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The Brief

The most important stories for you to know today
  • Trump directs NASA to shut down missions

    Topline:

    The Trump administration has directed NASA to prepare shutdown plans for at least two satellite missions that monitor carbon dioxide and plant health, vital data used by scientists, industries and farmers. The move could permanently end one mission, raising concerns among experts about the loss of high-quality climate data.

    Unclear motives: Despite the satellites’ proven value and longevity, the administration's rationale for ending the missions remains unclear, prompting worry over the potential destruction of a still-functional spacecraft.

    Critical climate tools at risk: NASA's Orbiting Carbon Observatories are the only federal satellites built specifically to track greenhouse gases, providing essential data for climate research, agriculture, and energy sectors.

    The Trump administration has asked NASA employees to draw up plans to end at least two major satellite missions, according to current and former NASA staffers. If the plans are carried out, one of the missions would be permanently terminated, because the satellite would burn up in the atmosphere.

    The data the two missions collect is widely used, including by scientists, oil and gas companies and farmers who need detailed information about carbon dioxide and crop health. They are the only two federal satellite missions that were designed and built specifically to monitor planet-warming greenhouse gases.

    It is unclear why the Trump administration seeks to end the missions. The equipment in space is state of the art and is expected to function for many more years, according to scientists who worked on the missions. An official review by NASA in 2023 found that "the data are of exceptionally high quality" and recommended continuing the mission for at least three years.

    Both missions, known as the Orbiting Carbon Observatories, measure carbon dioxide and plant growth around the globe. They use identical measurement devices, but one device is attached to a stand-alone satellite while the other is attached to the International Space Station. The standalone satellite would burn up in the atmosphere if NASA pursued plans to terminate the mission.

    NASA employees who work on the two missions are making what the agency calls Phase F plans for both carbon-monitoring missions, according to David Crisp, a longtime NASA engineer who designed the instruments and managed the missions until he retired in 2022. Phase F plans lay out options for terminating NASA missions.

    Crisp says NASA employees making those termination plans have reached out to him for his technical expertise. "What I have heard is direct communications from people who were making those plans, who weren't allowed to tell me that that's what they were told to do. But they were allowed to ask me questions," Crisp says. "They were asking me very sharp questions. The only thing that would have motivated those questions was [that] somebody told them to come up with a termination plan."

    Three other academic scientists who use data from the missions confirmed that they, too, have been contacted with questions related to mission termination. All three asked for anonymity because they are concerned that speaking about the mission termination plans publicly could endanger the jobs of the NASA employees who contacted them.

    Two current NASA employees also confirmed that NASA mission leaders were told to make termination plans for projects that would lose funding under President Donald Trump's proposed budget for the next fiscal year, or FY 2026, which begins Oct. 1. The employees asked to remain anonymous, because they were told they would be fired if they revealed the request.

     A rocket launches into the sky with fiery engines, surrounded by billowing smoke.
    A rocket launches carrying the Orbiting Carbon Observatory-2 (OCO-2) satellite on July 2, 2014, at Vandenberg Air Force Base in California.
    (
    Bill Ingalls/NASA
    /
    Getty Images North America
    )

    Congress funded the missions and may fund them again

    Presidential budget proposals are wish lists that often bear little resemblance to final congressional budgets. The Orbiting Carbon Observatory missions have already received funding from Congress through the end of the 2025 fiscal year, which ends Sept. 30. Draft budgets that Congress is currently considering for next year keep NASA funding basically flat. But it's not clear whether these specific missions will receive funding again, or if Congress will pass a budget before current funding expires on Sept. 30.

    Last week, NASA announced it will consider proposals from private companies and universities that are willing to take on the cost of maintaining the device that is attached to the International Space Station, as well as another device that measures ozone in the atmosphere.

    NASA did not respond to questions from NPR about whether other missions will also be privatized, or about why the agency is making plans to potentially terminate projects that may receive funding in Congress' next budget.

    In July, congressional Democrats sent a letter to acting NASA Administrator Sean Duffy warning his agency not to terminate missions that Congress has funded, and arguing that the White House Office of Management and Budget (OMB), and its director, Russ Vought, are overstepping by directing NASA and other agencies to stop spending money that Congress has already appropriated.

