Sabrina T. Sanchez
engages with parents of young children to shape stories that are useful and meaningful to them.
Published January 12, 2026 5:00 AM
School Game Plan: Bring it on a school tour!
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Ross Brenneman
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LAist
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Topline:
LAist distributed 7,200 guides across Los Angeles to help families choose the right school for their child.
Why we did it: Many families find choosing a school and the application process confusing, so LAist created the School Game Plan, an online series of guides to help families navigate their child's educational journey.
How we got the guide to people who need it: To reach more families, we printed thousands of workbooks for community distribution through events, partnerships with the LA Public Library, early childhood groups, and schools.
Read on ... for more about our efforts and what we learned.
Parents have consistently told LAist's education team that they feel confused and overwhelmed by L.A.'s school system — especially when selecting the type of school and navigating the application process.
In the Los Angeles Unified School District, there are more than 400 elementary schools to choose from, including magnets, multilingual, multicultural or gifted and talented programs.
To help, K-12 reporter Mariana Dale and Senior Education Editor Ross Brenneman created the School Game Plan, a series of guides designed to help families navigate their child's educational journey.
The School Game Plan includes guides to help families:
From this series, the team produced a printed workbook based on the online guide "How to choose a school in Los Angeles," meant to help caregivers determine the best option for their child within LAUSD.
But producing the guide was only the first step — we needed to figure out how to get it into families' hands.
School Game Plan is available in print from your local library!
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Ross Brenneman
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LAist
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LAist has distributed print materials such as zines and guides before. However, this was the first time we tailored outreach specifically around a printed guide aimed at families raising children five and under.
Our efforts coincided with California's rollout of transitional kindergarten, a new grade level for 4-year-olds. That made it a timely opportunity to connect with parents of young children who may want more information about public schools in L.A.
That meant we had to think creatively and test new ways to reach families. Here's what we learned.
The goal
The goal was to distribute our printed workbook, "How to choose a school in Los Angeles," to parents and caregivers across L.A. from September to early November. With help from a grant, we printed 7,200 copies to give out.
How we did it
The guides were distributed in a variety of ways:
Tabling at early childhood events
Partnering with groups to distribute on our behalf
Presenting at education-related meetings
Offering copies to organizations through a web and social callout
Here's how we went about this outreach.
Events
We tabled at several events new to our team, from the L.A. Kids Book Festival — with an estimated attendance of thousands of families — to storytimes at local libraries drawing in about 20-30 caregivers at a time.
Ross Brenneman, LAist's Senior Editor of Education, is speaking with a mother about the team's workbook, "How to Choose a School in L.A.," at the L.A. Kids Book Festival.
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Sabrina T. Sanchez / LAist
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At the festival, we spoke to hundreds of parents. A large crowd hovered over our table for hours. The reason? Our glorious prize wheel. Who doesn't love free swag? Prizes included crayons, bubbles, and slime — and everyone got a guide. That day alone, we passed out over 300 of them.
The storytimes offered a more intimate setting. We attended three events at L.A. Public Library branches to reach families from varying geographical locations – Los Feliz, Reseda and the Westchester area.
LAPL recommended these particular branches since they had high attendance.
This was the format for each session:
Introduction. The children's librarian introduced us to the group.
Explain. We briefly shared who we are and what the School Game Plan offers.
Engage. After storytime, while the kids played, caregivers would come over and talk to us.
We handed out over 200 guides. Parents were overwhelmingly grateful for the workbook.
LAist's education attended the Los Feliz Branch Library's story time event and passed out workbooks.
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Sabrina T. Sanchez / LAist
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Presentations and meetings
The Los Angeles County Office of Education (LACOE) invited our team to present at a couple of meetings with early childhood educators and parents.
One focal meeting was LACOE's Head Start Policy Council, made up of parent representatives from all 16 of their delegate agencies serving about 7,000 children across L.A. County. Dale and I presented the School Game Plan, including the printed workbooks.
After the meeting, people stopped by our table where we gave out 600 guides. With LACOE's help, we also provided additional guides to schools and organizations within their network. This meeting led to the highest number of guides passed out in person.
