The Brief

Proposition 36, which passed in November 2024, promised California voters a new era of “mass treatment” for people struggling with addiction and a crackdown on repeat petty thieves amid a spike in retail theft.

The debate around the measure, called “The Homelessness, Drug Addiction and Theft Reduction Act,” was fueled in part by a series of videotaped smash-and-grab robberies splashed across local TV news and images of unhoused residents shooting up drugs in the streets.

Voters signaled they wanted a crackdown and they approved Prop. 36 with nearly 70% casting ballots in favor of it.

A little more than a year later, the measure is getting mixed reviews.

Supporters say it's been effective in holding repeat offenders accountable. Critics say it's been a return to mass incarceration without the promised treatment for people with substance abuse.

How Prop. 36 works

Prop. 36 stiffened penalties for repeat theft and drug offenders.

Here’s how the measure works: If you have been convicted of two misdemeanor thefts of $950 or less, prosecutors have the option of charging your third petty theft as a felony, which carries up to a three-year prison term.

Before Prop. 36, petty theft was a misdemeanor, regardless of how many times you did it.

When it comes to drug offenses under Prop 36, if you have been convicted of two possessions of a small amount of hard drugs (fentanyl, heroin, cocaine, methamphetamine), prosecutors have the option of charging your third possession as a felony. But you don’t have to go to prison if you agree to go into drug treatment.

In 2025, California prosecutors filed more than 19,000 Prop. 36 felony drug cases and more than 15,500 felony theft cases, according to a study by the Center on Juvenile and Criminal Justice released in March. Most people were released on bail pending the outcome of their case.

Nearly 900 Californians have been sent to state prison under Prop. 36, since it went into effect in December 2024. County jail populations have grown by nearly 3,000 since the measure passed, driven by a surge in felony bookings of people who have not yet been sentenced.

In Los Angeles County alone, there are about 1,150 individuals in jail because of Prop. 36 — about a 9% increase in the jail population, according to county Public Defender Ricardo Garcia. The surge in defendants is adding caseloads to his already overworked attorneys, he said.

The same is happening across the state.

“This is really compounding the workload crisis,” said Kate Chatfield, executive director of the California Public Defenders Association.

The data represents a reversal of yearslong declines in incarceration, and they are occurring amid all-time lows in California’s crime rate.

“It really is a return to mass incarceration,” Chatfield argued.

Black people overrepresented

Black people are dramatically overrepresented in Prop. 36 charges, according to the study. In Contra Costa County, for example, Black residents account for more than half of all Proposition 36 theft charges, despite making up less than one-tenth of the population.

Prosecutors say the law has been effective.

“It’s been a valuable tool to go after chronic and repeat thieves,” Los Angeles County District Attorney Nathan Hochman said.

Hochman said his office brought more than 3,300 Prop. 36 felony cases against people charged with their third petty theft in 2025.

He said his office brought over 1,900 felony cases against people charged with their third possession of hard drugs.

He said he couldn’t immediately provide numbers on how many of the drug defendants opted for rehabilitation over prison.

Statewide, fewer than 1 in 5 people arrested on Prop. 36 drug charges have been ordered to treatment, and fewer than 1 in 100 have completed a program, according to the Center on Juvenile and Criminal Justice study.

Lack of treatment beds

One reason for the low treatment numbers is a scarcity of treatment beds throughout the state.

“There just isn’t enough treatment to meet the need,” said the center’s Maureen Washburn. “People aren’t getting connected to treatment. They aren’t succeeding in treatment programs once they’re in them.”

Treatment, a major promise of Prop. 36, has been an “abject failure,” she said.

Hochman agreed treatment is lacking.

“We do not have anywhere close to enough drug treatment and mental illness beds in a county of 10 million people,” he said.

The district attorney argued the state needs to provide more funding for treatment beds.

“Sacramento has not funded at any meaningful level,” he said.

In a March letter to the chair of the Senate Budget and Fiscal Review Committee, the co-author of Prop. 36 — Senator Tom Umberg (D-Santa Ana) — said at least $400 million dollars in new funding is needed for treatment facilities.

