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The Brief

The most important stories for you to know today
  • Into the concept designed to improve city life
    This illustration features a drawn pink bike in front of a group of city buildings. On the horizon is a round clock.

    Topline:

    Picture living in a bustling neighborhood where all your friends, basic needs, and even your job are reachable by a quick walk or bike or bus ride. (Something many people experience, possibly for the first and last time, on college campuses.) In such a city, parking areas may have been reclaimed as urban greenways, chance encounters with neighbors might be more common, and small local businesses would proliferate and thrive.


    This vision is sometimes referred to as “the 15-minute city."
    The backstory: This is a concept pioneered by Franco-Colombian scientist and mathematician Carlos Moreno. It means basically what it sounds like: Instead of expecting residents to get in their cars and drive long distances to work, run errands, and take part in social activities, cities should instead be designed to provide those kinds of opportunities in close proximity to where people live, reducing overdependence on cars and increasing local social cohesion.

    Read more ... for an interview with Moreno.

    The spotlight

    There are few experiences more soul-sucking than sitting in traffic. According to NPR, the average American lost nearly an hour a week to traffic congestion in 2022. Drivers lose an additional 17 hours per year hunting for parking, USA Today reports — and in the same survey, 34 percent of U.S. drivers said they had given up on a trip because of parking problems.

    By contrast: Picture living in a bustling neighborhood where all your friends, basic needs, and even your job are reachable by a quick walk or bike or bus ride. (Something many people experience, possibly for the first and last time, on college campuses.) In such a city, parking areas may have been reclaimed as urban greenways, chance encounters with neighbors might be more common, and small local businesses would proliferate and thrive.

    This vision is sometimes referred to as “the 15-minute city,” a concept pioneered by Franco-Colombian scientist and mathematician Carlos Moreno. It means basically what it sounds like: Instead of expecting residents to get in their cars and drive long distances to work, run errands, and take part in social activities, cities should instead be designed to provide those kinds of opportunities in close proximity to where people live, reducing overdependence on cars and increasing local social cohesion.

    Paris, Moreno’s home, was the first city to put this concept into practice — part of a larger strategy to reduce air pollution and the presence of cars in the city’s iconic downtown areas. Since 2011, the French capital has reportedly reduced car traffic by 45 percent and associated nitrogen oxide pollution by 40 percent.

    “We have been able to observe the concrete effects of proximity, density, social mix, and ubiquity on both residents’ quality of life and the vitality of neighborhoods,” Moreno writes in a new book, The 15-Minute City: A Solution to Saving Our Time and Our Planet, which published yesterday. In the book, his first to be published in English, Moreno chronicles the history of how cities came to be fragmented through zoning policies and highway construction, the origins of his 15-minute city concept, and how the idea is becoming a reality all over the world.

    Two black and white images stacked on each other show "before and after" versions of the same city space.
    Before and after pictures from Moreno’s book show the transformation of Piazza Dergano in Milan. In 2018, the city reconfigured the space for residents to walk, gather, and play, instead of simply park their cars.
    (
    Courtesy Wiley
    )

    But, he told me, this book is not a manual for the right way to design a 15-minute city. Every local context is different.

    In the U.S., fragmentation is often a direct result of redlining policies that served to racially segregate cities and hoard resources away from lower-income neighborhoods of color. Some critics point out that if urban planners don’t take those histories into account, and let communities lead revitalization efforts, then a concept like the 15-minute city could further exacerbate inequities. However, if it’s done right, the approach could help address those harmful legacies.

    “It’s an invitation to reinvent our lifestyles and urban practices to build a better future, where sustainability, equity, and well-being are at the heart of our concerns,” Moreno writes in the book. I spoke with Moreno over Zoom and e-mail about the growth of the 15-minute city concept, some sources of backlash, and whom he hopes to reach with his new book. His responses have been edited and condensed for clarity.

    Q. Tell me a bit about how you first got interested in cities and urban design.

    A. Very good question. I’m not an architect or urbanist. I am a mathematician and computer scientist. I have developed a lot of different technologies for the intelligent control of complex systems. Just after the emergence of the internet, in the 2000s, I had a lot of requests from mayors for transforming lampposts, lights, doors, windows into smart equipment. I became one of the European leaders of the smart city.

    In 2010, I decided to drop off smart technologies to examine a different way — the design of services in cities. I decided to continue to work in cities, but not from the technological angle, because technology is not enough for fighting against climate change, poverty, and social exclusion. We need to develop more local services. We need to develop more local jobs and to have more friendly neighborhoods and greener neighborhoods as well. And to reduce the role of individual cars, to reclaim the public space, to develop local commerce, to develop cultural activities.

    I proposed this term “the human smart city” in 2012. And in 2015, the city of Paris hosted COP21, the big conference of countries for signing the Paris Agreement.

