The Brief

In an update sent to members late Tuesday night, the Writers Guild of America accused the Association of Motion Picture and Television Producers of trying to get the guild to “cave” after a recent negotiations meeting.

The WGA criticized the AMPTP’s decision to go public with a summary of its proposals shortly after the meeting.

“This was the companies’ plan from the beginning — not to bargain, but to jam us. It is their only strategy — to bet that we will turn on each other,” the WGA said in the update.

It also said the proposal’s “limitations and loopholes and omissions failed to sufficiently protect writers from the existential threats that caused us to strike in the first place.”

AMPTP response

For its part, the AMPTP said in a press release that their offer “features first-of-their-kind offers for writers, including unprecedented terms in the areas of Generative Artificial Intelligence, data transparency and minimum staffing.”

After receiving an invitation from studio executives including Disney CEO Bob Iger, the WGA says its negotiators met with the AMPTP Tuesday night.

“We were met with a lecture about how good their single and only counteroffer was,” WGA negotiators said.

Highlights of the AMPTP’s counteroffer:

•  Wage increase: A compounded 13% increase over the three-year contract.

• Generative AI protections, including: “A writer will not be disadvantaged if any part of the script is based on GAI-produced material, so that the writer’s compensation, credit and separated rights will not be affected by the use of GAI-produced material.” 

• Increased data transparency: “For the first time, viewership data in the form of quarterly confidential reports is to be provided to the WGA that will include total SVOD view hours per title. This increased transparency will enable the WGA to develop proposals to restructure the current SVOD residual regime in the future.” 

The WGA said it would provide another update on Wednesday with “a more detailed description of the state of the negotiations.”

Background information on the strikes

Timeline: SAG-AFTRA strike

This is the first SAG strike since 1980. The 1960 strike, which took place while the WGA was also striking, was led by Ronald Reagan, then the president of SAG. Current events:

• May 17: Union leaders ask for and receive a strike authorization vote ahead of contract talks.
• June 7: SAG-AFTRA begins negotiations with the AMPTP; contract due to end June 30.
• June 30: Both sides agree to extend talks through July 12.
• July 12: Federal negotiator is brought in
• July 13: The national board of SAG-AFTRA authorizes its 160,000 members to go on strike.
• July 14: Picketing begins at 9 a.m. at major studios and streamer HQ’s across the city.

Timeline: WGA strike

It is the first WGA strike in 15 years. The last work stoppage began in November 2007 and lasted 100 days. Current events:

• April 18: 98% of WGA members vote to go on strike if the contract talks fail.
• May 1: WGA contract expires with no agreement between sides.
• May 2: WGA strike begins

The issue: Actors

Minimum earnings: SAG is asking for an 11% general wage increase to reflect inflation. The AMPTP is countering with 5%.

Share of revenue: Actors feel they haven’t received their fair share of revenue from hit streaming shows.

• Traditionally compensation has been linked to ratings. Streamers like Netflix, however, don’t release how many people watch their shows, so it’s difficult to know which ones are major hits. SAG-AFTRA proposed bringing in a third-party company to measure ratings and devise residuals. The AMPTP rejected this. 
• Executives at studios and streamers maintain they’re still recovering from pandemic losses and have spent billions of dollars creating and buying content for new streaming platforms, some of which are far from profitable.
• While some streamers are thriving (Netflix recently reported $1.71 billion of quarterly operating income), The Walt Disney Co. has announced the firing of 7000 employees to save money, having lost close to $10 billion to date on its streaming platforms. Warner Bros. Discovery is making deep cuts because of its $50 billion in debt. 

Artificial intelligence: There is deep concern about how artificial intelligence will be used, with particular anxiety about the use of a performer’s image and likeness. The union wants to prevent studios from training AI programs on actors’ work without permission, and for actors to consent and be paid if AI is used to replicate them. The AMPTP offered what it called a groundbreaking proposal that it said “protects performers’ digital likenesses." The union rejected this.

Self-taped auditions: Since the pandemic, self-produced audition tapes have become the norm — meaning actors light and film themselves. It’s labor intensive, with no pay, and widens an already competitive pool of performers. The union says it understands self-taped auditions can be useful, but wants to put restrictions around them.

