The Brief

Gov. Gavin Newsom faces a huge deficit this spring, and he has one especially big money-saving option that he’s not using.

California’s rapidly falling inmate population could allow Newsom to close as many as five more prisons, analysts say, saving $1 billion a year at a moment when he’s pulling from reserves to bring the state budget into the black.

Instead, Newsom wants to take a more cautious approach to trimming prison beds. His new budget proposal calls on the corrections department to close 46 housing blocks inside 13 state prisons.

Prison yard closures save money and decrease the need for staffing, but not to the extent of a prison shutdown. Newsom’s proposal would save about $80 million.

Saying his administration had been “scrutinizing” the prisons budget, Newsom said “We’re mindful of the direction we’re going as it relates to public safety.”

California prison status

At the inmate population’s peak in 2006, California locked up 165,000 people in state prisons. Today, after a decade of sentencing changes, federal court intervention and a surge of releases tied to COVID-19, California’s prisons house about 93,000 people.

Because of that trend, Newsom has already moved to close four prisons over the course of his administration. He projects that those shutdowns will save the state $3.4 billion by 2027.

He suggested on Friday that the forces fighting prison closures – labor unions representing prison employees, the communities dependent on prison jobs, legislation and litigation intended to slow or stop the closures – forced him to take smaller steps than shuttering entire facilities while he crafted his plan to close a projected $27.6 billion deficit.

“Prison housing unit deactivations can happen much sooner than prison closures and provide us more flexibility,” Newsom said. “Legislative leaders have asked me, are we considering collectively reducing the larger footprint in the state? The answer is yes.

“But we want to do it in a pragmatic and thoughtful way, we want to be mindful of labor concerns and community concerns, we want to be mindful of trends and we want to be mindful of the unknown, meaning there are proposals to roll back some of our criminal justice reforms that could have significant impact on the census and population.”

California cities fight prison closures

So far, Newsom closed the Deuel Vocational Institution in Tracy in 2021 and the California Correctional Center in Susanville in 2023. He ended a lease with a privately run prison called the California City Correctional Facility, and the corrections department is shutting down Chuckwalla Valley State Prison near the Arizona border.

Newsom at Friday’s budget press conference said he would accelerate the proposed March 2025 closure of Chuckwalla prison in Blythe to November, although his office hasn’t yet provided details on how much money that would save the state.

That news surprised leaders in Blythe, where city officials had attempted to save the prison as one of the community’s major employers.

“This news is disheartening to say the least,” said Blythe interim city manager Mallory Crecelius. “Expediting the closure was not discussed with the city prior to it being included in the May (revised budget), and we learned about it with everyone else. Our hearts are heavy for the employees and inmates at (Chuckwalla Valley State Prison) whose lives will be directly impacted as this prison is shuttered.”

Because of the declining inmate headcount, California can close up to five more of its 33 prisons and eight yards within operating prisons while still complying with a federal court order that caps the system’s capacity, the Legislative Analyst’s Office found last year. The report estimated the potential savings at $1 billion.

The costs of incarcerating prisoners, meanwhile, is more than ever, rising to $132,860 per inmate.

Those numbers have prompted Democratic lawmakers over the past several years to press for more closures, particularly as they try to protect social services from budget cuts or to put money into inmate rehabilitation programs.

“If the people you’re serving in the department continues to go down, why is the cost going up?” Democratic Assemblyman James Ramos of San Bernardino asked corrections department officials at an April budget hearing.

Prison union sees safety risks in closures

Amber-Rose Howard, executive director of Californians United for a Responsible Budget, which advocates for reducing the number of prisons and cutting the prison population, said Newsom’s proposal to close yards instead of whole prisons misses an opportunity for bigger savings.

“The truth is, it doesn’t go far enough,” Howard said. “When only a single yard is closed, then that means that there’s still tens of millions of dollars being spent on operational costs (and) administrative staffing.”

She noted that the state still has 15,000 empty prison beds.

“These yard deactivation will save $80 million annually,” she said, “and that’s not even equal to the cost savings of one prison closing.”

Newsom has previously said he wanted to maintain some capacity in the prisons to provide more space for rehabilitation efforts.

The California Correctional Peace Officers Association, the union representing prison guards, has argued that shuttering prisons puts guards and inmates in danger. It’s a heavyweight in the Capitol, and it has supported Newsom. It contributed $1.75 million to help Newsom defeat a recall campaign in 2021, and it gave $1 million to back Newsom’s mental health ballot measure that voters approved in March.

