The Brief

Exide — a now-shuttered battery recycling plant in the city of Vernon — spewed lead into thousands of homes in Southeast Los Angeles County for decades. Despite growing up in the area, Marvella Muro did not learn about the plant till she was an adult.

She recalled an environmental justice symposium at East L.A. College, where a group of students shared that they had elevated levels of lead in their blood. Muro said she worried about her health, her loved ones, and the potential of having lead-ridden soil surrounding her home.

The session stayed with her. Years later, Muro became a curator at Self Help Graphics & Art, a community arts center in Boyle Heights. When the Getty announced that the next theme of its giant, cross-site arts event — PST ART — would be “Art & Science Collide,” Muro knew exactly what she wanted to do.

She and her team reached out to local artists. With the help of community members, they put together “Sinks: Places We Call Home.” The exhibition opens Saturday at Cal State L.A. and depicts how toxic pollutants have impacted local residents’ health and quality of life.

“This exhibition is very L.A. focused,” Muro said, “but [the issue is] something that really impacts communities nationwide.”

Art rooted in history

The exhibition takes its name from “Geographies of Race and Ethnicity II,” an essay by social scientist Laura Pulido. In the essay, Pulido says:

Muro said she thought this was fitting, because polluters often treat low-income communities of color as dumping grounds.

The exhibition opens with a collection of pieces that highlight the natural beauty and potential harms of living in L.A. County — everywhere from Frogtown to Signal Hill.

Marvella Muro, the curator of the exhibition, contributed a letter she received from the Department of Toxic Substances Control regarding contaminated soil in her home.

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Eric Jaipal

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Self Help Graphics & Art

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In one section of the exhibit, a giant timeline of Willowbrook, an unincorporated community in South L.A., traces the history of contamination in what is now Magic Johnson Park. Visitors learn about the construction of a 120-acre “Tank Farm,” where companies like ExxonMobil stored petroleum products.

The company later sold the land to a developer. And on it, the developer built a housing complex that was “touted as an oasis for working-class Black families,” Muro told LAist. Those families were later displaced, after enduring cancer, leukemia, miscarriages, and other health issues.

Beatriz Jaramillo, an artist who earned her MFA at Cal State L.A., captured this history on nine translucent white curtains that hang from the ceiling of the exhibit hall.

Ahead of the exhibition, Jaramillo spent years researching the Willowbrook neighborhood. She also spoke with local residents, including members of its community garden. With their help, Jaramillo created another art piece: a large mirror surrounded by dozens of small planters. Jaramillo made each planter by hand, and community members selected the plants that were placed inside them.

Jaramillo's "In-Nature" includes 36 terracotta planters made by hand.

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Julia Barajas

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LAist

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This part of the exhibition, Jaramillo said, “invites people to reflect on our own contribution to the environment, on how we can collectively work together to improve our community.”

When the exhibition closes, she added, the Willowbrook community members will take the planters home.

Art connected to action

Maru Garcia had made art pieces about Exide’s impact on Southeast L.A., but the work left her feeling frustrated. “It's very important, of course, to bring attention to a problem,” she told LAist, “but I thought that was not enough . . . I was just describing something, but not really able to help in any sense.”

Garcia, who has degrees in chemistry and biotechnology, saw “Sinks” as an “opportunity to finally be in the community, and do something more hands-on.”

She also participated, with Muro, in Prospering Backyards, a group of scientists, artists, activists, and community members developing an alternative method for reducing lead in contaminated soil. (Currently, California’s Department of Toxic Substances Control remediates the soil in Southeast L.A. by removing it and replacing it with new soil. The contaminated soil gets transported elsewhere.)

Through Prospering Backyards, Garcia learned about the potential benefits of minerals known as zeolites, which suck up the lead. Garcia also learned about the ways in which soil contamination has impacted Southeast L.A. residents’ day-to-day life.

“A lot of people stopped gardening,” she said. “They also felt really bad about letting their children play in their yards.”

The sculptures in Maru Garcia's "Boiling Rock 3" are supported by steel poles that will slowly reveal the words "Madre" (Mother), "Alive," and "Home" as they dissolve.

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Eric Jaipal

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Self Help Graphics & Art

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For the exhibition, Garcia made multiple pieces inspired by her work with the community, including three 6-foot tall pillars composed of soil, zeolites, mulch, and clay. These represent the palm-sized columns of earth that they extracted from community members’ homes during the course of their research.

“Through this project, we are really trying to heal this relationship that we have with our soil,” Garcia said. “Instead of seeing it as a source of contaminants, as something that is attacking or affecting us, I want us to remember that soil is like a mother, it's a source of life.”

Olivia Rodrigo’s upcoming Daisy Chain Fields festival in Irvine sold out brutally fast. If you missed out on tickets, you’re in luck.

