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The most important stories for you to know today
  • World's reps can't seem to agree on a plan
    A man with light-tone skin is on stage in a suit. Behind him is projected: United Nations Climate Change COP28UAE and Dubai 2023
    Al Gore, environmentalist and former vice president of the United States, presented last week in Dubai at COP28.

    Topline:

    The well-publicized debate over fossil fuels threatens to overshadow another major question dogging negotiations as the clock runs out: whether or not world leaders can agree on how to adapt their countries’ infrastructure to withstand global warming.

    Confusion: Hundreds of international negotiators have spent the past fortnight tangling over a convoluted document that outlines how countries will adapt to climate change — but they haven’t yet reached consensus on who exactly will pay for the phenomenally expensive undertaking — or even how to define successful climate adaptation in the first place.

    Read on ... for more on this murky issue and to get caught up on COP 28.

    The United Nations climate summit in Dubai promises no shortage of drama in its final days — in part because negotiations over whether or not to phase out global fossil fuel use appear to have collapsed. One major goal of this year’s conference, known as COP28, is a “global stocktake” documenting the world’s climate progress and next steps on climate action. But as of Monday, any reference to ending oil and gas use had disappeared from the draft text, leading to widespread anger among climate advocates. Former U.S. Vice President Al Gore declared that the conference was “on the verge of complete failure.”

    This story was originally published by Grist. Sign up for Grist’s weekly newsletter here.

    Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future.

    But the well-publicized debate over fossil fuels threatens to overshadow another major question dogging negotiations as the clock runs out: whether or not world leaders can agree on how to adapt their countries’ infrastructure to withstand global warming. As climate-driven disasters continue to make headlines around the world, the fate of millions in especially vulnerable regions such as Africa and Southeast Asia hinges on this question.

    Though hundreds of international negotiators have spent the past fortnight tangling over a convoluted document that outlines how countries will adapt to climate change, they haven’t yet reached consensus on who exactly will pay for the phenomenally expensive undertaking — or even how to define successful climate adaptation in the first place. As the end of the conference approaches, stakeholders who spoke to Grist described the most recent draft text of the so-called global goal on adaptation as “watered-down,” “vague,” and “confusing.”


    Get caught up on COP28

    What is COP28? Every year, climate negotiators from around the world gather under the auspices of the United Nations Framework Convention on Climate Change to assess countries’ progress toward reducing carbon emissions and limiting global temperature rise.

    The 28th Conference of the Parties, or COP28, is taking place in Dubai, United Arab Emirates, between November 30 and December 12 this year.

    What happens at COP?

    Part trade show, part high-stakes negotiations, COPs are annual convenings where world leaders attempt to move the needle on climate change.

    While activists up the ante with disruptive protests and industry leaders hash out deals on the sidelines, the most consequential outcomes of the conference will largely be negotiated behind closed doors. Over two weeks, delegates will pore over language describing countries’ commitments to reduce carbon emissions, jostling over the precise wording that all 194 countries can agree to.

    What are the key issues at COP28 this year?

    Global stocktake: The 2016 landmark Paris Agreement marked the first time countries united behind a goal to limit global temperature increase. The international treaty consists of 29 articles with numerous targets, including reducing greenhouse gas emissions, increasing financial flows to developing countries, and setting up a carbon market. For the first time since then, countries will conduct a “global stocktake” to measure how much progress they’ve made toward those goals at COP28 and where they’re lagging.

    Fossil fuel phaseout or phasedown: Countries have agreed to reduce carbon emissions at previous COPs, but have not explicitly acknowledged the role of fossil fuels in causing the climate crisis until recently. This year, negotiators will be haggling over the exact phrasing that signals that the world needs to transition away from fossil fuels. They may decide that countries need to phase down or phase out fossil fuels or come up with entirely new wording that conveys the need to ramp down fossil fuel use.

    Loss and damage: Last year, countries agreed to set up a historic fund to help developing nations deal with the so-called loss and damage that they are currently facing as a result of climate change. At COP28, countries will agree on a number of nitty-gritty details about the fund’s operations, including which country will host the fund, who will pay into it and withdraw from it, as well as the makeup of the fund’s board.


    The latest text is “much weakened,” said Pratishtha Singh, a policy analyst at the Canadian chapter of the Climate Action Network, an international advocacy organization. “It’s far from enough in terms of what’s needed by developing countries.”

