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The Brief

The most important stories for you to know today
  • Why false beliefs about climate change persist
    Shards of a broken mirror laying on a cracked, brown dirt surface reflect blue sky and clouds above.

    Topline:

    Why, after all this time, do 15% of Americans fall for the lie that global warming isn’t happening? And is there anything that can be done to bring them around to reality? New research suggests that understanding why fake news is compelling to people can tell us something about how to defend ourselves against it.

    Some analysis: People buy into bad information for different reasons, said Andy Norman, an author and philosopher who co-founded the Mental Immunity Project, which aims to protect people from manipulative information. Due to quirks of psychology, people can end up overlooking inconvenient facts when confronted with arguments that support their beliefs. “The more you rely on useful beliefs at the expense of true beliefs, the more unhinged your thinking becomes,” Norman said.

    Conspiracy theories: Another reason people are drawn to conspiracies is that they feel like they’re in on a big, world-transforming secret: Flat Earthers think they’re seeing past the illusions the vast majority don’t.

    In 1995, a leading group of scientists convened by the United Nations declared that they had detected a “human influence” on global temperatures with “effectively irreversible” consequences. In the coming decades, 99.9 percent of scientists would come to agree that burning fossil fuels had disrupted the Earth’s climate.

    Yet almost 30 years after that warning, during the hottest year on Earth in 125,000 years, people are still arguing that the science is unreliable, or that the threat is real but we shouldn’t do anything about climate change. Conspiracies are thriving online, according to a report by the coalition Climate Action Against Disinformation released last month, in time for the U.N. climate conference in Dubai. Over the past year, posts with the hashtag #climatescam have gotten more likes and retweets on the platform known as X than ones with #climatecrisis or #climateemergency.

    By now, anyone looking out the window can see flowers blooming earlier and lakes freezing later. Why, after all this time, do 15 percent of Americans fall for the lie that global warming isn’t happening? And is there anything that can be done to bring them around to reality? New research suggests that understanding why fake news is compelling to people can tell us something about how to defend ourselves against it.

    People buy into bad information for different reasons, said Andy Norman, an author and philosopher who co-founded the Mental Immunity Project, which aims to protect people from manipulative information. Due to quirks of psychology, people can end up overlooking inconvenient facts when confronted with arguments that support their beliefs. “The more you rely on useful beliefs at the expense of true beliefs, the more unhinged your thinking becomes,” Norman said. Another reason people are drawn to conspiracies is that they feel like they’re in on a big, world-transforming secret: Flat Earthers think they’re seeing past the illusions the vast majority don’t.

    The annual U.N. climate summits often coincide with a surge in misleading information on social media. As COP28 ramped up in late November, conspiracy theories circulated claiming that governments were trying to cause food shortages by seizing land from farmers, supposedly using climate change as an excuse. Spreading lies about global warming like these can further social divisions and undermine public and political support for action to reduce emissions, according to the Climate Action Against Disinformation report. It can also lead to harassment: Some 73 percent of climate scientists who regularly appear in the media have experienced online abuse.

    Part of the problem is the genuine appeal of fake news. A recent study in Nature Human Behavior found that climate change disinformation was more persuasive than scientific facts. Researchers at the University of Geneva in Switzerland had originally intended to see if they could help people fend off disinformation, testing different strategies on nearly 7,000 people from 12 countries, including the United States, India, and Nigeria. Participants read a paragraph intended to strengthen their mental defenses — reminders of the scientific consensus around climate change, the trustworthiness of scientists, or the moral responsibility to act, for example. Then they were subjected to a barrage of 20 real tweets that blamed warming on the sun and the “wavy” jet stream, spouted conspiracies about “the climate hoax devised by the U.N.,” and warned that the elites “want us to eat bugs.”

    The interventions didn’t work as hoped, said Tobia Spampatti, an author of the study and a neuroscience researcher at the University of Geneva. The flood of fake news — meant to simulate what people encounter in social media echo chambers — had a big effect. Reading the tweets about bogus conspiracies lowered people’s belief that climate change was happening, their support for action to reduce emissions, and their willingness to do something about it personally. The disinformation was simply more compelling than scientific facts, partly because it plays with people’s emotions, Spampatti said (eliciting anger toward elites who want you to eat bugs, for example). The only paragraph that helped people recognize falsehoods was one that prompted them to evaluate the accuracy of the information they were seeing, a nudge that brought some people back to reality.