In other cases, our presence at larger events opened up opportunities to have gatherings with smaller groups later on. The team met a preschool administrator at the L.A. Kids Book Festival who invited us to share our print workbook with parents of 4-year-olds. What started as a simple presentation turned into an intimate conversation where parents, a preschool administrator and I reviewed the workbook together. While that gathering was small, the conversation was incredibly invaluable.
Fountain Day Preschool invited parents of four-year-olds to explore LAist's workbook, "What Is a 'Good School' and How Do You Find One in Los Angeles?"
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Sabrina T. Sanchez / LAist
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Taking the time to sit with parents surfaced so many questions — like how to apply, how long the application actually takes and more. Many of their questions were addressed in the workbook, while others weren't. It offered better insight into how the workbook can help caregivers, highlighting parents' needs, and showed where there's still work to do on our part based on questions that weren't addressed in our resource.
Partnerships
We also partnered directly with several early childhood organizations such as Partners for Children of South L.A., Children's Institute, and The Whole Child, which collectively distributed 900 guides throughout their programs.
Our largest partnership was with the Los Angeles Public Library, which dispersed 3,650 guides to 72 library branches across the city.
Digital
During distribution, Dale and Brenneman penned a story about the print workbook, including instructions on how organizations can request copies. (Once distribution ended, the instructions were removed from the article.)
We paired the story with a social post to promote the print workbook.
A family attending the Taste of Soul Family Festival.
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Sherrell Jackson
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Distributing workbooks across LAPL branches helped spread the work in parent communities. A parent shared in "The Atwater Village Moms' Group" on Facebook about how "awesome" the guide was after discovering it at a local library. This showed our engagement was spreading through word of mouth, which is a major way parents find support. The post provided organic reach to a parent group that has over 6,000 members.
Metrics
A member of Atwater Village Mom's Group on Facebook posted about LAist's workbook.
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Sabrina T. Sanchez / LAist
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Within the print workbook are QR codes directing readers to resources by LAist and elsewhere. During distribution, we tracked scans to LAist-linked QR codes to gauge whether outreach drove traffic.
In September, the QR codes in the workbook were scanned by 148 different people. The most scans occurred in early and late September and corresponded with our community events at library branches.
The numbers show that community events drove engagement with the print workbook's online resources.
What did we learn?
You can't do this work alone. Look for events or groups who see the value in the work and go there.
The education spaces we visited accounted for the largest in-person distribution. Educators and parents were highly engaged and interested in the guides. We learned that people want to print out the online guide, "How to choose a school in Los Angeles," but the reprints had issues. To troubleshoot the problem, we created a printable version of the workbook in both English and Spanish, which we added at the beginning of the article.
There's no one way to go about distribution. Conducting a multi-pronged outreach approach worked best – this included tabling events, presenting the workbook at educator meetings, sharing the guide online and through social media, and having organizations and groups distributing the workbook on our behalf. Each of these strategies played an essential role in our outreach efforts.
Here are some other takeaways:
Parents really like to hear from other parents. That's part of why we included a ton of parent voices in the guide itself. We also saw this in practice at one event, where parents asked each other many questions about their school preferences.
Strategic partnerships amplify reach faster and more effectively than through direct outreach alone.
When outreach occurs in trusted, familiar spaces, families are more likely to engage.
Establishing partnerships and distributing guides takes real time and effort. There's a lot of behind-the-scenes work — forming relationships, building trust, organizing the guides, driving across L.A. to drop off guides and hauling heavy boxes.
Social and web callouts fueled pick-ups!
Going forward, be clear on your purpose for showing up in person. Is it for connection, distribution, awareness, or all the above?
What could we do better next time?
The education team created the workbook to help level the playing field for every child. We distributed the workbook across various communities in the Los Angeles Unified School District. However, next time we aim to expand our presence in more diverse communities by participating in additional cultural and community events.
That means we may need to offer more resources in multiple languages, depending on the need.