    "Congress has the power of the purse, not Trump or Vought," said Rep. Zoe Lofgren, D-Calif., one of the authors of the letter and the ranking Democrat on the House Committee on Science, Space and Technology in an email to NPR. "Eliminating funds or scaling down the operations of Earth-observing satellites would be catastrophic and would severely impair our ability to forecast, manage, and respond to severe weather and climate disasters. The Trump administration is forcing the proposed cuts in its FY26 budget request on already appropriated FY25 funds. This is illegal."

    A spokesperson for OMB told NPR via email that "OMB had nothing to do with NASA Earth Science leadership's request for termination plans." The White House Office of Science and Technology Policy did not respond to questions from NPR.

    In the past, Vought has been vocal about cutting what he sees as inappropriate spending on projects related to climate change. Before he joined the Trump administration, Vought authored sections of the Heritage Foundation's Project 2025 roadmap for remaking the federal government. In that document, Vought wrote that "the Biden Administration's climate fanaticism will need a whole-of-government unwinding" and argued that federal regulators should make it easier for commercial satellites to be launched.

    The data from these missions is even more valuable than intended

    The missions are called Orbiting Carbon Observatories because they were originally designed to measure carbon dioxide in the atmosphere. But soon after they launched, scientists realized that they were also accidentally measuring plant growth on Earth.

    Basically, when plants are growing, photosynthesis is happening in their cells. And that photosynthesis gives off a very specific wavelength of light. The OCO instruments in space measure that light all over the planet.

    "NASA and others have turned this happy accident into an incredibly valuable set of maps of plant photosynthesis around the world," explains Scott Denning, a longtime climate scientist at Colorado State University who worked on the OCO missions and is now retired. "Lo and behold, we also get these lovely, high resolution maps of plant growth," he says. "And that's useful to farmers, useful to rangeland and grazing and drought monitoring and forest mapping and all kinds of things, in addition to the CO2 measurements."

    A rural road stretches through green farmland under an overcast sky.
    A soybean field near Clinton, Ill. Information collected by NASA's Orbiting Carbon Observatory satellite instruments is unexpectedly useful for predicting crop yields, because it allows scientists to monitor plant growth from space.
    (
    Scott Olson
    /
    Getty Images North America
    )

    For example, the U.S. Department of Agriculture and many private agricultural consulting companies use the data to forecast and track crop yield, drought conditions and more.

    The information can also help predict future political instability, since crop failures are a major driver of mass migration all over the world. For example, persistent drought in Honduras is one factor that has led many farmers there to migrate north, NPR reporting found. And damage to crops and livestock from extreme weather in Northern Africa has contributed to migration from that region. "This is a national security issue, for sure," Crisp says.

    Carbon-monitoring satellites have revolutionized climate science

    The carbon dioxide data that the instruments were originally designed to collect has revolutionized scientists' understanding of how quickly carbon dioxide is collecting in the atmosphere.

    That's because measuring carbon dioxide with instruments in various locations on the Earth's surface, as scientists have been doing since the 1950s, doesn't provide information about the whole planet. Satellite data, on the other hand, covers the entire Earth.

    And that data showed some surprising things. "Fifty years ago we thought the tropical forests were like a huge vacuum cleaner, sucking up carbon dioxide," Denning explains. "Now we know they're not."

    Instead, boreal forests in the northern latitudes suck up a significant amount of carbon dioxide, the satellite data shows. And the patterns of which areas absorb the planet-warming gas, and how much they absorb, are continuously changing as the climate changes.

    "The value of these observations is just increasing over time," explains Anna Michalak, a climate researcher at Carnegie Science and Stanford University who has worked extensively on greenhouse gas monitoring from space. "These are missions that are still providing critical information."

    It is expensive to end satellite missions

    The cost of maintaining the two OCO satellite missions up in space is a small fraction of the amount of money taxpayers already spent to design and launch the instruments. The two missions cost about $750 million to design, build and launch, according to David Crisp, the retired NASA engineer, and that number is even higher if you include the cost of an initial failed rocket launch that sent an identical carbon dioxide measuring instrument into the ocean in 2009.