“I think spending taxpayer dollars on drug treatment — both in the short term and in the long term — is a smart way to address public safety issues,” Umberg told LAist.

Gov. Gavin Newsom has requested in his budget $100 million dollars for treatment over three years.

But Chatfield said people facing Prop. 36 charges shouldn't be locked up in the first place. Drug offenses should be handled as a public health issue, she argued.

“Even the low level misdemeanors for theft are economic crimes,” she said. “These are crimes of poverty.”

Unequal application of Prop. 36

In addition to a paucity of treatment beds, the Center on Juvenile and Criminal Justice study found charging rates vary dramatically by county. Orange County alone accounted for nearly 20% of Prop. 36 drug charges and 40% of theft convictions in 2025 despite representing just 8% of the state’s population.

“This inconsistency across counties exacerbates California’s longstanding problem of providing differing ”justice by geography,” the report stated.

Empirical evidence of the effect of Prop. 36 on the crime rate is lacking. But Umberg said he believes it has reduced retail theft.

“I have been told by a huge number of folks in law enforcement and also in the business community — particularly in the retail community — that it has had an effect on retail theft,” Umberg said.

Hochman said it's too early to tell if people are being deterred by Proposition 36.

“We’re waiting on statistics that we’ll probably get sometime this year to see if the deterrent aspect is also working — that we actually have fewer people going ahead and committing these crimes,” Hochman said.

But crime was on the way down before Proposition 36 passed. Violent crime fell 6% and property crime dropped 8.4% in California in 2024 — the year Prop. 36 passed.

Chatfield of the California Public Defenders Association maintains voters were “sold a bill of goods” on the measure.

“They were told this was about homelessness. They were told this was about treatment. And it absolutely was not," she said. "It was about increasing incarceration.”

This story first appeared on The LA Local.

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown. 

For organizer Arnold Byun, the launch is something of a homecoming. 

Nearly five years ago, Byun and his co-founder, Kioh Park, were living in Koreatown and spending months at Document Coffee Bar dreaming up what would eventually become Maum Market, the Asian makers market they launched in January 2022. The market now has a regular presence at ROW DTLA, where it hosts pop-up markets on Dock Street several times a year.

“The genesis of Maum Market is actually really embedded in Koreatown,” Byun, 31, told The LA Local. “And we have a lot of affection and personal history with Koreatown, so it’s a very personal thing for us just to return to our roots.” 

Most of the 24 vendors participating in the first Friends & Family Flea have some connection to Koreatown, Byun said. Some grew up in the neighborhood, some still live there and others have moved away but retain ties to the area. The vendor list includes apparel brands, artists, jewelry makers, beauty and wellness businesses and food vendors. 

“We’ve been trying to be pretty intentional about curating from the community as much as possible,” Byun said.

There will be plenty of food and shopping, including “sogeum-bbang,” or salt bread, tea, handmade candles, soaps and vintage clothing, as well as flash tattoos and burgers and fries from Love Hour. The LA Hwatu-Hanafuda Club will teach visitors about hwatu, the Korean deck of playing cards with roots in Japan. The club will also offer $5 tarot card readings.

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.

(

Courtesy Eena Cho

)

Eena Cho, founder of the LA Hwatu-Hanafuda Club, was born and raised in Koreatown. She remembers living with her mother in an apartment on Wilshire Boulevard and Vermont Avenue and volunteering at the senior center near Seoul International Park, where she spent time with older Korean residents.

She also grew up playing go-stop with her grandparents during Korean holidays, like Chuseok and Seollal. 

“That was a big part of my childhood,” said Cho, 24. “Another part is that living in LA where there’s so many different groups of people together, I remember my best friend Maria growing up, she was Mexican, and we would be playmates because both of our parents were working overtime.”

For Cho, joining Friends & Family Flea felt like a natural fit.

“Koreatown is a beautiful diaspora of many different cultures,” Cho said. “And I think that makes Koreatown, Koreatown.”

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.

