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The Brief

The most important stories for you to know today
  • Archdiocese of LA will receive $3 million
    A group of students sit on a purple, blue, green, orange and red striped carpet in a classroom. A teacher sits in front of them on a chair with a book on her lap.
    Isabel Dueñas teaches her transitional kindergarten students how to read at San Miguel Catholic School in the Watts neighborhood of Los Angeles.

    Topline:

    Los Angeles Unified has settled a 3-year-old lawsuit with the Catholic Archdiocese of Los Angeles over how much federal Title I funding low-income students within the archdiocese are entitled to receive.

    The background: The Archdiocese of Los Angeles argued that it was owed for ongoing services to low-income students in Catholic schools. After the LAUSD first changed the method of determining student eligibility for Title I, funding was cut by more than 90%, from $9.5 million for the eligible 13,000 students in the archdiocese to $757,000.

    What's in the settlement: The district agreed to pay the $3 million it improperly withheld from archdiocese schools and to comply with federal regulations requiring transparency and consultation with the archdiocese it had repeatedly violated.

    Los Angeles Unified has settled a 3-year-old lawsuit with the Catholic Archdiocese of Los Angeles over how much federal Title I funding low-income students within the archdiocese are entitled to receive.

    The district agreed to pay the $3 million it improperly withheld from archdiocese schools and to comply with federal regulations requiring transparency and consultation with the archdiocese it had repeatedly violated.

    The agreement covered 2018-19 and 2019-20, when Los Angeles Unified (LAUSD) first changed the method of determining student eligibility for Title I and cut funding by more than 90%, from $9.5 million for the eligible 13,000 students in the archdiocese to $757,000.

    The LAUSD school trustees signed off on the agreement in a closed session Dec. 11 and did not publicly disclose details after announcing the vote. A district spokesperson declined comment before publication of the article. 

    But Paul Escala, superintendent of the Los Angeles Archdiocese schools, said the agreement sends a clear message. It “ensures that non-public school students who are eligible for these services will get them. While that may seem basic, when we’ve operated in an environment where that was not clear and was not being upheld, that is a win for kids,” he said.

    “This recognizes that kids who attend Catholic schools in urban Los Angeles, not only are they eligible for Title I services, but in fact suffer with poverty and needs just like their public school district peers,” he said.

    Since its passage in 1968, Congress extended Title I funding to poor students in private schools, including religious schools, to boost their chances for success. However, to avoid directly funding religious schools, Congress decided that districts in which private and religious schools are located should determine student eligibility and consult with the schools on which services, such as counseling, the students should receive.

    Districts have a menu of methods for determining Title I eligibility. The simplest and generally most advantageous for private schools is to use census data to determine the level of poverty in a neighborhood and calculate eligibility as the proportion of low-income students that attend a private school. It’s the method most large urban districts have used, Escala said, including LAUSD and Miami-Dade County Public Schools, where Alberto Carvalho was superintendent before becoming LAUSD superintendent in 2022. That approach also meets the spirit of Title I, he said.

    An incentive to deny Title I to private school kids

    Under Superintendent Austin Beutner’s incoming administration, the district changed the eligibility process for 2018-19 without prior notice to require schools to document family incomes through surveys or the number of income-eligible students registered for the federal subsidized meals programs. Along with requiring more time, paperwork and verification by the schools, the district changed the reporting rules several times in a short period and failed to engage the archdiocese about its decisions meaningfully, the California Department of Education wrote in 2021 in response to a formal complaint by the archdiocese. In addition to slashing funding, the district cut the schools served to fewer than two dozen out of 116 schools in the archdiocese. According to the California Department of Education, the district cut its total share allocated to private schools from 2% and 2.6% of $291 million to 0.5%.

    Districts have a financial incentive to minimize private schools’ Title I eligibility, since the federal government awards Title I funding to districts. After subtracting the amount going to private schools, a district gets to keep unallocated dollars for its own Title I students.

    “There’s a moral and ethical question on the table,” Escala said at the time.

    In its 58-page report, the California Department of Education called the funding cuts “totally unreasonable.” Its report concluded that LAUSD “engaged in a pattern of arbitrary unilateral decisions,” including giving archdiocese schools 12 days during a summer break to produce income surveys for families and then removing all the schools that were unable to meet the deadline. It characterized the district’s approach as a “hide-the-ball approach (that) breached both the spirit and the letter” of the law.