    By comparison, maintaining both OCO missions in orbit costs about $15 million per year, Crisp says. That money covers the cost of downloading the data, maintaining a network of calibration sensors on the ground and making sure the stand-alone satellite isn't hit by space debris, according to Crisp.

    "Just from an economic standpoint, it makes no economic sense to terminate NASA missions that are returning incredibly valuable data," Crisp says.

    NASA's recent call for universities and companies to potentially take over the cost of maintaining the OCO instrument attached to the International Space Station suggests the agency is also considering privatizing NASA science missions. Such partnerships raise a host of thorny questions, says Michalak, who has worked with private companies, nonprofit groups, universities and the federal government on greenhouse gas monitoring satellite projects.

    "On the one hand the private sector is really starting to have a role," Michalak says. In recent years, multiple private groups in the U.S. have launched satellites that measure methane, a potent planet-warming gas that is poorly monitored compared to carbon dioxide.

    "Looking at it from the outside, it can look like the private sector is really picking up some of what the federal agencies were doing in terms of Earth observations," she explains. "And it's true that they're contributing." But, she says, "Those efforts would not be possible without this underlying investment from public funding."

    Copyright 2025 NPR

  • 4 Non Blondes, art exhibits and more
    The band 4 Non Blondes on stage with a giant "4 Non Blondes" decal in red behind them.
    4 Non Blondes will be at the Roxy this week.

    In this edition:

    Ben Platt at the Ahmanson, eat latkes at Miznon, see awards contenders at the Hammer and more of the best things to do this week.

    Highlights:

    • From waving through a window to waving from the stage, musical theater wunderkind-turned-pop star Ben Platt hits the Ahmanson for a week of shows featuring Broadway favorites — and some of his famous friends. A surprise guest will join him each night, and while we don’t know who yet, the 2024 Broadway residency featured the likes of Cynthia Erivo, Jennifer Hudson, Sam Smith and more.
    • One of the (only?) good things about social media is its ability to introduce classic hits to a new generation of fans (see: Kate Bush). The 4 Non Blondes' iconic 1993 hit “What’s Up” has been showing up in TikTok mashups, and the Linda Perry-led band is reuniting for two shows at the Roxy on their current tour.
    • Rescue dogs like a good book, too! All ages are invited to read books to therapy dogs at the Wilshire Branch Library. Who’s helping whom here, I wonder…
    • We’re fast approaching the one-year anniversary of the fires, and there’s never a better time than the holidays to support the ongoing relief efforts. Flood Magazine is hosting this in-store launch and listening party at Amoeba for the new double vinyl benefit album, Gimme Shelter: Songs for LA Fire Relief. The album features rare tracks from Elliott Smith, Flaming Lips, Rilo Kiley, Local Natives, Chromeo, Norah Jones and more — on double gatefold red vinyl, with a cover by Shepard Fairey. 
    • Head to the Hammer for four more nights of screenings of potential awards nominees at the annual “MoMA Contenders” series. On Monday, you can catch the George Clooney Hollywood drama Jay Kelly; Tuesday has art heist film The Mastermind; on Wednesday, director Scott Cooper joins for a screening of his film, Springsteen: Deliver Me from Nowhere; and Thursday’s feature is Paul Thomas Anderson’s One Battle After Another.

    Happy Hanukkah to all celebrating the festival of lights. I am obsessed with this NY Times Cooking recipe for pickle latkes and plan to break all rules of tradition by attempting to make them.

    If you, too, are jumping on the pickle latke trend this year, brush your teeth before heading out to one of the many options on the music menu. On Monday, popera icon Sarah Brightman is at the Dolby Theatre. On Tuesday, the Cool Kids play the Echo, and Robert Glasper begins his six-night residency at the Blue Note. On Wednesday, Death Angel is at the Belasco, Ariel Pink is at the Regent, Ella Mai plays the Roxy and Okkervil River is at Scribble. On Thursday, Queensrÿche and Accept bring some hard rock to Anaheim’s House of Blues, and Electric Guest plays the Regent. Licorice Pizza has even more music listings here.