    The “global goal on adaptation” is a sweeping framework that is supposed to guide how the world prepares for floods, fires, droughts, and other climate disasters. It’s also one of the last and biggest puzzle pieces in the implementation of the landmark Paris Agreement. The 2015 accord had three main pillars: mitigating future climate change by reducing carbon emissions, adapting to future climate disasters, and redressing the loss and damage that can’t be prevented. In the years since it was signed, countries have set goals for cutting carbon emissions and, much more recently, committed hundreds of millions of dollars to a loss-and-damage fund, but they haven’t yet agreed on a framework for climate adaptation.

    This year’s COP is the final deadline for putting that framework together, but talks have moved at a snail’s pace in Dubai as negotiators clash over key issues. Despite holding at least eight technical discussions on the adaptation goal earlier this year, negotiators failed to agree on a draft document by the end of the conference’s first week, a sign of dismal progress. A parallel discussion about how vulnerable countries should design their national adaptation plans also broke down, and negotiators have punted that debate to a meeting in Bonn, Germany, next summer.

    The reasons for the logjam are multiple. For one, the geopolitics of adaptation finance are highly contentious. In the past, rich countries in Europe and North America have promised to support adaptation in more vulnerable countries, but they have overwhelmingly failed to meet their previous commitments — and even those commitments were hundreds of billions of dollars short of what experts agree is needed. Negotiators from Africa and Southeast Asia entered the adaptation talks at COP28 seeking an acknowledgment that wealthy nations need to do more, plus a mechanism for monitoring international aid, which they say will help ensure that rich countries don’t renege on their funding commitments. Rich countries, however, sought to restrict the final agreement to a discussion of how to develop and implement adaptation policy.

    “The main issue is the financial part,” said Idy Niang, a Senegalese negotiator who represents a bloc of the world’s least economically developed countries, during the first week of COP28. “We are not satisfied with the proposal coming from developed countries.”

    The most recent draft text includes a lengthy discussion of adaptation finance, including a call for rich countries to pay more and a vague nod to their past failures, but it doesn’t include any clear commitment from wealthy nations. Nor does it outline any mechanism for tracking and monitoring adaptation aid.

    An earlier version included a provision that called for rich countries to provide at least $400 billion in adaptation finance per year by 2030, which would have represented a more than tenfold increase from recent years. But this line disappeared in later talks, as did any reference to equity principles underscoring developed countries’ responsibility to provide adaptation funding. Emilie Beauchamp, a climate policy expert at the International Institute for Sustainable Development, a Canada-based environmental think tank, said such an agreement was a nonstarter for many nations.

    “It’s not possible,” she told Grist. “This is an absolute red line for the developed countries.” She called the outcome on finance “quite disappointing.”

    A second sticking point in the talks is the question of how to define successful adaptation. Outlining clear targets for adaptation is highly technical and challenging. Unlike goals for mitigating climate change, which can be pegged to the amount of greenhouse gases in the atmosphere or global temperature increase, adaptation responses vary depending on local conditions. There’s no universal yardstick that countries can use to compare their progress. Adaptation efforts on a small island, for instance, look very different compared to a large urban city.

    “Climate finance is messy, but the global goal on adaptation is even messier,” said Katherine Browne, a researcher at the Stockholm Environmental Institute who studies adaptation. “The problems with finance are political, but the problems with the goal are technical, because they’re trying to find a way to measure something that basically everyone agrees can’t be measured.”

    The final framework needs to lay out a system for gauging progress on disaster resilience, but the term “adaptation” is so broad that negotiators have struggled to reach consensus on what categories of adaptation to include, or about how to measure the value of any given infrastructure project. The most recent text contains seven targets to meet by 2030, including a group of core themes for adaptation projects. These include food and water security, disaster readiness, universal healthcare, and land conservation.

    But these broad targets lack specificity and include language like “substantially” reducing poverty, “increasing” infrastructure resilience, and “reducing climate impacts on ecosystems.”

    “The language is vague,” said Sandeep Chamling Rai, an adaptation expert with the nonprofit World Wildlife Fund. “Everything is there, but nothing is there.”

    Given the unquantifiability inherent in the language, negotiators at COP28 are struggling to come up with a system allowing them to measure progress toward these goals. The best they’ve been able to do is punt the question to future COPs: Negotiators agreed to create a two-year working group that will sift through hundreds of potential adaptation “indicators” and try to create a global standard. These indicators might include the fatality rate for climate disasters, the percent of a population with access to clean water, or the number of acres of forested land in a country.