    People standing outside are showing off signs supporting a variety of conspiracy theories.
    Conspiracy theorists protest at busy roundabout in the village of Martlesham in Suffolk, England, Sept. 18, 2022.
    (
    Geography Photos / UCG / Universal Images Group via Getty Images
    )

    The study attempted to use “pre-bunking,” a tactic to vaccinate people against fake news. While the effort flopped, Norman said that doesn’t mean it shows “inoculation” is ineffective. Spampatti and other researchers’ effort to fortify people’s mental defenses used a new, broader approach to pre-bunking, trying to protect against a bunch of lines of disinformation at once, that didn’t work as well as tried-and-true inoculation techniques, according to Norman.

    Norman says it’s crucial that any intervention to stop the spread of disinformation comes with a “weakened dose” of it, like a vaccine, to help people understand why someone might benefit from lying. For example, when the Biden administration learned of Russia’s President Vladimir Putin’s plans to invade Ukraine in late 2021, the White House began warning the world that Russia would push a false narrative to justify the invasion, including staging a fake, graphic video of a Ukrainian attack on Russian territory. When the video came out, it was quickly dismissed as fake news. “It was a wildly successful attempt to inoculate much of the world against Putin’s preferred narrative about Ukraine,” Norman said.

    For climate change, that approach might not succeed — decades of oil-funded disinformation campaigns have already infected the public. “It’s really hard to think about someone who hasn’t been exposed to climate skepticism or disinformation from fossil fuel industries,” said Emma Frances Bloomfield, a communication professor at the University of Nevada, Los Vegas. “It’s just so pervasive. They have talking heads who go on news programs, they flood media publications and the internet, they pay lobbyists.”

    Bloomfield argues that disinformation sticks for a reason, and that simply telling the people who fall for it that there’s a scientific consensus isn’t enough. “They’re doubting climate change because they doubt scientific authorities,” Bloomfield said. “They’re making decisions about the environment, not based on the facts or the science, but based on their values or other things that are important to them.”

    While political identity can explain some resistance to climate change, there are other reasons people dismiss the evidence, as Bloomfield outlines in her upcoming book Science v. Story: Narrative Strategies for Science Communicators. “In the climate change story, we’re the villains, or at least partially blameworthy for what’s happening to the environment, and it requires us to make a lot of sacrifices,” Bloomfield said. “That’s a hard story to adopt because of the role we’re playing within it.” Accepting climate change, to some degree, means accepting inner conflict. You always know you could do more to lower your carbon footprint, whether that’s ditching meat, refusing to fly, or wearing your old clothes until they’re threadbare and ratty.

    By contrast, embracing climate denial allows people to identify as heroes, Bloomfield said. They don’t have to do anything differently, and might even see driving around in a gas-guzzling truck as part of God’s plan. It’s a comforting narrative, and certainly easier than wrestling with ethical dilemmas or existential dread.

    A line of protesters hold a long banner that reads "We are armed .. with peer-reviewed science."
    Protesters march after a demonstration near Heathrow Airport west of London, Aug.20, 2007.
    (
    Ben Stansall
    /
    AFP via Getty Images
    )

    Those seeking to amplify tensions around climate change or spread doubt, such as fossil fuel companies, social media trolls, and countries like Russia and China, get a lot of bang for their buck. “It’s a lot easier and cheaper to push doubt than to push certainty,” Bloomfield said. Oil companies including Shell, ExxonMobil, and BP spent about $4 million to $5 million on Facebook ads related to social issues and politics this year, according to the Climate Action Against Disinformation report. To sow doubt, you only need to arouse some suspicion. Creating a bullet-proof case for something is much harder — it might take thousands of scientific studies (or debunking hundreds of counterarguments one by one, as Grist did in 2006).

    The most straightforward way to fight disinformation would be to stop it from happening in the first place, Spampatti said. But even if regulators were able to get social media companies to try to stop the spread of conspiracy theories and falsehoods, dislodging them is a different story. One promising approach, “deep canvassing,” seeks to persuade people through nonjudgmental, one-on-one conversations. The outreach method, invented by LGBTQ+ advocates, involves hearing people’s concerns and helping them work through their conflicted feelings. (Remember how accepting climate change means accepting you might be a tiny part of the problem?)

