The Brief

The El Monte Union High School District agreed to sweeping reforms Friday in settling a state attorney general investigation into how it handled allegations staff sexually abused students.

The wide-ranging stipulated judgment with the school district draws to a close an 18-month investigation, which found “systemic shortfalls in the district’s response to allegations and complaints of sexual harassment, assault, and abuse of students.” The investigation was spurred by a 2023 article in Business Insider, The Predators’ Playground, which documented decades of sexual misconduct by teachers, coaches and other staff at one of the district’s schools, Rosemead High, ranging from sexual harassment and groping to statutory rape.

“Every child deserves to learn and grow in a safe and supportive school environment. Unfortunately, our investigation found that this has not always been the case for students enrolled in El Monte Union High School District,” Attorney General Rob Bonta said. District administrators, he added, “consistently mishandled students’ complaints of sexual harassment, assault, and abuse by District employees and others. In doing so, it jeopardized the safety and well-being of its students and violated the community’s trust. Today’s settlement marks a beginning, not an end. I am hopeful that the District will move swiftly to implement the reforms required by this settlement, and my office will be monitoring closely to ensure its compliance.”

In an emailed statement, El Monte Superintendent Edward Zuniga said that “student safety and well-being remain our highest priorities. This agreement reflects our continued commitment to strengthening systems that support safe, inclusive, and respectful learning environments.”

Reforms mandated after investigation

Among other changes, the stipulated judgment requires the district to designate a compliance coordinator to investigate complaints of sexual harassment or abuse and creates a centralized system to store documents related to investigations. It also requires the district to maintain a list of substitute teachers found to have violated the district’s employee policy on appropriate boundaries with students. The agreement requires the district to establish an advisory committee to study its compliance with the reforms and make additional recommendations, and to provide students and parents with training for how to recognize the signs of grooming — curriculum that Rosemead students have fought to have implemented for the past four years.

The agreement is a rare instance of state law enforcement taking an active role in a K-12 school district’s compliance with California education code and mandated reporting laws. The only other agreement like it was reached in 2024 with the Redlands Unified School District, following sexual abuse and misconduct allegations that cost the district more than $50 million in legal settlements. In El Monte’s case, announced Friday by Bonta at a press conference in Los Angeles, the judgment requires four years of court-supervised oversight, and includes sweeping reforms in how the district handles serious misconduct allegations.

In an interview with CalMatters, Bonta said that his office was focused on trying to establish best practices for school districts across the state in how to address sexual misconduct allegations when they surface. “I don’t think this will be the last case of this type, unfortunately,” Bonta said, adding that his staff would conduct unannounced site visits of the district in the months ahead to ensure compliance with the settlement. “We think we’ve arrived at a model that can really help districts that have failed systemically, transform.”

Attorneys in the justice department’s Bureau of Children's Justice conducted the investigation, which focused on the district’s handling of sexual misconduct allegations against school staff since 2018. It included a review of more than 100 complaints, thousands of pages of documents, and interviews with more than two dozen employees, former students and others. The investigation found that district officials had failed to properly respond to complaints, provide adequate reporting procedures and adequately maintain records of misconduct allegations.

The findings mirror those first identified by Business Insider, which sued the school district for not releasing records under the California Public Records Act. That case settled out of court, with district administrators agreeing to conduct new searches for records and pay $125,000 in legal fees. The district's head of human resources, Robin Torres, said in a deposition that her office had discarded disciplinary records it was legally obligated to keep. She acknowledged that her predecessors had failed to properly investigate allegations that staff had sexually harassed students or had sex with former students soon after they graduated.

Years of sex abuse allegations

The stipulated judgment is the latest fallout from generations of Rosemead High students coming forward to share their stories of being preyed upon and groomed for sexual relationships at school. The LA Sheriff’s Department opened criminal probes into at least three former staffers, while students walked out of class in protest and several teachers resigned following district investigations. At least five civil lawsuits have been filed on behalf of former students. Many were represented by attorneys Dominique Boubion and Michael Carrillo, who previously brought a case against the district that resulted in a $5 million verdict in favor of a former student who said she was abused by a teacher the district allowed to continue teaching after he was accused of fondling children.

“The attorney general’s intervention confirms what survivors have been saying for years: EMUHSD failed its students,” Boubion told CalMatters. “This was not an isolated breakdown. It was a longstanding failure to protect children, and it stretches back decades. The district should stop resisting and start complying. Students have the right to be safe at school.”

A new state law, the Safe Learning Environments Act, took effect earlier this year and gives school officials more tools to identify suspected misconduct. State Sen. Sasha Renée Pérez, a Democrat from Alhambra whose district includes Rosemead High, authored the law.