• Read SAG-AFTRA’s summary of negotiation points 
• And what the AMPTP has to say about the negotiations

The issues: Writers

Maintaining a liveable wage: The WGA says that companies’ business practices have “slashed our compensation and residuals and undermined our working conditions”, and that the current contract terms failed to anticipate the explosive growth of streaming.

• It says that most of its nearly 12,000 members are making less than they once did and that after factoring for inflation, average WGA pay has actually dropped 14% over the last five years. 
• Meanwhile, the AMPTP says it’s offering the highest first-year general wage increase in more than 25 years, while also offering to create "an entirely new category of rates that will establish a new and higher floor for mid-level writers’ compensation”.

"Gig economy": The union says that shorter schedules and small writers room means writers have to cobble together jobs, similar to the gig economy. The AMPTP says screenwriting has almost nothing in common with standard "gig" jobs. Writers often have a guarantee of specific weeks or episodes, and writing jobs come with benefits such as employer-paid health care and pension plan contributions.

Staffing and duration of employment: The union wants a minimum number of weeks on a project and a certain number of writers. The AMPTP sees this essentially as a hiring quota that's "incompatible with the creative nature of our industry", and says it's a one-size-fits-all solution to shows that are each unique.

Artificial Intelligence: Writers want to make sure that AI isn’t used to replace their creative output. Meanwhile, the AMPTP says "AI raises hard, important creative and legal questions for everyone. For example, writers want to be able to use this technology as part of their creative process, without changing how credits are determined, which is complicated given AI material can't be copyrighted. So it's something that requires a lot more discussion, which we've committed to doing."

• Read the full WGA statement
• Hollywood producers released a statement on May 4 that addressed specific points of the WGA's concerns. 
  

Learn more

• TV And Movie Writers Strike Over 'Gig Economy' Conditions. What’s At Stake In The WGA Walkout
• From Gas Stations to Restaurants: How The WGA Strike Will Hit The LA Economy
• This Hollywood Writers Strike Could Have Massive Economic Impact. An Economist Explains What We Can Learn From 2007
• How The WGA Strike Of 2007 Strike Brought Donald Trump To Power
• A History Of Strikes: How The WGA Has Played Catch-Up As Emerging Technologies Made Others Richer

DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film "The Thing" and "Punky Brewster" on television, has died at the age of 69.

Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff's Department.

Police did not disclose a cause of death or other details, but said no foul play was suspected.

Thomas Kent "T.K." Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.

He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter's 1982 horror classic, "The Thing." He also had a recurring role in the 1980s sitcom "Punky Brewster."

Other big-screen roles include "Runaway Train" in 1985, "Ski Patrol" in 1990 and "Space Jam" in 1996.

"T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres," his publicist, Tony Freeman, said in a statement. "He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike."

Copyright 2026 NPR

Downtown Los Angeles

A person in an inflatable frog suit holds a sign during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

(

Etienne Laurent

/

AFP via Getty Images

)

A woman holds incense during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

(

Etienne Laurent

/

AFP via Getty Images

)

A person holds up a sign during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis. (Photo by ETIENNE LAURENT / AFP via Getty Images)

(

Etienne Laurent

/

AFP via Getty Images

)

A person holds up a sign during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

(

Etienne Laurent

/

AFP via Getty Images

)

A tourist bus drives past as people protest in front of the Metropolitan Detention Center (MDC), in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

(

Etienne Laurent

/

AFP via Getty Images

)

Pasadena

Alison Brett (far right) of La Crescenta at the Ice Out For Good protest in Pasadena on Jan. 10, 2026.

(

Josie Huan

/

LAist

)

Casey Law of South Pasadena at Ice Out For Good protest in Pasadena on Jan. 10.

(

Josie Huang

/

LAist

)

People have been taking to the streets nationwide this weekend to protest the Trump administration's immigration enforcement tactics following the death of Renee Good in Minneapolis, a 37-year-old woman who was shot and killed by a U.S. Immigration and Customs Enforcement (ICE) officer this week.

