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The Brief

The most important stories for you to know today
  • Women see slow gains despite major investments
    A woman points to a section of a large poster on randomized auctions.
    Chloe Lynn, 20, a UC Berkeley undergraduate student double majoring in applied mathematics and operations research and management science, at her home in Berkeley on Aug. 5. Lynn recently presented a poster for her project in optimization theory that she keeps displayed on her bedroom wall.

    Topline:

    Despite years of investment and public attention, women remain significantly underrepresented in key STEM fields in California, with only modest gains in engineering and computer science degrees and even declines in math-related fields. It's a gap experts warn could take a long time to close at the current pace.

    Slow progress in degrees: State and federal initiatives have boosted funding and awareness, but women’s share of bachelor’s degrees in engineering has only risen from 19% to 25% across more than a decade, while computer science saw a smaller increase and math degrees for women have declined in recent years.

    Underrepresentation starts early: Fewer girls take advanced high school courses like AP computer science. Women, though 42% of California’s workforce, make up just a quarter of STEM professionals, with some fields, like math, seeing fewer women employed now than 10 years ago.

    Ten years ago, it seemed everyone was talking about women in science.

    As the economy improved in the years after the Great Recession, women were slower to return to the workforce, causing alarm, especially in vital fields like computing. State and federal leaders turned their attention to women in science, technology, engineering, and math, known by the acronym STEM.

    Over the next few years, they poured millions of dollars into increasing the number of women pursuing STEM degrees. But the rate of women who attain those degrees hardly has improved, according to an analysis of colleges’ data by the Public Policy Institute of California on behalf of CalMatters.

    “The unfortunate news is that the numbers haven’t changed much at all,” said Hans Johnson, a senior fellow at the institute who conducted the analysis of California’s four-year colleges using data from the 2009-10 school year and comparing it to the most recent numbers from 2022-23. The share of women who received a bachelor’s degree increased from roughly 19% to about 25% in engineering and from nearly 16% to about 23% in computer science. In math and statistics, the percentage of women who graduate with a degree has gone down in the last five years.

    “It’s not nothing, but at this pace, it would take a very long time to reach parity,” Johnson said.

    Girls are also underrepresented in certain high school classes, such as AP computer science, and while women make up about 42% of California’s workforce, they comprise just a quarter of those working in STEM careers, according to a study by Mount Saint Mary’s University. Fewer women were working in math careers in 2023 than in the five or 10 years before that, the study found.

    “It’s a cultural phenomenon, not a biological phenomenon,” said Mayya Tokman, a professor of applied mathematics at UC Merced. She said underrepresentation is a result of perceptions about women, the quality of their education, and a lack of role models in a given field.

    Science and technology spur innovation and economic growth while promoting national security, and these jobs are often lucrative and stable. Gender parity is critical, especially as U.S. science and technology industries struggle to find qualified workers, said Sue Rosser, provost emerita at San Francisco State and a longtime advocate for women in science. “We need more people in STEM. More people means immigrants, women, people of color, as well as white men. There’s no point in excluding anyone.”

    A close-up of a hand pointing to mathematical equations on a poster.
    Chloe Lynn, 20, a UC Berkeley undergraduate student, points to a poster she presented summarizing her mathematics research in Berkeley on Aug. 5, 2025.
    (
    Florence Middleton
    /
    CalMatters
    )

    She said recent cuts by the Trump administration to California’s research and education programs will stymie progress in science, technology, and engineering — and hurt countless careers, including the women who aspire to join these fields.

    Over the past eight months, the federal government has made extensive cuts to scientific research at California’s universities, affecting work on dementia, vaccines, women’s issues, and health problems affecting the LGBTQ+ community. The administration also ended programs that support undergraduate students in science. In June, a federal judge ruled that the administration needs to restore some of those grants, but a Supreme Court decision could reverse that ruling.

    More recently, the administration halted hundreds of grants to UCLA — representing hundreds of millions in research funding — in response to a U.S. Justice Department investigation into allegations of antisemitism. Now, the Trump administration is asking for a $1 billion settlement in return for the grants. A California district judge ruled Tuesday that at least some of those grants need to be restored.