    Research has shown that deep canvassing isn’t just successful at reducing transphobia, but also that its effects can last for months, a long time compared to other interventions. The strategy can work for other polarizing problems, too, based on one experiment in a rural metal-smelting town in British Columbia. After convincing several local governments across the West Kootenay region to shift to 100 percent renewable energy, volunteers with the nonprofit Neighbors United kept running into difficulties in the town of Trail, where they encountered distrust of environmentalists. They spoke to hundreds of residents, listening to their worries about losing jobs, finding common ground, and telling personal stories about climate change like friends would, instead of debating the facts like antagonists. A stunning 40 percent of residents shifted their beliefs, and Trail’s city council voted in 2022 to shift to 100 percent renewable energy by 2050.

    Both facts and stories have a place, Bloomfield said. For conservative audiences, she suggests that climate advocates move away from talking about global systems and scientists with the Intergovernmental Panel on Climate Change — a “nameless, faceless, nebulous group of people” — and toward local matters and people they actually know. Getting information from friends, family, and other trusted individuals can really help.

    “They’re not necessarily as authoritative as the IPCC,” Bloomfield said. “But it helps you connect with that information, and you trust that person, so you trust that information that they’re resharing.”

    This story was originally published by Grist. Sign up for Grist’s weekly newsletter here.

    Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future.

  • Photos from DTLA and Westwood
    People wave flags against the backdrop of a clear blue sky and palm trees.
    A man raises the historical Iranian Lion and Sun flag during a rally in the Westwood neighborhood on Saturday.

    Topline:

    Angelenos took to the streets of downtown Los Angeles and Westwood on Saturday in response to the U.S.-Israeli military strikes in Iran.

    Details: Local demonstrations protesting U.S. intervention took place outside City Hall in downtown Los Angeles, as well as in Ventura and Orange counties. In Westwood, Iranian Americans gathered to celebrate the strikes. More demonstrations are planned for today and tomorrow.

    Read on to see photos from Saturday's demonstrations.

    Angelenos took to the streets of downtown Los Angeles and Westwood on Saturday in response to the U.S.-Israeli military strikes in Iran.

    A coalition of organizations, including the National Iranian American Council, the ANSWER coalition and 50501, held protests nationwide in reaction.

    Local demonstrations took place outside City Hall in downtown Los Angeles, as well as in Ventura and Orange counties.

    In Westwood, Iranian Americans gathered to celebrate the strikes. More demonstrations are planned for today and tomorrow.

    Here are photos from Saturday.

    Westwood

    A group of people holding Iranian flags on a city street.
    Hundreds rally seeking regime change in Iran in Westwood on Saturday, Feb. 28, 2026, in Los Angeles. The rally was organized after word spread that the U.S. and Israel had bombed Iran overnight, Pacific time, killing Iran's Supreme Leader Ayatollah Ali Khamenei, among others.
    (
    Genaro Molina
    /
    /Los Angeles Times via Getty Image
    )
    A group of people holding Iranian flags and a busy street intersection.
    Hundreds rally waving the historical Iranian Lion and Sun and American flags in Westwood on Saturday.
    (
    Genaro Molina
    /
    Los Angeles Times
    )
    Group of people marching with Iranian flags and large banner reading 'CHANGE' featuring the Iranian flag
    Hundreds rally in Westwood seeking regime change in Iran.
    (
    Genaro Molina
    /
    Los Angeles Times via Getty Image
    )
    Group of people holding large Iranian flag and protest signs on a city street
    A man walks under the colors if Iran while joining hundreds in a rally seeking regime change in Iran in Westwood on Saturday.
    (
    Genaro Molina
    /
    Los Angeles Times via Getty Image
    )

    Downtown Los Angeles

    A person holding a protest sign that reads, "Drop the files. Not the bombs."
    A protester holds a poster reading "drop the files not the bombs" during a demonstration against the war in Iran in front of City Hall in Los Angeles on Feb. 28, 2026.
    (
    Etienne Laurent
    /
    AFP via Getty Images
    )
    A crowd gathered in front of a park in a protest. They hold up a sign that reads, "No War, No Iran"
    A crowd gathered at Los Angeles City Hall to protest against United States and Israel bombing Iran on Saturday, Feb. 28, 2026.
    (
    Myung J. Chun
    /
    Los Angeles Times via Getty Images
    )
    A woman with a scarf wrapped around her head holds up a photo of Iran Supreme Leader Ayatollah Ali Khamenei.
    A protester holds a portrait of Iran's supreme leader Ayatollah Ali Khamenei and a flag of Iran during a demonstration against the war in Iran in front of City Hall.
    (
    Etienne Laurent
    /
    AFP via Getty Images
    )
    Protest signs that read "No New US War in the Middle East."
    Protesters hold placards reading "no new US war in the Middle East" during a demonstration against the war in Iran in front of City Hall.
    (
    Etienne Laurent
    /
    AFP via Getty Images
    )
    A man holds a sign that says "War Pig" with a photo of President Trump with pig snout and ears.
    A man holds a sign at Los Angeles City Hall to protest against United States and Israel bombing Iran.
    (
    Myung J. Chun
    /
    Los Angeles Times via Getty Images
    )

