Corita (Sister Mary Corita, IHM) and Sister Magdalen Mary, IHM, Paris, France, 1959, 35 mm slide.
(
Courtesy Corita Art Center
)
Topline:
Today at the Marciano Art Foundation is Corita Day — a celebration of so-called 'pop art nun' Corita Kent. The day features artmaking and a chance to see Kent's photographic work.
Why it matters: Kent died in 1986, but her powerful messages of social justice have perhaps at no time in Los Angeles history been clearer. And now her work is resonating with a new generation of activists and art enthusiasts.
The backstory: A pop artist, educator and nun who later left the Catholic Church, Kent’s colorful silkscreen prints gained attention during challenging moments in L.A.’s past, from the 1960s civil rights movement to apartheid.
A pop artist, educator and nun who later left the Catholic Church, Kent’s colorful silkscreen prints gained attention during challenging moments in L.A.’s past, from the 1960s civil rights movement to apartheid.
Kent died in 1986, but her powerful messages of social justice have perhaps at no time in Los Angeles history been clearer. And now her work is resonating with a new generation of activists and art enthusiasts, with a celebration of her life today at the Marciano Art Foundation, also the site of a current exhibition of her photographs.
“In hard times, we always go back to the poets to tell us how to live,” said Hanneke Skerath, curator of the exhibit Corita Kent: The Sorcery of Images, open through January 24 at the Marciano Art Foundation in Mid-Wilshire.
A print by Corita Kent from 1963, titled "luke 2.14, 51"
(
Courtesy Corita Art Center
)
“We go back to Corita, to… artists who always dealt with these bigger questions and were part of a community and [who] built community.”
From religious order to the world of Pop Art
Largely self-taught, Kent started making her signature silkscreen prints while teaching at the arts department at Immaculate Heart College Arts by Griffith Park for nearly two decades until the late 1960s. Her style evolved to become part of the pop art movement, pulling inspiration from the mundane (cereal boxes emblazoned with “The best to you each morning”) to the divine (“be of love”) to the political (“stop the bombing”).
Her silkscreen prints have been shown internationally, the exhibit at Marciano Art Foundation focuses on Kent’s work as a photographer — and a chronicler of Los Angeles through her teaching at the arts department at Immaculate Heart College.
Chronicler of L.A. as a photographer
Distorted ad, source material, 1967, 35 mm slide.
(
Courtesy Corita Art Center
)
Student project, Immaculate Heart College, ca. 1966, 35 mm slide
(
Courtesy Corita Art Center
)
“Of course, she became famous for her silk screens and prints, but she would use these [photographic] images all the time in the classroom, but also in her public talks all around the country,” Skerath said of Kent’s photography. Skerath noted that while Kent only had an analog slide carousel to show her work, the exhibit at the Marciano took some liberties to make her photographs feel larger than life.
To take in the full exhibit at the Marciano, Skerath set up bean bag chairs for visitors to sit in the unique space (the museum is housed in a former Masonic temple). Kent left over 15,000 slides in her archive that the Corita Art Center digitized. “It's like this treasure trove,” Skerath said. “Those images have been used as illustrations but never really presented in an exhibition,” she said. Skerath added that she felt “close to Corita” in selecting the show’s images. “I was able to make a selection of over a thousand images that, for me, really represent her way of seeing.”
Installation view of Corita Kent: The Sorcery of Images at Marciano Art Foundation.
(
Michael Anthony Hernandez
/
Courtesy Marciano Art Foundation
)
Nellie Scott runs the Corita Art Center, which was founded in 1997 but recently relocated to a new space in the Arts District. She hopes that the Maricano exhibit helps shed more light on who Kent was as a person as well as an artist. “We know that [photography] is part of her process. But for people to see the intimacy maybe behind the scenes of what it was like to be a nun, that they're human and … if [Kent] was alive today, she'd wear orange and she'd laugh and she'd go grocery shopping.”