    Anne Hidalgo was the mayor of Paris at this moment and, along with Mike Bloomberg, decided to convene mayors in parallel to COP21. With this amazing summit of mayors in Paris, cities said, “We are at the center of the problem — and we have the solutions. We need to change not only with technical measures, we need to change our lifestyle.” The cities signed an agreement [to support ambitious climate goals at the municipal level]. A few months after this, in October 2016, for the first time I proposed to cities to change this lifestyle through an ambitious urban plan for developing more local services. And I called that the 15-minute city.

    Q. How have you seen the idea of the 15-minute city catch on in the past several years?

    A. When I proposed this concept in 2016, a lot of people said, “Professor Moreno, this is a good idea, but this is a utopia.” The norm is to have long distances, long commutes. And maybe it is uncomfortable, but people at the end of the month have a wage, and they have the possibility for having a normal life.

    As a researcher, I have experienced this concept in three districts in the east of Paris. I have observed that it is possible to change a city. The mayor of Paris [Anne Hidalgo] embraced this concept in 2019 for her re-election campaign. At that moment, we didn’t have a city with this concept implemented. Hidalgo took this concept in 2020, and she announced in June 2021 the big picture for five years in Paris. She proposed a concrete plan with different measures: local shops, local commerce, [safe] streets for kids, to ban cars in front of the schools, to open the schoolyards during the weekend. We have generated new districts: Clichy-Batignolles, La Félicité.

    This is the growth of the 15-minute city inside of Paris. But at the same time, during COVID, the C40 Cities embraced this concept. The C40 is the global network of cities for fighting climate change.

    We have, today, 293 cities in progress of implementing this concept. But not necessarily under the same name. In Utrecht, Netherlands, it’s the 10-minute city. In Dubai, the 20-minute city. In China, it’s the 15-minute circles of life. We have a lot of different nicknames, but the idea is the same: to develop a happy, polycentric, multiservice proximity. This is my motto.

    Three photos - one black and white image above two drawn maps. The top photo shows a city square with people walking and biking.
    Piazza Minniti, another square in Milan that was reclaimed for bikes, pedestrians, and play.
    (
    Courtesy Wiley
    )

    Q. I was also interested in your chapter on small towns. I think there’s a perception that the 15-minute city is only possible in already dense areas. How can small towns or rural areas adopt similar principles — and what are some of the different considerations?

    A. The 15-minute city concept for urban areas is also the 30-minute territory for smaller towns and rural areas. It is also successful, although less well-known. Last weekend, I was at a conference in the south of France with small rural towns with less than 5,000 inhabitants, to talk and act in this direction.

    In less densely populated areas, distances are generally greater and services less concentrated. The focus could be on efficient alternative methods of transport such as electric bikes, shuttle services, or car-sharing solutions to make travel more convenient without relying solely on the car. Using multifunctional spaces that can serve different purposes depending on the time of day — for example, a space that serves as a market in the morning, a café in the afternoon, and a meeting place in the evening — can be effective. Small towns and rural areas can also benefit from increased use of technology to access services such as telemedicine, online education, and digital government services, reducing the need for physical travel.

    Q. I feel like I have to ask — the concept of the 15-minute city was seized on last year by right-wing conspiracy theorists, who painted it as a guise for government control and surveillance. Why do you think it’s been spun that way?

    A. Yeah, this is a good question. At the same time, this was a hard period for me, for my wife, for my children. The first point, I think, that the conspiracy theorists have taken up, is efforts to reduce the role of the king car. To dare to attack the king car is, for the conspiracy mongers, an attack on individual freedom. I’m not in a war against cars, but we need to reduce the place of cars. The second point is related. The conspiracy mongers are climate skeptics, climate denialists. Today, scientists are a target of the denialists, because we said we have climate change, and this is irreversible. We have a lot of places with great risk if we continue to live with the same habits, if we continue to have this massive production and consumption.

    The third point was about COVID. Because of COVID, we had this lockdown. When I proposed this question of proximity, the climate denialists, the anti-vaccine, the people that said that COVID-19 was a Chinese gun, considered that my idea was proposing a new lockdown. This is totally false, this is totally insane.

    We have been living in very dark times. The dark face of humanity has become totally visible. The conspiracy mongers today are, today, with digital technologies, with fake news, with the bubble of false ideas, the denialists of science. I am just a scientist. But for climate denialists, we are the enemy, the scientists.

    Q. Who would you say your intended audience for this book is?

    A. This book is aimed at anyone interested in cities and ecosystems. It’s a book of work, knowledge, and deepening the concept, but it’s open to all disciplines because it’s written in a language that’s accessible to everyone. As I like to do, it also includes a lot of personal anecdotes, stories from my own life, and elements of the history of cities that even very erudite people don’t necessarily know.