(

Courtesy Eena Cho

)

The local focus is a big part of what Byun hopes will distinguish Friends & Family from other flea markets and fairs. He said organizers wanted to create something that “intentionally celebrates a specific neighborhood,” in this case, Koreatown. 

For the Koreatown market, that also means highlighting small businesses beyond the restaurants that often get the most attention.

“It’s more about, you know, where do we get our dry cleaning, where do we get our shoes done, or these kinds of services that I think don’t get highlighted as often as maybe restaurants do, but are really core and essential parts of a community business,” Byun said.

Byun’s own history with Koreatown also makes the neighborhood an especially fitting place to start.

His family immigrated to the South Bay from Korea in 2002, when he was 6. He remembers coming to Koreatown with his parents on the weekends for Korean meals and grocery trips.

Byun still thinks of the neighborhood as a second home for Korean immigrants, while appreciating how its community has grown more diverse.

“I’m just really happy to see it become a really beloved neighborhood,” he said.

The market is also giving back locally. Hats sold at the event will benefit the Koreatown Youth and Community Center, Byun said.

And this may not be a one-time run. If Saturday goes well, organizers hope to bring Friends & Family Flea back to Koreatown on a monthly basis. They also plan to offer discounted vendor fees to Koreatown residents.

“I feel like there was so much opportunity for us to really hone in and create something more hyperlocal and also really embed ourselves in the community as well,” Byun said.

When I lived in the UK, I worked on a BBC television show about birding. It was a strange experience as I couldn’t exactly book guests — “Hello Mr. Sparrow, could you be on location for an interview at 2 p.m.?”

So instead I spent a lot of time with the crew climbing up mountains with a large tripod on my shoulder. Did you know there’s a bird in the Scottish Highlands whose plumage turns white in winter to blend in with the snow? (It’s called a ptarmigan. Don’t pronounce the p.)

But it did mean I was attuned to British bird calls. I could hear something and pronounce solemnly: “Ah yes, that’s a lark. And that one's a chaffinch."

Moving to LA meant learning a new set of bird calls

When I moved to the U.S., however, it was a whole other story. I really didn’t recognize any of the bird calls. They were all so different. I just shrugged and figured they were part of the backdrop. But one day recently, a woman told me about a free app and said it was life-changing. "Hmm, I’ll see about that," I thought.

Merlin bird app

It’s called Merlin, from the Cornell Lab of Ornithology, and it’s kind of like Shazam for bird calls. As in, you click it, and it tells you what bird song you can hear around you. When I opened it in my backyard for the first time, a whole orchestra of bird sounds opened up around me. I admit: it was kind of life-changing.

Of course it first picked up a crow, which I know only too well, given its loud, raucous sound. But then it identified a house finch. Huh. Who knew they were in my backyard? And as I listened closely, I realized … I knew that sound! It’s the first thing I hear when I wake up at dawn, lovely and melodic.

The house finch, awakening the day.

(

Cornell Lab of Ornithology | Macaulay Library

)

So now when I open my eyes in the morning, I say, "Good morning, house finch, communing with fellow beings alive on a vibrant California morning!" It kicks off my day, although I guess I’ve been reading too much Mary Oliver.

The backyard birds you're probably hearing right now

But then other birds I didn’t know would pop up on my phone during the day, with names as intriguing as their calls: the spotted towhee, the orange-crowned warbler, or Cassin’s kingbird.

I mean, they do realize they’re in a backyard in Los Angeles, not some estate in Georgian England? My favorite for a while was the dark-eyed junco. Now we’re talking romantic heroes. Imagine him slyly popping across the apple tree limbs to call to you. Dark-Eyed Junco, at your service.

Dark-eyed junco, at your service.

(

Cornell Lab of Ornithology | Macaulay Library

)

Meet Swinhoe's white-eye, a non-native bird spreading across SoCal

And then there’s Swinhoe’s white-eye. Which sounds a little like an eye ailment, but there you go. It’s a tiny bright yellow bird with a white ring around each eye. So cute! I first noticed them when there were a bazillion of them in a tree outside my house. It was such an unusual sight that I mentioned it to a woman walking her dog, and we stood there, oohing and aahing, until we both realized we’d oohed a little too much, and it was time to go.