Writing in opposition to a bill that would limit the number of empty beds the prison system can maintain, the union said prisons are still holding more inmates than they were designed to.

“Higher densities of inmates pose substantial risks to CCPOA’s membership, as well as other staff and inmates. The denser the population, the greater the risk of assaults and other acts of violence,” the union wrote.

The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

The Academy added that its rules and eligibility standards have always evolved alongside technologies such as sound, color, and CGI, and that AI is no different. Awards rules and guidelines are reviewed and refined each year.

A blow for Tilly Norwood 

Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

Particle6, the production company behind Norwood, did not immediately respond to NPR's request for comment on Saturday about its creations' ban from consideration. In March, Norwood commented, "Can't wait to go to the Oscars!" in an Instagram post announcing its newly released music video.

The Academy also requires screenplays to be "human-authored" and said it reserved the right to investigate the use of generative AI in any submission.

Meanwhile, qualifying flesh-and-blood human actors can now be nominated for multiple performances in the same category if those performances get enough votes to land in the top five. So, someone like Anne Hathaway, who has five major movies scheduled for release in 2026, could now theoretically sweep the nominations – though that outcome seems extremely unlikely.

"If an actor has an extremely prolific year, might we even see someone swallow up three of the five nominations?," wrote Deadline's awards columnist and chief film critic Pete Hammond about the changes. "Probably won't happen, but it's now possible."

Under previous rules, an actor could only receive one nomination per category. If they had two high-ranking performances in Best Actor, for example, only the one with the most votes would move forward.

International films prioritizes filmmakers over countries

While international films can still be the official selection of their countries, now they can qualify by winning the top prize at a major international festival such as the Palme d'Or at Cannes, the Golden Lion at Venice, or the World Cinema Grand Jury Prize at Sundance.

Historically, countries "owned" the nomination, and only one film per country was allowed. The new rules allow multiple films from the same country to compete if they are critically acclaimed, and it shifts the honor from a geopolitical entity to the filmmakers themselves.

Largely positive response

The changes have prompted a largely positive reaction from the film community on social media, such as on the popular The Shade Room entertainment and celebrity-focused Instagram feed, where commenters widely praised the "human-only" move to protect creative jobs.

The Academy's Awards Committee oversees the rules in tandem with branch executive committees, the International Feature Film Executive Committee and the Scientific and Technical Awards Executive Committee.

The rules are scheduled to go into effect next year, covering films released in 2026.

Copyright 2026 NPR

Los Angeles changes fast, and oftentimes that means some of the architectural relics of our shared past get swept up and paved over in all the "progress." (RIP Garden of Allah.)

But there are still places where you can find ruins that tell a tale, like a long-forgotten speakeasy reputedly for old Hollywood near La Crescenta.

The ruins are still there 

On a recent afternoon, author and local historian Mike Lawler led me just beyond the boundary of Crescenta Valley Park. Joggers like me might have seen an old, towering stone arch shrouded by bushes there — and wondered what lies beyond.

Turns out there was once a place called the Verdugo Lodge back there and Lawler has spent years excavating its history.

A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.

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“It was a very high-end speakeasy for a time,” Lawler, who also helps run the Historical Society of the Crescenta Valley, said. “An amazing thing. And all the ruins are still here, just like this arch.”

Lawler said we don’t know exactly when the lodge was built, but we do have some of the picture starting in the late 1920s. The place was set up kind of like a timeshare where people bought 10 x 10 foot ‘tent lots’ that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool — and a lodge with gambling and alcohol.

“The Crescenta Valley in the teens and '20s was a hotbed of moonshine, prostitution, all that stuff," Lawler said. "It was a quiet little community. But in all these canyons up here, stuff was going on. Illegal stuff!”

We don’t have a full guest list, but Lawler said it’s likely at least a few Hollywood types had gone up to the lodge to circumvent Prohibition era laws.

In some ways, it was kind of like the original glamping. Lawler said patrons probably weren’t doing much sleeping, though.

“They might have been unconscious!” he said with a chuckle.

Lawler led me to a road that swooped around a meadow. We passed by a massive swimming pool nestled into the hillside.

Once known as the “Crystal Pool,” it’s now empty and fenced off, with pitch black locker rooms below.

The exterior of the locker rooms for the old Crystal Pool.

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We continued our journey up the hill and eventually arrived at a cascading stone stairway.

And at the top, the big show: overgrown with orange monkey flowers and goliath agaves lies the foundation of the old Verdugo Lodge, with lofty stone fireplaces the only guardians keeping the surrounding oak trees at bay.

Lawler takes out a floorplan that one of the former owners drew up for him.