    My aim is threefold: to present the concept as it emerged, by looking back at the history of modern urbanism, looking in the rear-view mirror and learning from many thinkers and doers;
    to explain it in detail, using the example of Paris, my city, which popularized it thanks to the commitment of Mayor Anne Hidalgo; and to go around the world, on five continents, with all kinds of examples to show that this concept does not depend on the size or density of places, nor on the political party or local governance — but that it is a humanist path for urban planning based on the quality of life of the inhabitants, faced with the ecological, economic, and social challenge for which it is urgent to change our way of life before it’s too late.

    Q. What impact do you hope the book will have in the world?

    A. I wrote this book as a bottle thrown into the sea in the image of my life. I wanted to offer the best of myself in a humanistic way, with a broad vision of our problems, without being dogmatic or sectarian about this or that. It is just a look at science, explaining the facts, making observations, and looking to the future, how we live and how we’d like to live differently.

    I’ve been asked to register trademarks, patents, and licenses, create manuals, launch a competition. None of that interests me. A book is a profound part of yourself that you decide to share with everyone. It is written to reflect, not to proselytize. As a scientist, researcher, and teacher, I like to delve into the subject, to delve deeper, to pass on my knowledge with passion, commitment, and rigor, but without locking anyone into a single way of thinking.

    More exposure

    A parting shot

    This infographic was first shared as part of a press conference that Moreno, Hidalgo, and Paris’ deputy mayor, Jean-Louis Missika, held in 2020. Moreno credits it with sparking international interest in the 15-minute city concept, noting that it has been shared, adapted, and translated into different languages all over the world. As he writes in his book: “It clearly and visually illustrates the 15-minute city’s concept, showing how essential services such as shops, schools, parks, and public transportation can be accessed nearby, making daily life easier for residents.”

    An infographic featuring a drawn illustrations of the 15-minute city concept.
    (
    Courtesy Wiley
    )

  • Mayoral candidate is 'winning the internet'


    Topline:

    Los Angeles mayoral candidate Spencer Pratt is harnessing the web to shake things up. He has leapt into the usually more mundane world of municipal politics with brash and extreme rhetoric, taking to TikTok, with direct-to-camera videos condemning Bass' response to the devastating Pacific Palisades wildfires that claimed his family's home. But can he win the race?

    An internet-driven campaign: Pratt's campaign borrows from the combative and mocking style of politics popular in fringe online forums and celebrated by allies of President Trump. He's amplified outlandish artificial intelligence videos, tapped an army of freelance "clippers" to edit short social media snippets of him bashing the city's leaders; and he talks about nonexistent "super meth" plaguing the city's streets and pushed false narratives about California lawmakers' response to the Palisades Fire.
    Can Pratt win?: "Winning the internet is not the same thing as winning the election, but it can help," said former L.A. Councilmember Mike Bonin, who now directs the Pat Brown Institute for Public Affairs at Cal State Los Angeles. Internet notoriety, though, cannot dislodge one fact about Los Angeles: Registered Democrats outnumber Republicans three to one, presenting Pratt with a serious challenge if he advances to the November runoff. While Pratt is a registered Republican, he has tried to separate himself from the MAGA movement and has repeatedly highlighted how the mayor's race in Los Angeles is nonpartisan.

    To Spencer Pratt and his supporters, becoming mayor of Los Angeles first means winning the internet.

    Pratt has amplified outlandish artificial intelligence videos, including one depicting lightsaber duels between him and the city's current mayor, Karen Bass, and another where he's portrayed as Batman descending on a burning Los Angeles to save the day; his campaign has tapped an army of freelance "clippers" to edit short social media snippets of him bashing the city's leaders; and he talks about nonexistent "super meth" plaguing the city's streets and pushed false narratives about California lawmakers' response to the Palisades Fire.

    A man wearing a black batman costume and black paint around his eyes. A group of people stand behind him.
    A screenshot of a artificial intelligence video created by a supporter of Spencer Pratt.
    (
    Charlie Curran via Twitter
    )

    It's perhaps no surprise that the 42-year-old former villain of the reality television show "The Hills" knows how to work the attention economy, but he's doing so by borrowing the combative and mocking style of politics popular in fringe online forums and celebrated by allies of President Trump.

    "He's probably the most Trumpian candidate we've ever seen in terms of house style," said Steve Bannon, Trump's former top adviser. "Trump's superpower was bringing in people into politics who hate politics, and that's what he's doing online right now."

    Pratt's internet antics are up against long odds.

    On June 2, Angelenos will go to the polls for the city's "jungle primary," a nonpartisan contest where Pratt, a Republican, will face off against Democratic incumbent Bass and progressive council member Nithya Raman.

    If any candidate surpasses 50% of the vote, that person becomes mayor. If nobody does, the top two vote getters compete in a November runoff. Polls show Pratt and Raman neck and neck, with Bass commanding a comfortable lead.

    Yet Pratt is harnessing the web to shake things up.