    It’s basically saying that the world does not care about the lives and ecosystems of people who are on the front lines of the climate crisis.
    — Emilie Beauchamp, International Institute for Sustainable Development

    The fact that adaptation has stalled out even as other issues move forward is a grim sign for vulnerable countries, said Beauchamp of the International Institute for Sustainable Development.

    “If you look at the broader COP … you have the loss-and-damage issue, which is zooming,” she said. “Adaptation, there’s nothing. It’s basically saying that the world does not care about the lives and ecosystems of people who are on the front lines of the climate crisis.”

    This is ironic, because the question of whether or not rich nations should help less fortunate countries with climate adaptation has never been that contentious on its own, compared to the jostling over emissions reductions and funding for loss and damage. Unlike the latter, which amounts to paying what are essentially climate reparations, adaptation finance is often seen as a natural extension of the sustainable development framework that guides many forms of international aid.

    Negotiators have set up several adaptation funds at previous COPs. Some of them, like the “Least Developed Countries Fund” and the “Special Climate Change Fund,” have been around for more than 20 years. A group of developed countries including Canada and Norway agreed to replenish these bank accounts last week with a new contribution of $174 million.

    The problem is that the total amount of money in all these funds isn’t even close to what poorer countries need, and spending has plateaued in recent years. Global adaptation needs are outpacing adaptation finance by as much as $366 billion per year, according to the latest U.N. data, and the need is only growing as the world continues to warm.

    At the same time, rich countries such as the United States have failed to follow through on their prior pledges to fund adaptation: A recent report from the Organization for Economic Cooperation and Development, or OECD, found that international adaptation finance declined by around 15 percent between 2020 and 2021 — a time when it was supposed to be skyrocketing. Even global institutions like the U.N.’s Green Climate Fund only give out a few million dollars at a time for resilience projects. That’s enough to restore a small mangrove forest in Guinea-Bissau or build a wastewater treatment plant in Barbados, but not to armor a city against sea-level rise or help a country’s farming sector prepare for droughts.

    Another reason for the lag in funding is that the private sector has little incentive to invest in adaptation projects. Many banks and investors have backed solar farms and carbon capture projects across the developing world, because these initiatives promise future financial returns when people buy electricity or trade carbon credits. The same can’t be said for sea walls, desalination plants, and coastal conservation areas, which is why adaptation makes up only a quarter of all international climate finance.

    While the most recent draft text obliquely nods to the need for scaled-up private finance, climate advocates who spoke to Grist called this a red herring. Singh, of the Climate Action Network, said such language is “wild and unacceptable,” given both private funding’s insufficiency compared to government-scale financing and the potential for private ventures to saddle developing countries with burdensome debt.

    The United States, meanwhile, is championing the private sector as an adaptation savior. U.S. climate envoy John Kerry unveiled a report last week arguing that adaptation is profitable for the private sector, because companies can make money by protecting their supply chains against disasters, for instance, or by investing in government adaptation projects.

    “I think a ton of the incentives already exist, and I think the private sector is just awakening to those in a really significant way,” said Nathanial Matthews, the CEO of the Global Resilience Partnership, the coalition of governments and nonprofits that produced the report. He pointed to investors who issued loans to help build a flood-proof highway tunnel in Kuala Lumpur, Malaysia, and made money back through toll revenues.

    But vulnerable countries can’t close the adaptation gap without significant public funding from wealthy nations, and that funding has yet to materialize.The next big test will arrive at next year’s COP29, where countries are hoping to ink a major new international funding agreement that will funnel hundreds of billions of dollars to adaptation.

    “We’re debating all these things about adaptation, but there’s absolutely no obligation for countries to implement it and to take it on,” said Beauchamp. “This framework would give a clear signal that the world actually cares about adaptation, but at the moment, we’re putting that signal in the bin.”

    This article originally appeared in Grist at https://grist.org/international/cop28-dubai-climate-adaptation/.

    Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future. Learn more at Grist.org

  • The increasingly common career pipeline
    A modern brown armchair with wooden legs sits in an office setting, on a beige carpet next to a green plant
    Creative to therapist — the new pipeline

    Topline:

    With a significant loss of jobs, entertainment professionals in L.A. are hurting these days. Many are turning to another profession, which also deals with people's emotions: therapy.

