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The Brief

The most important stories for you to know today
  • Turf grass can be banned, but PFAS will remain
    Sprinklers are on full blast in a house's front yard.
    Some CA homeowners have replaced their lawn with synthetic grass to save water.
    Gov. Gavin Newsom last week passed on a chance to limit the use of the so-called “forever chemicals” in legions of plastic products when he vetoed a bill that would have banned them in synthetic lawns.

    Why it matters: Synthetic grass usually contains PFAS chemicals that are a known carcinogen, which can interfere with hormones, reproduction, immunity and cause developmental delays in children.

    The backstory: Less than a decade ago, then-Gov. Jerry Brown signed a law prohibiting cities and counties from banning synthetic grass. At the time, the state was in the middle of a crippling drought and fake lawns were thought to be helpful in saving water.

    Keep reading ... for details on why California is pushing to restrict synthetic turf.

    Gov. Gavin Newsom last week passed on a chance to limit the use of the so-called “forever chemicals” in legions of plastic products when he vetoed a bill that would have banned them in synthetic lawns.

    His veto of an environmental bill that overwhelmingly passed the Legislature underscores California’s convoluted guidance on the plastic turf that some homeowners, schools and businesses use in place of grass in a state accustomed to drought.

    Less than a decade ago then-Gov. Jerry Brown signed a law prohibiting cities and counties from banning synthetic grass. At the time, the state was in the middle of a crippling drought and fake lawns were thought to be helpful in saving water.

    But this year Democrats in the Legislature went in a different direction, proposing bills that would discourage synthetic turf. They’re worried about health risks created by the chemicals present in these lawns, including perfluoroalkyl and polyfluoroalkyl substances, also known as PFAS chemicals. Some chemicals in the crumb rubber base of synthetic turf, such as bisphenol A, commonly known as BPA, can leach out during extreme heat. These chemicals have been linked to various chronic diseases including cancers, diabetes and neurological impairments.

    Dianne Woelke, a retired nurse in San Diego, is among the Californians who’ve grown concerned about their neighbors’ synthetic lawns. She joined a group called Safe Healthy Playing Fields to advocate against their use.

    “It’s staggering the depth of minutia involved in this product. It’s just a lot of plastic with a lot of chemicals leaching from it,” Woelke said.

    One of the bills Newsom signed, for instance, undoes the Brown-era law and allows cities and counties to again ban artificial turf. Some California cities have already begun moving to prohibit fake lawns, including Millbrae in San Mateo County and San Marino in Los Angeles County.

    “Emerging research is making it clear that artificial turf poses an environmental threat due to its lack of recyclability and presence of toxins such as lead and PFAS,” said state Sen. Ben Allen, the Redondo Beach Democrat who authored the bill. With the new law “local governments will again be able to regulate artificial turf in a way to both protect our environment in the face of drought and climate change but also by preventing further contribution to our recycling challenges and toxic runoff,” he said.

    Manufacturers of synthetic turf say they are working to address concerns about the materials they use, although for the most part they have been unable to entirely remove PFAS. Some have switched to sand and other safer products in an attempt to replace rubber crumb.

    “Our members are already working with existing customers, states, and local governments to demonstrate the continued safety of our products and are committed to ensuring their products contain no intentionally added PFAS,” Melanie Taylor, president of the Synthetic Turf Council, wrote in a statement to CalMatters.

    Newsom in vetoing the PFAS chemicals bill wrote that he “strongly” supports the intent of the legislation, but he was concerned that the state was not positioned to ensure its effectiveness.

    The bill “does not identify or require any regulatory agency to determine compliance with, or enforce, the proposed statute,” he wrote in his veto message.

    He also wrote that he’s directing his administration to consult with lawmakers on “alternative approaches to regulating the use of these harmful chemicals in consumer products,” suggesting the issue could return in the next legislative year.

    Chemical risks from fake lawns

    Synthetic turf is a man-made, non-living replacement of turfgrass that requires little water or maintenance. The grass blades are made of fibers such as nylon or plastic while the base is typically a crumb rubber made from used tires, plastic pellets or sand.

    Synthetic grass usually contains PFAS chemicals. According to the Environmental Protection Agency, PFAS chemicals are a known carcinogen which can interfere with hormones, reproduction, immunity and cause developmental delays in children.

    Adam Smith, an associate professor of environmental engineering at the University of Southern California, said although research is still being done to understand fully what the health implications of the chemical are, current research suggests that “PFAS is absolutely bad for human health.”

    “Certainly, in terms of the drought, (synthetic turf) seems great, but there’s all of these downsides,” Smith said.