    He has leapt into the usually more mundane world of municipal politics with brash and extreme rhetoric, taking to TikTok, with direct-to-camera videos condemning Bass' response to the devastating Pacific Palisades wildfires that claimed his family's home. He describes Bass as "the mayor who let the town burn down."

    Pratt has also blamed city leaders with enabling the deterioration of city residents' quality of life, or, as he puts it on TikTok, "a city battered by fires, homelessness and crime," a framing that would sound familiar to anyone watching right-wing influencers and streamers.

    Pratt says, without evidence, that "socialists in LA city government are stealing your money." He denigrates the city's homeless as fentanyl-addled "zombies." And he has promised to clear out encampments by mass-arresting people living on the streets.

    He's accused Bass and Raman of "running a grift with the Homeless Industrial Complex," a vague and unsubstantiated claim aimed at whipping up his fans online, according to Dan Cassino, a professor of government at Fairleigh Dickinson University who studies masculinity and politics.

    "These are the sorts of things that play very well in red-pilled forums where there's this idea that everyone is in control of their lives and 'we need to embrace hard truths out there that they won't teach you in school,'" he said.

    Pratt's endorsement from podcaster Joe Rogan, Cassino said, is proof of Pratt's credibility in the manosphere, the bro-friendly world of male influencers who wage war against polite society.

    "Focusing on this audience is a way to target young men," Cassino said. "Just as Trump did in 2024, and now we see Spencer Pratt doing the same thing."

    Former LA councilmember: 'Winning the internet' doesn't equal an election win

    Former Los Angeles City Councilman Mike Bonin has been watching Pratt's campaign morph from unserious long-shot to top three contender.

    Pratt had a megaphone of millions of social media followers before he ran for public office. That has helped supercharge the spread of the AI slop videos his fans have made. So has Elon Musk's repeated re-sharing and replies to Pratt's content on X, the platform the tech mogul owns, to his 240 million followers.

    When Pratt wants his incendiary campaign messages and AI content to spread even farther, conservative influencers like Laura Loomer, Ben Shapiro and Benny Johnson are at the ready, commenting and reposting to juice Pratt's reach.

    "Winning the internet is not the same thing as winning the election, but it can help," said Bonin, who now directs the Pat Brown Institute for Public Affairs at Cal State Los Angeles.

    A man wearing dark sunglasses and a grey baseball cap stands in front of a wall of foliage.
    Spencer Pratt often turns to TikTok to promote his candidacy for mayor of Los Angeles.
    (
    TikTok
    )

    He points to how the kinetic digital campaign of New York City Mayor Zohran Mamdani inundated Instagram Reels and TikTok with videos showing how natural and conversant he was with the format.

    More close to home, Los Angeles Controller Kenneth Mejia won his 2022 election using his two corgis on billboards and in social media videos as a way of appealing to those terminally online.

    The difference with Pratt, Bonin said, is that he's using the leverage of the well-oiled right-wing online media machine.

    "Unlike left-leaning candidates, right-leaning candidates come into an internet ecosystem that is well-practiced in promoting itself through its various networks," he said.

    Also giving a signal boost, Bonin said, was the launch of California Post, a West Coast edition of conservative New York Post owned by Rupert Murdoch, around the same time Pratt launched his campaign. The outlet has "been reinforcing the supposed dystopian crisis Los Angeles has been living through, and that is a big part of Pratt's narrative," Bonin said.

    Pratt and his campaign did not return requests for an interview. Bass did not offer any comment.

    Raman, through a spokesman, dismissed Pratt's online tactics, saying the AI slop videos show how out of touch he is with something that's an existential concern to the city's entertainment industry.

    "Hollywood jobs are being devastated by AI, meanwhile Spencer Pratt is using his platform to promote AI-generated content amplifying the very technology replacing the workers he claims to care about," Raman said in a statement. "Our videos are made by working film and television professionals who believe Los Angeles can be better."

    The MAGA tightrope walk

    There are two ways to respond to this: Try to meet Pratt on his level, or don't participate at all.

    Cassino, the government professor at Fairleigh Dickinson University, said Raman and Bass are taking "the Rose Garden strategy" by not trying to match the intensity and absurdity of Pratt's online campaign, which he said is probably politically wise.

    "He's more chronically online than they are. He has fans who generate this stuff for him in a way that they don't, so any attempt for them to do this will make them look inauthentic," he said.

    It is difficult to gauge how much of Pratt's content and rage-baiting is coming across the social media feeds of Los Angeles voters, but, at least on X, he's been praised as the candidate who is the most "anti-woke" and "based," internet slang for being unapologetically one's self and unafraid of offending others.

    His favorite pejorative for Bass is "Karen Basura," which is Spanish for trash. And he calls the mayor's supporters "Bassholes" — cruel, bully-like language that Cassino said is catering to young men online.