Amongst the more than one thousand images projected in immersive format at the Marciano exhibit are L.A. landmarks both small and large, from everyday sites like the Market Basket (now Lazy Acres in Los Feliz) all the way to Simon Rodia’s Watts Towers installation.
A print by Corita Kent from 1969, titled "king's dream"
(
Arthur Evans
/
Courtesy Corita Art Center
)
Scott sees the photographs and Kent’s teachings around Los Angeles with her students as a social justice tool. “Looking and seeing are not the same thing,” she said. “Sometimes taking the whole world [in] is really hard at once. But if you can start with the square foot you're standing in, you can start with your neighbor, if you can start with your street – it's like, okay, I can start taking everything in.”
Corita Day on Saturday
Corita Kent
(
Courtesy Corita Art Center
)
The Corita Art Center is one of the few art spaces in the country dedicated to a single female artist and the new space, which exhibits Kent’s work and is responsible for maintaining her archive, is open once a week to the public. Scott has been working closely with the Marciano Art Foundation on the new show. “When the invitation from Hanneke [came in] …especially with everything that's happening in the world, to be able to amplify messages of hope and peace and love– how could we not share that?” Scott said.
Corita Day Marciano Arts Foundation, 4357 Wilshire Blvd., Los Angeles Saturday, Nov. 22, from 1 to 4 p.m. The event includes art making for all ages and a performance from Bob Baker’s Marionettes at 2 p.m.
Skerath and Scott are aware that Kent isn’t a household name like her contemporaries Andy Warhol, Roy Lichtenstein, and Ed Ruscha, but they hope these new efforts bring more attention to someone who’s been overlooked in the pop art canon. “There's been great surveys of Corita’s work, but oh gosh, is a really deep retrospective overdue,” Scott said. An upcoming documentary from filmmaker and former Corita Art Center consultant Jillian Schultz,You Should Never Blink, is also looking to do just that when it hits festivals next year.
Kent “absolutely deserves a cradle-to-grave biographical documentary but beyond that, it's really important for us to show how her legacy lives on and how influential she is specifically for artists living and working and practicing now,” Schultz said.
Seattle Seahawks fans have another shot to see a Super Bowl win.
(
Jason Kempin
/
Getty Images
)
In this edition:
This weekend, check out Super Bowl (and Puppy Bowl!) watch parties, a Matisse talk, Joe Wong (in Mandarin and English) at the Improv and more of the best things to do.
Highlights:
Comedian Joe Wong is bringing his show, Twin Lunarcies, to the Improv in both Mandarin and English. Catch him before his Netflix is a Joke show in May.
The dream of the ‘90s is alive and well at the Lodge Room as a supergroup with members of R.E.M., Screaming Trees and Them Crooked Vultures join forces as a new band, Drink the Sea.
Watch the Puppy Bowl while surrounded by actual puppies at Annenberg Pet Space?! I think this one speaks for itself. Ruff!
The Broad’s current exhibit, Robert Therrien’s This is a Story, plays with the idea that everyday objects and materials can become art and move between worlds.The Grammy-nominated orchestral collective Wild Up takes a similar approach to their music and will work with a group of 30 non-musicians when they take the stage at the Broad to perform The Great Learning, Paragraphs 2 and 7, written in the late 1960s by Cornelius Cardew.
Aha! I found excellent art nerd Super Bowl alternative programming. Head to the Hammer and listen to independent art historian and former Getty Museum director John Walsh discuss Matisse’spainting of the female form between the wars.
I think there’s a football game on Sunday — before and after the Bad Bunny concert. Don’t worry, there are some watch party options (and Super Bowl alternatives!) in today’s newsletter. If football isn’t your thing, there are plenty of other sports options available in the form of the Winter Olympics, which begin this weekend.
We’re all getting a free concert on Sunday, but Licorice Pizza has the rest of your music picks for the week, including hometown faves the Silversun Pickups album release party at the Masonic Lodge at Hollywood Forever, Clap Your Hands Say Yeah at Barnsdall Gallery Theater, Aimee Mann at Pacific Electric and Mandy Patinkin singing Sondheim and more at the Carpenter Center on Saturday.