    Elsewhere on LAist.com, read up on NPR’s pick for best album of the year, find the best local last-minute gifts with our gift guides and choose your early Oscar favorites with our film aficionados.

    Events

    Ben Platt: Live at the Ahmanson

    Through December 21
    Ahmanson Theatre
    135 N. Grand Ave., Downtown L.A.
    COST: FROM $44.85; MORE INFO

    Poster that reads "Ben Platt Live at the Ahmanson" over a watercolor image of a bearded man singing into a microphone.
    (
    Courtesy Center Theatre Group
    )

    From waving through a window to waving from the stage, musical theater wunderkind-turned-pop star Ben Platt hits the Ahmanson for a week of shows featuring Broadway favorites — and some of his famous friends. A surprise guest will join him each night, and while we don’t know who yet, the 2024 Broadway residency featured the likes of Cynthia Erivo, Jennifer Hudson, Sam Smith and more.


    4 Non Blondes

    December 15-16, 8 p.m. 
    The Roxy 
    9009 Sunset Blvd., West Hollywood
    COST: MORE INFO 

    A white woman wearing a black hat holds a guitar and sings into a microphone. A man plays guitar in the shadows behind her.
    INGLEWOOD, CALIFORNIA - DECEMBER 13: Linda Perry of 4 Non Blondes performs onstage during the 2025 KROQ Almost Acoustic Christmas at The Kia Forum on December 13, 2025 in Inglewood, California. (Photo by Kevin Winter/Getty Images for Audacy)
    (
    Kevin Winter
    /
    Getty Images North America
    )

    One of the (only?) good things about social media is its ability to introduce classic hits to a new generation of fans (see: Kate Bush). The 4 Non Blondes' iconic 1993 hit “What’s Up” has been showing up in TikTok mashups — and the Linda Perry-led band is reuniting for two shows at the Roxy on their current tour.


    Broadway Brass Band Hanukkah Party 

    Tuesday, December 16, 8 p.m.
    The Venice West
    1717 Lincoln Blvd., Venice
    COST: $20; MORE INFO 

    Showtunes, Hanukkah and brass bands — pretty much my trifecta of fun. If it’s yours, too, head to the Venice West and celebrate the festival of lights Westside-style with musician Benny Lipson, who gives a New Orleans spin to Tom Lehrer’s “Hanukkah in Santa Monica” (oh the rhyming). Happy hour goes till 7:30, so get there early!


    Read to a rescue dog 

    Tuesday, December 16, 4 p.m.
    Wilshire Branch Library 
    149 N. Saint Andrews Place, Mid-Wilshire
    COST: FREE; MORE INFO 

    A black dog stares at a person mostly out of frame.
    (
    Rhiannon Elliott
    /
    Unsplash
    )

    Rescue dogs like a good book, too! All ages are invited to read books to therapy dogs at the Wilshire Branch Library. Who’s helping whom here, I wonder…


    Jane Lynch’s A Swingin’ Little Christmas

    Wednesday, December 17, 7:30 p.m. 
    Broad Stage
    1310 11th Street, Santa Monica 
    COST: SOLD OUT, WAITLIST AVAILABLE; MORE INFO

    A white man and two white women gather around a white Christmas tree with red and white baubles.
    (
    Courtesy Broadstage
    )

    It’s no secret that Glee star Jane Lynch knows how to belt it out, and she brings friends Kate Flannery, Tim Davis and the Tony Guerrero Quintet together for comedy and classic holiday tunes at the Broad Stage in Santa Monica.


    Gimme Shelter: Songs for LA Fire Relief Launch Party

    Tuesday, December 16, 5 p.m. 
    Amoeba Hollywood 
    6200 Hollywood Blvd., Hollywood
    COST: FREE; MORE INFO 

    We’re fast approaching the one-year anniversary of the fires, and there’s never a better time than the holidays to support the ongoing relief efforts. Flood Magazine is hosting this in-store launch and listening party at Amoeba for the new double vinyl benefit album, Gimme Shelter: Songs for LA Fire Relief. The album features rare tracks from Elliott Smith, Flaming Lips, Rilo Kiley, Local Natives, Chromeo, Norah Jones and more — on double gatefold red vinyl, with a cover by Shepard Fairey.