Among other reforms, the law establishes the creation of a non-public database of alleged staff misconduct that administrators are required to consult before hiring new employees. Similar databases already exist in other states as part of a growing nationwide effort to prohibit instances of “pass the trash,” where educators accused of sexual misconduct leave a school district only to return to the classroom elsewhere. This happened numerous times in the El Monte district.

Matt Drange is a journalist with the Organized Crime and Corruption Reporting Projectand an alumnus of Rosemead High School. He can be reached at matt.drange@occrp.org.

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

The Academy added that its rules and eligibility standards have always evolved alongside technologies such as sound, color, and CGI, and that AI is no different. Awards rules and guidelines are reviewed and refined each year.

A blow for Tilly Norwood 

Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

Particle6, the production company behind Norwood, did not immediately respond to NPR's request for comment on Saturday about its creations' ban from consideration. In March, Norwood commented, "Can't wait to go to the Oscars!" in an Instagram post announcing its newly released music video.

The Academy also requires screenplays to be "human-authored" and said it reserved the right to investigate the use of generative AI in any submission.

Meanwhile, qualifying flesh-and-blood human actors can now be nominated for multiple performances in the same category if those performances get enough votes to land in the top five. So, someone like Anne Hathaway, who has five major movies scheduled for release in 2026, could now theoretically sweep the nominations – though that outcome seems extremely unlikely.

"If an actor has an extremely prolific year, might we even see someone swallow up three of the five nominations?," wrote Deadline's awards columnist and chief film critic Pete Hammond about the changes. "Probably won't happen, but it's now possible."

Under previous rules, an actor could only receive one nomination per category. If they had two high-ranking performances in Best Actor, for example, only the one with the most votes would move forward.

International films prioritizes filmmakers over countries

While international films can still be the official selection of their countries, now they can qualify by winning the top prize at a major international festival such as the Palme d'Or at Cannes, the Golden Lion at Venice, or the World Cinema Grand Jury Prize at Sundance.

Historically, countries "owned" the nomination, and only one film per country was allowed. The new rules allow multiple films from the same country to compete if they are critically acclaimed, and it shifts the honor from a geopolitical entity to the filmmakers themselves.

Largely positive response

The changes have prompted a largely positive reaction from the film community on social media, such as on the popular The Shade Room entertainment and celebrity-focused Instagram feed, where commenters widely praised the "human-only" move to protect creative jobs.

The Academy's Awards Committee oversees the rules in tandem with branch executive committees, the International Feature Film Executive Committee and the Scientific and Technical Awards Executive Committee.

The rules are scheduled to go into effect next year, covering films released in 2026.

Copyright 2026 NPR

Los Angeles changes fast, and oftentimes that means some of the architectural relics of our shared past get swept up and paved over in all the "progress." (RIP Garden of Allah.)

But there are still places where you can find ruins that tell a tale, like a long-forgotten speakeasy reputedly for old Hollywood near La Crescenta.

The ruins are still there 

On a recent afternoon, author and local historian Mike Lawler led me just beyond the boundary of Crescenta Valley Park. Joggers like me might have seen an old, towering stone arch shrouded by bushes there — and wondered what lies beyond.

Turns out there was once a place called the Verdugo Lodge back there and Lawler has spent years excavating its history.

A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.

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“It was a very high-end speakeasy for a time,” Lawler, who also helps run the Historical Society of the Crescenta Valley, said. “An amazing thing. And all the ruins are still here, just like this arch.”

Lawler said we don’t know exactly when the lodge was built, but we do have some of the picture starting in the late 1920s. The place was set up kind of like a timeshare where people bought 10 x 10 foot ‘tent lots’ that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool — and a lodge with gambling and alcohol.

“The Crescenta Valley in the teens and '20s was a hotbed of moonshine, prostitution, all that stuff," Lawler said. "It was a quiet little community. But in all these canyons up here, stuff was going on. Illegal stuff!”

We don’t have a full guest list, but Lawler said it’s likely at least a few Hollywood types had gone up to the lodge to circumvent Prohibition era laws.

In some ways, it was kind of like the original glamping. Lawler said patrons probably weren’t doing much sleeping, though.

“They might have been unconscious!” he said with a chuckle.

Lawler led me to a road that swooped around a meadow. We passed by a massive swimming pool nestled into the hillside.

Once known as the “Crystal Pool,” it’s now empty and fenced off, with pitch black locker rooms below.

The exterior of the locker rooms for the old Crystal Pool.

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We continued our journey up the hill and eventually arrived at a cascading stone stairway.

And at the top, the big show: overgrown with orange monkey flowers and goliath agaves lies the foundation of the old Verdugo Lodge, with lofty stone fireplaces the only guardians keeping the surrounding oak trees at bay.