Sunday, February 8, 7 p.m. (Mandarin) and 9:15 p.m. (English) Hollywood Improv 8162 Melrose Ave., Hollywood COST: $44.79; MORE INFO
(
Michael S. Schwartz
/
Getty Images
)
Comedian Joe Wong has done what few comics can — build an audience in two languages — and he’s bringing his show, Twin Lunarcies, to the Improv in both Mandarin and English. Wong hosted a TV show in his native China for a decade before exploring and finding success in the U.S., where he’s roasted Joe Biden at the Radio & TV Correspondents Dinner and appeared on many late-night talk shows. Catch him before his Netflix is a Joke show in May.
Drink the Sea (members of REM, Screaming Trees, Them Crooked Vultures)
Saturday, February 7, 8 p.m. Lodge Room 104 N. Ave. 56, 2nd floor, Highland Park COST: $45.50; MORE INFO
(
Courtesy Lodge Room
)
The dream of the ‘90s is alive and well at the Lodge Room as a supergroup with members of R.E.M., Screaming Trees (remember when all the bands had gerunds in their names?) and Them Crooked Vultures join forces for a new band, Drink the Sea.
Fuego Burlesque: A Bad Bunny Tribute
Saturday, February 7, 10 p.m. Harvelle's Long Beach 201 E. Broadway, Long Beach COST: $22; MORE INFO
(
Courtesy Harvelle's Long Beach
)
We’re getting a little racy at Best Things To Do this week, but this one is too good not to include, because just 15 minutes of Bad Bunny at the Super Bowl is not sufficient. Get the party started early with this burlesque tribute to the Puerto Rican superstar from Dirty Little Secrets Burlesque. Obviously, this event is 21+.
Super Bowl Watch Parties
Sunday, February 8, kickoff at 3:30 p.m. Various locations COST: VARIES
Atmosphere during CMT After Midnight After Party and Super Bowl Sunday
Sunday, February 8, 11 a.m. to 2 p.m. Wallis Annenberg PetSpace 12005 Bluff Creek Drive, Playa Vista COST: FREE; MORE INFO
(
Laura Roberts
/
Unsplash
)
Watch the Puppy Bowl while surrounded by actual puppies?! I think this one speaks for itself. Ruff!
Israel Film Festival
Through Thursday, February 19 Saban, Fine Arts and Regal North Hollywood COST: VARIES; MORE INFO
(
Courtesy Israel Film Festival
)
The 37th annual Israel Film Festival kicks off this week and will host four U.S. premieres, plus a 40th anniversary screening of Ricochets, the 1986 film about the First Lebanon War starring Alon Aboutboul. Many new Israeli films will screen at three area venues — the Saban and the Fine Arts theaters in Beverly Hills, and the Regal in North Hollywood. The festival has a wide range of films, from comedies to features to docs, and many of the screenings include Q&As with talent afterward.
Home and Away: Matisse Makes Another Heaven
Sunday, February 8, 3 p.m. Hammer Museum 10899 Wilshire Blvd., Westwood COST: FREE; MORE INFO
(
Courtesy Hammer Museum
)
Aha! I found excellent art nerd Super Bowl alternative programming. Head to the Hammer and listen to independent art historian and former Getty Museum director John Walsh discuss Matisse’s painting of the female form between the wars. Walsh will explore the influence of Matisse’s time in Nice and emerging art eras like Cubism on his work. This is the third of four in a lecture series about Matisse with Walsh at the Hammer; the last one follows on Sunday, Feb. 22.