    Why it matters: Last year there was a 16% decline in filming in the region, according to Film LA. For those seeking stability — without sacrificing authenticity — retraining as a therapist makes sense.

    Why now: A psychology professor at Antioch University, Charley Lang, says at least half of his students in his graduate classes come from entertainment careers.

    All you have to do is grab a drink with a friend, eavesdrop at a coffee shop, or open your eyes to see that entertainment professionals in L.A. are hurting these days. Last year there was a 16% decline in filming in the region, according to Film LA, and between 2022 and 2024, L.A. County is estimated to have lost more than 42,000 motion picture-related jobs.

    I know this pain, personally. I was a TV writer for years, but my last writer’s room job was in 2021. Luckily, I was able to pivot to copywriting as I continue to work on my own projects, but I do wonder what the rest of my colleagues are up to. Where have the thousands of highly skilled entertainment professionals gone?

    Turns out, school.

    Specifically, to become therapists.

    I first noticed this trend over a decade ago in 2013. I had just moved back to L.A. from New York and I started seeing a new therapist. Over the course of our sessions, she revealed to me that she used to be an actor — and quite a successful one. She was a co-star on a hit sitcom for nine seasons.

    But despite the consistent work, she wasn’t fulfilled. She said acting was mostly sitting around in a trailer waiting and she craved more intellectual stimulation. So she went back to school and became a therapist, the irony being that she never fully escaped Hollywood. Today, as an L.A. based therapist, she spends most of her days listening to frustrated actors and writers complain about the biz. Ahh, the circle of life!

    Not only was my therapist a former actor, I started to notice more and more of my peers and friends making the switch. I met Alan, 40, who prefers to be anonymous because he doesn’t want his patients knowing about his private life, at a co-working space. We both belonged to a charming apartment-turned-writer’s haven in Silver Lake.

    At the time, Alan was a busy film producer, plugging away at his own feature script on the side. But despite having a shiny career working with hip actors and directors, he wasn’t happy.

    He remembers going to schmoozy parties where everyone would name drop and brag about what they were working on.

    “I had all those fancy things to drop, too, but it meant nothing, it didn’t make me feel any better about myself,” he said. “If I can’t even talk about what I’m up to without feeling sad, that’s kind of a problem.”

    Alan started to realize maybe producing wasn’t his destiny. He was going through the motions. Things started to fall into place when he started therapy.

    “Therapy made me feel more like myself. I just felt a little bit more enlivened… the rest of the week kind of deadened me,” he said.

    He loved how real and deep the conversations were and became intrigued by the idea of becoming a therapist himself. He started taking a few psychology classes and was instantly hooked. Now, he has a thriving private practice and hasn’t looked back.

    Primal emotions

    Julie Mond is a therapist and an actor. Unlike Alan, Mond still loves acting, it’s not something she grew out of. She just needed a more stable career as she continued to pursue her passion. Becoming a therapist has actually liberated her to focus on the kind of acting she actually wants to do. Because she’s financially stable she can now pick and choose the kinds of projects that feel worth her time.

    When I ask Mond why so many entertainment professionals become therapists she reflects on a couple of things. She said performers and directors crave “connecting authentically, being present moment-to-moment, being real and honest. We’re digging for these primal emotions.” All things you have to do as a therapist.

    She also has another theory: “A lot of artists go to therapy. Many of us who become therapists have been in therapy and it's changed our lives. I think people in L.A. have been on a healing journey and want to give back.”

    A light skinned man with greying hair, wearing tortoiseshell glasses, smiles at the camera.
    Charley Lang, who teaches at Antioch University.
    (
    Jaymes Mihaliak
    /
    Courtesy Charley Lang
    )

    Even though I'm personally meeting more people who are becoming therapists, I wondered if it was an actual trend or just a coincidence.

    So I talked with psychology professor Charley Lang at Antioch University to get his take. Lang, who's been teaching psychology for 30 years, said that in his graduate classes, at least 50% of the students come from entertainment careers.

    When I asked why they make the switch, he’s blunt: stability.

    That’s why Lang himself became a therapist decades ago.

    Lang was an actor on Broadway, but eventually hit a wall.