    LAUSD appealed the ruling to the U.S. Department of Education, which largely affirmed the California department’s findings in a November 2023 ruling. It gave the district 60 days to consult with the district, as the Title I law required, and fix the inaccurate count of ineligible students. It gave the district 90 days to provide the services that it had denied.

    The archdiocese returned to Los Angeles Superior Court in the spring of 2024 because, Escala said, the district dragged its feet and declined to hand over documents the archdiocese was entitled to.

    The turning point in the case came on July 16, 2024, when L.A. County Superior Court Judge Curtis Kim ordered the district to turn over all relevant documents, emails and records by Aug. 20 and to pay $82,141 to the diocese in attorneys’ fees.

    The documents confirmed what the archdiocese had assumed, said the archdiocese’s chief academic officer, Robert Tagorda. “For years they had insisted that they were following the law. We had suspicions that if you’re cutting us this much, it can’t be lawful. We had the documents to show we had far more low-income students than they had originally counted.”

    With revelations of public records, the archdiocese reached out to LAUSD to resume settlement talks. Within several weeks in November, there was a deal. The terms correspond to what the U.S. Department of Education had recommended, Tagorda said. LAUSD would recalculate how much was owed in 2018-19 and apply the corrections to 2019-20. It would disclose how the Title I obligation was calculated and confer with the archdiocese on the services to be provided. The archdiocese also will be able to pool Title I money so that it can direct it to the most intensive-needs schools — a practice that LAUSD had prohibited.

    The combined $3 million owed for the two years was far below what had been received the year before the district changed the eligibility method. But staff turnover in the district and the archdiocese, and incomplete records in some schools, undermined the claims, Tagorda acknowledged. The eligibility process in years since 2019-20, unaffected by the lawsuit, changed little. In 2023-24, the archdiocese received $2 million in Title I funding.

    Title I rules allow districts to annually change the process of determining eligibility. Escala said the archdiocese will continue to request that LAUSD return to the proportionality method that produced more funding; LAUSD, by law, must give the rationale each year for denying it.

    Escala acknowledged that the archdiocese could have chosen to litigate the case — and likely won. But the outcome would have potentially taken years and legal expenses that archdiocese schools don’t have. “We recognized that we could not afford another day, another year, another generation of students not having the ability to fairly access legally entitled services,” he said.

    Tagorda said the additional money from the settlement would be used for tutoring, after-school and summer programs, and academic counseling that schools have been requesting.

    In an interview with EdSource in March 2022, soon after becoming LAUSD superintendent, Carvalho said he had familiarized himself with the archdiocese lawsuit. “I’m going to resolve this issue sooner rather than later,” he said. “What I can tell you is that we need more objective, transparent tools by which we assess and fund this guaranteed federal entitlement that’s driven by poverty,” regardless of whether for a public or private school.

    It took nearly three years since then, after exhausting appeals and losing one ruling in Superior Court, for the district to resolve the case. Escala said he is optimistic it will be enforced.

    “When we came back to the table, it was clear that Carvalho took a personal interest to make sure we have the conditions on his side to get a settlement done. We have seen a change in approach by district staff. He is committed to abide by Title I regulations and consultation that is fair, I take him at this word,” said Escala.

    “In the course of these negotiations, trust and faith had to be rebuilt. I think that we’re in a far better place than we were six months ago.”

    On Dec. 23, a day after the article was published, Carvalho issued the following statement: “I am grateful for our partnership with the Archdiocese of Los Angeles. I look forward to the ways we can work together in the future and serve the students of Los Angeles. Thanks to Superintendent Paul Escala for his steadfast leadership over the Department of Catholic Schools.”

  • Fact-checking Newsom's social media proclamation
    A man with slicked-back hair and wearing a suit touches his temple while speaking.
    California Gov. Gavin Newsom speaks during a bill signing ceremony in 2022.

    Topline:

    On Saturday, Newsom posted on social media proclaiming today, Super Bowl Sunday, as "Bad Bunny Day" in California in an over-the-top tweet written in all caps.

    The proclamation: "AS MANY PEOPLE KNOW, I AM A TREMENDOUS LOVER OF 'THE SPANISH'... THAT IS WHY I AM DECLARING TOMORROW IN CALIFORNIA AS “BAD BUNNY DAY” WHEN BAD BUNNY PERFORMS AT THE BIG GAME IN THE GOLDEN STATE WITH HIS SOOTHING, BEAUTIFUL VOICE, AND HIS VERY NICE LOOKS," reads the message tweeted out through Newsom's office.

