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The Brief

The most important stories for you to know today
  • State preschool and TK added 35,000 kids
    Preschoolers stand in a line at Field Elementary.
    Preschoolers line up to rehearse a promotion ceremony at Field Elementary in Pasadena.

    Topline:

    California's public preschool programs grew more than any other state in the 2023-24 school year, according to a new report out on the state of preschool in the U.S.

    What's the report? Produced by the National Institute for Early Education Research at Rutgers University, the report found that enrollment in transitional kindergarten — known as TK — and the California State Preschool Program jumped by more than 35,000 kids from the previous school year.

    Why now: This comes as California continues to push hard towards its plan for universal TK by this fall. It's still unclear whether all school districts will have the teaching staff or infrastructure in time.

    Educational standards: The "State of Preschool" report also assesses the quality of public pre-K programs across the country using standards like class sizes of less than 20, 10-to-1 staff-to-child ratios, and teacher training. By these metrics, California's TK program scored just a 3 out of 10, dinged for its larger allowable class sizes and students-to-staff ratios (currently, 12:1). Gov. Gavin Newsom's proposed 2025-26 budget allocates $1.5 billion to reduce TK staff ratios to 10-to-1.

    Federal funding at risk: Researchers with Rutgers say that disappearing pandemic funding and potential cuts or elimination of federal programs like Head Start threaten the progress made in California and other states.

    California's public preschool programs grew more than any other state in the 2023-24 school year, according to a new report out on the state of preschool in the U.S.

    That report, produced by the National Institute for Early Education Research at Rutgers University, found that enrollment in transitional kindergarten — known as TK or universal TK — and the California State Preschool Program jumped by more than 35,000 children from the previous school year.

    This comes as California continues to push hard toward its plan for universal TK by this fall.

    "The state is getting closer each year to achieving its goal of universal preschool for 4-year-olds,” said W. Steven Barnett, the senior director of the institute that produced the report, in a statement.

    The report surveyed state preschool administrators in all 50 states and Washington, D.C. It found that California enrolls 48% of 4-year-olds in TK or public preschool, making it 13th in the nation by that metric. The report also found that if California continues enrolling 4-year-olds at recent rates, it could reach two-thirds enrollment in the coming years.

    The state spent $15,192 per child enrolled in public pre-K last school year — up more than $500 from the year prior. That bump reflects the state's ongoing investment in TK and an increase in rates for state preschool programs, according to Bruce Fuller, a professor emeritus with UC Berkeley's School of Education.

    Number of 3-year-olds in public preschool remains low

    As TK expands and serves more 4-year-olds, experts say the state preschool program will need to shift to serve more younger kids. But the report found that last year, California's public preschool served just 10% of the state's 3-year-olds.

    That concerns researchers who say studies show it's better for kids to attend high quality pre-K for two years rather than one.

    "Attending at three and at four [years old] leads to longer lasting stronger impacts on child outcomes," said Allison Friedman-Krauss, an associate professor of education at Rutgers who co-authored the report.

    What is transitional kindergarten?

    In 2010, state lawmakers passed The Kindergarten Readiness Act, which changed the age cutoff for kindergarten. It required districts to offer a new program— transitional kindergarten— to kids who would be excluded from kindergarten because of the change, those with 5th birthdays between September and December of the current school year.

    The law defined transitional kindergarten as "the first year of a two-year kindergarten program that uses a modified kindergarten curriculum that is age and developmentally appropriate." Every district implements TK a little differently, so you'll get the most useful information by asking them for more details about the program.

    The California Department of Education considers pre-K as an umbrella term — transitional kindergarten is pre-K, but not everything that could be considered pre-K is transitional kindergarten. (Programs like Head Start, for example.)

    Enrollment of 3-year-olds has hovered around 10% for years while the number of four-year-olds has shot up, according to the report. From the 2019-20 school year to the 2023-24 school year, the number of 3-year-olds enrolled in California public preschool dropped 1%. In that same time period, state enrollment of 4-year-olds jumped by more than 10%, according to the report.