    Poster for Gimme Shelter Fire relief launch party at Amoeba Records
    (
    Courtesy FLOOD Magazine
    )


    Robert Therrian: This is a Story

    Through April 5
    Broad Museum 
    221 S. Grand Ave., Downtown L.A.
    COST: $19; MORE INFO

    A light-skinned teenager points at a stack of giant white plates while a light-skinned man looks on with arms crossed.
    (
    Joshua White
    /
    The Broad
    )

    If you’ve been waiting since Thanksgiving to get down to the Broad to see the larger-than-life installations by Robert Therrian, wait no longer to book your tickets for the quiet holiday week. You know his big chair and table from visits to the permanent collection, but This is a Story features over 120 works that inspire wonder and awe, including enormous hanging beards and stacked dishes that create an optical illusion.


    Jeopardy! Bar League

    Tuesday December 16, 8 p.m.
    Brennan’s
    4089 Lincoln Blvd., Marina del Rey 
    COST: FREE; MORE INFO 

    Four light-skinned people cheers while sitting around a table at a bar.
    (
    Courtesy Jeopardy! Bar League
    )

    Test your knowledge with fellow Jeopardy! fans at the (show-sanctioned) Jeopardy! Bar League night at Brennan's in Marina Del Rey. If you’ve ever thought about auditioning for the classic trivia game show, members of the Jeopardy! team will be on hand to answer questions about the contestant journey and offer a mini contestant test. Try out — take it from this Jeopardy! loser — you won’t regret it!


    Hammer Museum: "MoMA Contenders" screenings

    December 15-18
    10899 Wilshire Blvd., Westwood
    COST: $10 members, $20 general admission; MORE INFO 

    Head to the Hammer for four more nights of screenings of potential awards nominees at the annual “MoMA Contenders” series. On Monday, you can catch the George Clooney Hollywood drama Jay Kelly; Tuesday has art heist film The Mastermind; on Wednesday, director Scott Cooper joins for a screening of his film, Springsteen: Deliver Me from Nowhere; and Thursday’s feature is Paul Thomas Anderson’s One Battle After Another.


    ShrimpMas

    Through December 23
    San Pedro Fish Market 
    760 S. Harbor Blvd., San Pedro 

    And 
    6550 E. Marina Drive, Long Beach
    COST: VARIES; MORE INFO

    It’s not hard to come up with an excuse to go to San Pedro Fish Market, and this is an especially easy one. Through December 23, they’re featuring 12 days of World Famous Shrimp Trays, holiday offerings and exclusive seasonal specials at both the Long Beach restaurant and the newly opened Landing in San Pedro.


    Hanukkah at Miznon 

    Through December 22
    Grand Central Market, Downtown L.A. 
    COST: $16; MORE INFO 

    Four latkes on a plate with scallions and cream.
    (
    Courtesy Miznon
    )

    It’s always overwhelming choosing where to eat at Grand Central Market. To celebrate Hanukkah, the popular Miznon is serving up latkes for $16, with four golden potato latkes served with rich, tangy Runover Cream.

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  • State regulators consider lowering them
    The sun sets behind power lines near homes during a heat wave in Los Angeles, California
    The sun sets behind power lines near homes in Los Angeles.

    Topline:

    State regulators are poised to vote on how much profit utility companies can make, a decision with big implications for Californians’ bills and the aging power grid.

    The background: Every three years,  the California Public Utilities Commission oversees applications from the state’s private utilities during which they ask for a certain “rate of return” — essentially their amount of expected profits above the cost of operations — to attract the capital they say they need to make necessary investments in California’s aging power grid.

    Read on ... for details on the proposal and how to submit public comment.

    State regulators are poised to vote on how much profit utility companies can make, a decision with big implications for Californians’ bills and the aging power grid.

    The California Public Utilities Commission, which regulates privately owned utilities in the state, will vote on a proposed decision to lower the payout to shareholders from the state’s investor-owned utilities — Southern California Edison, San Diego Gas & Electric, Southern California Gas Co. and Pacific Gas & Electric.

    Unlike public utilities, such as the L.A. Department of Water and Power, investor-owned utilities are private companies that operate as government-regulated monopolies.