    We looked into it: The declaration was so extra, we decided to look into it. Read on to learn what we found.

    Bad Bunny has fans the world over. One of them apparently is Gov. Gavin Newsom.

    On Saturday, Newsom posted on social media proclaiming today, Super Bowl Sunday, as "Bad Bunny Day" in California in a rather tongue-in-cheek, over-the-top tweet written in all caps.

    "AS MANY PEOPLE KNOW, I AM A TREMENDOUS LOVER OF 'THE SPANISH'... THAT IS WHY I AM DECLARING TOMORROW IN CALIFORNIA AS 'BAD BUNNY DAY' WHEN BAD BUNNY PERFORMS AT THE BIG GAME IN THE GOLDEN STATE WITH HIS SOOTHING, BEAUTIFUL VOICE, AND HIS VERY NICE LOOKS," reads the message tweeted out through Newsom's office.

    For months, the governor's social media team has been adopting the manners and tone of President Trump's signature style.

     "Obviously in this case, the governor is making light of the President's criticisms of  Bad Bunny performing during today's Super Bowl halftime show," said Chris Micheli, an adjunct professor of law at McGeorge School of Law in Sacramento, as well as the author of a number of textbooks on California state government.

    So, is the proclamation for real?

    To answer that question, let's take a detour into the state proclamation process.

    "The governor has a wide authority on proclamations," said Micheli, who also works as a lobbyist for groups like the California Manufacturers & Technology Association.

    Proclamations generally fall into two categories, he said. One is official actions, such as states of emergency in the case of disasters, to direct resources for relief. The second is proclamations that are ceremonial and commemorative in nature, where the governor may designate a specific day, week or a period of time to recognize a person or an event — like Black History Month or Ronald Reagan Day.

    The Bad Bunny Day proclamation, Micheli said, falls in the second category. But, he added, proclamations are signed by the governor and attested by the Secretary of State in written declarations. As such, it's easy to interpret the Bad Bunny Day tweet as done in jest.

    Here's what the Governor told LAist

    "The Governor declared Bad Bunny Day via tweet. Enjoy!" The governor's office told us in an email seeking confirmation on Sunday.

    Micheli said that means the governor would likely follow up with an official written declaration.

    Here's the thing with ceremonial proclamations, though. Micheli said they need to be re-upped every year by the governor — they don't automatically renew.

    So yes, let's celebrate Bad Bunny Day on this Super Bowl Sunday. Let's hope to do it again next year, and the years after.

  • What to expect from the show

    Topline:

    Bad Bunny is headlining today's Superbowl halftime show — a historic moment for some, a controversial choice for others.

    The backstory: Bad Bunny, made history at the 2026 Grammy Awards when he became the first artist to win album of the year for a Spanish-language album. The artist has been vocal in his opposition to federal ICE raids.

    Why now: But this Sunday, Bad Bunny will meet a larger and potentially more politically divided audience at the Super Bowl. Since late September when the NFL, Apple Music and Roc Nation announced their invitation to Bad Bunny, many took to social media to voice their indignation at the choice to platform an artist who has only released music in Spanish.

    Puerto Rican superstar, Bad Bunny, made history at the 2026 Grammy Awards when he became the first artist to win album of the year for a Spanish-language project, with him winning for his album Debí Tirar Más Fotos. In addition to the top prize, Bad Bunny, whose given name is Benito Antonio Martínez Ocasio, took home the award for the best música urbana album and best global music performance for his song "EoO".

    In his acceptance remarks, and not unlike other moments throughout his career, the artist used the spotlight to express his political views.

    "Before I say thanks to God, I'm going to say ICE out," Bad Bunny said during his acceptance speech for best música urbana album. "We're not savages, we're not animals, we're not aliens — we're humans and we are Americans," he added in response to the ongoing U.S. Immigration and Customs Enforcement raids across the country.

    The crowd in Los Angeles, largely met his statements with applause and ovation.

    But this Sunday, Bad Bunny will meet a larger and potentially more politically divided audience at the Super Bowl, where he is set to headline this year's halftime show. Since late September when the NFL, Apple Music and Roc Nation announced their invitation to Bad Bunny, many took to social media to voice their indignation at the choice to platform an artist who has only released music in Spanish.