    Los Angeles Unified, California's largest school district, has more than 80 preschools for 2- to 4-year olds funded by the California State Preschool Program. But as of December 2024, those centers had thousands of vacant spots.

    The director of LAUSD’s Early Childhood Education Division told LAist that the programs had been under capacity since the pandemic and the expansion of universal TK. In response, the district opened up enrollment to higher-income families.

    " The problem is [3 year-olds], and that's where the scarcity is," Fuller said. "And the state just can't induce the system to pivot to threes, even though we have all these underutilized slots."

    TK quality in California is lagging

    As TK grows, questions remain about whether all school districts will have the teaching staff or infrastructure necessary in time.

    The "State of Preschool" report also raises other concerns. It assesses the quality of public pre-K programs across the country using standards like class sizes of less than 20, 10-to-1 staff-to-child ratios and teacher training.

    By these metrics, California's TK program scored just a 3 out of 10, in part for having a maximum class size of 24 4-year-olds and an average 12-to-1 student to staff ratio. Gov. Gavin Newsom's proposed 2025-26 budget allocates $1.5 billion to reduce TK staff ratios to 10-to-1.

    " Quality we know is critical for achieving the goals of state funded preschool," Friedman-Krauss said. "So it's important to understand that most state standards for quality remain too low."

    The state's public preschool program met six out of 10 benchmarks, including for having an 8-to-1 staffing ratio.

    Uncertain federal funding threatens gains

    Researchers with Rutgers say disappearing pandemic funding and potential cuts or elimination of federal programs like Head Start threaten the progress made in California and other states.

    According to the report, nearly 50,000 young learners could lose access to Head Start if the program is eliminated — more than the entire gain the state made in enrollment last year.

    " Most state pre-K programs are built on the assumption that Head Start is there," Barnett said. " Head Start funding is key to states' abilities to accomplish what they have."

  • Questions of accuracy around Washington Post plan
    The incoming editor of <em>The Washington Post</em>, Robert Winnett, has withdrawn from the job and will remain in the U.K.
    The Washington Post is experimenting with personalized news podcasts created by AI.

    Topline:

    The Washington Post's new offering, "Your Personal Podcast," uses artificial intelligence to customize podcasts for its users, blending the algorithm you might find in a news feed with the convenience of portable audio.

    What critics are saying: The AI podcast immediately made headlines — and drew criticisms from people questioning its accuracy, and the motives behind it.

    What the Post is saying: Bailey Kattleman, head of product and design at the Post, calls it "an AI-powered audio briefing experience" — and one that will soon let listeners talk back to it.

    Read on ... for more details and answers to the biggest questions about this new experiment.

    It's not your mother's podcast — or your father's, or anyone else's. The Washington Post's new offering, "Your Personal Podcast," uses artificial intelligence to customize podcasts for its users, blending the algorithm you might find in a news feed with the convenience of portable audio.

    The podcast is "personalized automatically based on your reading history" of Post articles, the newspaper says on its help page. Listeners also have some control: At the click of a button, they can alter their podcast's topic mix — or even swap its computer-generated "hosts."

    The AI podcast immediately made headlines — and drew criticisms from people questioning its accuracy, and the motives behind it.

    Nicholas Quah, a critic and staff writer for Vulture and New York magazine who writes a newsletter about podcasts, says the AI podcast is an example of the Post's wide-ranging digital experiments — but one that didn't go quite right.

    "This is one of many technologically, digitally oriented experiments that they're doing" that is aimed at "getting more audience, breaking into new demographics," he says. Those broader efforts range from a generative AI tool for readers to a digital publishing platform. But in this case, Quah adds, "It feels like it's compromising the core idea of what the news product is."

    On that help page, the newspaper stresses that the podcast is in its early beta phase and "is not a traditional editorial podcast."

    Bailey Kattleman, head of product and design at the Post, calls it "an AI-powered audio briefing experience" — and one that will soon let listeners talk back to it.

    "In an upcoming release, they'll be able to actually interact and ask follow up questions to dig in deeper to what they've just heard," Kattleman says in an interview with NPR.