    According to experts, these chemicals can enter the human body through contact with skin, by breathing the particles in or through water sources, especially groundwater sources, that can get contaminated during leaching.

    Microplastics from the grass blades and crumb rubber can also leach into groundwater and freshwater bodies.

    “These molecules are actually entering the food chains in the ocean, and they’re in our system, they’re in our blood, they’re in our muscles,” said Sylvia Earle, a marine life advocate and former chief scientist at the National Oceanic and Atmospheric Administration.

    “We’ve changed the nature of nature through actions that we’ve taken. Now they are coming back to haunt us.”

    At what temperatures is it a risk?

    Research by the National Toxicology Program shows that high heat can cause chemicals to leach out of the crumb rubber base of synthetic turf, which is made of recycled tires. These leached chemicals are known to cause cell death in humans.

    Synthetic turf, like other artificial surfaces including asphalt and pavement, heats up by several degrees more than living lawns.

    According to Kelly Turner, associate director of the UCLA Luskin Center for Innovation’s Heat Equity Initiative, the material can trap heat and radiate it back slowly, staying warm for longer periods of time.

    “It is one of the hottest surface materials,” she said. “It is hotter than asphalt.”

    Janet Hartin, horticulture expert at UC Extension in Los Angeles County, measured various types of surfaces in Palm Springs, where air temperatures around 100˚F are common during the summer.

    On days around 100˚F or more, she reported temperatures of synthetic turf and other artificial substances around 175˚F.

    Alternative approaches

    Hartin said the best alternative to any artificial surfaces are living plants.

    “We want to increase the population of our habitat pollinators, and plant climate-resilient plants that provide shade, buffer sun exposure, provide windbreaks, help reduce stormwater runoff and reduce soil and water erosion. And you can’t do that with synthetic grass,” she said.

    There are several drought-friendly approaches to landscaping, including warm-season grasses such as Bermuda grass and Buffalo grass, or doing away with grass altogether and planting trees or drought-resilient varieties of plants that are endemic to California.

    Hartin said that even though plants require water and maintenance, their cooling benefits and ecosystem benefits go far beyond the water savings one could get through synthetic turf.

    “You have choices,” she said. “What we plant today is going to maximize society and urban ecosystem benefits by the time that you’re in your later years.”

    Supported by the California Health Care Foundation (CHCF), which works to ensure that people have access to the care they need, when they need it, at a price they can afford. Visit www.chcf.org to learn more.

  • New album, new NoHo studio
    Close-up of Ziggy Marley smiling, wearing a burgundy knit hat and a matching burgundy suit jacket.
    Ziggy Marley breaks emotional and creative ground in his new album Brightside

    Topline:

    Ziggy Marley is back with a new solo album that includes the first song he's written about his father, Bob Marley. Brightside also marks Marley's experimentation with recording at a different frequency.

    What's the frequency: Marley said he recorded Brightside at 432 hertz — a departure from mainstream music recorded at 440 hertz — to change the emotional listening experience.

    His own space: Marley recorded at Rebel Lion Studio, his newly-built facility in North Hollywood. After more than two decades in L.A., Marley said the city's concentration of creatives has played a major role in his own growth as an artist.

    What's next: Marley says he's already working on his next album, a children's book and a return to film production of some kind, saying he wants to explore his creativity next in a visual medium.

    Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

    That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

    Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

    “He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

    Searching for the bright side

    The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

    Reggae Night XXIV featuring Ziggy Marley and Burning Spear, with a DJ set by Zuri Marley

    When: Sunday, June 21, 7 p.m.

    Where: Hollywood Bowl, 2301 N. Highland Ave., Los Angeles

    The new album blends political themes, optimism and musical experimentation.

    Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

    “We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

    That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

    “Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

    The 432 Hz experiment

    The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

    “It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

    Marley sees the move as part of a larger search for new creative approaches.

    “I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

    The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

    “Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

    Building a dream

    Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

    He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

    A spacious rehearsal studio or recording room filled with musical instruments, including guitars, keyboards, a drum kit, and congas, set up on patterned rugs.
    Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.
    (
    Josie Huang
    /
    LAist
    )

    “My father had a dream, and I had a dream too,” Marley said.

    Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

    “There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

    A smiling Ziggy Marley in a black-and-white knit beanie stands next to a framed, colorful, vintage-style concert poster.
    Ziggy Marley in the hallway of his new studio in North Hollywood.
    (
    Josie Huang
    /
    LAist
    )

    For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

    Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

    Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

    “I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

    What’s next

    Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

    “We're doing back to back,” he said.

