"DTLA man," a commissioned mural at the U.S. Bank Tower in Downtown Los Angeles done by graffiti writer Man One.
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Courtesy Man One
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Topline:
L.A. graffiti writing has been around as long as the roads we drive on today. We spoke to experts in L.A. graffiti writing to understand its significance as not just a form of protest, but also a way of documenting life in SoCal — reaching far back as the early 20th century.
Why it matters: Regardless of your views on graffiti, there's no doubt that it's held some level of significance in Los Angeles as it's grown into a metropolitan giant.
The backstory: Los Angeles's graffiti writing goes as far back as the post-Civil War era, with some of those works still around today.
Recent news: The history continues as unfinished skyscrapers, close to 30 stories high, were tagged by an unknown group of graffiti writers.
Graffiti writing as a common form of street art makes a lot of sense in a place like Los Angeles.
Long, frequent commutes make boulevards and freeways the ideal canvas for artists to get eyes on a statement they're trying to make or a conversation they're trying to start.
Like many forms of art, graffiti writing is not without controversy — it is often used in acts of vandalism and has been associated with gang activity because of its use by those groups to mark territory. But graffiti writers will tell you their art form is not only about communicating with each other as artists, it's about starting conversations about things like identity, politics or movements the artist feels aren't being had.
LAist talked with local experts on street art and graffiti writing, as well as graffiti writers and artists themselves, about the earliest iterations of this type of street art in Los Angeles, how it morphed into the graffiti writing we see today and its significance as a form of artistic expression in the Southern California art scene.
'Hobo graffiti' and early examples
Some of the earliest graffiti you'll still find in Los Angeles today dates back to the 1870s, from a Civil War-era building in the neighborhood of Wilmington.
Graffiti from around this era was part of so-called "hobo times" according to Susan Phillips, a professor of environmental analysis at Pitzer College and author of The City Beneath: A Century of Los Angeles Graffiti.
A wall along the Arroyo Seco with hobo graffiti referred to as "Kid Bill," it contains old writing and markings that date back to roughly some time between 1914-1921.
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Courtesy of Susan Phillips
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"As the country transferred from an agrarian society to more of an industrialized society post-Civil War, you just get massive numbers of people who are displaced and travel all over the country," said Phillips. "And then [they] eventually create these incredible written traditions with their own history."
So for the decades following, you'd see the "hobo graffiti" era take shape in these small-scale hieroglyphs made for writers as a means of communicating with one another.
L.A. graffiti writing as a form of protest
As graffiti writing evolved over the years, it also became a way for artists to tell a political message, or call attention to an issue they feel isn't being represented in other forms of media.
"The wall is almost both a first and last resort for telling an alternative story and history ... and it's meant to get people maybe a bit angry, maybe a bit annoyed," said Stefano Bloch, professor of cultural geography at the University of Arizona and the author of Going All City: Struggle And Survival in LA’s Graffiti Subculture.
"It's meant to bring information to people who have a different form of literacy. So, wall art or murals or graffiti or whatever you want to call it ... gets people riled and it does that on purpose," said Bloch, who was himself a noted graffiti writer who went by the name "Cisco" in Los Angeles in the 1990s.
One of the most notable political murals still around today can be found on Olvera Street — Mexican muralist David Alfaro Siqueiros's América Tropical: Oprimida y Destrozada por los Imperialismos, one of three pieces done in the artist's time in political exile in Los Angeles.
América Tropical and his other public project, Street Meeting, were seen as controversial and ultimately whitewashed (literally painted over with white paint), although the former was found to still be intact in the 1960s.
Projects like these helped fuel parts of El Movimiento in Los Angeles. One group that is well known for its political art in L.A. was Asco, a collective of Chicano artists whose work includes performance art like Stations of the Cross and graffiti writing like Spray Paint LACMA.
"I do remember is their uses of public space, photography, and street theater in a sense ... pushing the boundaries of all that [and] was a great celebratory moment [for] the Chicano movement," said Phillips.
But even within the Chicano movement, graffiti artists had to fight for recognition. Chaz Bojórquez, who is seen as the "godfather of West Coast graffiti," has noted that some Chicano artists viewed graffiti as anti-Chicano that undermined the larger goal of the movement.
