The Brief

The Trump administration has asked NASA employees to draw up plans to end at least two major satellite missions, according to current and former NASA staffers. If the plans are carried out, one of the missions would be permanently terminated, because the satellite would burn up in the atmosphere.

The data the two missions collect is widely used, including by scientists, oil and gas companies and farmers who need detailed information about carbon dioxide and crop health. They are the only two federal satellite missions that were designed and built specifically to monitor planet-warming greenhouse gases.

It is unclear why the Trump administration seeks to end the missions. The equipment in space is state of the art and is expected to function for many more years, according to scientists who worked on the missions. An official review by NASA in 2023 found that "the data are of exceptionally high quality" and recommended continuing the mission for at least three years.

Both missions, known as the Orbiting Carbon Observatories, measure carbon dioxide and plant growth around the globe. They use identical measurement devices, but one device is attached to a stand-alone satellite while the other is attached to the International Space Station. The standalone satellite would burn up in the atmosphere if NASA pursued plans to terminate the mission.

NASA employees who work on the two missions are making what the agency calls Phase F plans for both carbon-monitoring missions, according to David Crisp, a longtime NASA engineer who designed the instruments and managed the missions until he retired in 2022. Phase F plans lay out options for terminating NASA missions.

Crisp says NASA employees making those termination plans have reached out to him for his technical expertise. "What I have heard is direct communications from people who were making those plans, who weren't allowed to tell me that that's what they were told to do. But they were allowed to ask me questions," Crisp says. "They were asking me very sharp questions. The only thing that would have motivated those questions was [that] somebody told them to come up with a termination plan."

Three other academic scientists who use data from the missions confirmed that they, too, have been contacted with questions related to mission termination. All three asked for anonymity because they are concerned that speaking about the mission termination plans publicly could endanger the jobs of the NASA employees who contacted them.

Two current NASA employees also confirmed that NASA mission leaders were told to make termination plans for projects that would lose funding under President Donald Trump's proposed budget for the next fiscal year, or FY 2026, which begins Oct. 1. The employees asked to remain anonymous, because they were told they would be fired if they revealed the request.

A rocket launches carrying the Orbiting Carbon Observatory-2 (OCO-2) satellite on July 2, 2014, at Vandenberg Air Force Base in California.

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Congress funded the missions and may fund them again

Presidential budget proposals are wish lists that often bear little resemblance to final congressional budgets. The Orbiting Carbon Observatory missions have already received funding from Congress through the end of the 2025 fiscal year, which ends Sept. 30. Draft budgets that Congress is currently considering for next year keep NASA funding basically flat. But it's not clear whether these specific missions will receive funding again, or if Congress will pass a budget before current funding expires on Sept. 30.

Last week, NASA announced it will consider proposals from private companies and universities that are willing to take on the cost of maintaining the device that is attached to the International Space Station, as well as another device that measures ozone in the atmosphere.

NASA did not respond to questions from NPR about whether other missions will also be privatized, or about why the agency is making plans to potentially terminate projects that may receive funding in Congress' next budget.

In July, congressional Democrats sent a letter to acting NASA Administrator Sean Duffy warning his agency not to terminate missions that Congress has funded, and arguing that the White House Office of Management and Budget (OMB), and its director, Russ Vought, are overstepping by directing NASA and other agencies to stop spending money that Congress has already appropriated.

"Congress has the power of the purse, not Trump or Vought," said Rep. Zoe Lofgren, D-Calif., one of the authors of the letter and the ranking Democrat on the House Committee on Science, Space and Technology in an email to NPR. "Eliminating funds or scaling down the operations of Earth-observing satellites would be catastrophic and would severely impair our ability to forecast, manage, and respond to severe weather and climate disasters. The Trump administration is forcing the proposed cuts in its FY26 budget request on already appropriated FY25 funds. This is illegal."