    California’s electricity rates are the second-highest in the nation, behind only Hawai’i. As the state works to transition to a cleaner energy economy that runs largely on electricity, those high bills threaten to derail progress.

    Experts say lowering utility profits is just one piece, albeit a big one, in the puzzle to address energy affordability.

    The background

    Every three years,  the CPUC, which is made up of five commissioners appointed by the governor, oversees applications from the state’s private utilities during which they ask for a certain “rate of return” — essentially their amount of expected profits above the cost of operations — to attract the capital they say they need to make necessary investments in California’s aging power grid. That includes building new power plants, transmission lines and other infrastructure.

    These profits are also important to ensure the utilities don’t go into bankruptcy and can maintain reliable service.

    Over the last two decades, the amount of profits allowed has only gone up — it hovers at a little over 10% for the state’s big three investor-owned electric utilities, which is slightly higher than the industry average across the nation.

    Mark Ellis — a former executive at Sempra Energy (the parent company of SoCal Gas and SDG&E) turned ratepayer advocate — estimates that profit, plus income taxes on profit, which are passed through to ratepayers, accounts for about one-quarter of Californians’ utility bills.

    The CPUC is expected to vote on whether to approve a slight decrease to those returns at a meeting Thursday.

    What the proposal says

    The proposed decision would lower the return on equity for each utility by about 0.35% — even such a small change can mean millions of dollars in reductions for ratepayers.

    If approved, SoCal Edison’s maximum return on equity would be 9.98%, down from 10.33%, and San Diego Gas & Electric would be 9.88%, down from 10.23%.

    What critics say

    Some stakeholders say the return percentage should be far lower. Ellis, who provided testimony in the proceeding on behalf of the Sierra Club and Protect Our Communities Foundation, argues the return should be as low as 6%. He estimates that could reduce Californians’ electric bills by as much as 10%.

    “There's no other industry that really has that type of return that's virtually guaranteed,” Ellis said. “We haven't touched their profits for decades, and what has it gotten us? It's gotten us really expensive electricity and a very brittle system.”

    He says current returns on equity incentivize the state’s monopoly utilities to overinvest, raising rates for customers and the expense of the energy transition.

    “So I'm saying, the first step is, get the incentives right and see how they behave,” Ellis said.

    The Little Hoover Commission, the state’s independent watchdog agency, cited Ellis’ work in a recent report on lowering electricity rates, as well as two UC Berkeley studies showing how “utility regulators often approve profit levels that exceed what is truly needed to attract investment.”

    In the report, the commission recommends shifting the initial proposal of the rate of return on equity to the state Treasurer’s Office, instead of the utilities themselves. The report also calls for an audit of California Public Utilities Commission staffing to assess whether the agency has enough capacity to provide rigorous oversight of these proceedings.

    “We want to make sure that the rate of return isn't so high that this is just a cash grab from everyday customers and rate payers to big corporate interests,” said Katherine Ramsay, a senior attorney with the Sierra Club. “You want to make sure the number is no more and no less than what is necessary for the utilities to remain financially healthy.”

    What the utilities say

    The utilities had asked to increase or maintain their current rates of return. They’ve called on the commissioners to reject the proposed reduction.

    They argue that their return on equity has to be competitive with nationwide utilities or else investors will go elsewhere, which could slow long-term investments in public infrastructure to improve wildfire safety and boost clean energy and hurt the companies’ credit.

    And, especially since the 2025 L.A. wildfires and other catastrophic fires in the last decade, they say California electric utilities are seen as riskier, increasing costs of equity.

    “We are disappointed that the proposed decision does not fully reflect current market conditions or the unique risks California utilities face,” a spokesperson for SDG&E wrote to LAist.

    David Eisenhauer, a spokesperson for Southern California Edison told LAist that “when investors view the rate established by the CPUC as not commensurate with the risk, that impacts investor willingness to invest in California, which then drives up the cost of capital and increases customer costs over time.”

    In their latest comments to the commission, Edison said the company has already not been meeting the return approved by the CPUC “since at least 2017, with 2024 actual earnings at 6.38% as compared to 10.75% authorized, in part due to financing of wildfire claims and SCE’s contributions to the Wildfire Fund.”