    Ziggy Marley sings into a microphone with his eyes closed while playing an electric guitar on a brightly lit stage.
    Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.
    (
    Astrida Valigorsky
    /
    Getty Images
    )

    He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

    “Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

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  • 3,000 vinyls for fire survivors
    A record shop interior with shelves stocked with vinyl records. The words "Record Shop" are overlaid on the image in large red and white script, with a stylized vinyl record graphic and a heart-shaped location pin in the center.

    Topline:

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    The backstory: After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost gear in the fires. Now he’s doing that with vinyl records, too.

    Read on ... to find details.

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

    Now he’s doing that with vinyl records, too.

    Record Shop grand opening
    Altadena Music Center
    1260 Lincoln Ave., Suite 1300, Pasadena
    Saturday, May 30
    Record donations starting at 1 p.m. Grand opening party is 6 - 9 p.m.
    For more info and to register a free ticket, check out the Altadena Music Center event page.
    LAist is a media sponsor for the event. 

    “We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

    Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

    “It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

    The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

  • Path to Measure ULA reforms remains muddled
    A woman with medium-light skin tone with shoulder length dark hair wearing a dark blue blazer and beige blouse leans into a mic from behind a wooden dais with a sign that reads "Jurado."
    Los Angeles City Councilmember Ysabel J. Jurado at a council meeting in April, 2025.

    Topline:

    A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half. Ysabel Jurado, chair of the ad hoc committee on Measure ULA, said it's too early to determine the tax's long-term effects on housing and revenue.

    Why it matters: The proposal by Councilmembers John Lee and Marqueece Harris-Dawson would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

    How we got here: L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department. Critics say the tax has suppressed housing development.

    What's next?: In its final meeting, the committee instead advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects. The ULA committee dissolves this weekend, but the ballot measure proposal was also referred to the City Council's rules committee, which could decide to take it up in the coming months.

    A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

    The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

    However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

    Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

    The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

    “ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

    Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

    If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

    About the mansion tax

    L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

    The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

    But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

    The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

    Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

    “By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

    A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

    “Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

    What the data show

    The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

    Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

    “We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

    The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

    “We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

    What the committee did

    Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

    Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

    “This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

    “Without knowing where this money's coming from, I'm going to have to vote no,” he said.

    Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

    “Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

    Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

    The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

    Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

    "My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

    In her closing remarks, Jurado reflected on the three-member committee’s past work.

    “We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

    The ad hoc committee's recommendations now move to the full City Council.

    Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

  • Celebrate movie monsters in Pasadena this weekend
    A light skinned woman wearing eerie makeup that makes her look like a green and pink tinged elf. She's wearing a headpiece made of grass and flowers. Another light skinned woman with tatooed arms, wearing a grey T shirt, is helping to put on the costume and make up.
    L.A.-based Makeup Designory School designs a fantasy woodland creature at a past Monsterpalooza.

    Topline:

    The annual movie-monster bash for horror fans returns to the Pasadena Convention Center this weekend. The event features panel discussions, celebrity photo ops, a monster museum, live makeup demos and over 400 exhibitors.

    What can I expect: Rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at the practical effects that’ll make your flesh creep.

    What should I wear: Cosplay as your favorite filmic haunts or don a classic tee celebrating genre history. Just come ready to adore all things that gnaw and gash.

    Read on... for more details about the event.

    Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

    What to expect

    Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

    Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

    Bright classic horror movie posters for The Vampire and the Bride of Frankenstein make a lively background for a light skinned bald headed man who sits on the stage talking into a microphone.
    Writer Julian David Stone gives a presentation at a past Monsterpalooza event.
    (
    Perry Shields
    /
    Courtesy Julian David Stone
    )

    Stone said that the two classic movies have left a lasting impact.

    Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

    A light skinned man in a baseball hat, blue polo shirt and jeans stands next to "armageddon rat", a hideous human sized rat in medievel armor.
    Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.
    (
    Steve Jennings Photography
    /
    Courtesy Visit Pasadena
    )

    Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

    “It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

    Two men with light tone with grey hair and beards stand either side of a clown with grotesque features wearing a filthy clown costume.
    Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.
    (
    Steve Jennings
    /
    Courtesy Visit Pasadena
    )

    Who's attending

    If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

    Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.

    MONSTERPALOOZA details

    Location: 300 E. Green St., Pasadena

    Ticket prices at the door: Friday $50, Saturday $55, Sunday $55, 3-day pass $99

    Hours: Friday 6 p.m. - 11 p.m., Saturday 11 a.m. - 6 p.m., Sunday 11 a.m. - 6 p.m.

    More details >