    “I had a nice career as an actor, I essentially got to do everything I wanted to do," he said. "But then I was in my late 30s and I was like, ‘Do I always want to be praying for another guest spot on a sitcom in order to feel secure and OK?’”

    Does he have any regrets or miss acting? On the contrary, he tells a story:

    “I had become a therapist and stopped acting and a friend of mine was directing a play at the Ahmanson and he was like, ‘Please do this play.’ And I was able to figure it out and I was just dipping my toe back in to see what it was like and it was a six-week run of the play. And at the end of the first week I remember standing in the wings waiting to make my entrance and thinking, ‘Oh my god haven’t we already told this freaking story?’ It was like Groundhog Day. It was the same story over and over.”

    As a therapist, he said he loves that every day is different.

    The point isn’t that working in entertainment is bad and therapy is perfect. To me, the takeaway is that it’s never too late to make a change. That just because something used to work for you doesn’t mean you’re committed to doing it forever.

    Or in Mond's case, maybe there is a way to continue doing what you love, but more sustainably.

    In today’s fragile and volatile job market, it’s nice to know that you can always begin again. Just because a job or career ends, doesn’t mean your life is over.

    If, in the future, I’m too fried, burnt out, or tired of the rollercoaster of being a writer, maybe I’ll embark on a second career.

    But until then, I’m still riding the dragon.

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  • A firecracker run-walk, Warhol and more

    In this edition:

    A firecracker run-walk, art fairs galore, an Andy Warhol film and more of the best things to do this weekend.

    Highlights:

    • Tony winner Jefferson Mays plays Salieri in director Darko Tresnjak’s (A Gentleman’s Guide to Love and Murder) take on Peter Shaffer’s 1979 play, Amadeus, about the rivalry between Salieri and Mozart in 19th Century Vienna.
    • Spooky Foodie, aka Ansley Layne, is bringing her ghost stories and encouraging you to tell your own at Spooky Stories After Dark, a Moth-inspired storytelling competition night at The Wolves downtown.
    • It’s not every day you can screen Sleep, the 1964 groundbreaking film by Andy Warhol, so take advantage and grab a ticket for an evening at the Marciano Art Foundation.
    • Usher in the Year of the Fire Horse with the annual Firecracker Run-Walk in Chinatown, plus a celebration with lion dances, music, a dog contest and more.

    Folks, we’ve reached peak art-weird. There’s a group show opening Sunday in an abandoned Sizzler. I am not making this up. Get your fill at the art fairs around town — Frieze, The Other Art Fair, Butter and Felix, for starters — or explore some of the neighborhoods with galleries, like Melrose Hill, West Hollywood and the Arts District. You’re sure to see a lot. It’s almost like we live in a city where you could just wander around and randomly come across things.

    If music is more your thing, Licorice Pizza has your go-tos. On Friday, German singer-songwriter and producer Monolink’s "The Beauty Of It All Tour" stops at The Wiltern, Brandi Carlile is with The Head And The Heart at the Forum and the Fiery Furnaces are at the Masonic Lodge. At the Peacock Theater, there’s an epic “Legends Of Hip Hop” bill with Big Daddy Kane, Kurtis Blow, Kool Moe Dee, Melle Mel & Scorpio from The Furious Five, Doug E. Fresh, KRS‐One and more. Saturday, experimental hip-hop group Clipping is at the Fonda, and the artist formerly known as June Marieezy — (((O))) — is at a cool new Chinatown venue called Pacific Electric. Or you can spend the whole weekend at Ace Mission Studios in Boyle Heights, immersed in Factory 93’s two-day underground techno festival, Skyline L.A.

    Elsewhere on LAist, you can visit the community hub East L.A. Film Shop, dance like it’s the 70s at the immersive theater experience Brassroots District: L.A. ’74 and head to the new Studio Ghibli exhibit at the Academy Museum with superfan Makenna Sievertson.

    Events

    Amadeus

    Through Sunday, March 15
    Pasadena Playhouse
    39 S. El Molino, Pasadena
    COST: FROM $48; MORE INFO

    A stage performance of Amadeus, with one actor popping out of a trapdoor and two others holding hands. Two other actors flank the scene, and several gather above on a balcony.
    (
    Jeff Lorch
    /
    Pasadena Playhouse
    )

    Our friends at the L.A. Times called the new production of Amadeus at Pasadena Playhouse a “marvel to behold,” and I don’t think you can get a bigger rave than that. Tony winner Jefferson Mays plays Salieri in director Darko Tresnjak’s (A Gentleman’s Guide to Love and Murder) take on Peter Shaffer’s 1979 play about the rivalry between Salieri and Mozart in 19th-century Vienna.