Wild Up: The Great Learning
Saturday, February 7, 8 p.m. and 10 p.m. The Broad 221 S. Grand Ave., Downtown L.A. COST: $25; MORE INFO
(
Courtesy The Broad
)
The Broad’s current exhibit, Robert Therrien’s This is a Story, plays with the idea that everyday objects and materials can become art and move between worlds. The Grammy-nominated orchestral collective Wild Up takes a similar approach to their music and will work with a group of 30 non-musicians when they take the stage at the Broad to perform The Great Learning, Paragraphs 2 and 7, written in the late 1960s by Cornelius Cardew. The public ensemble will learn the work “through repetitions and echoes, culminating in a performance where music becomes a shared space to embody collective creativity.”
Julia Barajas
explores how college students achieve their goals, whether they’re fresh out of high school, pursuing graduate work or looking to join the labor force through alternative pathways.
Published February 5, 2026 5:00 AM
Like campuses across the CSU system, Cal State Dominguez Hills was pushed to make tough financial choices last year.
(
Ashley Balderrama
/
LAist
)
Topline:
After concerted pushback from faculty, students and alumni, Cal State Dominguez Hills has decided not to eliminate six academic programs that were on the chopping block for months.
Why it matters: Critics said that cutting classic majors like art history and philosophy would be unthinkable at elite universities. They also held that Cal State Dominguez Hills, where Black and Latino students make up the majority and where more than 60% are eligible for federal Pell Grants, should have continued access to robust course offerings.
The backstory: Faced with a potential $375-million cut in state funding last winter, campus leaders across the CSU system moved to lay off faculty, shutter athletics programs and end majors.
What's next: In an email, campus spokesperson Lilly McKibbin said “No programs are currently being considered for potential discontinuation.” She also said that, as the campus continues “the process of reviewing our academic offerings, faculty and university leaders will consider many options, which could include expanding or consolidating existing programs, launching new ones, developing more interdisciplinary programs, discontinuing some offerings, or a combination of these possibilities.”
After concerted pushback from faculty, students and alumni, Cal State Dominguez Hills has decided not to eliminate six academic programs that were on the chopping block for months.
Faced with a potential $375 million cut in state funding last winter, campus leaders across the CSU system had moved to lay off faculty, shutter athletics programs and end majors.
At Cal State Dominguez Hills, campus leaders considered eliminating art history, earth sciences, geography and philosophy, along with labor studies and “Negotiation, Conflict Resolution and Peacebuilding,” which are rare at most campuses.
This week, interim provost Kim Costino informed LAist that the programs will not be eliminated.
“Instead,” Costino added via email: “over the next year, [Cal State Dominguez Hills] will engage in a broad, holistic redesign process that will result in a leaner academic program portfolio that aligns the university’s academic offerings with our strategic plan, the CSU strategic plan, our university mission, the needs of our students and the job market demands of the region.”
In a followup email, campus spokesperson Lilly McKibbin said, “No programs are currently being considered for potential discontinuation.”
“Throughout the process of reviewing our academic offerings,” she added, “faculty and university leaders will consider many options, which could include expanding or consolidating existing programs, launching new ones, developing more interdisciplinary programs, discontinuing some offerings or a combination of these possibilities.”
A community effort
For educators like labor studies professor Stephen McFarland, Cal State Dominguez Hills’ decision to change course for now comes as “a big relief.”
In December, the California Faculty Association rallied against the proposed cuts. If implemented, members said, they wouldn’t just be detrimental to their colleagues but also to students.
In an email, McKibbin had told LAist: “Like all universities, [ours] must continually assess academic programs and invest in those which meet student needs, fulfill job market demands, and advance our mission. The university’s current financial constraints limit our ability to invest in new or expanded programs that could meet those needs.”
Students and alumni also spoke out against the proposed cuts. Noting that more than 60% of students are eligible for federal Pell Grants and that most financial aid awards go to families with incomes below $20,000, critics expressed concern that students from working-class backgrounds would have less access to humanities and social sciences.
Cutting classic majors like art history and philosophy, they told LAist, would be unthinkable at elite universities.
For months, non-tenured faculty in the designated programs navigated the anxiety of losing their employment. (McKibbin said the campus did “not anticipate layoffs of tenured or tenure-track faculty as a result of program discontinuation.") Meanwhile, the campus promised that if the cuts were made, students enrolled in those programs would still be able to finish their degrees at Cal State Dominguez Hills.