    To learn more about Bad Bunny's political history and what we might expect at the Super Bowl, Morning Edition host A Martinez spoke with Petra R. Rivera-Rideau, who chairs the American Studies Department at Wellesley College and the co-author, alongside Vanessa Díaz, of the new book, P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance. The two academics are also behind the Bad Bunny Syllabus, an online teaching resource based on Puerto Rican history and Bad Bunny's meteoric rise since 2016.

    Below are three takeaways from the conversation.

    Students come for Bad Bunny and stay for the history 

    Rivera-Rideau teaches "Bad Bunny: Race, Gender, and Empire in Reggaetón" at Wellesley and said the course uses Bad Bunny's work as a hook to get students into the seminar.

    "But we really actually spend most of our time talking about Puerto Rican history and Puerto Rican history is part of U.S. history," she said. "And Bad Bunny music has consistently made references to this history."

    Rivera-Rideau pointed to an example from 2018 when Bad Bunny debuted on a U.S. mainstream English language television show, The Tonight Show Starring Jimmy Fallon. The artist opened with a critique of the Trump administration's handling of Hurricane Maria, which had devastated his island in 2017.

    "After one year of the hurricane, there's still people without electricity in their homes. More than 3,000 people died and Trump is still in denial," Martínez Ocasio said.

    Latinos remain "perpetually foreign" to some

    Puerto Ricans are born U.S. citizens — but this has not always protected them from being caught in recent ICE operations.

    "I think part of that has to do with the kind of racialization of Spanish and the racialization of Latino communities of which Puerto Ricans are a part," she said. "And I think what it indicates is that, to me, Latinos in the United States, many of whom have been here for generations, are often understood to be perpetually foreign as a group of people that just does not belong."

    The Party is the Protest 

    Rivera-Rideau said if Apple Music's trailer for the Super Bowl halftime show — which features Bad Bunny dancing with a group representing a smattering of ages, faces and abilities — is any indication of what audiences can expect on Sunday's stage, the theme might be joy in the face of a difficult moment for immigrants and Latinos in the U.S.

    "One of the things we talk about in our book is that Bad Bunny is part of resistance, he does engage in protests but it's often through joy," she said. "We have a chapter in our book called 'The Party is the Protest' and I actually feel like that's what I expect at the Superbowl, a party and a protest.

    Copyright 2026 NPR

  • Why the football's beside the point for this Brit
    Can Bad Bunny outshine Kendrick?

    Topline:

    For LAist Senior Editor Suzanne Levy, who grew up in the U.K., the Super Bowl is a fascinating experience. Yes, there's the football — but for her that's the least interesting thing about it.

    Why it matters: Want to know how the Super Bowl looks to much of the rest of the world? Read on.

    Why now: It's Super Bowl Sunday... let the commercials and the half-time show begin!

    The Super Bowl, to someone who a) grew up in the UK, and b) doesn’t really get football, is a strange experience.

    Of course, I’m talking American football, not English football, by the way. If England gets into the World Cup quarter final you might find me at 7 a.m. in a pub in Santa Monica drinking a nice cup of tea and cheering the TV.

    The Super Bowl is a national cultural event, and there’s so much excitement running up to it, yet when it happens, the thing that everyone is fixated on is the thing you’re least interested in. As in, the football — the men with padded shoulders who pile into a heap. I mean, I get the ones in the middle are doing something, but the ones at the edges are just for show, right?

    All the running and the throwing and the tackling … well that just gets in the way of all the entertainment.

    OK, OK, I’m kidding. I do get excited when a halfback grabs the ball and starts up the field, elbowing people out of the way, but even that can get a bit wearing when it happens over and over again. Just let the guy get to where he wants to go already!

    And that’s where the Super Bowl is ideal. It comes with ready prepared breaks in the action, so there’s no chance to get bored. There’s the commercials. Over the years, some of them have been so great, like that one with the kid and the Force, and that Eminem Detroit one.

    Some, not so much. That’s where I do my armchair critiquing. “Well I hoped they paid him a whole boatload of money for that one, his credibility’s down the toilet,” or, “Oh come on, ad agency, for a million dollars per millisecond, that’s all you can come up with?”

    But it’s the hope, the desire, that this moment you’ll be blown out of your chair. Wait, that sounds a lot like watching football. Hmm.

    Then there’s the half time show, which I always watch. “Call me when it starts!” I yell at my family as I walk out to do some very important laundry folding. As the music begins, I rush back in. Lady Gaga, Beyonce and now … Bad Bunny. As I watch pure perfection, I keep telling myself, they’re doing it live, in front of a billion people. They are not missing a damn note. Or step. Except that left shark. Hell, even the Weeknd won me over eventually.