    As technically sophisticated as that sounds, there are many questions about the new podcast's accuracy — even its ability to correctly pronounce the names of Post journalists it cites. Semafor reported that errors, cited by staffers at the Postincluded "misattributing or inventing quotes and inserting commentary, such as interpreting a source's quotes" as the paper's own stance.

    In the newspaper's app, a note advises listeners to "verify information" by checking the podcast against its source material.

    In a statement, the Washington Post Guild — which represents newsroom employees and other staff — tells NPR, "We are concerned about this new product and its rollout," alleging that it undermines the Post's mission and its journalists' work.

    Citing the paper's standing practice of issuing a correction if a story contains an error, the guild added, "why would we support any technology that is held to a different, lower standard?"

    So, why is the Post rolling out an AI podcast? And will other news and audio outlets follow its lead?

    Here are some questions, and answers:

    Isn't AI podcasting already a thing?

    "The Post has certainly gone out on a ledge here among U.S. legacy publishers," Andrew Deck tells NPR. But he adds that the newspaper isn't the first to experiment with AI-generated podcasts in the wider news industry.

    Deck, who writes about journalism and AI for Harvard University's Nieman Lab, points to examples such as the BBC's My Club Daily, an AI-generated soccer podcast that lets users hear content related to their favorite club. In 2023, he adds, "a Swiss public broadcaster used voice clones of real radio hosts on the air."

    News outlets have also long offered an automated feature that converts text articles into computer-generated voices.

    Even outside of the news industry, AI tools for creating podcasts and other audio are more accessible than ever. Some promise to streamline the editing process, while others can synthesize documents or websites into what sounds like a podcast conversation.

    Why do publishers want to experiment with AI podcasts?

    "It's cost-effective," says Gabriel Soto, senior director of research at Edison Research, which tracks the podcast industry. "You cut out many of the resources and people needed to produce a podcast (studios, writers, editors, and the host themselves)."

    And if a brand can create a successful AI virtual podcast in today's highly competitive podcasting market, Soto adds, it could become a valuable intellectual property in the future.

    Deck says that if the Post's experiment works, the newspaper "may be able to significantly scale up and expand its audio journalism offerings, without investing in the labor that would normally be required to expand."

    In an interview, Kattleman stresses the new product isn't meant to replace traditional podcasts: "We think they have a unique and enduring role, and that's not going away at the Post."

    What's unique about the Post AI podcast?

    For Deck, the level of customization it promises is an innovation. Being able to tailor a podcast specific to one person, he says, "is arguably beyond what any podcast team in journalism right now can produce manually."

    In an example the Post published, listeners can choose from voice options with names like "Charlie and Lucy" and "Bert and Ernie."

    Kattleman says her team was working from the idea that for an audience, there isn't a "one size fits all" when it comes to AI and journalism.

    "Some people want that really straight briefing style; some people prefer something more conversational and more voicey," she says.

    Quah says that adding an AI podcast is a bid to make stories accessible to a broader audience.

    He says that with the podcast, the Post seems to be trying to reach young people who "don't want to read anymore, they just want to listen to the news."

    A key goal, Kattleman says, is to make podcasts more flexible, to appeal to younger listeners who are on the go.

    Outlining the process behind the Post's AI podcast, Kattleman says, "Everything is based on Washington Post journalism."

    An LLM, or large language model, converts a story into a short audio script, she says. A second LLM then vets the script for accuracy. After the final script is stitched together, Kattleman adds, the voice narrates the episode.

    Will listeners embrace an AI news podcast?

    Soto, of Edison Research, says that 1 in 5 podcast consumers say they've listened to an AI-narrated podcast.

    But, he adds that for podcast listeners, "many prefer the human connection, accepting AI tools to assist in creating the content, but not in executing or hosting the podcast."

    The new AI podcast reminds Deck a bit of the hyper-personalized choices for users offered by TikTok and other social media.

    "There is a level of familiarity
    and, arguably, comfort with algorithmic curation among younger audiences," he says.

    But while younger audiences tend to be tech savvy, many of them are also thoughtful about authenticity and connection.

    "Community is at the core of why people listen to podcasts," Soto says.