A spokesperson for OMB told NPR via email that "OMB had nothing to do with NASA Earth Science leadership's request for termination plans." The White House Office of Science and Technology Policy did not respond to questions from NPR.

In the past, Vought has been vocal about cutting what he sees as inappropriate spending on projects related to climate change. Before he joined the Trump administration, Vought authored sections of the Heritage Foundation's Project 2025 roadmap for remaking the federal government. In that document, Vought wrote that "the Biden Administration's climate fanaticism will need a whole-of-government unwinding" and argued that federal regulators should make it easier for commercial satellites to be launched.

The data from these missions is even more valuable than intended

The missions are called Orbiting Carbon Observatories because they were originally designed to measure carbon dioxide in the atmosphere. But soon after they launched, scientists realized that they were also accidentally measuring plant growth on Earth.

Basically, when plants are growing, photosynthesis is happening in their cells. And that photosynthesis gives off a very specific wavelength of light. The OCO instruments in space measure that light all over the planet.

"NASA and others have turned this happy accident into an incredibly valuable set of maps of plant photosynthesis around the world," explains Scott Denning, a longtime climate scientist at Colorado State University who worked on the OCO missions and is now retired. "Lo and behold, we also get these lovely, high resolution maps of plant growth," he says. "And that's useful to farmers, useful to rangeland and grazing and drought monitoring and forest mapping and all kinds of things, in addition to the CO2 measurements."

A soybean field near Clinton, Ill. Information collected by NASA's Orbiting Carbon Observatory satellite instruments is unexpectedly useful for predicting crop yields, because it allows scientists to monitor plant growth from space.

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For example, the U.S. Department of Agriculture and many private agricultural consulting companies use the data to forecast and track crop yield, drought conditions and more.

The information can also help predict future political instability, since crop failures are a major driver of mass migration all over the world. For example, persistent drought in Honduras is one factor that has led many farmers there to migrate north, NPR reporting found. And damage to crops and livestock from extreme weather in Northern Africa has contributed to migration from that region. "This is a national security issue, for sure," Crisp says.

Carbon-monitoring satellites have revolutionized climate science

The carbon dioxide data that the instruments were originally designed to collect has revolutionized scientists' understanding of how quickly carbon dioxide is collecting in the atmosphere.

That's because measuring carbon dioxide with instruments in various locations on the Earth's surface, as scientists have been doing since the 1950s, doesn't provide information about the whole planet. Satellite data, on the other hand, covers the entire Earth.

And that data showed some surprising things. "Fifty years ago we thought the tropical forests were like a huge vacuum cleaner, sucking up carbon dioxide," Denning explains. "Now we know they're not."

Instead, boreal forests in the northern latitudes suck up a significant amount of carbon dioxide, the satellite data shows. And the patterns of which areas absorb the planet-warming gas, and how much they absorb, are continuously changing as the climate changes.

"The value of these observations is just increasing over time," explains Anna Michalak, a climate researcher at Carnegie Science and Stanford University who has worked extensively on greenhouse gas monitoring from space. "These are missions that are still providing critical information."

It is expensive to end satellite missions

The cost of maintaining the two OCO satellite missions up in space is a small fraction of the amount of money taxpayers already spent to design and launch the instruments. The two missions cost about $750 million to design, build and launch, according to David Crisp, the retired NASA engineer, and that number is even higher if you include the cost of an initial failed rocket launch that sent an identical carbon dioxide measuring instrument into the ocean in 2009.

By comparison, maintaining both OCO missions in orbit costs about $15 million per year, Crisp says. That money covers the cost of downloading the data, maintaining a network of calibration sensors on the ground and making sure the stand-alone satellite isn't hit by space debris, according to Crisp.

"Just from an economic standpoint, it makes no economic sense to terminate NASA missions that are returning incredibly valuable data," Crisp says.

