The Brief

The intricately made starfighter brought millions of people along for the ride as a group of plucky Rebel pilots assaulted the Death Star. Now the Star Wars scale model is being sold at auction, with bids starting at $400,000.

The "Red Leader" (Red One) X-wing Starfighter from 1977's Star Wars: A New Hope is "the pinnacle of Star Wars artifacts to ever reach the market," says Heritage Auctions, which is handling the sale as part of a trove of science fiction props, miniatures and memorabilia.

The X-wing tops the auction list, but it's far, far from alone: It was found in the expansive collection of Greg Jein, an expert craftsman who was as skilled at bringing futuristic stories to life as he was devoted to preserving the models and props used to bring strange new worlds to TV and film.

The sale includes a tricorder built for "Star Trek" by Hawaiian-born designer and artist Wah Chang, who worked on many of the original TV series' most famous components, from communicators to tribbles.

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Jein, who died last year at 76, worked for decades on the Star Trek franchise. He also garnered Oscar nominations for his painstaking work on Steven Spielberg's Close Encounters of the Third Kind and 1941. Along the way, he kept collecting memorabilia.

More than 550 items from Jein's collection are now heading to auction, from Nichelle Nichols' iconic knee-high boots and red tunic as Lt. Uhura to Leonard Nimoy's pointy ears as Spock. A hairpiece for William Shatner's Captain Kirk and Lt. Sulu's golden tunic are also up for sale.

Bidders can soon vie for a tunic worn by George Takei as Lt. Sulu on the original "Star Trek" series. He's seen here at left with Walter Koenig As Lt. Chekov.

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Starting in the late 1970s, Jein built versions of USS Enterprise and other iconic ships for the Star Trek franchise — work that came after years of analyzing props and gear used in the original TV episodes.

"We watched these things a million times, and we would study each frame," his friend and colleague Lou Zutavern said, in a news release about the auction. "We'd find a weird thing, and we'd work it out. It went from something we loved to watch to something we loved working on."

The sale also includes Charlton Heston's flight suit in Planet of the Apes, and a trove of props and costumes from early science fiction TV series, and films such as Forbidden Planet.

In addition to what he made himself, Jein traded, bought or outright salvaged some of the items, such as the all-terrain chariot from the 1960s TV show Lost in Space. Another rare item is a complete Imperial Stormtrooper costume from Star Wars.

Also included are a space suit from 2001: A Space Odyssey, and enough tricorders, phasers and communicators to equip a Starfleet away team. There's even a miniature "Galieo" type shuttlecraft.

This miniature of the world-exploring chariot from the 1960s TV show "Lost in Space" is up for auction. The show based its full-size version of the vehicle on a 1965 Snow Cat.

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Courtesy Heritage Auctions

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Amid these treasures, the rare X-wing model is distinct. Because of ILM's pioneering work in combining different shots, it stood in for several fighters, including Red Five, piloted by Mark Hamill's Luke Skywalker, according to the auction house.

It's one of only four "hero" filming miniatures — such models get the hero label if their level of detail is ready for a closeup shot — that were made. At 1:24 scale, a helmeted figure sits in the X-wing's cockpit, ahead of an R2 droid. Its engines and weapons have electric lights; its wings spread for battle via a servo mechanism. The special effects team at Industrial Light & Magic even used heat sinks and cooling ducts to keep the model from overheating.

Aside from the model's significance in film history, its high level of detail, such as the fuselage's weathering and blast marks, reflects the combination of imagination and meticulous construction that artisans like Jein used to bring audiences to new heights of suspended disbelief.

Greg Jein's name appears on this ruined spacecraft from the First Bug War in the 1997 film "Starship Troopers." The model miniature is nearly three feet long, made to look as if an intense battle has left its hull shredded.

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In some cases, Jein was alone in recognizing the objects' inherent value, after filming was complete.

"None of the materials in The Greg Jein Auction have ever been available to the public," the auction house says. "Most weren't even made to survive the passage of time, and some would not have lasted were it not for Jein, who friends and colleagues say rescued much of this material from history's dustbin and studio's dumpsters."

Check out the catalogue

In the wake of the Eaton Fire, Altadena and Pasadena’s music community have really shown up to support fire survivors, especially fellow musicians who lost instruments and record collections.

That effort continues this weekend with a special donation concert at a Pasadena record store, with the aim of getting vinyl records back in the hands of survivors who lost their collections.

“You know, our name is Healing Force of the Universe, and I think that gives me a pretty clear direction… especially after the fires,” said Austin Manuel, founder of Pasadena record store, where Sunday’s show will be held.