At least 1,000 events across the U.S. were planned for Saturday and Sunday, according to Indivisible, a progressive grassroots coalition of activists helping coordinate the movement it calls "ICE Out For Good Weekend of Action."

Leah Greenberg, a co-executive director of Indivisible, said people are coming together to "grieve, honor those we've lost, and demand accountability from a system that has operated with impunity for far too long."

"Renee Nicole Good was a wife, a mother of three, and a member of her community. She, and the dozens of other sons, daughters, friends, siblings, parents, and community members who have been killed by ICE, should be alive today," Greenberg said in a statement on Friday. "ICE's violence is not a statistic, it has names, families, and futures attached to it, and we refuse to look away or stay silent."

Large crowds of demonstrators carried signs and shouted "ICE out now!" as protests continued across Minneapolis on Saturday. One of those protestors, Cameron Kritikos, told NPR that he is worried that the presence of more ICE agents in the city could lead to more violence or another death.

"If more ICE officers are deployed to the streets, especially a place here where there's very clear public opposition to the terrorizing of our neighborhoods, I'm nervous that there's going to be more violence," the 31-year grocery store worker said. "I'm nervous that there are going to be more clashes with law enforcement officials, and at the end of the day I think that's not what anyone wants."

Demonstrators in Minneapolis on Saturday, Jan. 10, 2026.

(

Sergio Martínez-Beltrán

/

NPR

)

The night before, hundreds of city and state police officers responded to a "noise protest" in downtown Minneapolis. An estimated 1,000 people gathered Friday night, according to Minneapolis Police Chief Brian O'Hara, and 29 people were arrested.

People demonstrated outside of hotels where ICE agents were believed to be staying. They chanted, played drums and banged pots. O'Hara said that a group of people split from the main protest and began damaging hotel windows. One police officer was injured from a chunk of ice that was hurled at officers, he added.

Minneapolis Mayor Jacob Frey condemned the acts of violence but praised what he said was the "vast majority" of protesters who remained peaceful, during a morning news conference.

"To anyone who causes property damage or puts others in danger: you will be arrested. We are standing up to Donald Trump's chaos not with our own brand of chaos, but with care and unity," Frey wrote on social media.

Commenting on the protests, Department of Homeland Security (DHS) spokesperson Tricia McLaughlin told NPR in a statement, "the First Amendment protects speech and peaceful assembly — not rioting, assault and destruction," adding, "DHS is taking measures to uphold the rule of law and protect public safety and our officers."

Good was fatally shot the day after DHS launched a large-scale immigration enforcement operation in Minnesota set to deploy 2,000 immigration officers to the state.

In Philadelphia, police estimated about 500 demonstrators "were cooperative and peaceful" at a march that began Saturday morning at City Hall, Philadelphia Police Department spokesperson Tanya Little told NPR in a statement. And no arrests were made.

In Portland, Ore., demonstrators rallied and lined the streets outside of a hospital on Saturday afternoon, where immigration enforcement agents bring detainees who are injured during an arrest, reported Oregon Public Broadcasting.

A man and woman were shot and injured by U.S. Border Patrol agents on Thursday in the city. DHS said the shooting happened during a targeted vehicle stop and identified the driver as Luis David Nino-Moncada, and the passenger as Yorlenys Betzabeth Zambrano-Contreras, both from Venezuela. As was the case in their assertion about Good's fatal shooting, Homeland Security officials claimed the federal agent acted in self-defense after Nino-Moncada and Zambrano-Contreras "weaponized their vehicle."
Copyright 2026 NPR

Bob Weir, the guitarist and songwriter who was a founding member of the popular and massively influential American rock band the Grateful Dead, has died. According to a statement from his family posted on his website and social media pages, Weir died from underlying lung issues after recently beating cancer. He was 78.

A member of the Dead for its first three decades, and a keeper of the flame of the band's legacy for three more, Weir helped to write a new chapter of American popular music that influenced countless other musicians and brought together an enormous and loyal audience. The Grateful Dead's touring, bootlegging and merchandising set an example that helped initiate the jam-band scene. Its concerts created a community that brought together generations of followers.