NASA's recent call for universities and companies to potentially take over the cost of maintaining the OCO instrument attached to the International Space Station suggests the agency is also considering privatizing NASA science missions. Such partnerships raise a host of thorny questions, says Michalak, who has worked with private companies, nonprofit groups, universities and the federal government on greenhouse gas monitoring satellite projects.

"On the one hand the private sector is really starting to have a role," Michalak says. In recent years, multiple private groups in the U.S. have launched satellites that measure methane, a potent planet-warming gas that is poorly monitored compared to carbon dioxide.

"Looking at it from the outside, it can look like the private sector is really picking up some of what the federal agencies were doing in terms of Earth observations," she explains. "And it's true that they're contributing." But, she says, "Those efforts would not be possible without this underlying investment from public funding."

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Big surf from distant hurricanes in the Pacific could bring coastal flooding to Southern California starting this weekend.

Hurricanes Polo and Odalys are expected to cause coastal erosion, flooding and high surf along Southern California's already battered coastline. Swells from Polo are expect to arrive as early as late Sunday and peak Monday and Tuesday.

Bryan Lewis, National Weather Service meteorologist, told LAist that high tides could reach 7 feet. He said Long Beach and Avalon are among the more vulnerable areas for potential flooding and erosion.

Long Beach and Los Angeles warned residents to prepare for potential flooding and other effects through at least Wednesday.

In early September, Hurricane Marie brought coastal erosion and flooding that led homes being red- and yellow-tagged in L.A. and Orange counties.

This story first appeared on The LA Local.

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown. 

For organizer Arnold Byun, the launch is something of a homecoming. 

Nearly five years ago, Byun and his co-founder, Kioh Park, were living in Koreatown and spending months at Document Coffee Bar dreaming up what would eventually become Maum Market, the Asian makers market they launched in January 2022. The market now has a regular presence at ROW DTLA, where it hosts pop-up markets on Dock Street several times a year.

“The genesis of Maum Market is actually really embedded in Koreatown,” Byun, 31, told The LA Local. “And we have a lot of affection and personal history with Koreatown, so it’s a very personal thing for us just to return to our roots.” 

Most of the 24 vendors participating in the first Friends & Family Flea have some connection to Koreatown, Byun said. Some grew up in the neighborhood, some still live there and others have moved away but retain ties to the area. The vendor list includes apparel brands, artists, jewelry makers, beauty and wellness businesses and food vendors. 

“We’ve been trying to be pretty intentional about curating from the community as much as possible,” Byun said.

There will be plenty of food and shopping, including “sogeum-bbang,” or salt bread, tea, handmade candles, soaps and vintage clothing, as well as flash tattoos and burgers and fries from Love Hour. The LA Hwatu-Hanafuda Club will teach visitors about hwatu, the Korean deck of playing cards with roots in Japan. The club will also offer $5 tarot card readings.

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.

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Eena Cho, founder of the LA Hwatu-Hanafuda Club, was born and raised in Koreatown. She remembers living with her mother in an apartment on Wilshire Boulevard and Vermont Avenue and volunteering at the senior center near Seoul International Park, where she spent time with older Korean residents.

She also grew up playing go-stop with her grandparents during Korean holidays, like Chuseok and Seollal. 

“That was a big part of my childhood,” said Cho, 24. “Another part is that living in LA where there’s so many different groups of people together, I remember my best friend Maria growing up, she was Mexican, and we would be playmates because both of our parents were working overtime.”

For Cho, joining Friends & Family Flea felt like a natural fit.

“Koreatown is a beautiful diaspora of many different cultures,” Cho said. “And I think that makes Koreatown, Koreatown.”

Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.

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The local focus is a big part of what Byun hopes will distinguish Friends & Family from other flea markets and fairs. He said organizers wanted to create something that “intentionally celebrates a specific neighborhood,” in this case, Koreatown. 

For the Koreatown market, that also means highlighting small businesses beyond the restaurants that often get the most attention.