    "If people are voting for Spencer Pratt because they think it's funny versus because they seriously want him to be mayor, the vote still counts," Cassino said.

    However it is resonating or not with voters, Pratt is not slowing his inflammatory language and pugnacious tone.

    It's a posture being lapped up by the online MAGA sphere. It also represents the new template for right-wing political candidates, both national and local, Bannon added.

    "Pratt knows it's not politics, it's drama," said Bannon, who was a Hollywood financier before he got into politics. "He's got a warrior mentality."

    If Bannon found any criticism of Pratt's campaign, it would be Pratt's shameless promotion of AI slop.

    A fierce critic of Silicon Valley, Bannon said the videos are entertaining, but they risk turning off voters who can see them as trivializing the race, not to mention how the internet is already glutted with AI junk and fakes.

    "On the AI slop, he's one inch away from jumping the shark," Bannon said. "It can be effective, but it's starting to get tiresome, and it could backfire if you promote it too much."

    Internet notoriety, though, cannot dislodge one fact about Los Angeles: Registered Democrats outnumber Republicans three to one, presenting Pratt with a serious challenge if he advances to the November runoff.

    Trump on Wednesday signaled support for Pratt. The mayoral hopeful did not immediately blast this out to his social media followers.

    And that's because, while Pratt is a registered Republican, he has tried to separate himself from the MAGA movement and has repeatedly highlighted how the mayor's race in Los Angeles is nonpartisan.

    It's a tightrope walk that Bannon, one of the chief architects of the MAGA movement, is keenly attuned to as he offers conditional praise for Pratt.

    "Tell him I would endorse him," Bannon said. "But I don't want to hurt his chances of winning in LA."
    Copyright 2026 NPR

  • Sponsored message
  • Suit comes as Jan. 6 rioters gloat over fund

    Topline:

    Two police officers who defended the U.S. Capitol from a violent mob on Jan. 6, 2021, filed a lawsuit in federal court against the Trump administration, arguing that the newly-announced $1.8 billion "Anti-Weaponization Fund" is both illegal and dangerous. At the same time, former Jan. 6 defendants are already preparing their applications to the fund and anticipating major payouts.

    The backstory: The Justice Department has indicated that the fund will be used to compensate an unspecified group of people "who suffered weaponization and lawfare" under previous presidential administrations. It is widely expected that at least some of the money will go to Trump supporters who attacked the Capitol on Jan. 6, and later received presidential pardons.

    Why it matters: Facing questions from members of Congress and reporters, acting Attorney General Todd Blanche and Vice President JD Vance did not rule out payments to Jan. 6 rioters convicted of violent crimes against police officers.

    Read on... for more on the lawsuit and how rioters expect to apply for compensation.

    Two police officers who defended the U.S. Capitol from a violent mob on Jan. 6, 2021, filed a lawsuit in federal court against the Trump administration, arguing that the newly-announced $1.8 billion "Anti-Weaponization Fund" is both illegal and dangerous. At the same time, former Jan. 6 defendants are already preparing their applications to the fund and anticipating major payouts.

    The Justice Department has indicated that the fund will be used to compensate an unspecified group of people "who suffered weaponization and lawfare" under previous presidential administrations. It is widely expected that at least some of the money will go to Trump supporters who attacked the Capitol on Jan. 6, and later received presidential pardons.

    Facing questions from members of Congress and reporters, acting Attorney General Todd Blanche and Vice President JD Vance did not rule out payments to Jan. 6 rioters convicted of violent crimes against police officers.

    "We're not making commitments to give anybody money," Vance said Tuesday at the White House. "We're just making commitments to look at things case by case."

    A screenshot of a video showing a police officer in riot gear in between a pole and wall. He yells in pain and has blood coming from his mouth.
    A screenshot of a video showing D.C. Metropolitan police officer Daniel Hodges being attacked at the Capitol on Jan. 6, 2021.
    (
    U.S. Attorney’s Office for the District of Columbia
    )

    Daniel Hodges, a Washington, D.C., police officer who was repeatedly assaulted and crushed in a door frame by Jan. 6 rioters, is one of the plaintiffs seeking to block the fund.

    "Why would you pay people who attacked the police at the Capitol of the United States who tried to stop the peaceful transfer of power?" Hodges told NPR. "Why would you pay people who wanted to assassinate the vice president? You know, the list goes on and on. It doesn't make any sense."

    Hodges said he and other officers who defended the Capitol continue to receive death threats, and that giving money to the people convicted of assaulting police could feed further harassment and violence.

    "If they get this payout, then they'll have significant financial resources," Hodges said, "and they have no ethical qualms about it, so what would stop them from carrying out any more violence?"

    Hodges continues to serve on Washington, D.C.'s Metropolitan Police Department and spoke to NPR in his personal capacity.

    Former Capitol Police Officer Harry Dunn joined the lawsuit, which names acting Attorney General Blanche, as well as President Donald Trump and Treasury Secretary Scott Bessent as defendants.