Swinhoe's white-eyes are not native to SoCal, but are thriving.

(

Cornell Lab of Ornithology | Macaulay Library

)

When I researched them, I was surprised to find they’re not native to SoCal. They’re actually pretty new to the area. There were just a handful in Orange County 20 years ago, probably having been brought over from Asia as pets and escaped. And now, they’re thriving and have spread everywhere from Baja to San Luis Obispo. Who knows where they’ll end up next? If anyone sees a chartreuse cutie in New York, let me know. It'll probably be very tired.

Yes, you can see I’ve become slightly annoying with my newfound bird interest. I’ll be asking my family what they want for dinner, and I’ll say, “Wait, is that the spotted towhee?” and turn to my phone, and my teenager will wrest it out of my hand and say, “Mom, be in the present!” Which is right. But my morning serenade as the birds come online one by one and greet the new day — well, that’s as present as you can be.

During a life cut short at 34, musician Elliott Smith left traces of his legacy in many cities, perhaps most notably in Los Angele

Writer Jamie Fisher spoke with some 140 people for her new book Nobody Broke Your Heart: An Intimate Biography of Elliott Smith.

Even though some of Smith’s painful struggles with addiction and mental health took place in L.A., Fisher said his time in the city wasn’t all bad.

“He was always very suspicious of artifice and then I think he found himself enjoying it more than he thought he would,” said Fisher, who worked as a researcher at the New York Times Magazine for a decade. “He liked how big and expansive the city was: you can just kind of vanish into L.A.”

Smith moved to L.A. in the summer of 1999. He died here about four years later. But in that time he cut some deep grooves into the city, in places from Los Feliz to the San Fernando Valley — if you know where to look.

Snow White Cottages

Take the Snow White Cottages in Los Feliz, lovingly named for their fairytale-like architecture, where Smith once lived.

Fisher said the cottages were run down when the musician moved in. One of her sources said a raccoon threw a roof shingle at Smith’s head.

“It was more of an apartment than a house really. And it was this little community that was tight knit at the time,” Fisher said.

The Roost

On Los Feliz Boulevard, just across the 5 Freeway, is the beloved dive bar The Roost in Atwater Village, a joint Smith memorialized on his album Figure 8 — as a fade out on the track "In the Lost and Found (Honky Beach)/The Roost."

“It’s just this little nod,” Fisher said. “He was always folding the places and people he loved into his music.”

Back in the ‘90s, the place was more of a working-class joint, and one of the more overlooked bars Smith had a penchant for, Fisher said.

“One of the bartenders there who really loved Elliott owns it now,” Fisher said.

Largo

Then, of course, there’s Largo at its old Fairfax location. Fisher said it was a huge part of Smith’s life starting in the late ‘90s, when he spent late nights playing piano with fellow musician Jon Brion.

New Monkey

Motor on over to Van Nuys for New Monkey, a music studio Smith founded where artists are still recording to this day.

Fisher said you can also find equipment that was used to record his final album, From a Basement on the Hill.

Fisher said Smith put the studio together at a point when he was struggling with addiction, in the last years of his life.

“It was really hard for him to write music, but buying broken equipment and repairing it and putting the studio together was something he could focus his energy into,” she said.

Smith wanted New Monkey, Fisher said, to be a place where musicians could affordably access some of the best recording equipment available.

As Smith lived with addiction and other personal issues, he was mentoring younger musicians and making a lifelong impression on artists such as Jim Fairchild from Modest Mouse and Grandaddy, and Aaron Espinoza from Earlimart.

“He was so generous with his time,” Fisher said. “He would show up to Earlimart shows and stand right in the front row and make them all extremely nervous.”

Fisher said she’d braced herself for writing the last chapters of the book about the final years of Smith’s life.

In 2003, Smith died from two stab wounds in his chest — and the case is still open.