    “The commission’s objective is not to maximize customer savings by setting the authorized [return on equity] as low as possible,” they write, but rather to set a rate “commensurate with market returns on investments” so that company can attract investors to finance infrastructure and “fulfill its public utility service obligation.”

    How to share your comments ahead of the vote

    The CPUC is expected to vote Thursday. You can submit a comment by calling into the meeting, or submitting one online ahead of time. To submit online, you’ll have to enter the proceeding’s docket number, which is A2503010, then click the tab that says “Add public comment.”

  • LAPD calls it "an apparent homicide"
    A man with a gray beard has his arm around a woman with dark brown hair. Both are smiling.
    Director Rob Reiner and wife Michele Singer attend the premiere of "The Magic of Belle Isle" in 2012 in L.A. They were dead in their Brentwood home on Sunday afternoon.

    Topline:

    Hollywood director Rob Reiner and his wife Michele Singer Reiner were found dead Sunday at their home in Brentwood. LAPD officials said they are investigating “an apparent homicide” at the residence, but declined to give additional details.

    Family statement: In a statement to the media, family members said the "are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time."

    Keep reading... for what we know so far.

    Hollywood director Rob Reiner and his wife Michele Singer Reiner were found dead Sunday at their home in Brentwood. LAPD officials said they are investigating “an apparent homicide” at the residence, but declined to give additional details.

    Their deaths were confirmed in a statement released by the family to the media — and in social media posts by L.A. Mayor Karen Bass and Gov. Gavin Newsom Sunday evening.

    The family statement said: "It is with profound sorrow that we announce the tragic passing of Michele and Rob Reiner. We are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time."

    A uniformed officer waves people back as he stretches yellow police tape across a street. A white picket fence is behind him.
    A police officer blocks off a street near the Brentwood home of Rob Reiner and his wife Michele Singer.
    (
    Ethan Swope
    /
    AP
    )

    The Associated Press was among numerous media outlets reporting that sources, speaking on the condition of anonymity, said investigators believe the couple suffered stab wounds. The AP also reported the same source said investigators were questioning a family member.

    Reiner, 78, became a household name playing Michael "Meathead" Stivic on TV’s All In The Family — but went on to eclipse that early success with a decades-long career in film. He directed dozens of movies including such legendary romantic comedies as When Harry Met Sally and The American President, as well as revived the art of the mockumentary with This Is Spinal Tap. Other beloved films include Stand By Me and The Princess Bride.

    He was nominated for an Oscar for directing A Few Good Men.

    Michele Singer Reiner, 68, was a photographer who met her husband while he was filming When Harry Met Sally. He said he changed the ending of the film after their meeting.

    The couple have three children together. Reiner was previously married to the late Penny Marshall and adopted her daughter.

    Reactions

    Bass issued a statement calling the deaths "a devastating loss." She recalled Reiner for a career in Hollywood that spanned roles as an actor, director, producer and writer, but also as a political activist who "always used his gifts in service of others."

    Reiner helped to create an early childhood education initiative — dubbed First 5 California — paid for by a tax on tobacco sales. He and his wife were also “true champions for LGBTQ+ rights,” Bass said.

    Newsom also released a statement expressing heartbreak over the news, calling Reiner "the big-hearted genius behind so many of the classic stories we love."

    He added: "That empathy extended well beyond his films. Rob was a passionate advocate for children and for civil rights — from taking on Big Tobacco to fighting for marriage equality to serving as a powerful voice in early education. He made California a better place through his good works."

    Reiner’s father, comedy legend Carl Reiner, died at age 98 in 2020. When his father died, Rob Reiner called him "my guiding light."

    This is a developing story. It will be updated as LAist learns more.

    Listen 21:30
    Rob Reiner talked to LAist's FilmWeek in September
    Reiner, co-writer and director of "This is Spinal Tap" and "This is Spinal Tap II: The End Continues", talks about the classic mockumentary the and the unique task of continuing that legacy four decades later.

  • Rolex was discovered in the Palisades Fire rubble
    A gloved hand holding a burnt out, discolored watch.
    What's left of the Rolex Deepsea after the Palisades Fire. The watch was found in the rubble.