Lawler takes out a floorplan that one of the former owners drew up for him.

“This is what it was laid out like on the inside. So a dancehall, and band stand on that side... And then upstairs was the gambling,” Lawler said.

Lawler had in hand a copy of a Los Angeles Times article from 1933 he found. The headline reads: “Revelers Flee in Lodge Raid.”

“The police that raided it were here at 3 o'clock in the morning. And there were still 500 people here. And they said it was the classiest joint they had ever raided... Anyway, people were diving out of windows and everything,” Lawler explained.

In a ruin like this, covered with moss and overgrowth, the imagination can run wild, too.

The archway that still stands outside of what's now known as Mountain Oaks.

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Lawler pointed out a questionable door jam below the old dancefloor that’s been cemented over.

“That is a door. So what is behind there? So there’s a room in there that got walled in for some reason,” he said.

What we do know is that, sometime after the raid, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

The future of Mountain Oaks 

After they sold it in the ‘60s, Lawler said Mountain Oaks faced a “nightmare” of development threats. Over the years, some of the subdivided "tent lots" had been combined and sold off, Lawler said. A dozen private homes now stand on these pieces of land, next to the ruins of the Verdugo Lodge.

A map showing the Mountain Oaks public property acquired by The Mountains Recreation and Conservation Authority (MRCA).

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Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant among other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

Paul Edelman, MRCA's director of natural resources and planning, said his group will continue to manage the land, doing things like brush clearance, trash pickup and sign maintenance. And he said there are no current plans to remove the ruins or make any major changes to the property.

“If somebody comes up with a grand idea where they can find some funding for us to do something to enhance it, we’re always open to it,” Edelman said.

The purchase was good news for local preservationist Joanna Linkchorst.

“I grew up directly up the hill. But I always saw the sign that said ‘private property’ and didn’t really think about it until several years ago when I finally asked Mike. And he said, ‘Oh yeah, we got a resort speakeasy down the street,’” Linkchorst said standing among the oaks and overgrowth.

Linkchorst, who founded the group Friends of Rockhaven to preserve another nearby historic site, said it’s been amazing to see all of the decaying structures that were still hiding out at Mountain Oaks.

“There’s almost like these little ghosts in your head as you imagine what it was like when there was a beautiful wood floor and there was a second floor that people came jumping out of,” Linkchorst said.

Now, let’s check in to the Overlook Hotel.

That’s the fictional place Stanley Kubrick brought to life in his 1980 film The Shining, loosely based on Stephen King’s novel of the same name.

A local architect who hails from South Pasadena meticulously crafted a 3D model of the iconic space so Shining fans everywhere never have to check out.

‘I just couldn’t stop’ 

At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights meticulously recreating a virtual replica of the Overlook Hotel from the film that first scared him when he was 12.

Of course he started with the deeply haunted Room 237. That’s where Jack Torrance, played by Jack Nicholson, has a terrifying encounter with a ghostly woman.

Chieh's 3D rendering of Room 237

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Anthony Chieh

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“But once I started, I just couldn’t stop,” Chieh told LAist.

“I ended up modeling the Colorado Lounge, and then after that I was thinking maybe I should make the lobby and then arriving to the Gold Room, and then Grady’s bathroom.”

“It’s like a rabbit hole,” he said.

Users who download Chieh’s free 3D model can fly through all of those spaces, immersed in atmospheric sounds and music from the film.

“It’s interesting to dive into these kind of fictional environments and try to make sense of it,” Chieh said. “And the hope is people will get a different perspective once they’re in there.”

Kubrick’s take on the Overlook was famously inspired by real hotels like the Timberline Lodge in Oregon and the Ahwahnee in Yosemite. But the interiors you see in the film were created on sound stages in England.

“Real architecture, physical buildings, are built for people to live. And for movies, these are more meant to express the emotional aspect of things. It’s a psychological construct,” Chieh said.

In a recently published video essay on YouTube, Chieh dives deep into those psychological constructs and how, as he puts it, “Kubrick designed the Overlook Hotel not as a backdrop, but as the film's true villain.”

How spaces scare 

Chieh said during the monthslong process he was reminded of the power of architecture and design in the real world too – whether it’s an uncomfortably repetitive carpet design or a claustrophobic hallway.

“A physical construct can affect your emotion,” Chieh said.

“You can use it in a way to make people feel comfortable and you can also use it in a way to create fear.”

Chieh's 3D rendering of the Torrance's apartment in 'The Shining'

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Anthony Chieh

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What’s next for this architect moonlighting as a 3D modeler?

Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

That is, of course, if he can ever escape the Overlook.