“It’s more about, you know, where do we get our dry cleaning, where do we get our shoes done, or these kinds of services that I think don’t get highlighted as often as maybe restaurants do, but are really core and essential parts of a community business,” Byun said.

Byun’s own history with Koreatown also makes the neighborhood an especially fitting place to start.

His family immigrated to the South Bay from Korea in 2002, when he was 6. He remembers coming to Koreatown with his parents on the weekends for Korean meals and grocery trips.

Byun still thinks of the neighborhood as a second home for Korean immigrants, while appreciating how its community has grown more diverse.

“I’m just really happy to see it become a really beloved neighborhood,” he said.

The market is also giving back locally. Hats sold at the event will benefit the Koreatown Youth and Community Center, Byun said.

And this may not be a one-time run. If Saturday goes well, organizers hope to bring Friends & Family Flea back to Koreatown on a monthly basis. They also plan to offer discounted vendor fees to Koreatown residents.

“I feel like there was so much opportunity for us to really hone in and create something more hyperlocal and also really embed ourselves in the community as well,” Byun said.

When I lived in the UK, I worked on a BBC television show about birding. It was a strange experience as I couldn’t exactly book guests — “Hello Mr. Sparrow, could you be on location for an interview at 2 p.m.?”

So instead I spent a lot of time with the crew climbing up mountains with a large tripod on my shoulder. Did you know there’s a bird in the Scottish Highlands whose plumage turns white in winter to blend in with the snow? (It’s called a ptarmigan. Don’t pronounce the p.)

But it did mean I was attuned to British bird calls. I could hear something and pronounce solemnly: “Ah yes, that’s a lark. And that one's a chaffinch."

Moving to LA meant learning a new set of bird calls

When I moved to the U.S., however, it was a whole other story. I really didn’t recognize any of the bird calls. They were all so different. I just shrugged and figured they were part of the backdrop. But one day recently, a woman told me about a free app and said it was life-changing. "Hmm, I’ll see about that," I thought.

Merlin bird app

It’s called Merlin, from the Cornell Lab of Ornithology, and it’s kind of like Shazam for bird calls. As in, you click it, and it tells you what bird song you can hear around you. When I opened it in my backyard for the first time, a whole orchestra of bird sounds opened up around me. I admit: it was kind of life-changing.

Of course it first picked up a crow, which I know only too well, given its loud, raucous sound. But then it identified a house finch. Huh. Who knew they were in my backyard? And as I listened closely, I realized … I knew that sound! It’s the first thing I hear when I wake up at dawn, lovely and melodic.

The house finch, awakening the day.

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So now when I open my eyes in the morning, I say, "Good morning, house finch, communing with fellow beings alive on a vibrant California morning!" It kicks off my day, although I guess I’ve been reading too much Mary Oliver.

The backyard birds you're probably hearing right now

But then other birds I didn’t know would pop up on my phone during the day, with names as intriguing as their calls: the spotted towhee, the orange-crowned warbler, or Cassin’s kingbird.

I mean, they do realize they’re in a backyard in Los Angeles, not some estate in Georgian England? My favorite for a while was the dark-eyed junco. Now we’re talking romantic heroes. Imagine him slyly popping across the apple tree limbs to call to you. Dark-Eyed Junco, at your service.

Dark-eyed junco, at your service.

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Cornell Lab of Ornithology | Macaulay Library

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Meet Swinhoe's white-eye, a non-native bird spreading across SoCal

And then there’s Swinhoe’s white-eye. Which sounds a little like an eye ailment, but there you go. It’s a tiny bright yellow bird with a white ring around each eye. So cute! I first noticed them when there were a bazillion of them in a tree outside my house. It was such an unusual sight that I mentioned it to a woman walking her dog, and we stood there, oohing and aahing, until we both realized we’d oohed a little too much, and it was time to go.

Swinhoe's white-eyes are not native to SoCal, but are thriving.