As we learned, it's helpful to identify and work in spaces where families are already showing up. Next time, we'll connect with more daycare and childcare providers — especially those who didn't engage during this cycle.
Several groups, including preschool and early childhood organizations, invited us to present the workbook directly to the parents they serve. Although we could only do this once, it went very well, and we're interested in participating in more gatherings like this, as well as possibly hosting larger events, such as "cram sessions," to help parents navigate the school process in L.A.
How can you help make sure there's a next time?
Does your organization want to financially support work like the School Game Plan, which helps parents choose the right school for their child? Email: grants@scpr.org.
Community-focused reporting is made possible by generous supporters like you! Become an LAist member today at LAist.com/give.
If your organization or group is doing similar work, I love chatting about all things engagement! Or, if you want to invite us to your next community event, here’s how to get in touch. Email: ssanchez@laist.com.
New TSA program looks to increase private security
By Bill Chappell | NPR
Published May 21, 2026 9:30 AM
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Scott Olson
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Getty Images
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Topline:
Under the Transportation Security Administration's new program called TSA Gold+, private companies would play a much larger role in airport security than they have in decades.
More details: The agency is billing the program as an update to the Screening Partnership Program, or SPP, in which 20 U.S. airports currently use private security screeners rather than federal workers.
Why now: The agency says airports that opt into the program would be able to tailor security systems for their facility — and avoid the TSA staffing shortages that became a very public headache at airports during the recent government shutdown over Homeland Security funding.
Read on... for more on the program.
Federal officers handle security screening at all but a small fraction of U.S. airports, but the Trump administration is hoping to change that. Under the Transportation Security Administration's new program called TSA Gold+, private companies would play a much larger role in airport security than they have in decades.
The TSA is set to host officials from airports and security contractors to an "industry day" at its Springfield, Va., headquarters on Thursday, as it looks to develop TSA Gold+, a public-private program that the agency calls "transformative."
The agency is billing the program as an update to the Screening Partnership Program, or SPP, in which 20 U.S. airports currently use private security screeners rather than federal workers.
"TSA Gold+ marks a significant evolution in the agency's approach to aviation security," a TSA spokesperson told NPR via an emailed statement.
The agency says airports that opt into the program would be able to tailor security systems for their facility — and avoid the TSA staffing shortages that became a very public headache at airports during the recent government shutdown over Homeland Security funding.
It also says the program would bring "the latest technology" such as AI tools to airport screening operations, to increase capacity and cut wait times, although the agency did not specify how those gains would be achieved. From the details shared so far, the equipment would be the contractors' responsibility — a departure from the current SPP system, in which TSA controls the equipment and oversees the security contract. The TSA says it would perform the oversight role it currently does.
"Industry partners can manage equipment and introduce innovations, while travelers enjoy a smooth, predictable, and bespoke experience," the TSA said as it unveiled TSA Gold+.
Airports currently using the private Screening Partnership Program range from San Francisco and Kansas City to Sarasota, Fla., and Atlantic City, N.J., along with smaller facilities in Montana, Wyoming and other states.
Calls for privatizing airport security screening have come from President Donald Trump and Republicans in Congress, echoing a recommendation in the conservatives' Project 2025 handbook for a second Trump term. But there are also signs of bipartisan interest in some level of private control over airport security, as seen in Atlanta, where city leaders recently voted to explore joining the Screening Partnership Program.
Rep. Andrew Garbarino, R-N.Y., chair of the House Committee on Homeland Security, touted that bipartisan interest on Wednesday during a hearing on TSA Modernization. But Everett Kelley, president of the American Federation of Government Employees union, which represents TSA officers, said he opposes further privatization — including the TSA Gold+ program, warning that it would hamper accountability and transparency.
Under the new program, Kelley said, contract workers would earn less than TSA officers. He added that while many transportation security officers hold security clearances, under the new plan, the government "would be ceding direct operational control of the most sensitive technology in the aviation security enterprise to private vendors."
The White House budget released last month promises to save some $52 million by privatizing airport screeners and requiring small airports to enroll in the SPP.