    Spooky Stories After Dark

    Saturday, February 28, 7 p.m.
    The Wolves
    519 S. Spring St., Downtown L.A. 
    COST: FREE, TWO DRINK MINIMUM; MORE INFO

    One of my favorite L.A. Instagram follows is Spooky Foodie, aka Ansley Layne, who goes to restaurants in L.A. and tells all about the ghosts haunting your favorite haunts. She’s bringing her ghost stories and encouraging you to tell your own at Spooky Stories After Dark, a Moth-inspired storytelling competition night at The Wolves downtown. After each story, the speaker will be interviewed by Spooky Foodie and co-host Your Cousin Trev. You can also expect some surprise celebrity guests.


    Sleep, a film by Andy Warhol featuring John Giorno

    Friday, February 27, 5 p.m. to 10:30 p.m.
    Marciano Art Foundation
    4357 Wilshire Blvd., Mid-Wilshire
    COST: FREE; MORE INFO

    Black and white close-up photo of a man sleeping.
    Film stills of John Giorno in Andy Warhol's Sleep. New York, NY, United States, 1963. Photo credit: Andy Warhol. 8 x 10 inches, b/w, photographic print.
    (
    Studio Rondinone/Courtesy of the John Giorno Collection, John Giorno Archives. Studio Rondinone, New York, NY.
    /
    Andy Warhol
    )

    It’s not every day you can screen Sleep, the 1964 groundbreaking avant-garde film by Andy Warhol, so take advantage and grab a ticket for this evening at the Marciano Art Foundation. Coinciding with their John Giorno: No Nostalgia show, the film is five hours and 21 minutes of artist and poet (and Warhol’s then-lover) John Giorno sleeping, so needless to say, you probably don’t need to be there the whole time. The galleries will be open throughout the entire screening, so it’s also a fun chance to see some late-night art!


    Black History Greens Festival

    Saturday, February 28, 11 a.m. to 4 p.m. 
    Virginia Ave. Park 
    2200 Virginia Ave., Santa Monica
    COST: FREE; MORE INFO

    Two Black men cook behind a clear plastic tarp. One also holds a microphone.
    (
    Courtesy City of Santa Monica
    )

    Check out three greens-cooking demonstrations with local chefs at the Black History Greens Festival in Santa Monica. The day also features family activities, including book readings and giveaways, plus performances. KJLH radio’s Arron “BOBO” Arnell returns for a second year as the master of ceremonies, and DJ Dense will be spinning throughout the event.


    48th L.A. Chinatown Firecracker-Lunar New Year Celebration

    Saturday, February 28 to Sunday, March 1
    943 Broadway (starting line), Chinatown 
    COST: FREE; MORE INFO 

    A large group of runners at the starting line of a race, under a banner that reads "Start."
    (
    Courtesy Firecracker 10K
    )

    Usher in the Year of the Fire Horse with the annual run/walk in Chinatown, plus a celebration with lion dances, music, a dog contest and more. Saturday features the long 20-mile run and century bike ride, while Sunday is a festival atmosphere with the 5K and 10K races, fun runs, kids' activities and more.


    Opera Noir at L.A. Opera’s Akhnaten 

    Saturday, February 28, 7:30 p.m.
    Dorothy Chandler Pavilion
    135 N. Grand Ave., Downtown L.A. 
    COST: Opening night from $134, other performances from $44; MORE INFO

    A man with medium skin tone and a shaved head has his face inches from a Black woman with purple hair. They're both wearing long red robes.
    (
    Craig T. Mathew
    /
    L.A. Opera
    )

    L.A. Opera welcomes back Philip Glass’ opera about ancient Egypt, Akhnaten, featuring John Holiday as the title king and mezzo-soprano Sun-Ly Pierce as his queen, Nefertiti. The opera is on at the Dorothy Chandler through March 22, but opening night is also Opera Noir, an event with the San Fernando Valley Chapter of Jack and Jill of America, which brings Black artistry and community together with opera. No matter which night you go, get there early for a pre-performance talk with Dr. Tiffany Kuo in Stern Grand Hall one hour before every performance.