    And then there’s the last quarter. I make sure I watch that. It’s the psychodrama of it all. The looks on the coach’s faces as they chew their gum, serious, determined. The fans, holding their breath. The commentators asking Tom Brady what it was like when he was doing it. And then.. the whistle blows. And one half of the stadium is ecstatic, giddy with delight, while the other half stares into the abyss. It's a Shakespearean tragedy come to life. For all the commercials and the music, this really is the can’t miss part, which brings me back year after year. Go Patriots! Go Seahawks! Let the game begin.

  • Bad Bunny Super Bowl watch parties across LA
    A man with a gray beanie, a gray fur coat and sunglasses.
    Bad Bunny is introduced during the Super Bowl LX Pregame & Apple Music Super Bowl LX Halftime Show Press Conference at Moscone Center West on February 05, 2026 in San Francisco, California.

    Topline:

    On Sunday, fans are gathering at bars and house parties to bear witness to Bad Bunny's historic performance at Benito Bowls viewing parties all across the Southland.

    Why it matters: Super Bowl halftime shows are always a big deal. But to many in Los Angeles and beyond, Bad Bunny's performance marks a particularly important cultural — and political — moment.

    Why now: "We're going through a lot of heaviness here in our community with ICE [and] people disappearing. It's sad, we're angry," said Bianca Ramirez, LAist's director of operations and a longtime fan of Bad Bunny, the Puerto Rican superstar whose real name is Benito Antonio Martínez Ocasio.

    Super Bowl halftime shows are always a big deal. But to many in Los Angeles and beyond, Bad Bunny's performance marks a particularly important cultural — and political — moment.

    On Sunday, fans are gathering at bars and house parties to bear witness to the event at so-called Benito Bowl viewing parties all across the Southland.

    "We're going through a lot of heaviness here in our community with ICE [and] people disappearing. It's sad, we're angry," said Bianca Ramirez, LAist's director of operations and a longtime fan of the Puerto Rican superstar.

    In the face of continual crackdown, she said, resistance will take the form of pride and joy on Sunday. It'd be the first time the halftime show will be performed entirely in Spanish by a headliner.

     " This is definitely unprecedented," Ramirez said.

    Just a week before taking the Super Bowl stage, Bad Bunny notched another first, winning album of the year at the Grammys for the Spanish-language DeBí Tirar Más Fotos.

    A latina with glasses and headphones, holding a heart with a frown face plushie. She is sitting in front of a microphone with an LAist mic flag.
    LAist's Bianca Ramirez with her Bad Bunny plushie.
    (
    Bianca Ramirez
    /
    LAist
    )

    "[It]  was such a proud moment for our Latino community, not [just] here in Los Angeles, but around the world," Ramirez said, characterizing the album as one of the artist's most political to date. "He dives into gentrification and making sure that we protect Puerto Rico and its roots. He does criticize the Trump administration a lot in that album."

    DeBí Tirar Más Fotos also won Best Música Urbana album.

    "Before I say thanks to God, I'm going to say ICE out," the artist, whose real name is Benito Antonio Martínez Ocasio, said as he accepted that award.

    Later today, Ramirez is heading to a Benito Bowl — one of many gatherings held by Bad Bunny fans across the Southland. In her case, it's a backyard hang with childhood friends to celebrate a history-making concert "where these two other football teams so happen to be playing at the same time."

    Ramirez has her fingers crossed that the performance includes the song that first got her hooked.

    "Hopefully he surprises us with Cardi B [and] he plays I like it," she said. "Bring it full circle for me as a fan."

    No matter what, it's an iconic day.

    "It's just gonna be a moment for us to hang out and celebrate Latinidad and just [the] proudness that Bad Bunny brings to our communities and beyond," she said.

    Benito Bowls happening on Sunday

    • Costa Mesa

      Sevilla Nightclub
      1870 Harbor Blvd., Costa Mesa
      Doors open at 2 p.m.

    • Downtown L.A. historic core

      Hide Tide
      605 E. 4th St., Los Angeles
      Doors open at 2 p.m.

    • Long Beach

      The Q
      5321 Long Beach Blvd., Long Beach
      Doors open at 3:30 p.m.

    • Mid City

      Sueños Social Club
      5259 W. Pico Blvd., Los Angeles
      Doors open at 4 p.m.