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The Brief

The most important stories for you to know today
  • Corrections officers are leaving in droves for ICE
    A two-story building with bars on the windows is visible beyond a barbed wire and chainlink fence.
    The Federal Correctional Institution (FCI) Terminal Island photographed in September.

    Topline:

    After years of struggling to find enough workers for some of the nation’s toughest lockups, the Federal Bureau of Prisons is facing a new challenge: Corrections officers are jumping ship for more lucrative jobs at Immigration and Customs Enforcement.

    Why now: This is one of the unintended consequences of the Trump administration’s focus on mass deportations. For months, ICE has been on a recruiting blitz, offering $50,000 starting bonuses and tuition reimbursement at an agency that has long offered better pay than the federal prison system. For many corrections officers, it’s been an easy sell.

    Why it matters: The exodus — at detention centers and maximum-security prisons from Florida to Minnesota to California — comes amid shortages of critical supplies, from food to personal hygiene items, and threatens to make the already grim conditions in federal prisons even worse.

    After years of struggling to find enough workers for some of the nation’s toughest lockups, the Federal Bureau of Prisons is facing a new challenge: Corrections officers are jumping ship for more lucrative jobs at Immigration and Customs Enforcement.

    This is one of the unintended consequences of the Trump administration’s focus on mass deportations. For months, ICE has been on a recruiting blitz, offering $50,000 starting bonuses and tuition reimbursement at an agency that has long offered better pay than the federal prison system. For many corrections officers, it’s been an easy sell.

    Workers at detention centers and maximum-security prisons from Florida to Minnesota to California counted off the number of co-workers who’d left for ICE or were in the process of doing so. Six at one lockup in Texas, eight at another. More than a dozen at one California facility, and over four dozen at a larger one. After retirements and other attrition, by the start of November the agency had lost at least 1,400 more staff this year than it had hired, according to internal prison data shared with ProPublica.

    “We’re broken and we’re being poached by ICE,” one official with the prison workers union told ProPublica. “It’s unbelievable. People are leaving in droves.”

    The exodus comes amid shortages of critical supplies, from food to personal hygiene items, and threatens to make the already grim conditions in federal prisons even worse. Fewer corrections officers means more lockdowns, less programming and fewer health care services for inmates, along with more risks to staff and more grueling hours of mandatory overtime. Prison teachers and medical staff are being forced to step in as corrections officers on a regular basis.

    And at some facilities, staff said the agency had even stopped providing basic hygiene items for officers, such as paper towels, soap and toilet paper.

    “I have never seen it like this in all my 25 years,” an officer in Texas told ProPublica. “You have to literally go around carrying your own roll of toilet paper. No paper towels, you have to bring your own stuff. No soap. I even ordered little sheets that you put in an envelope and it turns to soap because there wasn’t any soap.”

    The prisons bureau did not answer a series of emailed questions. In a video posted Wednesday afternoon, Deputy Director Josh Smith said that the agency was “left in shambles by the previous administration” and would take years to repair. Staffing levels, he said, were “catastrophic,” which, along with crumbling infrastructure and corruption, had made the prisons less safe.

    Smith said that he and Director William Marshall III had been empowered by the Trump administration to “confront these challenges head-on,” adding, “Transparency and accountability are the cornerstones of our mission to make the BOP great again, and we’re going to expose the truth and hold those responsible accountable.”

    ICE, meanwhile, responded to a request for comment by forwarding a press release that failed to answer specific questions but noted that the agency had made more than 18,000 total tentative job offers as of mid-September.


    The BOP has long faced challenges, from sex abuse scandals and contraband problems to crumbling infrastructure and poor medical care. It has repeatedly been deemed the worst federal workplace by one analysis of annual employee surveys, and in 2023 union officials said that some 40% of corrections officer jobs sat vacant.

    That dearth of officers helped land the prison system on a government list of high-risk agencies with serious vulnerabilities and attracted the eye of oversight officials, who blamed chronic understaffing for contributing to at least 30 prisoner deaths.