    Art Fairs

    You have your pick of art fairs and related art events all weekend long. From the big Frieze Art Fair, which has been the jewel of L.A. Art Week since its launch here in 2019; to Felix, which makes a very cool use of space at the Hollywood Roosevelt; to The Other Art Fair in a new Culver City location (with art you might actually be able to afford for your wall); to the Black-artist focus of Butter in Inglewood, there’s really no shortage of places to see the newest artists’ work as well as old favorites.

    Frieze L.A.

    Through Sunday, March 1
    Barker Hangar
    3021 Airport Ave., Santa Monica
    COST: FROM $79; MORE INFO 

    Butter

    A poster for an art fair, blue background with yellow and white text, headline reads "A Fine Art Fair: Butter Los Angeles"
    (
    Courtesy Butter
    )

    Through Sunday, March 1
    Hollywood Park
    1011 Stadium Drive, Inglewood 
    COST: $60; MORE INFO

    Felix Art Fair

    Through Sunday, March 1
    Hollywood Roosevelt 
    7000 Hollywood Blvd., Hollywood
    COST: $75; MORE INFO

    The Other Art Fair

    Through Sunday, March 1
    3Labs
    8461 Warner Drive, Culver City
    FROM $30; MORE INFO

    Post-Fair

    Through Saturday, February 28 
    128 Fifth St., Santa Monica
    COST: $12; MORE INFO

  • Highs mostly in the mid-80s for the valleys
    The sun rises on the horizon across a valley populated with homes and roads.
    A sunny day with highs in the mid-70s and low 80s.

    QUICK FACTS

    • Today’s weather: Mostly sunny
    • Beaches: Mid-70s
    • Mountains: 70s to 80s at lower elevations
    • Inland: 81 to 86 degrees
    • Warnings and advisories: None

    What to expect: Warmer for the valleys where temperatures there will hover in the mid- to upper 80s.

    Read on ... for where it will be the hottest today.

    QUICK FACTS

    • Today’s weather: Mostly sunny
    • Beaches: Mid-70s
    • Mountains: 70s to 80s at lower elevations
    • Inland: 81 to 86 degrees
    • Warnings and advisories: None

    We're in for another warm and sunny day in SoCal.

    Daytime highs for the beaches will reach the mid-70s and up to the low 80s more inland. Downtown L.A. will see temperatures up to 83 degrees.

    Temperatures for the valley communities and the Inland Empire will reach the mid-80s. The western San Fernando Valley will see temps in the upper 80s, up to 89 degrees for Woodland Hills.

    In Coachella Valley, expect another day with highs in the 90s, up to 96 degrees.

    Friday is expected to be the warmest day of the week.

  • Racial disparities seen in 'pretextual stops'
    A police officer stands outside the window of a white van on the side of a road with his motorcycle parked behind the vehicle.
    A 2022 LAPD policy in part instructs officers to minimize stops for minor equipment violations.
    Newly released data from the city show that Los Angeles police officers use minor traffic stops as a way to investigate Black and Latino people on suspicion of committing a more serious crime at a higher rate than their share of the citywide population.

    Pretextual stops: Police sometimes use violations of the vehicle code to stop drivers and investigate them for a more serious crime unrelated to the traffic stop, such as possessing drugs or firearms. These are known as pretextual stops.

    LAPD’s policy: In 2022, the LAPD adopted a policy that officers should only conduct pretextual stops when they are “acting upon articulable information” that the person is close to a serious crime that’s worth investigating.

    Several reports: In the last month, two city departments released analyses of pretextual stops since the police adopted its policy. A nonprofit called Catalyst California did a broader analysis of minor traffic stops, too.

    Read on … to see what the analyses found.

    Newly released data from the city show that Los Angeles police officers use minor traffic stops as a way to investigate Black and Latino people on suspicion of committing a more serious crime at a higher rate than their share of the citywide population.

    The LAPD adopted a policy about so-called pretextual stops and began tracking the practice in 2022.

    In a report released at the end of January, the city’s chief legislative analyst found that Black people were involved in nearly 31% of pretextual stops conducted by LAPD officers between spring 2022 and fall 2025. According to 2023 Census estimates, Black people make up 8% of the city’s population.

    According to the report, "Hispanic/Latino" people, who make up just less than half the city’s population, were the subjects of 56% of pretextual stops.