    Dunn and Hodges are represented by Brendan Ballou, a former federal prosecutor who worked on Jan. 6 cases and now leads the anti-corruption group Public Integrity Project.

    A man with light skin tone, wearing a black suit and red tie, speaks at a wooden desk into a microphone and looks out of frame.
    Former Department of Justice Special Counsel Brendan Ballou speaks during a hearing of the House Committee on Oversight and Government Reform on Capitol Hill on Jan. 7.
    (
    Mark Schiefelbein
    /
    AP
    )

    "The Trump slush fund is potentially the most corrupt act of presidential power in American history," Ballou told NPR.

    The lawsuit targets the unusual way in which the fund was created. Trump sued the federal government — of which he is the head — for $10 billion over the IRS leak of his private tax records, and then created this fund as part of a settlement over the claim.

    "Donald Trump was functionally on both sides of the case," Ballou said.

    The lawsuit also notes that Trump's mass pardons restored gun rights for many Jan. 6 defendants. The "Anti-Weaponization Fund," Ballou argues, could also provide them with a major financial windfall.

    "They can get money, they can get guns," Ballou said. "And right now they have the endorsement of the president showing that they will be financially rewarded for their violence."

    Rioters expect to be 'rewarded'

    Jake Lang used a bat to attack police protecting the Capitol on Jan. 6. His trial for assault and other charges was pending when Trump ordered the case dismissed and released him from jail.

    Lang does not dispute that he used the bat against police, but argues that his actions were justified as self-defense, because he believed that the 2020 election had been stolen.

    Since his release from jail, he has become a white power, anti-immigrant, antisemitic and anti-Muslim activist and provocateur. He has been recorded on video using racist slurs, including the n-word, and giving a Nazi salute.

    When contacted by NPR for comment on Wednesday, Lang answered the phone by saying, "Jake Lang's office, America's newest billionaire."

    Lang said he was joking about becoming a billionaire, but confirmed that he plans to apply for compensation through the "Anti-Weaponization Fund" and expects other Jan. 6 defendants to do the same.

    "The misdemeanor cases should be looking to receive several hundred thousand dollars," Lang said, "and some of the cases like mine may be looking at upwards of a million dollars."

    Lang said Trump's message in establishing the fund was clear.

    "If you sacrifice for your country, if you do the right thing in the face of evil, you will be rewarded for your bravery, for your patriotism, for the love of your country," Lang said. "That's the message President Trump is sending."

    A man with light skin tone, wearing glasses, a striped scraf, and black jacket and pants, gestures with his hand as he speaks towards a group of police officers in various yellow and black jackets in a field. There are other people in the background.
    Jake Lang (right), who was charged with eight counts of assaulting officers before his pardon, threatens D.C. Metropolitan Police officer, including Commander Jason Bagshaw (left), during a Jan. 6 rally and memorial march marking five years since the attack on Jan. 6, 2026 in Washington, D.C.
    (
    Chip Somodevilla
    /
    Getty Images
    )

    If Lang receives compensation from the Trump administration, the money could go towards his legal expenses. He is currently facing criminal charges in Minnesota, where he was recorded knocking down an ice sculpture protesting federal immigration enforcement, and in Washington, D.C., where he was charged with threatening a police officer. Lang has denied all wrongdoing in both cases.

    Using 'Trump bucks' as hush money

    Lang is one of dozens of former Jan. 6 defendants who have been charged or convicted of additional crimes since Trump issued mass pardons to the rioters.

    In Florida, defendant Andrew Paul Johnson is currently serving a life sentence in prison for sexually abusing two young children. According to a police affidavit filed last year, Johnson told his victims that he would share a portion of restitution money that he expected to receive from the Trump Administration. "This tactic was believed to be used to keep [the victim] from exposing what Andrew had done to him," the affidavit said.

    A mugshot of a man with light skin tone, balding head, medium scruffy beard, wearing a black denim shirt, looking directly at the camera.
    Andrew Paul Johnson was sentenced to life in prison for sexually abusing children. He received a full pardon from President Trump for his role in the Jan. 6 riot.
    (
    Hernando County Sheriff's Office
    )

    The mother of one of the victims, who spoke on the condition of anonymity to protect her child's privacy, told NPR that Johnson told the children he would buy them things with "my Trump bucks."

    Johnson made those comments well before the announcement of the "Anti-Weaponization Fund," but at a time when some Trump Justice Department officials, including U.S. Pardon Attorney Ed Martin, were publicly discussing restitution for Jan. 6 defendants.

    "He said not to tell anybody," one of Johnson's victims testified at his trial.

    "We were scared," Johnson's other victim testified. "Like, we didn't realize that this stuff was not okay because we were 12 years old."

    U.S. Sen. Chris Van Hollen, D-Md., pressed Blanche about Johnson's case at a congressional committee hearing.