    The bureau tried tackling the problem with a long-term hiring push that included signing bonuses, retention pay and a fast-tracked hiring process. By the start of the year, that effort seemed to be working.

    Kathleen Toomey, then the bureau’s associate deputy director, told members of Congress in February that the agency had just enjoyed its most successful hiring spree in a decade, increasing its ranks by more than 1,200 in 2024.

    “Higher staffing levels make institutions safer,” she told a House appropriations subcommittee.

    But the costly efforts to reel in more staff strained a stagnant budget that was already stretched thin. Toomey told Congress the bureau had not seen a funding increase since 2023, even as it absorbed millions in pay raises and retention incentives. As inflation and personnel costs rose, the bureau was forced to cut its operating budgets by 20%, Toomey said.

    And despite some improvement, the staffing problems persisted. In her February testimony, Toomey acknowledged there were still at least 4,000 vacant positions, leaving the agency with so few officers that prison teachers, nurses and electricians were regularly being ordered to abandon their normal duties and fill in as corrections officers.

    Then ICE rolled out its recruiting drive.

    “At first it seemed like it was going to be no big deal, and then over the last week or so we already lost five, and then we have another 10 to 15 in various stages of waiting for a start date,” an employee at one low-security facility told ProPublica in October. “For us that’s almost 20% of our custody staff.”

    He, like most of the prison workers and union officials who spoke to ProPublica, asked to remain anonymous for fear of retaliation — a concern that has grown since the agency canceled the union’s contract in September following an executive order. Now union leaders say they’ve been warned that without their union protections, they could be punished for speaking to the media.

    After the contract’s cancellation, many of the current staff who had originally spoken on the record asked to have their names withheld. Those who still agreed to be identified asked ProPublica to note that their interviews took place before the agency revoked the union agreement.

    Earlier this year, Brandy Moore White, national president of the prison workers union, said it’s not unprecedented to see a string of prison staffers leaving the agency, often in response to changes that significantly impact their working conditions. Prior government shutdowns, changes in leadership and the pandemic all drove away workers — but usually, she said, people leaving the agency en masse tended to be near the end of their careers. Now, that’s not the case.

    “This is, from what I can remember, the biggest exodus of younger staff, staff who are not retirement-eligible,” she said. “And that’s super concerning to me.”

    ICE’s expansion has even thrown a wrench into BOP’s usual training program for rookies. Normally, new officers have to take a three-week Introduction to Correctional Techniques course at the Federal Law Enforcement Training Centers in Georgia within their first 60 days on the job, according to the prisons bureau’s website. In August, FLETC announced that it would focus only on “surge-related training,” pausing programs for other law enforcement agencies until at least early 2026, according to an internal email obtained by ProPublica. Afterward, FLETC said in a press release that it was “exploring temporary solutions” to “meet the needs of all partner agencies,” though it’s not clear whether any of those solutions have since been implemented. The centers did not respond to emailed requests for comment.


    At the same time, the effects of the budget crunch were starting to show. In recent months, more than 40 staff and prisoners at facilities across the country have reported cutbacks even more severe than the usual prison scarcities.

    In September, Moore White told ProPublica some prisons had fallen behind on utility and trash bills. At one point, she said, the prison complex in Oakdale, Louisiana, was days away from running out of food for inmates before the union — worried that hungry prisoners would be more apt to riot — intervened, nudging agency higher-ups to address the problem, an account confirmed by two other prison workers. (Officials at the prison complex declined to comment.) Elsewhere, staff and prisoners reported shortages — no eggs in a California facility and no beef in a Texas lockup where staff said they were doling out smaller portions at mealtimes.

    Earlier this year, a defense lawyer complained that the Los Angeles detention center ran out of pens for prisoners in solitary confinement, where people without phone or e-messaging privileges rely on snail mail to contact the outside world. One of his clients was “rationing his ink to write letters to his family,” the attorney said. The center didn’t respond to requests for comment.