    That analysis, along with a separate report by LAPD, found that of the more than 760,000 people involved in traffic stops between spring of 2022 and fall of 2025, 9% to 10% of them were stopped pretextually.

    Chauncee Smith, an associate director of the racial justice-focused nonprofit Catalyst California, said LAPD’s data is “under inclusive” since it relies on officers subjectively deciding when a stop is pretextual.

    He said an analysis of data from Catalyst California, published in February, demonstrates that pretextual stops don’t result in evidence discovery enough to make up for the negative impacts of the practice.

    “It's affecting the lives of many Black and Latinx Angelenos on an everyday basis,” Smith said, adding that pretextual stops often result in harassment, dehumanization and excessive ticketing or fining of communities of color.

    Pretextual stops 

    Police sometimes use violations of the vehicle code to stop drivers and investigate them for a more serious crime unrelated to the traffic stop, such as possessing drugs or firearms, according to Deepak Premkumar, a research fellow for the Public Policy Institute of California.

     ”Law enforcement officers see tons of violations, and we give them a lot of discretion to determine who they should stop and when,” Premkumar told LAist.

    A plausible example of what a pretextual stop could look like is if police see a car matching the description of one that was involved in a crime in the area, then pull that car over for a broken taillight, Premkumar said.

    The policy the LAPD adopted in 2022 outlines that officers:

    • Can only conduct pretextual stops as long as they are “acting upon articulable information” that the person is close to a serious crime that’s worth investigating. 
    • Should minimize stops for minor equipment violations, such as broken taillights, unless the violation “interferes with public safety.”
    • State the reason for the stop, whether pretextual or not, while their body-worn cameras are filming.

    Despite the adoption of the policy, Catalyst California’s analysis found that the proportion of all officer-initiated stops that are for minor traffic violations has “remained relatively constant since 2019.”

    What to know about the recent analyses of pretextual stops

    After the police adopted its policy in 2022, officers began indicating whether a stop was pretextual or not. The Chief Legislative Analyst and police department rely on this officer discretion in their analyses, which can be found in this council file. As a result, they say they don’t have a point of comparison for before the policy was adopted. 

    In its analysis, Catalyst California looked at all stops for minor traffic violations, which are the kind of traffic violations that are often used to start a pretextual stop. By combining that data with search data, Catalyst California endeavors to approximate a before-and-after look at the LAPD’s policy.

    Racial disparities

    The analysis from the city’s chief legislative analyst included a comparison of pretextual stop rates for different ethnic and racial groups in L.A. compared to their share of the citywide population.

    The analysis found that "Hispanic/Latino" and Black people were overrepresented in data on pretextual stops compared to their share of the population.

    L.A. Police Capt. Shannon White drafted the department’s report of the same data, which did not include an ethnic or racial breakdown of those involved in pretextual stops.

    At a Los Angeles Police Commission Meeting in February, when she presented the department’s analysis, White said Census estimates for the city don’t necessarily align with “the actual breakdown of our suspects of crime,” who, theoretically, are the subjects of pretextual stops.

    “When you look at the actual breakdown of our suspects of crime…what you will find is that they skew towards communities of color for various societal reasons,” White said.

    According to the LAPD’s analysis, people in Central and South L.A. were subjects of pretextual at higher rates than in the Valley and West L.A.

    Some commissioners at the meeting questioned that disparity.

    “Something just doesn't add up,” Commission President Teresa Sánchez-Gordon said. “Is it racial profiling? Is that bias? Implicit, explicit bias that's in the report?”

    Discovery rates

    The police’s analysis found that searches during pretextual stops yielded contraband, such as firearms and other weapons or drugs, in about every 3 in 10 cases. “Narco-related” evidence is what’s most commonly found in the searches.

    Catalyst California’s report looked more specifically at different kinds of searches and how likely they are to lead to evidence discovery.

    The nonprofit found that since 2022, when officers used consent-only searches during stops for minor traffic violations, they discovered evidence 3% to 10% of the time. The rate was similarly low when the person stopped was on parole or probation.

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    According to Catalyst California’s analysis, the type of search most likely to lead to discovery of evidence is when there’s an existing search or arrest warrant for the person stopped.

    “This was likely because they occurred in situations when there was a higher likelihood of a significant violation, beyond mere pretext,” the nonprofit's researchers wrote.