The “Driver’s License” artist has partnered with the nonprofit L.A. Works to give Livies a chance at experiencing the all-woman lineup on Aug. 29. The organization is giving out 125 pairs of tickets — with a catch.

How the giveaway works

L.A. Works is determining who gets the GA tickets through a “volunteer drive” called Daisy Chain Reaction. The drive’s events are focused on supporting women and girls in Southern California.

For a chance to win, your first step is to sign up to volunteer with L.A. Works. Then, the drive has to hit a collective hours goal for the giveaway to be “unlocked.” Between now and 7 p.m. on Aug. 20, volunteers need to log at least 1,000 verified hours.

Each participant gets entered into the giveaway based on how many verified hours they volunteered. One hour counts as one entry (no maximum), so the more you volunteer, the higher your chances.

The winners will be picked through a random drawing, and you’ll be contacted via email if you get a pair. To be eligible you must:

• Be at least 18 years old at the time of winning
• Have an active L.A. Works account in good standing
• Opt in to the giveaway when registering for an eligible Daisy Chain Reaction volunteer opportunity
• Be a resident of the U.S.

Where to volunteer

The volunteer opportunities are based in Los Angeles and Orange counties. Some may have a waitlist.

Currently, there are 16 events (many of them recurring) spread out across L.A. County. That includes serving breakfast near MacArthur Park, helping with soil restoration in Altadena and passing out back-to-school backpacks in Montebello.

On the other hand, Orange County currently has just three on the roster. That includes packing food in Irvine and helping out at a STEM event for middle-school girls in Santa Ana. L.A. Works says it’s trying to add more O.C. events.

You can find all of the volunteer opportunities here — just make sure the one you pick has “DCR” in the title or mentions the giveaway in the description.

If you sign up, make sure you can attend. Participants who no-show more than one day will be disqualified from the giveaway.

Americans almost universally prefer cars with automatic transmissions, leading to a slow decline of manual car sales in the states. Less than 1% of new cars made for sale in the U.S. last year were stick shifts, according to the Environmental Protection Agency's latest motor trends report, an all-time low.

But that doesn’t mean people aren't still driving them — or at least reminiscing over the times they did.

Americans are keeping and driving older cars for longer than ever according to the Wall Stree Journal, and teens regularly learn to drive on the family beater. On a recent episode of LAist 89.3’s talk news program AirTalk, listeners shared what it is about driving a manual transmission that’s so enticing, and why they continue to.

Keeping the tradition going

Anna in Highland Park called in and said she learned to drive stick from her father in the ‘90s, and only made the switch from her manual 2007 Toyota Yaris to an automatic a few years ago. But she didn’t part with the old wheels.

“I just taught my 16-year-old daughter to drive it," she said. “Of course she didn’t when I first tried to make her learn it, but she loves it now.”

Dennis Chernyukhin, who gives stick-shift lessons to people in California through his company SHIFTR, said that a big share of his students are teenagers who sign up in order to learn on a family car.

"The parents are nostalgic about how they learned to drive when they were younger, and so they want to pass on that skill,” he said.

Terrifying lessons, lasting love

 ”We got to a red light, and my dad just got out of the car, looked at me and said, ‘Good luck, son. You're ready to go.’ He shut the door, and the light turned green, and there I was,” Jared in Silverlake said. “I was so scared, but I put it in first, I was off.”

The lesson stuck with Jared, and over time he developed a skill of listening for when to shift gears and get the best gas mileage. He drives an automatic car now, but still drives with only one hand saying, “that’s how I learned with stick.”

Feeling connected to the machine

Across the board, callers said driving a manual transmission makes them feel more in tune with the car.

Terry in Studio City said he learned to drive stick when he was 15, and now at 73, he still has never bought a car with an automatic transmission. He drives a 2003 Toyota Tacoma. People often approach him offering to buy the truck. He shoots down their offers every time.

“You’re just connected to the car," echoed John in Hancock Park. "I learned how to drive stick shift when I was 15 on my dad’s old Saab, and there’s just nothing better.”

Saving a buck on a trip abroad

Across Europe, stick shifts are more common, with about 29% of new cars sold with manual transmissions across the big five countries there, according to automotive data company JATO. They're also notably cheaper to rent than their automatic cousins, Booking.com notes.

But back before their wider adoption in Europe, automatic cars were a rarity — a lesson Mary from Indio learned after her father taught her and her sister how to drive stick.

“ We went to Europe and wanted to drive through Europe,” she said. “You couldn't even get an automatic. And so we drove through France, Italy, and Switzerland for 16 days with an Audi stick shift."

Is the end nigh for stick shifts?

Looking at trendlines, it may seem like stick shifts are soon to be a thing of the past. But Chernyukhin said that the teaching biz is pretty good, for a seemingly paradoxical reason.