  • Sponsored message
  • Hidden in... a utility box
    As dusk falls, a white woman in white overalls stands beside a model of an open utility box on a sidewalk, revealing an interior with red velvet walls, gold-framed artwork.
    L.A. street artist S.C. Mero stands next to her latest installation in the Arts District, a utility box theater.

    Topline:

    Utility boxes are a popular canvas for public art, but a Los Angeles street artist has taken the idea further — transforming one into a miniature theater.

    Why now: Since S.C. Mero installed the box theater just a few weeks ago, dozens of performers have already reached out and begun using the space, ranging from poets to musicians and clowns.

    The backstory: Mero often transforms overlooked street fixtures into pieces about urban life. A previous installation at the same corner — an oversized mailbox symbolizing the elusiveness of homeownership — stood for about five years.

    Walk through cities around the world and it's easy to spot the trend: utility boxes painted and transformed into public art to spiff up neighborhoods.

    In downtown Los Angeles, street artist S.C. Mero has taken the idea of the utility box as art in a different direction with one she’s installed in the Arts District.

    “Would you like me to open it up and you can see?” she asked on a recent morning.

    At first glance, it looks like an ordinary electrical cabinet — gray, about the size of a refrigerator, with slotted vents. But instead of the usual fire-resistant metal, this one is made of wood with a faux concrete base.

    A gray utility box stands closed on a sidewalk near a palm tree and parked cars.
    The box theater incognito.
    (
    Courtesy of S.C. Mero
    )

    Mero spins two combination locks and pulls open the door.

    A hidden theater

    Inside, instead of a tangle of cables and cords, red crushed velvet covers the walls from top to bottom.

    A gilded clock and gold-framed pictures of two other electrical boxes (“possibly its mother, and its great-grandfather”) adorn the tiny interior, inspired by one of downtown’s oldest and grandest movie palaces, the Los Angeles Theatre.

    “The first time I went into that theater, the feeling that I had, I wanted people to have a similar feeling when they opened this up,” she said.

    Like the theater, the box is meant to bring audiences together. Mero invites performers to step inside, and since its installation a few weeks ago, some 30 poets, magicians, puppeteers and clowns have reached out about using the space.

    Many are female artists.

    “Maybe it's because of the scale of it, they feel like they can actually have a chance to get inside,” Mero said.

    A tradition of unexpected art

    The box theater sits on the 800 block of Traction Avenue, across the street from the historic American Hotel, an early hub for artists in the neighborhood.

    Jesse Easter, the hotel’s night manager, has a front-row seat to the box theater performances.

    “The Arts District is still alive,” he proclaims.

    Easter first arrived in the neighborhood in the 1980s, a blues and rock musician who also professionally installed art.

    He said the Arts District has long been known for unconventional public art. Famously, in 1982, artist Dustin Shuler pinned a Cessna airplane to the side of the American Hotel with a 20-foot-long nail.

    “I was one of the people that was in the hotel that saw the room that the nail came down into, went through the brick wall, into the floor and stopped,” Easter recalls.

    Easter says Mero’s installations boldly continue that tradition of guerrilla street art in the neighborhood.

    After graduating from USC in 2011, she started to make sculptural works with overlooked street fixtures, exploring issues such as addiction and homelessness.

    An oversized wooden mailbox sculpture labeled “U.S. Mail” stands on a tall post along a sidewalk.
    Before the box theater, there was a giant mailbox.
    (
    Courtesy of S.C. Mero
    )

    Before the theater box, Mero installed an oversized mailbox at the same corner, towering over passersby, symbolizing a housing market that remains out of reach for many Angelenos.