Increase name recognition
Dating back to some of the earliest known graffiti writers in L.A. like Bojórquez, graffiti was a creative outlet that was meant to be a political statement and also a means for artists to get their name out there.
Two graffiti writers, including one who goes by "Cisco," writing on a wall.
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Courtesy of Stefano Bloch
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Not every artist who grew up in Los Angeles could get their art seen through traditional means. It's why Professor Bloch considers graffiti writing as a means for "other people [to] see their name and think about them."
"It's meant to bring information to people who have a different form of literacy. So, wall art or murals or graffiti or whatever you want to call it ... gets people riled and it does that on purpose."
— Stefano Bloch, professor of cultural geography and former graffiti writer known as "Cisco"
"They're doing it in an aesthetically pleasing way sometimes, sometimes they're doing it [cryptically] … but it's always about a conversation with surfaces," Bloch said. "The legality of surfaces, the appropriate placement of surfaces, and subcultural hierarchy."
How graffiti writers are making money
When graffiti writer Man One began his career in 1980s, the first thing he tagged was a bus.
"When I first started, I started talking about transit ... because the bus is what moves us around as kids. I was 16, 17 years old and taking the bus all over the, all over the place."
He has since spun that desire to start conversations into exhibitions across Southern California, the Smithsonian in Washington D.C., the Parco Museum in Japan, and more.
Man One said when he was starting out, magazines were one of the only ways that graffiti writers like him could get exposure, at least beyond people happening upon their work in public.
"The first magazines that I saw were probably coming out of L.A. [like] Can Control Magazine ... but the book Spray Can Art, that came from New York, that was one of our Bibles," Man One said. "Subway Art was another book, but Spray Can Art spoke to the world ... artwork that was being painted on walls [and] not just on subway trains."
Not only did these magazines serve as inspiration, but getting any of your work published could mean getting into an art exhibition and eventually making a living from your work.
A mural titled "Faces of Pomona" by Man One, commissioned by the city of Pomona.
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Courtesy of Man One
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Growing through every new piece of graffiti writing, or other artistic projects writers did, is what helped create word-of-mouth that eventually translated to commissions.
"I remember the first time I got paid $50 to paint a garage door. I was like, 'This is it. Someone paid me $50, that means I can make $100, that means I can make $200, and it just snowballed from there," Man One said.
Since then, social media has become more of a platform for folks to find your work. Graffiti writers of all generations across the country have found similar artistic mediums that help grow their portfolios.
"Graffiti writers in the East Coast go into graphic design, tattooing, many different types of artistic endeavors that pay," Bloch said. "Here on the West Coast, a lot of graffiti writers go into the film industry as set designers or set dressers, background dressers, or any kind of artistic endeavor, even into fashion and television writing."
A man casts his ballot during early voting in Waukesha, Wis., on March 18.
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Miguel Gutierrez Jr.
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AFP via Getty Images
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Topline:
More than 4 in 10 names flagged as possible noncitizen voters in California by the Trump administration cannot be found on the state’s voter rolls, according to a legal filing Saturday by an immigrant-rights group.
Why it matters: It’s the first outside analysis of a list that the Department of Justice has used to threaten prosecution of election officials. The analysis also found that thousands of U.S. citizens appear to be flagged as ineligible to vote on the government’s list.
Why now: The contention was made in a filing by two data analysts at the University of California, Los Angeles. The breadth of the problems with the list was outlined in Saturday’s filing. It describes an analysis by two members of UCLA’s Voting Rights Project, who filed a lawsuit challenging it with the Los Angeles-based Coalition for Humane Immigrant Rights, or CHIRLA.
WASHINGTON (AP) — More than 4 in 10 names flagged as possible noncitizen voters in California by the Trump administration cannot be found on the state’s voter rolls, according to a legal filing Saturday by an immigrant-rights group.
It’s the first outside analysis of a list that the Department of Justice has used to threaten prosecution of election officials. The analysis also found that thousands of U.S. citizens appear to be flagged as ineligible to vote on the government’s list.