But officials at the hearing urged lawmakers to preserve airports' ability to choose.
Chris McLaughlin, CEO of Dallas Fort Worth International Airport, noted that the SPP has been in place since aviation security underwent drastic changes following the Sept. 11, 2001, terrorist attacks, which led to the creation of the TSA and the SPP system.
"We've had federalized screening for 25 years, almost," McLaughlin said. "Large airports like San Francisco have had an SPP program for 25 years."
Both airports' arrangements work well for them, he told Garbarino.
"The system has been safe for 25 years," he said. "It's important that airports have options."
The new "Gold+" program echoes the Trump administration's promise to bring a "golden age of travel" to the American public. Department of Transportation Secretary Sean Duffy touted those plans earlier this week, as he unveiled $970 million in funding to improve passengers' experiences at airports, from adding family-friendly security screening lanes to improving restrooms and children's play areas.
The money for those projects comes from the Infrastructure Investment and Jobs Act, a Biden-era law aiming to update airports' aging infrastructure.
Copyright 2026 NPR
May gray skies return this morning for coasts and some valleys.
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Mel Melcon
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Los Angeles Times via Getty Images
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QUICK FACTS
Today’s weather: Cloudy beaches sunny elsewhere
Beaches: Mid-70s
Mountains: Mid-70s to 80s
Inland: 83 to 91 degrees
Warnings and advisories: None today
What to expect: A marine layer will cover SoCal coasts today, bringing some cooling to the region. Elsewhere expect mostly sunny skies and highs around the mid 80s.
Read on ... to learn more.
QUICK FACTS
Today’s weather: Partly cloudy then sunny
Beaches: lower 70s degrees
Mountains: Mid-70s to 80s
Inland: 83 to 91 degrees
Warnings and advisories: None today
A marine layer will cover mostly the coastal areas today, lowering temperatures a degree or two. Otherwise expect a sunny afternoon elsewhere across SoCal.
L.A. County beaches will see temperatures in the lower 70s today, whereas Orange County could reach up to 79 degrees along the coast.
More inland, the valleys will see highs in the mid 80s. The Inland Empire will see highs from 83 to 91 degrees. In Coachella Valley, temperatures are expected to reach up to 100 degrees.
Keep up with LAist.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
Fleet Week, Exit the King at A Noise Within, the UCLA JazzReggae Festival, MAINopoly in Santa Monica and more of the best things to do this Memorial Day weekend.
Highlights:
Tour the U.S.S. Iowa and check out the three visiting battleships at San Pedro’s Pacific Battleship Center during L.A.’s annual Memorial Day weekend Fleet Weekon the waterfront. Plus, there are exhibits to walk through, food stands to try, and music for the whole family.
The name of this Eugène Ionesco classic alone — Exit the King— should give you some sense of where the always-on-point folks at A Noise Within were going when they chose it at this moment. The political satire borders on the absurd, with the L.A. Times likening the vibrant characters to “those in a deck of wild cards designed by Salvador Dalí.”
The nouveau bard of Kansas City, Kevin Morby, returns to his once-adopted hometown of Los Angeles on the heels of his newest release, Little Wide Open. Brooklyn-based Liam Kazar opens for him at The Wiltern.
Eat your way down Main Street in Santa Monica at MAINopoly, the annual Monopoly-themed food festival, which will allow drinks while you walk and eat thanks to a new city permit. The popular food-and-bar stretch near the beach is experiencing a little revival with the reopening of dive bar favorite Circle Bar, plus newish hot spots like Triple Beam Pizza and June Shine.
Happy long weekend! The Late Show with Stephen Colbert plays the funnyman’s swan song tonight, so my calendar is booked to stay up past my bedtime. Closer to home, the Yoko Ono exhibit (which comes to us straight from the Tate Modern in London) opens just in time for Memorial Day weekend, so watch this space for more on that.
There’s music for lovers of every genre this week, according to our friends at Licorice Pizza. On Friday, Yungblud and special guests Warning rock the Greek, and Dethklok plays the Palladium; jazz trumpeter Chris Botti begins his residency at the Blue Note.
