said. “But you don’t want it to turn into New York City.”
It’s all part of the ongoing process for Inglewood’s new general plan, the foundational guide that governs things like what kind of buildings can be built where in the city and how they need to look. A draft land-use plan will go before the Inglewood City Council on Tuesday, then go into the environmental impact review process.
“This is really a historic milestone for the city,” Bernard McCrumby, Inglewood development services director, told The LA Local.
McCrumby said planners are aiming to open up room for new housing and to revitalize some of the city’s flagging business corridors, without changing the city’s existing residential blocks or sacrificing the grocery stores, barbershops and local restaurants that make neighborhoods tick.
“The stadiums and arenas are here, they’re not going anywhere,” McCrumby said. “Now we can plan around those.”
The last time the city did a full update of its general plan was 1987, when horses were still racing at Hollywood Park and the “Showtime” Lakers were winning championships at the Forum. Edward Vincent Jr., the city’s first Black mayor, had only been in office for four years.
The city has made intermittent updates to its planning guidelines since then — notably remapping a band of Inglewood along the Metro K line before it opened — but city documents indicate planners spent the past couple years working on a comprehensive rewrite.
Planners hope to change some of the city’s commercial corridors into mixed-use zones that allow for housing and businesses alongside each other or even stacked on top of each other.
Those zones could go in place along Century Boulevard and Arbor Vitae Street as well as Manchester, Centinela and La Brea.
The rest of the update, McCrumby said, is aimed at lining the city’s zoning regulations up with state law and the city’s current reality on the ground.
City staff held several community meetings over the last year as they put together the draft and still aren’t done gathering feedback.
The next year will see at least one more community meeting and a 45-day public review period, according to city documents. McCrumby said that, with the anchor of the land-use map in place, planners will continue to work on the rest of the general plan, targeting final City Council approval of the plan and accompanying environmental impact report next spring.
You can get all the details on the general plan at nextlevelinglewood.com and attend the City Council meeting at 2 p.m. on Tuesday to give a public comment.
We also want to know what you think of the proposed changes. Email isaiah@thelalocal.org with your questions or thoughts.
Mariana Dale
explores and explains the forces that shape how and what kids learn from kindergarten to high school.
Published July 21, 2026 2:50 PM
The Marshall High School Jazz Band opened the 2026 Los Angeles Unified Opening of Schools event.
(
Mariana Dale
/
LAist
)
Topline:
Los Angeles Unified students showed improvements on the state’s reading, math and science standardized tests for a third consecutive year.
Why now: Superintendent Andrés Chait announced the preliminary results at the annual opening-of-schools address at East L.A.’s Garfield High School— his first as the district’s leader since the board appointed him to the job in June.
“ These are not just numbers on a page,” Chait said to an audience that included about 1,000 principals, administrators and district supporters. “They are the result of your passion, your persistence, your belief in what students can achieve.”
Why it matters: Student achievement, as measured by test scores, plummeted during the pandemic. Los Angeles Unified’s growth in 2025 outpaced the state as test scores exceeded pre-pandemic levels. This year the percentage of students in all grades who met or exceeded the standard are 39.7% for math, 48.3% for English and 32.1% for science.
It’s unclear how this compares to students statewide because those results have yet to be released.
Read on ... for more information from the address. This story will be updated.
Students within the Los Angeles Unified School District showed improvements on state reading, math and science standardized tests for a third consecutive year, district authorities announced Tuesday.
Superintendent Andrés Chait revealed the preliminary results at the annual opening-of-schools address at East L.A.’s Garfield High School— his first as the district’s leader since the board appointed him to the job in June.
“ These are not just numbers on a page,” Chait said to an audience that included about 1,000 principals, administrators and district supporters. “They are the result of your passion, your persistence, your belief in what students can achieve. These are collective accomplishments.
"They reflect the dedication, skill, and commitment of our entire community,” he said.
Jai Gant-Leau, principal of Eagle Tree Continuation High School, said the “back-to-basics” focus of Chait’s speech was a welcome departure from the tone of recent opening addresses.
“We will continue to rise for the outcomes and expectations for the success of our students. That's the message I got,” Gant-Leau said. “Very different than the others where it was a lot of… bells and whistles.”
This year the percentage of students in all grades who met or exceeded the standard are 39.7% for math, 48.3% for English and 32.1% for science. It’s unclear how this compares to students statewide because those results have yet to be released.
“The decisions will be hard, but we cannot lose sight of what defines us,” Chait said. “We are the system that lifts students to opportunity, turns potential into achievement, creates spaces of belonging, healing, growth.”