“This is what it was laid out like on the inside. So a dancehall, and band stand on that side... And then upstairs was the gambling,” Lawler said.

Lawler had in hand a copy of a Los Angeles Times article from 1933 he found. The headline reads: “Revelers Flee in Lodge Raid.”

“The police that raided it were here at 3 o'clock in the morning. And there were still 500 people here. And they said it was the classiest joint they had ever raided... Anyway, people were diving out of windows and everything,” Lawler explained.

In a ruin like this, covered with moss and overgrowth, the imagination can run wild, too.

The archway that still stands outside of what's now known as Mountain Oaks.

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Lawler pointed out a questionable door jam below the old dancefloor that’s been cemented over.

“That is a door. So what is behind there? So there’s a room in there that got walled in for some reason,” he said.

What we do know is that, sometime after the raid, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

The future of Mountain Oaks 

After they sold it in the ‘60s, Lawler said Mountain Oaks faced a “nightmare” of development threats. Over the years, some of the subdivided "tent lots" had been combined and sold off, Lawler said. A dozen private homes now stand on these pieces of land, next to the ruins of the Verdugo Lodge.

A map showing the Mountain Oaks public property acquired by The Mountains Recreation and Conservation Authority (MRCA).

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Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant among other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

Paul Edelman, MRCA's director of natural resources and planning, said his group will continue to manage the land, doing things like brush clearance, trash pickup and sign maintenance. And he said there are no current plans to remove the ruins or make any major changes to the property.

“If somebody comes up with a grand idea where they can find some funding for us to do something to enhance it, we’re always open to it,” Edelman said.

The purchase was good news for local preservationist Joanna Linkchorst.

“I grew up directly up the hill. But I always saw the sign that said ‘private property’ and didn’t really think about it until several years ago when I finally asked Mike. And he said, ‘Oh yeah, we got a resort speakeasy down the street,’” Linkchorst said standing among the oaks and overgrowth.

Linkchorst, who founded the group Friends of Rockhaven to preserve another nearby historic site, said it’s been amazing to see all of the decaying structures that were still hiding out at Mountain Oaks.

“There’s almost like these little ghosts in your head as you imagine what it was like when there was a beautiful wood floor and there was a second floor that people came jumping out of,” Linkchorst said.

Now, let’s check in to the Overlook Hotel.

That’s the fictional place Stanley Kubrick brought to life in his 1980 film The Shining, loosely based on Stephen King’s novel of the same name.

A local architect who hails from South Pasadena meticulously crafted a 3D model of the iconic space so Shining fans everywhere never have to check out.

‘I just couldn’t stop’ 

At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights meticulously recreating a virtual replica of the Overlook Hotel from the film that first scared him when he was 12.

Of course he started with the deeply haunted Room 237. That’s where Jack Torrance, played by Jack Nicholson, has a terrifying encounter with a ghostly woman.

Chieh's 3D rendering of Room 237

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Anthony Chieh

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“But once I started, I just couldn’t stop,” Chieh told LAist.

“I ended up modeling the Colorado Lounge, and then after that I was thinking maybe I should make the lobby and then arriving to the Gold Room, and then Grady’s bathroom.”

“It’s like a rabbit hole,” he said.

Users who download Chieh’s free 3D model can fly through all of those spaces, immersed in atmospheric sounds and music from the film.

“It’s interesting to dive into these kind of fictional environments and try to make sense of it,” Chieh said. “And the hope is people will get a different perspective once they’re in there.”

Kubrick’s take on the Overlook was famously inspired by real hotels like the Timberline Lodge in Oregon and the Ahwahnee in Yosemite. But the interiors you see in the film were created on sound stages in England.

“Real architecture, physical buildings, are built for people to live. And for movies, these are more meant to express the emotional aspect of things. It’s a psychological construct,” Chieh said.

In a recently published video essay on YouTube, Chieh dives deep into those psychological constructs and how, as he puts it, “Kubrick designed the Overlook Hotel not as a backdrop, but as the film's true villain.”

How spaces scare 

Chieh said during the monthslong process he was reminded of the power of architecture and design in the real world too – whether it’s an uncomfortably repetitive carpet design or a claustrophobic hallway.

“A physical construct can affect your emotion,” Chieh said.

“You can use it in a way to make people feel comfortable and you can also use it in a way to create fear.”

Chieh's 3D rendering of the Torrance's apartment in 'The Shining'

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Anthony Chieh

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What’s next for this architect moonlighting as a 3D modeler?

Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

That is, of course, if he can ever escape the Overlook.