Saturday, Bright Eyes performs I’m Wide Awake, It’s Morning and Digital Ash in a Digital Urn in their entirety at the Hollywood Bowl with openers the Moldy Peaches; American Football is at the Wiltern; Belgium’s Ultra Sunn plays the Belasco; Italy’s Mina is at the Echoplex; DJ KSHMR plays the Palladium; and then, for a different sort of “Kashmir,” Jason Bonham’s Led Zeppelin Evening takes over the Greek.
On Sunday, brush your teeth with a bottle of Jack for the millennial dance party of the week at the Forum with Kesha, Chromeo and Sizzy Rocket. There’s also the big Day Trip afternoon concert at L.A. State Historic Park with Joseph Capriati, Toman and Cole Terrazas. For a more mellow Sunday, singer-songwriter Katelyn Tarver is at the Echoplex, R&B singer-songwriter Eric Bellinger plays the Novo, or classic crooner Paul Anka is doing it his way at the Cerritos Center for the Performing Arts.
Through Monday, May 25 Pacific Battleship Center 250 S. Harbor Blvd., San Pedro COST: FREE; MORE INFO
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Courtesy L.A. Fleet Week
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Tour the U.S.S. Iowa and check out the three visiting battleships at San Pedro’s Pacific Battleship Center during L.A.’s annual Memorial Day weekend Fleet Week on the waterfront. Plus, there are exhibits to walk through, food stands to try and music for the whole family. Not to mention those cute sailors in their whites.
Topanga Days
Saturday to Monday, May 23 to 25, 10 a.m. to 7 p.m. 1440 N. Topanga Canyon Blvd., Topanga COST: ADULTS $31.80; MORE INFO
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Fadeout Media
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Topanga Days
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Topanga Days is the easiest way to time-travel back to a simpler time when folk musicians roamed the hills, winning a yodeling contest was the biggest bragging right and you spent all year coming up with your parade costume. Those days are here once a year at Topanga Days, headlined on Saturday by New Orleans icon Cyril Neville and peppered with cherry-seed-spitting and bubble-gum-blowing contests, tons of other music, food, and, of course, the parade.
Exit the King
Through Sunday, May 31 A Noise Within 3352 E. Foothill Blvd., Pasadena COST: FROM $49.75; MORE INFO
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Craig Schwartz
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Lucy PR
)
The name of this Eugène Ionesco classic alone — Exit the King — should give you some sense of where the always-on-point folks at A Noise Within were going when they chose it at this moment. The political satire borders on the absurd, with the L.A. Times likening the vibrant characters to “those in a deck of wild cards designed by Salvador Dalí.”
K-Expo
Saturday and Sunday, May 23 to 24 L.A. Live 1005 Chick Hearn Court, Downtown L.A. COST: FREE; MORE INFO
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Courtesy BLND PR
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K-Pop fans will flock to the K-Expo at L.A. Live, where you can see free exhibitions and events featuring 100 Korean brands and companies across content, beauty, food and technology all weekend long. Stick around Saturday night and grab a ticket (from $47) to the mega K-Pop concert at the Peacock Theater, featuring Jay Park and P1Harmony.
MAINopoly
Sunday, May 24, 1 p.m. Main Street, Santa Monica COST: FROM $28.01; MORE INFO
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Courtesy MAINopoly Santa Monica
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Eat your way down Main Street in Santa Monica at the annual Monopoly-themed food festival, which this year will allow drinks while you walk and eat thanks to a new city permit. The popular food-and-bar stretch near the beach is experiencing a little revival with the reopening of dive bar favorite Circle Bar, plus newish hot spots like Triple Beam Pizza and June Shine. I also heard a rumor that something new is finally coming into the old World Cafe space (!!).