Labor studies professor McFarland, a CFA executive board member, credits the administration’s about-face to the “quick and rapid action” of faculty, students, alumni and other community supporters. They “really banded together” to make phone calls, send emails, show up to rallies and speak up at meetings, he said, all to convey the message that the programs are “core to any university that claims to be comprehensive.”
“We feel vindicated,” McFarland added. “And we're proud of the community effort that came together to protect these programs.”
To boost enrollment in the labor studies program, McFarland and his colleagues continue to advertise, in person and online.
(
Julia Barajas
/
LAist
)
The professor also believes the campus’ new leadership was central to the decision. Interim provost Costino and interim president Mary Ann Villareal “recognize the value of the humanities,” McFarland said because they come from humanities backgrounds.
But how the relationship between faculty in these departments and the administration pans out remains to be seen.
When it comes to his students, McFarland said, there is a belief that because most of them are the first in their families to go to college, they “ought to be steered into hard science: engineering, computer science, you know, [programs] with a clear career payoff.”
McFarland says he and his colleagues view the university “much differently.”
“We see it as a forum for students to study any subject they want,” he said, “to explore the worlds of creativity and human inquiry — and then decide which career path [to pursue].”
Keep up with LAist.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
"Sinners" writer/director/producer Ryan Coogler, producer Zinzi Coogler and producer Sev Ohanian attend the European premiere of "Sinners" at Cineworld Leicester Square on April 14, 2025, in London.
(
Tim P. Whitby
/
Getty Images
)
Topline:
'Sinners' producer Sev Ohanian is the first Armenian immigrant to the U.S. to be nominated for best picture.
The context: Ohanian produced Sinners, along with writer/director/producer Ryan Coogler and Coogler’s wife and fellow producer Zinzi Coogler.
The 2025 film made history in more way than one with its 16 total Oscar nominations, breaking the previous record of 14 set by All About Eve and later matched by Titanic and La La Land. It also marked the first time that an Armenian American immigrant was nominated for Best Picture.
Ohanian was born to Armenian parents in Germany, immigrated to Glendale with his family when he was a baby. Hank Moonjean (Dangerous Liaisons) was the first Armenian American to be nominated for best picture in 1989.
Read on ... for more from Ohanian about the making of Sinners.
The vampire epic Sinners made history in more ways than one this year with its Oscar nominations.
The film’s 16 total nominations broke the previous record of 14 set by All About Eve and later matched by Titanic and La La Land. It also marked the first time that an Armenian American immigrant — Sev Ohanian — was nominated for best picture.
Ohanian produced Sinners, along with writer/director/producer Ryan Coogler and producer Zinzi Coogler.
LAist News host Julia Paskin spoke with Ohanian about Sinners and how making funny YouTube videos about his Armenian parents helped kick off a creative partnership with his fellow USC film school classmate Ryan Coogler.
Below are highlights from the conversation and an extended version of the interview is available here.
On Sinners as ‘the final exam of filmmaking’
Ohanian says he describes Sinners as like “the final exam of filmmaking,” with some more common challenges and others that were more unique.
That included casting: “Ryan knew from the very beginning [that] he wanted to find almost like a young unknown talent who would be great at acting, great at singing, could play guitar, [...] someone who had a youthful face, but a voice that was far beyond his years, which, how do we even find that? Is that something that people put on their resumes?”
With the help of casting director Francine Maisler (also nominated for an Oscar in the Academy’s first year bestowing a casting award), they found newcomer Miles Caton.
Then there were challenges unique to shooting in the swamps of Louisiana. Ohanian says there were “I think 6,042 mosquitoes at any given day. There was that one time an alligator literally showed up on set. Thankfully, it was all taken care of. Everyone was safe.”
How the Armenian American community in LA helped him launch his film career
Growing up, Ohanian says he loved the idea of making a career in filmmaking but was daunted.