    ‘The cultural conversation has changed’

    In the past five years, attention has shifted away from women in science. Nonprofit leaders and researchers across the state say many lawmakers and philanthropists turned away from women in STEM during the COVID-19 pandemic and focused more on racial justice following the police killing of George Floyd.

    Since 1995, women have been outpacing men in college, and women are now much more likely to attain a bachelor's degree. The unemployment rate for men is higher, too, and men without college degrees are opting out of the labor force at unprecedented rates.

    On July 30, Gov. Gavin Newsom issued an executive order, saying the state needs to do more to address the “growing crisis of connection and opportunity for men and boys.” It’s not a “zero-sum” game, he wrote: The state can, and should, support everyone.

    But some state investments for women’s education are lagging.

    In 2018, the Legislature agreed to put $10 million each year into a new initiative, the California Education Learning Lab, to “close equity and achievement gaps,” including the underrepresentation of girls and women in science and technology. But two years later, the state imposed large-scale cuts to the initiative due to the pandemic. As the state faced more fiscal challenges in 2024, lawmakers cut its budget to about half its former size.

    This year, Newsom proposed cutting the Learning Lab altogether. After negotiations with the Legislature, Newsom agreed to fund the initiative through next year, at which point, it’s set to close unless new funding is secured.

    Governor Gavin Newsom speaks at a podium in front of California and U.S. flags against a dark blue curtain backdrop.
    Gov. Gavin Newsom addresses the media during a press conference unveiling his 2024-25 January budget proposal at the Secretary of State Auditorium in Sacramento on Jan. 10, 2024.
    (
    Miguel Gutierrez Jr.
    /
    CalMatters
    )

    “While I think women are faring better in college generally, I would be skeptical that we can say ‘mission accomplished’ in terms of achieving parity for women in STEM undergraduate degrees,” said Lark Park, the director of the Learning Lab, which uses public money to provide grants to schools and nonprofits. “I think we’ve just gotten distracted, and the cultural conversation has changed.”

    Private and corporate foundations fund numerous nonprofit organizations that support girls and women in STEM, but grant recipients say some money has moved toward other, more popular topics or less controversial ones.

    “Funders focus on trends, and they’re very trendy in how they give,” said Dawn L. Brown, president of the EmpowHer Institute, which offers education programs to girls and women across Los Angeles County.

    One of her programs provides a free, five-week summer camp to girls, including a trip to Catalina Island, where they learn about environmental science and climate change. Since Trump took office, some corporate funders have pulled back support for the organization’s programs, which may be perceived as supporting “DEI,” she said. “The words ‘women,’ ‘girls,’ ‘climate change’ — those are banned words.”

    Supporting women in math

    When Chloe Lynn, a rising junior at UC Berkeley and a double major in applied math and management science, started taking higher-level courses, she noticed a trend in her math classes: fewer women.

    “I’ll be one of three girls in a 30-, 40-person class,” she said during an interview at the university’s division of equity and inclusion.

    UC Berkeley has a center dedicated to promoting diversity in STEM, known as Cal NERDS, which features cozy study spots, a high-tech makerspace and various multi-purpose meeting rooms. The center receives much of its funding from the state but has a few grants from the federal government, some of which currently are on hold.

    On a Thursday last month, Lynn was one of 10 students who came to present their summer research in one of the multipurpose rooms. More than half of the presenters were women or non-binary, and the rest were part of other underrepresented groups in STEM, including Hispanic, Black, and LGBTQ+ students. She stood in front of a large poster, waiting for people to stop by and ask about her work.

    “Say you’re at an auction, and say there’s 'n' bidders and 'k' identical items,” she said as another student approached. Over the next two hours, fellow mathematicians, classmates, friends, and family stopped by, listening as she explained her formula for allocating resources in an optimal way. Some understood her work and asked questions about her variables, formulas, or 3-D models. The rest nodded in admiration.

    A woman sits on a couch near a window with hands folded, looking toward the camera.
    Chloe Lynn at her home in Berkeley on Aug. 5, 2025.
    (
    Florence Middleton
    /
    CalMatters
    )

    By the end of the event, many students had abandoned their own posters in order to learn about their friends’ research. In her free time, as the vice president of UC Berkeley’s undergraduate math association, Lynn has been trying to build this kind of community among other female math majors by organizing events where students can meet each other. Her end goal is graduate school, either in applied math or industrial engineering. Women also are underrepresented in those graduate programs.