    Blanche said the facts of the case were "disgusting" and "it's horrible that that happened."

    But he did not state whether Johnson would be eligible to apply for compensation through the "Anti-Weaponization Fund."

    Speaking at the White House, Vance said that law schools and the media are biased against Jan. 6 rioters and Trump supporters compared with other criminal defendants.

    "There are people who objectively committed heinous crimes, but the American media and the American legal academy has decided that even though they committed bad crimes, their sentence was disproportionate — they were mistreated in some way," Vance said. "You know who never ever gets an ounce of sympathy when it comes to that disproportionate sentencing is people who voted for Donald Trump and participated in the Jan. 6 protest."

    According to NPR's database of the nearly 1,600 Jan. 6 criminal cases, the median prison sentence for Capitol riot defendants was 30 days. About a third of the rioters who went through sentencing received no jail time.
    Copyright 2026 NPR

  • What property owners are being asked to decide
    A worker installs a streetlight that has a solar panel on top of it.
    Crews began installing more than 90 solar streetlights in Lincoln Heights and Cypress Park in February.

    The topic:

    Los Angeles city property owners should have received a ballot for voting on whether to pay more for street light repairs — an area of funding that has been frozen since the 1990s. An increased budget could mean faster repair times and more efficient maintenance. But — why is voting on this issue set up this way? Why vote now now? And what will your vote mean?

    When is the final day to vote? Coincidentally the same day as the primary — June 2. But remember, this is completely separate from your primary election ballot.

    The background: The city's budget for repairing streetlights has been frozen since the 1990s. In 1996, a statewide ballot proposition made it a requirement for municipalities to seek voter approval for general taxes and fees, such as increasing streetlight funding.

    Read on ... to learn about the state of the Bureau of Street Lighting and what your vote means.

    Los Angeles city property owners should have received a ballot for voting on whether to pay more for streetlight repairs — an area of funding that has been frozen since the 1990s. An increased budget could mean faster repair times and more efficient maintenance.

    But — why is voting on this issue set up this way? Why vote now now? And what will your vote mean?

    Why the vote?

    L.A. established the Bureau of Street Lighting in 1925 — when the city was much smaller. In partnership with property developers, the bureau helped build a patchwork of streetlights.

    In 1996, Proposition 218 required municipalities to seek voter approval for general taxes and fees, such as increasing streetlight funding. Since then, assessment funds, which account for 90% of the bureau's revenue, have been frozen, leaving the bureau chronically underfunded, according to Miguel Sangalang, the executive director and general manager for the Bureau of Street Lighting.

    The city's Bureau of Street Lighting says that it takes one year on average to complete repairs due to budgetary constraints.

    Last year, the bureau had a third party verify and assess the funding it needed to operate — an estimated $125 million.

    This year, the L.A. City Council approved a putting an increase before voters — in this case, property owners near streetlights.

    What to know ahead of voting

    • If you received a ballot, you must return it by allots are coincidentally due on June 2. This is a separate ballot from the primary election.
    • Every property gets one vote, though each ballot is weighted based on how much a property owner is expected to pay.
    • Approval of the new assessment would also institute a three-year audit, meaning a third party would account for how the Bureau of Street Lighting spends the money.

    Can't vote but want to participate?

    Funding doesn't need to come purely from assessments.

    The L.A. City Council could also supplement the bureau's budget, which it has done in the past, according to Sangalang.

    City Council offices can assist with repairs in their districts through discretionary funds. The mayor also has the ability to fund such projects through an executive order.

    Calling your local council member's office and asking for more funds to go to local street light improvements could help expedite the repair completion process.

    How to keep tabs on LA city government

    The City Council meets at 10 a.m. Tuesdays, Wednesdays and Fridays. Agendas are posted here.

    You can view council meetings here.

  • How artist ZiBeZi painted a mural at the eatery
    A densely illustrated mural covers a white wall, featuring dozens of hand-drawn cartoon characters, creatures, and doodles in bright colors. Text in the mural reads "YI CHA / 이차," "하이랜파크" (Highland Park in Korean), "Figueroa St," and "HIGHLAND PARK." A glass globe pendant light with a visible Edison bulb hangs in the foreground.
    A detail of the illustrated mural inside Yi Cha, a Korean eatery on Figueroa Street in Highland Park, bursts with colorful hand-drawn characters, Korean text, and neighborhood references.

    Topline:

    Best known for creating the eerie child’s painting in Bong Joon Ho’s masterpiece, visual artist ZiBeZi brings his vibrant, boundary-free style to Chef Debbie Lee’s Yi-Cha.

    More details: If you’ve ever dined at Chef Debbie Lee’s restaurant Yi-Cha, you’ve likely noticed the colorful, cartoon-style mural at the entrance. The vibrant painting features food, animals, nature and bold Korean words such as “Awesome” and “Let’s Eat.” It also captures the lively spirit of Highland Park in Northeast Los Angeles.