The record donation effort is the brainchild of musician Brandon Jay, who founded the nonprofit Altadena Musicians after losing his home and almost all of his family’s instruments in the Eaton Fire. Through Altadena Musicians’s donation and registry platform, Jay said he and his partners have helped some 1,200 fire survivors get their music instruments back.

Brandon Jay.

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Robert Garrova

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LAist

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Now, that effort has fanned out to restoring vinyl record collections.

“All of that stuff evaporated for thousands of people,” Jay said. “Look at your own record collection and be like, ‘Wow, what if that whole thing disappeared?’”

You might know Jay from several bands over the years, including Lutefisk, a 1990s alt-rock band based in Los Angeles. He and his wife, Gwendolyn Sanford, composed music for TV shows, including Orange is the New Black and Weeds.

Jay plans to play some holiday tunes at Sunday's record donation show (which LAist is the media sponsor), along with fellow musician Daniel Brummel of Sanglorians. Brummel, who was also a founding member of Pasadena’s indie-rock sensation Ozma, said he was grateful to Jay for his fire recovery work and to Manuel for making Healing Force available for shows like this.

Brummel, who came close to losing his own home in the Eaton Fire, recalled a show he played at Healing Force back in March.

Ryen Slegr (left) and Daniel Brummel perform with their band, Ozma, on the 2014 Weezer Cruise.

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“The trauma of the fires was still really fresh,” Brummel said. After playing a cover of Rufus Wainwright’s “Going to a Town,” that night — which includes the lyrics “I’m going to a town that has already been burnt down” — Brummel said his neighbors in the audience told him the rendition hit them hard. “It felt really powerful. And without that space, it just wouldn’t have occurred.”

Details

Healing Force of the Universe Record Donation Show
Featuring: Quasar (aka Brandon Jay), Sanglorians (Daniel Brummel) and The Acrylic.
Sunday, Dec. 14; 2 to 5 p.m.
1200 E. Walnut St., Pasadena
Tickets are $15 or you can donate 5 or more records at the door. More info here.

Topline:

The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.

The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.

What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."

What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."

Every year in Santa Ana, Luis Cantabrana turns the front of his home into an elaborate altar in honor of La Virgen de Guadalupe that draws hundreds of visitors.

Along the front of the house, the multi-colored altar is filled with lights, flowers and a stained-glass tapestry behind a sculpture of the Lady of Guadalupe. Cantabrana’s roof also is lit up with the green, white and red lights that spell out “Virgen de Guadalupe” and a cross.

Visitors are welcomed with music and the smell of roses as they celebrate the saint, but this year’s gathering comes after a dark year for immigrant communities.

Luis Cantabrana stands in front of the stunning altar he built in front of his home in honor of La Virgen de Guadalupe. Every year, his display draws hundreds of visitors.

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Destiny Torres

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Why do they celebrate? 

In 1513, the Virgin Mary appeared before St. Juan Diego between Dec. 9 and Dec. 12, asking him to build a church in her honor. Her image — a brown-skinned woman wearing a green veil with her hands together in prayer and an angel at her feet — miraculously appeared on his cloak.

To celebrate in Santa Ana, worshippers gathered late-night Wednesday and in the very early hours Dec. 12 to pray the rosary, sing hymns and celebrate the saint.

Cantabrana has hosted worshippers at his home for 27 years — 17 in Santa Ana.

The altar started out small, he said, and over the years, he added a fabric background, more lights and flowers (lots and lots of flowers).

“It started with me making a promise to la Virgen de Guadalupe that while I had life and a home to build an altar, that I would do it,” Cantabrana said. “Everything you see in photos and videos is pretty, but when you come and see it live, it's more than pretty. It's beautiful.”

The Santa Ana home's elaborate altar in honor of La Virgen de Guadalupe draws hundreds of visitors each year.

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Destiny Torres

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LAist

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Gathering in a time of turmoil 

Many also look to the Lady of Guadalupe for protection, especially at a time when federal enforcement has rattled immigrant communities.

“People don’t want to go to work, they don’t want to take their kids to school, but the love we have for our Virgen de Guadalupe,” Cantabrana said. “We see that la Virgen de Guadalupe has a lot of power, and so we know immigration [enforcement] won’t come here.”

Margarita Lopez of Garden Grove has been visiting the altar for three years with her husband. She’s been celebrating the Virgencita since she was a young girl. Honoring the saint is as important now as ever, she said.

“We ask, and she performs miracles,” Lopez said.

Claudia Tapia, a lifelong Santa Ana resident, said the Virgin Mary represents strength.

“Right now, with everything going on, a lot of our families [have] turned and prayed to the Virgen for strength during these times,” Tapia said. “She's a very strong symbol of Mexican culture, of unity, of faith and of resilience.”

See it for yourself

The shrine will stay up into the new year on the corner of Broadway and Camile Street.