“What we’ve seen is that as the skill becomes more rare, the demand increases correspondingly,” he said. “There’s no comparable experience to having a clutch pedal and a shifter and fully controlling the car.”

Listen to the full AirTalk conversation below to hear about the niche jobs that still require you to know how to drive stick.

Long Beach is hoping to help keep older residents from falling into homelessness with a new program that offers them limited rental subsidies of $400 to $500 a month.

The money, available through the Older Adult Shallow Subsidy program, is meant to temporarily reduce the burden of rent while people pursue long-term solutions, like affordable housing.

The program is for households that include at least one older adult, defined as anyone age 62 or older, or age 55 or older with a disability.

To qualify, applicants must:

• live in non-subsidized rental housing in Long Beach
• be experiencing severe rent burden (spending 70% or more of income on rent)
• demonstrate the ability to pay rent consistently with shallow subsidy assistance
• have a household income at or below 50% of the Area Median Income (That’s $58,300 for a household of one, up to $110,000 for a household of eight.)

Eligible renters may receive up to $12,000 over two years, with additional support available in extenuating circumstances.

If deemed eligible, participants will also receive light-touch case management, which includes quarterly check-ins and connection to supportive services.

How to apply

Applications are available in English, Spanish, Khmer and Tagalog here. They will remain open until all subsidy slots are filled. You can also apply in person Monday through Thursday at the Multi-Service Center or Mondays and Wednesdays at the Long Beach Senior Center.

The program will prioritize households whose existing rental assistance or housing subsidy has expired or is scheduled to expire within the next 60 days. Those include households that received vouchers, were in the rapid rehousing program, homelessness prevention program or other rental assistance programs where financial support is ending.

Other factors that could lead to an application being prioritized include urgency of eviction risk, disabling conditions, fixed-income status and prior experiences of homelessness.

The program is funded with $1.8 million from a mix of state funding secured by Sen. Lena Gonzalez, the Los Angeles County Measure A sales tax and state grant funding.

Why older adults?

Even as Long Beach has increased spending on homelessness outreach and housing services, it hasn’t been able to keep pace with the number of people falling into homelessness.

This year, 12.4% of people tallied in the annual homeless count reported they were newly homeless, up from 10.9% last year.

This year’s count also found an increase in the number of residents over 55 who were experiencing homelessness (1,096 this year compared to 1,023 last year).

“Older adults living on fixed incomes are increasingly vulnerable to housing instability as rents continue to rise across the region,” Mayor Rex Richardson said in a statement.

Other options for rental subsidies

The program is part of Upstream LB, a three-pronged city initiative announced last year aimed at preventing housing instability.

In April, the city launched its first Renter Aid Program to provide short-term rental assistance for about 250 households.

Thus far, city officials say the Renter Aid program has received more than 3,500 applications and about 50 households have been enrolled.

A separate program targeting Long Beach residents ages 18-25 who are at high risk of homelessness was originally scheduled to launch in July but hasn’t yet started. It aims to help about 50 people in its first year with a budget of $750,000.

The post Long Beach starts offering rental subsidies to older adults. Here’s how to apply. appeared first on LA Local.

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Why it matters: Owner Barbara Burrell has spent three decades building Sky's into a paragon of Black ownership on a stretch that's lost several other Black-owned institutions in recent years, including Roscoe's House of Chicken 'N Waffles' Pico location in 2023 and My 2 Cents last summer. Burrell cited rising rent and utility costs, diminished foot traffic and competition from ghost kitchens, per reporting from the L.A. Times and Eater L.A.

Food writer Bill Esparza called Sky's "the pinnacle of the Black taco in Los Angeles." He told LAist the lasting influence of Sky's, which helped define a genre, will now be felt in a new wave of Black-owned taco vendors and pop-ups.

"It's like we're losing the Caesar's Restaurant of the Black taco scene," he said, comparing it to the Tijuana restaurant credited with inventing the Caesar salad.

Why now: The business will remain family-run, according to Eater L.A., with Burrell's son and daughter-in-law continuing to lead operations as the focus shifts to catering.

The backstory: Burrell opened Sky's in 1992, building her own "Mexican with a splash of soul" approach — tacos dressed with cheese, lettuce and sour cream over seasoned meats — into a defining thread in Black Angeleno food culture. That approach would later be echoed at spots like Worldwide Tacos and Taco Mell.

Esparza said that type of cuisine represents a connection between Black and Mexican styles of cooking dating back to the Hot Tamale Trail of the Mississippi Delta, where tamale-making took hold in Black Southern communities generations before migrating west. Nearby, Stevie's Creole Cafe and CJ's Cafe remain open, anchoring what's left of Mid-City's Black-owned restaurant row.