Known to fans as "Bobby," he was born in San Francisco as Robert Hall Parber, but was given up for adoption and raised by Frederick and Eleanor Weir. In 1964, when he was still a teenager, Weir joined guitarist Jerry Garcia in a folk music band, Mother Mcree's Uptown Jug Band. In May of 1965 Weir and Garcia were joined by bassist Phil Lesh, keyboard player Ron "Pigpen" McKernan and drummer Bill Kreutzmann to form an electric, blues-based rock and roll band that was briefly named The Warlocks. After discovering that there was another band using that name, Jerry Garcia found a phrase that caught his eye in a dictionary and in December of that year they became the Grateful Dead, launching a 30-year run over which time they grew into a cultural institution.

Weir was a singular rhythm guitarist who rarely played solos, choosing instead to create his own particular style of chording and strumming that gracefully supported Garcia's distinctive guitar explorations especially during the extended jams which were the heart of the band's popularity.

Lyrics were largely a product of a communal effort between Weir and Garcia, as well as lyricists John Perry Barlow, Robert Hunter, that often blurred the lines between who wrote what. The opening lines to "Cassidy," which first appeared on Weir's 1972 solo album Ace and was played by the Dead on live recordings including the 1981 double album Reckoning, reflect the combination of metaphor, rhyme and storytelling set to memorable melodies that the band's audiences could memorize, analyze and sing along to:

I have seen where the wolf has slept by the silver stream
I can tell by the mark he left you were in his dream
Ah, child of countless trees
Ah, child of boundless seas
What you are, what you're meant to be
Speaks his name, though you were born to me
Born to me, Cassidy

Weir's emotive singing, on "Cassidy" and other songs like "Sugar Magnolia," "One More Saturday Night" and the band's unofficial theme, "Truckin', " often included whoops and yells, in contrast to Garcia's calm and steady approach. His occasional tendency to forget lyrics was usually greeted by thunderous applause from fans.

After Garcia's death in 1995, at age 53, the surviving members of the band carried on in various forms and arrangements, the longest running of which was Weir's Dead & Company, which also featured Grateful Dead drummers Kreutzmann and Mickey Hart. Weir and the band concluded their "final tour" in July of 2023, but then returned to the stage for two extended residencies at the Sphere in Las Vegas, in 2024 and 2025.

A self-described "compulsive music maker," in 2018 Weir formed yet another band to mine the depths of the Grateful Dead catalog. It was a stripped-down guitar, acoustic bass and drums outfit that he called Bobby Weir & Wolf Bros. Its members included renowned bassist and producer Don Was.In October of 2022, Weir & Wolf Bros worked with a classical music arranger to present yet another iteration of the Dead's catalog, notable for never being played the same way twice, with a group that largely only plays what's written on the paper in front of them, the 80-piece National Symphony Orchestra.

In a 2022 interview with NPR, Weir explained the reason for that collaboration, and in doing so, seemed to offer a possible explanation for why the band's music stayed so popular for so long: "These songs are … living critters and they're visitors from another world — another dimension or whatever you want to call it — that come through the artists to visit this world, have a look around, tell their stories. I don't know exactly how that works, but I do know that it's real."

After Jerry Garcia's death in 1995, Weir kept the legacy of the Grateful Dead alive, touring with bands that came to include generations of musicians influenced by the group. Here, Weir performs with The Dead at Madison Square Garden in New York City in 2009.

(

Scott Wintrow

/

Getty Images

)

Weir's work to shepherd and sustain the Dead's legacy was rewarded by ever younger generations of Deadheads, the band's loyal following, who attended tour after tour, often following the band from city to city as their parents and grandparents did during in the 1960's, '70s, '80s and '90s.

In an interview with Rolling Stone in March 2025, Weir shared his thoughts on his legacy, as well as on death and dying, that had a hint of the Eastern philosophies that were popular when the Grateful Dead emerged from the peace and love hippie movement of San Francisco. "I'll say this: I look forward to dying. I tend to think of death as a reward for a life well-lived," he said.

Copyright 2026 NPR