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When I researched them, I was surprised to find they’re not native to SoCal. They’re actually pretty new to the area. There were just a handful in Orange County 20 years ago, probably having been brought over from Asia as pets and escaped. And now, they’re thriving and have spread everywhere from Baja to San Luis Obispo. Who knows where they’ll end up next? If anyone sees a chartreuse cutie in New York, let me know. It'll probably be very tired.

Yes, you can see I’ve become slightly annoying with my newfound bird interest. I’ll be asking my family what they want for dinner, and I’ll say, “Wait, is that the spotted towhee?” and turn to my phone, and my teenager will wrest it out of my hand and say, “Mom, be in the present!” Which is right. But my morning serenade as the birds come online one by one and greet the new day — well, that’s as present as you can be.

Walk through the automatic doors at the Carson Library and you’ll see on your left a 1973 painting called "Dominoes" by John Riddle.

Riddle, a prominent Black artist, has worked in the L.A. County Museum of Art and the Brooklyn Museum, and has been collected by Jesse Jackson and Roberta Flack.

Riddle's work was previously owned by the Golden State Mutual Life Insurance Company in West Adams. Over two decades, the company’s art director, William Pajaud, an L.A. artist himself, carefully collected hundreds of pieces of Black art. Each piece in the collection, Pajaud said, would be a chapter telling the story of African Americans in the U.S. The collection included oil paintings, watercolors, and sculptures in clay, wood and metal.

When Golden State Mutual Life Insurance shut down, the company sold most of the best pieces at a private auction in 2007, with some selling for hundreds of thousands of dollars. L.A. County was able to acquire about 120 works, including Riddle's piece.

To keep the works accessible to the public and free of charge, county officials chose four public libraries and three community centers to show the work. Earlier this year, the county arts department created a new website with a map to make them easier to find. The locations include the Golden State Mutual historic building in West Adams, plus:
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Libraries

• Carson Library (Carson)
• A.C. Bilbrew Library (Willowbrook)
• Masao W. Satow Library (Gardena)
• View Park Bebe Moore Campbell Library (View Park/Windsor Hills)
  

Community centers:

• Curtis Tucker Behavioral Health Center Health Services (Inglewood)
• Willowbrook Senior Center Aging and Disabilities (Willowbrook)
• Mark Ridley-Thomas Behavioral Health Center Health Services (on the Martin Luther King, Jr. Medical Campus).

“All of these are county-owned spaces that are available, accessible to the public and to patrons to be able to live with the works, learn about the works, see the works, learn about the works,” said Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Dominoes by John Riddle. The painting was part of the Golden State Mutual Life Insurance collection but is now part of the Los Angeles County Civic Art Collection.

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As you walk past the checkout desk at the Carson Library, toward the teen section, you’ll see another remarkable piece from the county’s holdings. It’s a two-foot-tall sculpture made from one piece of mahogany. It’s called "The Embrace" by artist Elizabeth Catlett, whose work is in the collection of New York’s Museum of Modern Art, among many other institutions. Catlett depicted two people hugging, their faces and bodies fused together, their eyes looking at the viewer.

Detail of El Abrazo (The Embrace) by Elizabeth Catlett.

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In the auction catalogue for the Golden State Collection, Catlett wrote: “I still work figuratively, trying to express emotion through abstract form, color, line, and space. I attempt to reach out to ordinary people who have little or no experience or understanding of art principles, and extend to them what I may feel about a subject."

Ancestral Fragments by Stanley Wilson.

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Meanwhile at A.C. Bilbrew Library, north of Compton, there’s a piece by Charles White, who lived in L.A. County for decades and mentored many artists in the region. His paintings and drawings in the 1960s took on the issues of the Black Civil Rights Movement, and that led well-known Black Americans like Nat King Cole and Eartha Kitt to buy his art.

County officials are hopeful that the communities around these neighborhoods enjoy the art’s benefits, including “mental health, in our education, our youth development, our sense of inclusion and belonging,” Sakoda said.