    Elsewhere in the Arts District on Rose Street, she has installed a 13-foot-tall parking meter sculpture, commentary on the overwhelming nature of parking in the city.

    Realizing a dream 

    The box theater is perhaps the piece that has invited the most participation.

    A man in a black jacket sits on an open utility box, tuning a guitar in front of the red velvet-lined interior beneath a lit “Electrical Box Theatre” sign.
    Jesse Easter, a musician and night manager at the American Hotel, prepares to perform at the box theater.
    (
    Courtesy of S.C. Mero
    )

    Last week, Mero asked Easter and other local artists to perform there. He played a blues song he wrote more than 40 years ago when he first moved to the Arts District.

    “It was sunset, and I was thinking, this kind of is the bookend,” he said.

    Other participants performed spoken word poetry and played saxophone.

    One performer, Mike Cuevas, discovered the theater by accident.

    An Uber driver, Cuevas was waiting for his next delivery order by the box theater as it was being prepped ahead of the night’s performance.

    Mero recalls him getting out of his car to look at what she was doing.

    “He's like, what's going on here? This looks so cool,” Mero said. “He said as he's driving throughout the city, in between his rides, he writes poetry.”

    Cuevas, who goes by the pen name Octane 543(12), left to make a delivery in East L.A., but he said “something in his heart” told him to return that evening.

    After watching others perform, he stepped up to the box and read his poetry in public for the first time, a piece about Latino pride.

    A man gestures while looking at a phone by an open utility box theater with red velvet walls, as two saxophones rest on stands nearby at night.
    Mike Cuevas, aka Mike Octane 543-12, publicly reads his poetry for the first time.
    (
    Courtesy of S.C. Mero
    )

    “Another generation will pass through,” he recited. “And they'll understand why we honor with proud delight, the continuous fight for the history of our brothers and sisters.”

    Cuevas didn’t know Mero by name or anything about her work, but thanked her for giving him a venue.

    “I just felt something beautiful with her art,” Cuevas said. “It's time for me to start expressing myself. She inspired me to do exactly what she's doing, but through poetry.”

    He now plans to read again at an open mic in downtown L.A. next week.

    An overture to look inside

    Mero says the project has spoken to her personally, too. Growing up in Minnesota, she loved art as a child but later focused on playing lacrosse and hockey. At USC, she studied public relations.

    “Once I started getting so into art, everyone was kind of shocked,” Mero said. “That's why I really want to encourage people to go inside themselves and see what's there, because you never know.”

    Mero is hoping for a long run for the box theater. Its predecessor, the supersize mailbox, stayed up for five years, only toppled, she heard, after skateboarders accidentally ran into it.

    In the meantime, the small theater sits unassumingly on the sidewalk waiting for its next performer, its exterior starting to collect graffiti like any other utility box.

  • Here's what to know about the Tuesday event
    The City of Los Angeles is seen from  a distance at night. A "blood moon" can be seen in the night sky. Palm trees are in the foreground of the picture. In the background city lights, most prominently from skyscrapers in Downtown Los Angeles can be seen.
    A Super Blue Blood Moon hovers over Los Angeles in 2018.

    Topline:

    A total lunar eclipse is happening this Tuesday. That's when the earth will move directly between the sun and moon, casting a “blood” red color onto the moon.

    What: It's going to be the first lunar eclipse of the year. The process is slated to start around midnight and last until dawn on Tuesday. It’s called the “Blood Moon” because of the red hue the earth’s atmosphere refracts onto the lunar surface as light from the sun passes through it.

    When: Although the eclipse begins around midnight, it won’t reach totality until 3:04 a.m., at which point it will be visible to the naked eye for about an hour. All of Southern California should be able to see it.

    How else can I watch: The Griffith Observatory will be hosting a live virtual broadcast of the celestial event from midnight to dawn.

    What's next: This isn’t the only lunar eclipse happening this year, but it is the only “total eclipse,” according to NASA. Another one is set to occur in August, but it will only be partially visible in North America. A solar eclipse will occur Aug. 12.

  • Where to spot them near LA
    A large blue-gray colored whale pokes its head out of the water with a bright blue sky above.
    An adult gray whale and its calf approach tourists.

    Topline:

    With warm — relative to Alaska — spring waters, migratory rest-stops and great feeding grounds, Los Angeles County’s coast is considered part of the “Blue Highway,” a crucial whale migration corridor and one of the best places to spot the gentle giants.