Arroyo Secodelic Festival
Friday to Monday, May 22 to 25 Various locations, Highland Park COST: VARIES; MORE INFO
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Courtesy Arroyo Secodelic
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As LAist's Robert Garrova reports, a new four-day music festival takes over Figueroa Street in Highland Park this weekend. The Arroyo Secodelic Festival will feature 65 bands, with acts hailing from Los Angeles, Mexico and as far as France and Holland. Highlights include Flamin' Groovies, Fear and Adolescents.
Angel City Chorale Spring Concert
Sunday, May 24, 4 p.m. Redondo Beach Performing Arts Center 1935 Manhattan Beach Blvd., Redondo Beach COST: FROM $17; MORE INFO
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Mel Stave Photography
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Angel City Chorale
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Enjoy the healing sounds of Angel City Chorale as they perform a new show with the theme "The Red Thread" as “a tribute to the beloved age-old parable and celebration of the invisible threads that connect as humans, our hopes, joys, resilience in the face of adversity, connection to nature and a shared planet Earth.”
Kevin Morby
Friday, May 22, 8 p.m. The Wiltern 3790 Wilshire Blvd., Koreatown COST: $50-$60; MORE INFO
Kevin Morby plays the Wiltern on Friday.
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Jim Bennett
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Getty Images
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The nouveau bard of Kansas City returns to his once-adopted hometown of Los Angeles on the heels of his newest release, Little Wide Open. Morby's latest effort might be his most realized, fully embracing the Technicolor sweep of his indie-Americana sound — striking the sonic equivalent between a Terrence Malick film and Robert Frank's roadside photographs, seen through a passenger car window of a cross-country train. This time, Morby tapped Aaron Dessner of The National to serve as producer — who has most recently done the same for Taylor Swift, Gracie Abrams and Sharon Van Etten — alongside a constellation of collaborators, including Justin Vernon, Lucinda Williams, Katie Gavin, Mat Davidson and Meg Duffy. Brooklyn-based Liam Kazar opens. –Gab Chabrán
UCLA JazzReggae Festival
Monday, May 25, 11 a.m. to 6 p.m. UCLA Wilson Plaza COST: $26.14; MORE INFO
Three little birds told me to get down to the UCLA JazzReggae Festival on Memorial Day. The yearly music fest draws students and neighbors alike for a full day of sunshine, food, music and jammin’. The fest is fully organized and run by student volunteers, and has been since its founding 40 years ago.
Forest Lawn Memorial Day remembrances
Monday, May 25 Various locations COST: FREE; MORE INFO
Forest Lawn in Glendale is one of several locations hosting Memorial Day events.
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David McNew
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Getty Images
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Honor veterans across Los Angeles as Forest Lawn hosts Memorial Day remembrances at each of its six Southern California locations: Cathedral City, Covina Hills, Cypress, Glendale, Hollywood Hills and Long Beach. The parkwide events will celebrate the lives of those who served, with patriotic music, wreath layings, presentations and retirings of the flag, keynote addresses, presidential proclamations, invocations, giveaways, coffee and sweet treats. All events will include American Sign Language interpreters.
Monica Bushman
produces arts and culture coverage for LAist's on-demand team. She’s also part of the Imperfect Paradise podcast team.
Published May 21, 2026 5:00 AM
Edward Furlong and Arnold Schwarzenegger in a scene from the 1991 film 'Terminator 2: Judgment Day.'
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via film-grab.com
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Topline:
Terminator 2: Judgment Day is back in select theaters this weekend, in celebration of the movie’s 35th anniversary. Considered one of the best action films and best sequels of all time, it’s also celebrated among film experts for its groundbreaking use of CGI visual effects — most notably for the T-1000 character, a liquid metal cyborg masquerading as an LAPD officer.
Where to see the film in LA: American Cinematheque, The Academy Museum and The Vista are hosting screenings of Terminator 2: Judgment Day starting on May 22, but they’re already selling out. Additional screenings are on May 29 at Los Feliz 3, May 30 at Aero Theatre in Santa Monica and June 6 and 7 at The Vista in Los Feliz.
Read on ... for behind-the-scenes details from the film's Oscar-winning visual effects supervisor.