    Then there's the idea of a host or creator's personality, which drives engagement on TikTok and other platforms.

    "These creators have built a relationship with their audience — and maybe even trust — even if they haven't spoken to sources themselves," Deck says. "This type of news content is a far cry from the disembodied banter of AI podcast hosts."

    What are the potential downsides of AI podcasts?

    One big potential consequence is the loss of jobs — and for companies, the loss of talent.

    "The automation of it kind of erases the entire sort of voice performance industry," Quah says. "There are people who do this for a living," he adds, who could "produce higher quality versions of these recordings."

    There are also concerns that, if AI chooses a story and controls how it's presented, it might create an echo chamber, omitting context or skepticism that a journalist would likely provide.

    "AI-based news personalization tends to land firmly in the camp of delivering audiences what they want to know," Deck says.

    Deck says he's willing to give the Post's AI podcast a bit of time to see how it plays out. But Deck does have a chief concern: "I can say point blank, generative AI models hallucinate."

    And when AI models are wrong, he says, they're often confidently so.

    Blurring boundaries between human and AI voices could also raise questions of trust — a critical factor for a news organization.

    As Soto puts it, "What happens when your audience expects content from the real you and ends up finding AI instead?"

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  • Legendary OC venue to close
    Four people -- three men and one women -- posing in the backstage of a concert venue.
    No Doubt, Tony Kanal, Gwen Stefani, Adrian Young and Tom Dumont, backstage at the Wadsworth Theater before a taping of ABC Family's "Front Row Center" in Los Angeles, Ca. Sunday, November 11, 2001. *Exclusive* Photo by Kevin Winter/Getty Images.

    Topline:

    Sad news for pretty much anyone who went out to see bands big and small over the past few decades. A storied Orange County indie venue is closing down after some 30 years.

    Why it matters: Over the years the venue has hosted budding local bands and big acts alike, including No Doubt and Turnstile.

    Last shows: Chain Reaction in Anaheim announced on their Instagram that their final shows will be on Dec. 18 and Dec. 19. The Rancho Santa Margarita band Movements will headline.

    No word on why the venue is shutting down.

    "This call wasn't made quickly. We wrestled with it and have ultimately made the decision to close our doors," said Chain Reaction management on Instagram.

    "We want to thank you for the friendships and memories made in our special club. Thank you for supporting us through the years and when we needed it most," the post continued.

  • Fewer characters went through with the procedure
    A teenage girl with brown hair and a jean jacket with a hospital bracelet on talks to a woman with a brownish-red sweater and short brown hair.
    Abby Ryder Fortson portrayed Kristi Wheeler, a teen who came into the hospital for a medication abortion, on The Pitt.

    Topline:

    Storylines about abortion and conversations about it showed up on television 65 times this year, on prestigious dramas like The Pitt and Call the Midwife, on reality shows such as W.A.G.s to Riches and Love is Blind and on lowbrow animated comedies like Family Guy and South Park. That's about the same as last year. In 2024, TV shows featured 66 such plotlines.

    Why it matters: "I think there still is a lot of stigma, even in allegedly liberal Hollywood," says researcher Steph Herold. She says the report, which has come out for about a decade, reflects a profound lack of accurate representation of abortion use in America.

    Read on ... for more details from the annual Abortion Onscreen report.

    Storylines about abortion and conversations about it showed up on television 65 times this year, on prestigious dramas like The Pitt and Call the Midwife, on reality shows such as W.A.G.s to Riches and Love is Blind and on lowbrow animated comedies like Family Guy and South Park. That's about the same as last year. In 2024, TV shows featured 66 such plotlines.

    But in the past few years, there's been a significant drop in the number of characters who actually went through with an abortion. 37% obtained an abortion in 2025, a 14% decline since 2023.

    That's according to the annual Abortion Onscreen report. It comes from Advancing New Standards in Reproductive Health, a research program on abortion and reproductive health based at the University of California San Francisco.

    "I think there still is a lot of stigma, even in allegedly liberal Hollywood," says researcher Steph Herold. She says the report, which has come out for about a decade, reflects a profound lack of accurate representation of abortion use in America. For example, she points to research showing that about 60% of real life Americans who seek an abortion deal with some sort of barrier.