    Personal hygiene supplies have been running low, too. Several prisoners said their facilities had become stingier than usual with toilet paper, and women incarcerated in Carswell in Texas reported a shortage of tampons. “I was told to use my socks,” one said. The facility did not answer questions from ProPublica about conditions there.

    Fewer staff has meant in some cases that inmates have lost access to care. At the prison complex in Victorville, California, staff lodged written complaints accusing the warden of skimping on the number of officers assigned to inmate hospital visits in order to cut back on overtime. (The complex did not respond to a request for comment.) In some instances, the complaints alleged, that left so few officers at the hospital that ailing inmates missed the procedures that had landed them there in the first place.

    Chyann Bratcher, a prisoner at Carswell, a medical lockup in Texas, said she missed an appointment for rectal surgery — something she’d been waiting on for two years — because there weren’t enough staff to take her there. She was able to have the procedure almost two months later, after another cancellation.

    Staffers say several facilities have started scheduling recurring “blackout” days, when officers are banned from working overtime in an effort to save money. Instead, prison officials turn to a practice known as “augmentation,” where they direct teachers, plumbers and medical staff to fill in as corrections officers.

    “That’s why I left,” said Tom Kamm, who retired in September from the federal prison in Pekin, Illinois, after 29 years with the bureau. “My job was to try to settle EEO complaints, so if somebody alleged discrimination against the agency it was my job to look into it and try to resolve it.”

    When he found out earlier this year that he would soon be required to work two shifts per week as a corrections officer, he decided to retire instead.

    “I hadn’t been an officer in a housing unit since like 2001 — it had been like 24 years,” he said. “I had really no clue how to do that anymore.”

    Augmentation isn’t new, but staff and prisoners at some facilities say it’s being used more often than it once was. It also means fewer medical staff available to address inmates’ needs. “Today we had a Physical Therapist as a unit officer so all of his PT appointments would have been cancelled,” Brian Casper, an inmate at the federal medical prison in Missouri, wrote in an email earlier this year. “Yesterday one of the other units had the head of Radiology for the unit officer so there would have been one less person doing x-rays and CT scans.” The prison didn’t respond to emailed questions.

    When the government shutdown hit in October, it only made the situation worse, exacerbating the shortages and increasing the allure of leaving the bureau. While ICE agents and corrections officers continued bringing home paychecks, thousands of prison teachers, plumbers and nurses did not.

    The so-called One Big Beautiful Bill Act, the domestic policy megabill that Trump signed into law on July 4, could offer some financial support for the agency’s staffing woes, as it will route another $5 billion to the prisons bureau over four years — $3 billion of which is specifically earmarked to improve retention, hiring and training. Yet exactly what the effects of that cash infusion will look like remains to be seen: Though the funding bill passed more than four months ago, in November the bureau declined to answer questions about when it will receive the money or how it will be spent.

  • Unveiling today at Elephant Hill in El Sereno
    The photo captures a picturesque residential area nestled at the base of lush green hills. In the foreground, you can see houses and streets, while the background features rolling hills covered in grass and dotted with trees. Winding dirt paths meander through the hills, adding a sense of depth and exploration. The sky is clear and blue, suggesting a bright, sunny day. Tall trees on the right side of the image frame the scene beautifully.
    Elephant Hill in El Sereno.

    Topline:

    A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles officially opens this weekend.

    Why it matters: The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

    What's next: The trail is part of a decades-long effort to preserve the entire 110 acres of Elephant Hill. Read on to learn more.

    A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

    The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

    The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

    It's 0.75 miles in total, but packs a punch.

    "It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

    People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

    The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

    Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

    And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

    "We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

    A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

    "They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

    Here's a preview:

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  • Rally in City of Industry against latest project
    Rows of Lithium Ion batteries in an energy storage container with red cables coming out of them.
    Battery storage hubs are used to stabilize the energy grid but have led to lithium battery fires.

    Topline:

    San Gabriel Valley residents are rallying today against a battery storage project in the City of Industry. They warn it could bring environmental and health impacts and pave the way for more industrial development, like data centers.

    The backstory: City leaders approved the 400-megawatt Marici battery facility in January. But residents in nearby communities say they were not adequately informed and are concerned about safety risks.