    “Creating an inclusive and uplifting community is so important for anyone that’s underrepresented,” she said after finishing her presentation.

    How STEM helps people

    The lack of women in STEM has nothing to do with ability. In fact, women who major in STEM at California State University campuses are more likely than men to graduate, according to data from the college system, and in biology, women are overrepresented. Over 64% of biology bachelor’s degrees awarded in California during the 2022-23 school year went to women, according to analysis from the Public Policy Institute of California.

    Brown said some female alumni of EmpowHer have said that college advisers push biology over other science, engineering, or math courses, claiming it’s “easier.” Better advising could create more parity, she said.

    Rosser, who trained as a zoologist before becoming a college administrator, said women’s shift toward biology was a slow process, beginning in the 1970s.

    “Women are particularly attracted to STEM when they can see its usefulness, particularly to help people,” she said.

    Biology is often “an entryway to the health care professions,” she added, many of which are predominately female. She recommends that professors promote the application of their research as a way to increase the percentage of women in these fields.

    In her studies at UC Berkeley, Lynn said she’s struggled with the relevance of her research.

    “There’s a lot going on in the world right now, and I feel called to help,” she said. “Even though I did theory research this summer, I’ve been thinking about ways to apply this theory to real-world applications I care about.”

    In particular, she wants her research to help her community in the Bay Area, where she grew up.

    “Say you’re an architect and you’re in charge of reinforcing San Francisco’s concrete structures in the event of an earthquake,” she said. “You want to minimize cost in San Francisco, and that’s going to help you choose which building you’re going to reinforce.”

    It’s just another resource allocation problem, she said, so it could be solved with a similar formula.

    “It does hit close to home,” she said. In fact, the UC Berkeley campus lies on a fault line.

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

  • 3,000 vinyls for fire survivors
    A record shop interior with shelves stocked with vinyl records. The words "Record Shop" are overlaid on the image in large red and white script, with a stylized vinyl record graphic and a heart-shaped location pin in the center.

    Topline:

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    The backstory: After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost gear in the fires. Now he’s doing that with vinyl records, too.

    Read on ... to find details.

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

    Now he’s doing that with vinyl records, too.

    Record Shop grand opening
    Altadena Music Center
    1260 Lincoln Ave., Suite 1300, Pasadena
    Saturday, May 30
    Record donations starting at 1 p.m. Grand opening party is 6 - 9 p.m.
    For more info and to register a free ticket, check out the Altadena Music Center event page.
    LAist is a media sponsor for the event. 

    “We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

    Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

    “It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

    The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

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  • New album, new NoHo studio
    Close-up of Ziggy Marley smiling, wearing a burgundy knit hat and a matching burgundy suit jacket.
    Ziggy Marley breaks emotional and creative ground in his new album Brightside

    Topline:

    Ziggy Marley is back with a new solo album that includes the first song he's written about his father, Bob Marley. Brightside also marks Marley's experimentation with recording at a different frequency.

    What's the frequency: Marley said he recorded Brightside at 432 hertz — a departure from mainstream music recorded at 440 hertz — to change the emotional listening experience.

    His own space: Marley recorded at Rebel Lion Studio, his newly-built facility in North Hollywood. After more than two decades in L.A., Marley said the city's concentration of creatives has played a major role in his own growth as an artist.

    What's next: Marley says he's already working on his next album, a children's book and a return to film production of some kind, saying he wants to explore his creativity next in a visual medium.

    Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

    That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

    Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

    “He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

    Searching for the bright side

    The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

    Reggae Night XXIV featuring Ziggy Marley and Burning Spear, with a DJ set by Zuri Marley

    When: Sunday, June 21, 7 p.m.

    Where: Hollywood Bowl, 2301 N. Highland Ave., Los Angeles

    The new album blends political themes, optimism and musical experimentation.

    Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

    “We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

    That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

    “Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

    The 432 Hz experiment

    The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

    “It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

    Marley sees the move as part of a larger search for new creative approaches.

    “I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

    The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

    “Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

    Building a dream

    Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

    He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

    A spacious rehearsal studio or recording room filled with musical instruments, including guitars, keyboards, a drum kit, and congas, set up on patterned rugs.
    Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.
    (
    Josie Huang
    /
    LAist
    )

    “My father had a dream, and I had a dream too,” Marley said.

    Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

    “There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

    A smiling Ziggy Marley in a black-and-white knit beanie stands next to a framed, colorful, vintage-style concert poster.
    Ziggy Marley in the hallway of his new studio in North Hollywood.
    (
    Josie Huang
    /
    LAist
    )

    For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

    Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

    Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

    “I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

    What’s next

    Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

    “We're doing back to back,” he said.

    Ziggy Marley sings into a microphone with his eyes closed while playing an electric guitar on a brightly lit stage.
    Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.
    (
    Astrida Valigorsky
    /
    Getty Images
    )

    He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

    “Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

  • Path to Measure ULA reforms remains muddled
    A woman with medium-light skin tone with shoulder length dark hair wearing a dark blue blazer and beige blouse leans into a mic from behind a wooden dais with a sign that reads "Jurado."
    Los Angeles City Councilmember Ysabel J. Jurado at a council meeting in April, 2025.

    Topline:

    A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half. Ysabel Jurado, chair of the ad hoc committee on Measure ULA, said it's too early to determine the tax's long-term effects on housing and revenue.

    Why it matters: The proposal by Councilmembers John Lee and Marqueece Harris-Dawson would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

    How we got here: L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department. Critics say the tax has suppressed housing development.

    What's next?: In its final meeting, the committee instead advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects. The ULA committee dissolves this weekend, but the ballot measure proposal was also referred to the City Council's rules committee, which could decide to take it up in the coming months.

    A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

    The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

    However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

    Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

    The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

    “ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

    Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

    If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

    About the mansion tax

    L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

    The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

    But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

    The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

    Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

    “By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

    A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

    “Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

    What the data show

    The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

    Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

    “We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

    The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

    “We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

    What the committee did

    Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

    Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

    “This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

    “Without knowing where this money's coming from, I'm going to have to vote no,” he said.

    Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

    “Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

    Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

    The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

    Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

    "My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

    In her closing remarks, Jurado reflected on the three-member committee’s past work.

    “We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

    The ad hoc committee's recommendations now move to the full City Council.

    Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

  • Celebrate movie monsters in Pasadena this weekend
    A light skinned woman wearing eerie makeup that makes her look like a green and pink tinged elf. She's wearing a headpiece made of grass and flowers. Another light skinned woman with tatooed arms, wearing a grey T shirt, is helping to put on the costume and make up.
    L.A.-based Makeup Designory School designs a fantasy woodland creature at a past Monsterpalooza.

    Topline:

    The annual movie-monster bash for horror fans returns to the Pasadena Convention Center this weekend. The event features panel discussions, celebrity photo ops, a monster museum, live makeup demos and over 400 exhibitors.

    What can I expect: Rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at the practical effects that’ll make your flesh creep.

    What should I wear: Cosplay as your favorite filmic haunts or don a classic tee celebrating genre history. Just come ready to adore all things that gnaw and gash.

    Read on... for more details about the event.

    Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

    What to expect

    Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

    Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

    Bright classic horror movie posters for The Vampire and the Bride of Frankenstein make a lively background for a light skinned bald headed man who sits on the stage talking into a microphone.
    Writer Julian David Stone gives a presentation at a past Monsterpalooza event.
    (
    Perry Shields
    /
    Courtesy Julian David Stone
    )

    Stone said that the two classic movies have left a lasting impact.

    Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

    A light skinned man in a baseball hat, blue polo shirt and jeans stands next to "armageddon rat", a hideous human sized rat in medievel armor.
    Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.
    (
    Steve Jennings Photography
    /
    Courtesy Visit Pasadena
    )

    Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

    “It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

    Two men with light tone with grey hair and beards stand either side of a clown with grotesque features wearing a filthy clown costume.
    Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.
    (
    Steve Jennings
    /
    Courtesy Visit Pasadena
    )

    Who's attending

    If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

    Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.

    MONSTERPALOOZA details

    Location: 300 E. Green St., Pasadena

    Ticket prices at the door: Friday $50, Saturday $55, Sunday $55, 3-day pass $99

    Hours: Friday 6 p.m. - 11 p.m., Saturday 11 a.m. - 6 p.m., Sunday 11 a.m. - 6 p.m.

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