Fisher said that despite his addiction and mental health struggles, she was surprised by the many “moments of light” during his time in L.A., from his love of cooking to his mentorship of other musicians and his work on New Monkey.

Figure 8 wall

(

Courtesy FMLY used with permission

)

The go-to spot for fans to remember Smith is still standing in L.A. — the Figure 8 wall in Silver Lake.

The mural of bending red and black lines famously became the cover art for the Figure 8 album.

More than two decades after his death, the wall is still alive with new memories.

“There’s always new notes from people saying, like, Elliott saved their life or quoting their favorite lyric or saying they wished he was still here,” Fisher said.

Walk through the automatic doors at the Carson Library and you’ll see on your left a 1973 painting called "Dominoes" by John Riddle.

Riddle, a prominent Black artist, has worked in the L.A. County Museum of Art and the Brooklyn Museum, and has been collected by Jesse Jackson and Roberta Flack.

Riddle's work was previously owned by the Golden State Mutual Life Insurance Company in West Adams. Over two decades, the company’s art director, William Pajaud, an L.A. artist himself, carefully collected hundreds of pieces of Black art. Each piece in the collection, Pajaud said, would be a chapter telling the story of African Americans in the U.S. The collection included oil paintings, watercolors, and sculptures in clay, wood and metal.

When Golden State Mutual Life Insurance shut down, the company sold most of the best pieces at a private auction in 2007, with some selling for hundreds of thousands of dollars. L.A. County was able to acquire about 120 works, including Riddle's piece.

To keep the works accessible to the public and free of charge, county officials chose four public libraries and three community centers to show the work. Earlier this year, the county arts department created a new website with a map to make them easier to find. The locations include the Golden State Mutual historic building in West Adams, plus:
:

Libraries

• Carson Library (Carson)
• A.C. Bilbrew Library (Willowbrook)
• Masao W. Satow Library (Gardena)
• View Park Bebe Moore Campbell Library (View Park/Windsor Hills)
  

Community centers:

• Curtis Tucker Behavioral Health Center Health Services (Inglewood)
• Willowbrook Senior Center Aging and Disabilities (Willowbrook)
• Mark Ridley-Thomas Behavioral Health Center Health Services (on the Martin Luther King, Jr. Medical Campus).

“All of these are county-owned spaces that are available, accessible to the public and to patrons to be able to live with the works, learn about the works, see the works, learn about the works,” said Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Dominoes by John Riddle. The painting was part of the Golden State Mutual Life Insurance collection but is now part of the Los Angeles County Civic Art Collection.

(

Adolfo Guzman-Lopez/LAist

)

As you walk past the checkout desk at the Carson Library, toward the teen section, you’ll see another remarkable piece from the county’s holdings. It’s a two-foot-tall sculpture made from one piece of mahogany. It’s called "The Embrace" by artist Elizabeth Catlett, whose work is in the collection of New York’s Museum of Modern Art, among many other institutions. Catlett depicted two people hugging, their faces and bodies fused together, their eyes looking at the viewer.

Detail of El Abrazo (The Embrace) by Elizabeth Catlett.

(

Adolfo Guzman-Lopez/LAist

)

In the auction catalogue for the Golden State Collection, Catlett wrote: “I still work figuratively, trying to express emotion through abstract form, color, line, and space. I attempt to reach out to ordinary people who have little or no experience or understanding of art principles, and extend to them what I may feel about a subject."

Ancestral Fragments by Stanley Wilson.

(

Adolfo Guzman-Lopez/LAist

)

Meanwhile at A.C. Bilbrew Library, north of Compton, there’s a piece by Charles White, who lived in L.A. County for decades and mentored many artists in the region. His paintings and drawings in the 1960s took on the issues of the Black Civil Rights Movement, and that led well-known Black Americans like Nat King Cole and Eartha Kitt to buy his art.

County officials are hopeful that the communities around these neighborhoods enjoy the art’s benefits, including “mental health, in our education, our youth development, our sense of inclusion and belonging,” Sakoda said.