    What might you see? Cetacean species you may spot in our waters include humpback whales, orcas, blue whales and dolphins. Your best chance, however, is spotting a gray whale. As school-bus-sized gray whales migrate back and forth between Alaska and Baja, they consistently hug LA’s coastline.

    Read on ... for tips on where and how to spot whales near you.

    It’s whale watching season, which always makes me think of the novel Moby-Dick.

    In the book, Captain Ahab chased a whale for vengeance. I recently chased whales off the coast of Los Angeles, but in my case, it was in pursuit of the beauty and majesty of the natural world.

    With warm — relative to Alaska — spring waters, migratory rest-stops and great feeding grounds, Los Angeles County’s coast is considered part of the “Blue Highway,” a crucial whale migration corridor and one of the best places to spot the gentle giants.

    According to Cabrillo Marine Aquarium program director Jim DiPompei, many whales can be seen right in our backyard.

    “There’s a little over 90 species of cetaceans (marine mammals) in the world, and we see about 30% of the species we could possibly see here in Southern California,” DiPompei told The LA Local.

    Cetacean species you may spot in our waters include humpback whales, orcas, blue whales and dolphins. Your best chance, however, is spotting a gray whale. As school bus-sized gray whales migrate back and forth between Alaska and Baja, they consistently hug LA’s coastline.

    But where should you go to actually get a good look at whales? Don’t worry — I got you. Here’s The LA Local guide to cruising the Blue Highway.

    Top spots to watch whales from shore

    Point Vicente Interpretive Center
    31501 Palos Verdes Drive West, Rancho Palos Verdes
    Free, laid-back, on the mountains!

    At the Point Vicente Interpretive Center in Rancho Palos Verdes, you’ll find an overlook dedicated to whale watching. While this is a great free spot for amateurs to come and look out for whales, this is no playground. Professionals conduct the annual whale census here, tracking the migration of whales.

    This is a great place to bring a picnic basket and some binoculars to relax while scanning the ocean. Even if you don’t spot any whale action, you can visit the free natural history museum inside, which focuses on the region and its most famous inhabitants: whales. Afterward, step outside and chat with a museum docent accompanying the census watch.

    If you want to see whales, stick to the coastal canyons. Canyons aren’t just massive structures above water — they are also mountains beneath the surface, offering depth, cold water and nutrients that attract food for whales. Gray whales tend to follow the canyons to stay away from the dangerous orcas.

    Whale spotting 101

    Whale watching season typically runs from December through May. It peaks from January to March.

    When looking for a whale, try to spot their water mist blowing above the water. Gray whales typically surface for air every five minutes. When they do, they’ll blow out a water mist — that’s your chance to spot and track them until they surface again.

    Get on a boat!

    If you want to get eye-to-eye and really feel a cetacean’s scale, there are plenty of whale-watching cruises. They typically depart from Marina Del Rey, Redondo Beach, Long Beach, San Pedro, Dana Point and almost anywhere with a port.

    Many cruises have a naturalist on board to answer questions and provide expert context to ocean wildlife.

    On my tour departing from Long Beach, we saw five gray whales and a swarm of common dolphins feeding.

    But be warned: If you get seasick easily, this trip might not be for you. On our two-and-half-hour trip, the boat rocked emphatically as we approached feeding sites. It’s fun if you can imagine yourself on a see-saw, but it might not be that enjoyable if that sounds nauseating.

    While boat captains are not allowed to approach the whales too closely due to environmental protections, the whales can approach the boat if they choose. Sometimes the whales seem curious and watch us in return — it’s up to them and how they are feeling.

    Get involved

    Cabrillo Marine Aquarium
    3720 Stephen M. White Drive, San Pedro

    If you really catch the whale-watching bug, you’re in luck.

    At the Cabrillo Marine Aquarium, they offer a whale-watching naturalist program where you can volunteer and train to be a naturalist on board whale-watching cruises.

    DiPompei said they train anyone over the age of 18 “who’s interested in learning about whales and volunteering their time to be on these whale-watching boats to talk to the general public and to talk to students.”

    This program was started in the 1970s by John Olge, one of the founders of Cabrillo Marine Aquarium, with an emphasis on education and showing schoolchildren the beauty of our natural world.

    The aquarium is also a great place to introduce whales to children. With kid-sized exhibits and educational programs throughout the year, it’s an ideal way to show young ones just how big and beautiful our oceans are.