    What's next: Some local activists have challenged the approval of the battery facility under the California Environmental Quality Act.

    The rally: Protesters will be at the Peter F. Schabarum Regional Park in Rowland Heights from 10 a.m. to 1 p.m.

    A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

    A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

    Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

    WHAT: Protest against battery storage facility in the city of Industry

    WHERE: Peter F. Schabarum Regional Park in neighboring Rowland Heights

    WHEN: 10 a.m. to 1 p.m.

    Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

    “Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

    Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

    Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

    Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

    A city spokesperson has not responded to requests for comment.

    The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

    A request for comment from Aypa was not returned.

    Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

    Yip pointed out that industrial developments make a lot of money for the City of Industry.

    “But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

  • Giant art pop-up takes over former Snapchat HQ
    White commercial building with large storefront windows displaying vibrant artwork and eclectic objects, including bicycles and abstract paintings.
    The former Snapchat buildings on the Venice Boardwalk are now pop-up art spaces, free for all to visit.

    Topline:

    A new art installation on the Venice Boardwalk features local and international artists, pop-up evening performances, and projects that explore the themes of childhood and home.

    Why it matters: The Venice Boardwalk is usually a daytime playground, but a new art installation and performance pop up aims to breathe new life into the evening scene at the beach.

    Why now: Two formerly vacant buildings with spaces facing the Boardwalk have been turned into free art installations after a new owner took over the former Snapchat-owned buildings.

    The backstory: Stefan Ashkenazy, founder of the Bombay Beach Biennale, brings some of his favorite collaborators into a new space on the Venice Boardwalk, giving a chance for tourists and locals alike to check out projects from artists including William Attaway, James Ostrer, Greg Haberny, Robin Murez, and more.

    Read on ... to find out how you can visit.

    The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

    “Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

    The concept doesn’t have an official name yet, but he’s been calling it “See World.”

    The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

    Over the past several weeks the installations have been created in real-time, in public.

    Venice Boardwalk art pop-ups
    The installations are open now and can be seen from the Boardwalk for free 24/7. They will be up for several months and evening performances are ongoing.

    All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

    Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

    New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

    “I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

    Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

    “It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

    While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

    Three artists work in a cluttered studio with white walls displaying various paintings and art supplies scattered on the green floor.
    Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.
    (
    Laura Hertzfeld
    /
    LAist
    )

    “I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

    While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

    Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

    “This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

  • Welder-artist makes a bench to celebrate the city
    A male presenting person sits on a bench. The bench is painted in bright blue and yellow.
    Steve Campos sits on a bench he calls the "LA Bench" that approriates the logo used by the Dodgers in a statement of civic pride.

    Topline:

    LA welder-artist uses the well-loved "L.A." logo to create an “LA Bench” to spark civic pride. It may look like a tribute to the Dodgers, but it's more complicated.

    Why it matters: Steve Campos is a second-generation welder born and raised in L.A. who is using his training and education to create work with more artistic designs.

    Why now: The Dodgers’ success is making their logos ubiquitous. But the team's success, some Angelenos say, came at the cost of mass displacement after World War II of working class communities where Dodger Stadium how stands.

    The backstory: The interlocking letters of the L.A. logo were used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

    What's next: Campos is offering the LA Benches for sale and hopes he can get permission from the Dodgers to install a few at Dodger Stadium.

    Go deeper: The ugly, violent clearing of Chavez Ravine.

    It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

    “This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

    Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

    The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

    “The monogram was here before the Dodgers,” Campos said.

    A second-generation welder

    Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

    The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

    “I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

    A metal sculpture in the shape of the letters "L" and "A".
    Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.
    (
    Courtesy Steve Campos
    )

    It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

    LA civic pride travels to Japan

    Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

    “They look at it and they go, 'Oh, Ohtani bench,'” he said.

    For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

    I would love to get a couple of them installed at Dodger Stadium.
    — Steve Campos, welder-artist

    Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

    While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

    “I would love to get a couple of them installed at Dodger Stadium,” he said.