“I had this idea that to be a filmmaker, you’ve gotta have connections and resources and knowledge, things that will be passed down. But as an Armenian American immigrant,” Ohanian says, “those are not things that were part of my community.”
He put the idea of filmmaking as a career to the side, but after making some YouTube videos about his Armenian parents for fun, “they blew up. Armenians all around the world were sharing them. They were going viral. And I ended up writing a movie called My Big Fat Armenian Family,” inspired by My Big Fat Greek Wedding.
He screened the movie at Glendale High School, got the word out to the Armenian American community, and people showed up and paid to see it.
"That experience, beyond the success of it on the financial level,” Ohanian says, “the fact that my community responded to something that I thought of, that I shot with my friends, it kind of made me realize that those things that I thought were necessary — connections and resources and knowledge — I had those this whole time in my community. That's what got me into USC where I started doing it for real.”
Mariana Dale
explores and explains the forces that shape how and what kids learn from kindergarten to high school.
Published February 4, 2026 6:23 PM
Thousands of students from schools across Los Angeles walked out Wednesday in peaceful protest of the Trump administration’s immigration policies.
(
Sabrina Sanchez
/
LAist
)
Topline:
Thousands of students from schools across Los Angeles walked out Wednesday in peaceful protest of the Trump administration’s immigration policies. The Los Angeles Unified School District estimated 4,400 students from about two dozen schools participated.
Hear it from a student: “The reason I came out is 'cause we're so young and I feel like people always think that like young people don't have a voice and in reality we have one of the strongest voices,” said Jazlyn Garcia, a senior at Alliance Gertz-Ressler High School. “I want people to go out and vote for midterms, pre-register to vote.”
Why now: Students say the Trump administration's immigration raids threaten their families, communities and education. Alexis, a senior at Brío College Prep, said administrators locked down his campus after agents detained a nearby fruit vendor. “He was a part of our community,” Alexis said. “He would always be out there selling fruits to us after school.”
What's next: San Fernando Valley students at more than 40 schools plan to walk out Friday. “Los Angeles Unified supports the rights of our students to advocate for causes important to them,” a district spokesperson wrote in a statement to LAist. “However, we are concerned for student safety at off-campus demonstrations as schools are the safest place for students.” The district encouraged students to exercise their rights in on-campus discussions and demonstrations.
Thousands of students from schools across Los Angeles walked out Wednesday in peaceful protest of the Trump administration’s immigration policies.
The Los Angeles Unified School District estimated 4,400 students from about two dozen schools participated.
“ I think it's really empowering that we aren't being discouraged to [protest], but it's also really discouraging to have to live through this,” said Roybal Learning Center senior Melisa.
“The reason I came out is 'cause we're so young and I feel like people always think that like young people don't have a voice and in reality we have one of the strongest voices,” said Jazlyn Garcia, a senior at Alliance Gertz-Ressler High School. “I want people to go out and vote for midterms, pre-register to vote.”
Leonna, a senior at Downtown Magnets High School and daughter of immigrants from Cambodia, said she was thinking of her neighbors. “We need to protect the people that make sure that the economy is running and make sure that our lives are the way that they are every day.”
Students said the Trump administration's immigration raids threaten their families, communities and education.
LAUSD estimated that several thousand students walked out.
(
Sabrina Sanchez
/
LAist
)
Students said they were concerned for family and neighbors.
(
Sabrina Sanchez
/
LAist
)
Alexis, a senior at Brío College Prep, said administrators locked down his campus after agents detained a nearby fruit vendor. “He was a part of our community,” Alexis said. “He would always be out there selling fruits to us after school.”
“Los Angeles Unified supports the rights of our students to advocate for causes important to them,” a district spokesperson wrote in a statement to LAist. “However, we are concerned for student safety at off-campus demonstrations as schools are the safest place for students.”
The district encouraged students to exercise their rights in on-campus discussions and demonstrations.