You could call it a fulfillment of Arnold Schwarzenegger’s famous promise from the first Terminator movie in 1984: “I’ll be back.”
Terminator 2: Judgment Day (1991), the bigger budget, multi-award winning follow-up to that first film is coming back to theaters in Los Angeles starting this weekend, in celebration of the film’s 35th anniversary.
Considered one of the best action films and best sequels of all time, it’s also celebrated among film experts for its groundbreaking use of CGI visual effects — most notably for the T-1000 character, a liquid metal cyborg masquerading as an LAPD officer, played by Robert Patrick.
Where to watch ‘T2’ on the big screen
While the American Cinematheque’s first two 35th anniversary screenings of Terminator 2 are already sold out, as of this article’s publishing time, tickets to screenings on May 29 (at Los Feliz 3) and May 30 (at Aero Theatre in Santa Monica) are still available.
Tickets for screenings on May 22 at The Ojai Playhouse and June 6 and 7 at The Vista in Los Feliz are also still available, and Rialto Pictures also lists screenings on July 2-5 at The Frida Cinema in Santa Ana.
And while the screening at The Academy Museum on May 27 (with the film’s Oscar-winning visual effects supervisor Dennis Muren in person) is sold out, we have you covered with some highlights from Muren’s interview with LAist below.
Making the impossible possible with CGI
Terminator 2, director James Cameron’s follow up to his surprise 1984 hit, The Terminator, was the first (and still only) movie in what would become the six-film Terminator franchise to earn an Oscar win or nomination.
Ultimately, the film took home four Oscars — for visual effects (for Dennis Muren, Stan Winston, Gene Warren, Jr. and Robert Skotak), makeup, sound, and sound effects editing — and also earned nominations for cinematography and film editing.
The visual effects studio responsible for the T-1000 character’s CGI effects was Industrial Light & Magic (ILM), founded in 1975 by Star Wars creator George Lucas. Dennis Muren headed up their Terminator 2 team, which consisted of about 35 artists.
Muren remembers first being taken with visual effects at the age of 6 or 7, watching The War of the Worlds (1953) in Los Angeles. He made his first film — a “creature feature” called Equinox — the summer between his freshman and sophomore years at Pasadena City College, and would go on to work for ILM on visual effects for movies like Star Wars, Indiana Jones, Terminator 2, Jurassic Park, and (fittingly) the 2005 version of War of the Worlds.
A scene from 'Terminator 2' (1991).
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via film-grab.com
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ILM and Muren began development on the CGI techniques that would be needed to pull off Terminator 2’s T-1000 character in movies like 1985’s Young Sherlock Holmes and 1989’s The Abyss, which was also directed by James Cameron.
“ILM has been so good at being able to really do the impossible,” Muren said. “And we kind of joke about that, but we've got many different ways of doing things.”
When the opportunity for Terminator 2 came up, Muren had also just returned from a year-long sabbatical he spent studying computer graphics, and said he was confident ILM had the tools needed to make the T-1000 character a reality.
“We were ready to input the film digitally,” Muren explained. “[To] do all the manipulation in a computer instead of with optical film running through printers and going to labs for processing.”
And when ILM got that digital system for “compositing” — combining live-action images, practical and CGI effects — working seamlessly, Muren says, “That was an incredible tool.”
But that didn’t mean that pulling off a shiny, shape-shifting, liquid metal character successfully would be easy.
“It's just complicated,” Muren explained. “You've just got this reflective material [and] how are we supposed to be able to see depth or shape when it's deforming?” But at the same time, Muren said, “that's what was exciting about it.”
Muren says the trickiest scene for the team to figure out is when the T-1000 walks through a cell door made of metal bars. While it happens in a matter of seconds on screen, it amounted to 14 to 16 weeks of work for the visual effects team.
“I always said that shot, even as we were doing it, and we got close to finishing, I said, ‘This is an absolutely impossible shot,’” Muren explained. So when they got it right, he said, “It was like a new world.”
Today, while he says Jurassic Park (1993) is the film he’s now asked about most often, he always reminds people: “T2 was really the breakthrough film.”