    "But only about a third of people who are characters on screen face any kind of barrier to abortion," Herold said. "Whether it was not being able to come up with the cost of the abortion, not having somebody to watch their kids or cover for them at work, having to deal with clinics that are miles away, or in other states having insurance that wouldn't cover the cost." Most TV shows in 2025 depicting women struggling to get abortions focused on legal obstacles in the past and present.

    On TV, 80% of characters seeking abortions are upper or middle class, but in real life, most abortion patients struggle to make ends meet. "This [disparity] obscures the role that poverty plays in obstructing access to abortion, and perhaps explains why we so rarely see plotlines in which characters wrestle with financial barriers to abortion access," the study says.

    This year, a teenager on The Pitt sought abortion pills to end her pregnancy — one of only three stories depicting medication abortion out of 65 plotlines about abortion this year. That's another disparity between representation on-screen and real-world numbers: research shows that abortion pills account for the majority of abortions in the U.S. Another difference: only 8% of people seeking abortion on TV are parents. In real life, most abortion patients have at least one child.

    It is unrealistic, says Herold, to expect TV to perfectly reflect current abortion use in the U.S., but she said she was disappointed by certain trends. Fewer characters this year received emotional support around their abortions, and more shows, she said, including Chicago Med, 1923, Breathless and Secrets We Keep featured plotlines that emphasized shame and stigma around abortions, especially because of religion. These storylines, the report says, "both obscure the diversity of religious observance among people having abortions, portraying religious patients as exclusively Christian, and also only associating religion with prohibiting abortion, instead of being a meaningful or supportive part of someone's abortion decision-making and experience."

    But even though abortion has long been a hot-button political issue, Herold says millions of Americans have had some sort of experience with abortions. "Whether it's having one themselves or helping a daughter or a friend," she said, adding that stories that reflect a diversity of abortion experiences will be familiar to many viewers.

    One bright spot, she added, was that television is doing a better job of reflecting the racial realities of abortion. A slight majority of characters in abortion plotlines are people of color — and although they are by far the majority of abortion seekers in real life, this marks a notable improvement from a decade ago, when TV shows more often portrayed women seeking abortions as wealthy and white.

  • Is the brightest meteor show of the year
    A meteor is seen burning in space over a desert. Various stars surround the meteor. A caravan of stargazers is seen in the bottom left.
    A meteor burns up in the sky over al-Abrak desert north of Kuwait City during the annual Geminid meteor shower.

    Topline:

    Geminids, the strongest meteor shower of the year hit their peak this weekend.

    Why it matters: Over 150 meteors per hour are expected to burn through the night sky tonight and Sunday.

    Read on ... to find the best places and learn the best time to watch the celestial phenomenon.

    Geminids, the strongest meteor shower of the year, hit a peak this weekend, sending over 150 meteors per hour through the night sky tonight and Sunday.

    Vanessa Alarcon, an astronomical observer at the Griffith Observatory, says despite being the best and brightest every year, these meteors don’t tend to get many fans.

    " It's usually not as heavily attended, I think because it's a lot colder in the winter. So it's definitely a deterrent, but technically, it's more meteors per hour than the Perseids are," Alarcon said.

    The Perseids are typically visible between July and August, but this summer, they were mostly drowned out because of light pollution from the full moon.

    Alarcon says it will be a different story this weekend.

    " The Geminids ... there's about a 25% crescent moon. So it's actually going be even better than the Perseids," Alarcon said.

    Where to go for the best view

    For the best viewing experience, you'll have to brave the cold of the deserts and mountains at night, but it should be worth the trip.

    "You should go to a darker sky," Alarcon said. "And basically, you just want to get away from the city lights — anything away from the city lights is going to be an improvement from trying to watch it at home."

    When to best see it

    The Geminids are notable for being exceptionally bright, burning like fireballs for several seconds. The meteors can be seen after 8 p.m. tonight, Alarcon said, peaking between 1:20 and 2:20 a.m. and visible until 5:20 a.m.