    About ZiBeZi: His work has traveled farther beyond Highland Park. In Bong Joon Ho’s Oscar-winning film “Parasite,” one of ZiBeZi’s abstract paintings appears as a prop — a child’s drawing that seems innocent but quietly signals something more unsettling. The placement introduced his work to a global audience, a moment that helped shift the trajectory of his career.

    Read on... for more on how ZiBeZi brought his whimsical world to the Highland Park restaurant.

    This story first appeared on The LA Local.

    If you’ve ever dined at Chef Debbie Lee’s restaurant Yi-Cha, you’ve likely noticed the colorful, cartoon-style mural at the entrance. The vibrant painting features food, animals, nature and bold Korean words such as “Awesome” and “Let’s Eat.” It also captures the lively spirit of Highland Park in Northeast Los Angeles.

    Last week, in honor of Asian American and Pacific Islander History Month, Lee hosted a meet-and-greet with  the mural’s artist, Korean visual artist ZiBeZi.  

    “This event [was] our way of saying thank you to him, and to our guests who have fallen in love with his work,” Chef Lee told The LA Local. She commissioned ZiBeZi to paint the mural last fall when she opened her restaurant. 

    ZiBeZi, whose given name is Jung Jae-hoon, did not begin as a visual artist. For more than a decade, he worked as a rapper, shaping stories through rhythm and lyrics. Painting came later, after what he describes as a difficult period in his life, when drawing became a form of recovery — a way, he said, “to breathe and heal.”

    That origin still lingers beneath the surface of his work. His paintings, at first glance, lean whimsical: rounded forms, bright palettes, a sense of motion that feels almost childlike. But look longer and the compositions begin to open up into something more layered and introspective.

    “I enjoy creating scenes where humans, nature, animals and the universe coexist without boundaries,” ZiBeZi told The LA Local. “On the surface, the work may feel playful or cartoon-like, but underneath, there are emotions, memories and questions about life.”

    Artist ZiBeZi, wearing a black denim jacket and white T-shirt with pink-dyed hair, stands to the left of a framed painting on a wooden easel. To the right stands director Bong Joon-ho, wearing a black blazer over a black shirt and glasses. The painting depicts an expressive, wide-eyed face rendered in bold colors including brown, blue, green, yellow, and red in a raw, gestural style. Both men smile at the camera. The venue behind them features red walls, a mezzanine level, and a ceiling covered in what appears to be layered paper or artwork.
    Artist ZiBeZi poses with acclaimed Parasite director Bong Joon-ho alongside ZiBeZi’s painting that was featured in the film.
    (
    Couresty of ZiBeZi
    )

    His work has traveled farther beyond Highland Park. In Bong Joon Ho’s Oscar-winning film “Parasite,” one of ZiBeZi’s abstract paintings appears as a prop — a child’s drawing that seems innocent but quietly signals something more unsettling. The placement introduced his work to a global audience, a moment that helped shift the trajectory of his career.

    By 2024, the Grammy Museum had commissioned him to create a mural for its K-pop exhibition, another sign of his growing visibility. Still, he describes these milestones less as turning points than as affirmations.

    “Those experiences gave me confidence to continue creating,” he said, “while also reminding me to stay true to my own voice and artistic identity.”

    At Yi-Cha, that voice takes on a distinctly local resonance. Lee said ZiBeZi approached the mural less as a commission and more as a process of immersion. “He didn’t just paint a mural he spent time in Highland Park, walked Figueroa, felt the neighborhood. That kind of intention shows in every inch of the wall.”

    The result is a piece that bursts with joy. An alien figure hovers near the words “Highland Park,” rendered in Hangul, the Korean alphabet. There are subtle nods to Yi-Cha’s menu and broader references to Los Angeles, woven together in a way that resists a single interpretation.

    It is, above all, a mural meant to be lived with and experienced over meals.

    “Painting for a restaurant feels very different from exhibiting in a gallery,” ZiBeZi said. “Here, art becomes part of people’s everyday experience — it lives with their laughter, their meals and their memories.”

    A floor-to-ceiling illustrated mural covers the back wall of a restaurant interior. The white wall is packed with colorful hand-drawn figures, animals, food, and text including "YI CHA / 이차," "Welcome to Yi Cha," "하이랜파크," "Figueroa St," and "LA." A tall giraffe, rainbow, and dozens of cartoon characters appear throughout. Two glass globe pendant lights hang from an exposed-beam ceiling. Restaurant seating is visible in the foreground, and a neon gender symbol sign glows on the left wall.
    The mural wall at Yi Cha, a Korean restaurant on Figueroa Street in Highland Park, fills floor to ceiling with whimsical illustrations celebrating the neighborhood and Korean culture.
    (
    Courtesy of Stan Lee
    )