    Topline:

    A Rolex watch was found in the rubble of the Palisades Fire, burnt almost beyond recognition.

    What happened next: The timepiece was sent to a YouTuber who operates a popular channel on watch resurrection. He spent months bringing the Rolex back to life.

    Read on … to learn the painstaking process and to look at photos of the watch before and after.

    A Rolex Deepsea diver's watch can withstand water pressure at depths of more than 12,000 feet.

    "Basically, the most bulletproof, toughest watch that Rolex makes," says Marshall Sutcliffe, who runs a popular YouTube channel on watch restoration.

    But what about fire?

    About seven months ago, Sutcliffe received an intriguing request from a viewer and his father to restore a Rolex that was recovered in the rubble of the Palisades Fire.

    The watch's owner had lost everything, the two said, save for a husk of that 2015 Deepsea wristwatch.

    " The idea of these fires, even though it was very much in my mind, was distant," said Sutcliffe, who lives in Seattle. "Getting something that came out of one of those fires and having it sitting in front of me was an emotional experience."

    'It was annihilated'

    A close up of what looks to be the disfigured, burnt remains of a wristwatch.
    A viewer of Marshall Sutcliffe's YouTube channel asked if he could fix a Rolex recovered in the rubble of the Palisades Fire.
    (
    Courtesy Marshall Sutcliffe
    )

    Even for Sutcliffe, the state of the timepiece was a shock.

     "It was annihilated  to a level that even I couldn't have imagined until I opened up the watch," he said.

    The outside structure, despite having been cooked for weeks, was surprisingly intact. The case and the metal bracelet, discolored and ashen, were still there. The dial, too, had survived but was unreadable. Gone were the crystal, as well as the bezel with numbers that go around the exterior.

    " My assumption is that [they] popped off because of the extreme heat," Sutcliffe said.

    Then he went in.

    A close up of a extremely rusted surface.
    The movement of the Rolex was all but unrecognizable.
    (
    Courtesy Marshall Sutcliffe
    )

    " I had a little bit of my brain thinking that maybe part of the movement inside would've survived," he said. "I don't know why I thought that."

    Some of the metal had melted into other parts, morphing into one big rusty gunk.

    "There's basically no moving parts anymore left," he said.

    One of Sutcliffe’s biggest challenges in the restoration was to get the movement itself out of the case.

    "I  tried to undo a screw on it," Sutcliffe said. "It turned into a pile of dust."

    Finally, he had to just dig into it, using the biggest screwdriver in his toolbox of tiny watch repair instruments.

    "Piece by piece," Sutcliffe said. " They just flaked off."

    After that, the rest of the work was relatively straightforward, but no less painstaking. Sutcliffe took a movement from a similar Rolex and replaced it wholesale. The other parts, he tried to retain as much as possible.

    What is original?

    But that led to a philosophical question.

    "You know, what makes a thing a thing, right?” he asked. “If you replace a bunch of parts on it, what does that end up being? What I decided to do was I kept every part that I could."

    And there's one part he kept that carries special meaning.

    In the middle of the restoration, an idea hit Sutcliffe to keep an inner ring of the Deepsea — a detail you can see but something that most people probably wouldn’t notice.

    A gloved hand holding a brand new-looking Rolex watch
    During restoration, Sutcliffe had the idea to retain a burnt, darkened inner ring from the original watch.
    (
    Courtesy Marshall Sutcliffe
    )

    Normally, that part is bright silver with black letters on it. The one on the damaged Rolex was charred to a dark brown, verging on black.

    Sutcliffe contacted the owner.

    "I asked him if I could leave that in there so that it could kind of be a subtle symbol to him," he said. "That he made it and it made it, and he's going to continue on.”

    The owner agreed.

    After the video of the restoration was posted, Sutcliffe got an email.

    The owner thanked the watch repairer, telling him that seeing the Deepsea, a gift that was given to him, being slowly put back together was emotional.

    Sutcliffe feels it, too. He still remembers first holding the watch with the marks of incredible destruction in his hand. After the monthslong process, he is struck by what it has now become — "functional again, beautiful again... ready to live a long life."