The contention was made in a filing by two data analysts at the University of California, Los Angeles. They analyzed the 20,930 names that the department demanded that California election officials treat as possible illegal voters by separating their ballots during the vote count on Election Day.
Multiple judges have rejected the demand as unconstitutional and a threat to democracy, and local and state officials have said the list appears riddled with errors.
Court filing outlines problems with government list
The breadth of the problems with the list was outlined in Saturday’s filing. It describes an analysis by two members of UCLA’s Voting Rights Project, who filed a lawsuit challenging it with the Los Angeles-based Coalition for Humane Immigrant Rights, or CHIRLA.
The research found that 8,880 of the names, representing 42% of the entire list, do not correspond to anyone in California’s current voter file. It also found at least 22 are U.S. citizens, and many more may correspond to those of confirmed citizens.
“The expert analysis further makes clear that the mandated voter list endangers a significant number of eligible California voters,” said the filing, which was cosigned by Xavier Becerra, the Democratic candidate for California governor and an adviser to the UCLA Voting Rights Project. null
The Trump administration had objected to sharing the list, calling it a “fishing expedition” and noting that it included sensitive information. On Saturday, the federal prosecutor who spearheaded the Trump case in California called the analysis “bogus.”
“This is a bogus report by the activist illegal immigrant rights group CHIRLA,” Bill Essayli, who runs the U.S. Attorney’s office in Los Angeles, posted on X.
Also on Saturday, President Donald Trump bemoaned the legal rulings against his effort to force California to separate votes from the individuals his administration labels suspected noncitizens, even though one came from a judge he himself nominated.
In a social media post, Trump claimed his Justice Department found “20,000, but potentially Hundreds of Thousands, and maybe even Millions,” of fraudulent votes, “and the Court has just ruled against it. Why would they reject fixing Election Fraud?”
The Trump administration has also urged Washington state to remove what it says were 400 possible noncitizens on its rolls, though state election officials there say that list is also unreliable and includes one voter who cast ballots in the 1990s.
The Justice Department has warned California election officials they could face criminal liability if they let noncitizens vote and issued subpoenas to election officials there.
Election officials say they have no time to investigate
Election officials have complained that the Trump administration has confronted them with lists of possible illegal voters at the last minute before Election Day, with no time to conduct the painstaking investigation required by law before removing someone from the rolls.
Multiple lawsuits have been filed to stop the administration from continuing to threaten local election officials.
On Friday, a federal judge in California ordered the Justice Department to stop sending demands to state officials, a decision the Trump administration appealed Saturday. Several counties in the state had run quick checks of the Trump list and found numerous errors.
Saturday’s broader analysis was possible because a federal judge on Friday ordered the Trump administration to share the list with the plaintiffs in the case.
CHIRLA and the UCLA project sued the Homeland Security Department in early October to prevent it from using federal immigration data to challenge state voter rolls. The lawsuit cited examples in other states where the federal government’s data has been proven to mistakenly include thousands of citizens.
Case argues that government’s methods pose risk to voting
The case argued that the data-matching methods risk disenfranchising or deterring citizens from voting. On top of that, plaintiffs argued, the lists could disproportionately target naturalized citizens who are legally entitled to vote.
Applying the government’s methodology, the UCLA researchers found that nearly 7,500 naturalized citizens in the state were “highly likely” to be incorrectly flagged as ineligible.
The researchers noted that the administration apparently removed the voter identification number from the names, making it harder for election officials to determine whether the flagged individuals were already on their rolls or were duplicates in the Justice Department list. They described the voter ID number as the most crucial data point.
The Justice Department argues that there is just as much to lose if the ballots aren’t separated.
“Every ballot cast by an ineligible voter cancels out the vote of an American citizen,” Kiersten V. Pels, a spokesperson for the department, wrote in an email. “The Department makes no apology for protecting those votes.”
Josie Huang
is a reporter and Weekend Edition host who spotlights the people and places at the heart of our region.
Published November 1, 2026 5:00 AM
Jordan Delgado picked Lady Gaga's 'You and I' as her debut song with the L.A. Karaoke league.
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Josie Huang
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LAist
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Topline:
The LA Karaoke league turns singing into a team sport, where costumes, props and creativity matter more than hitting the right notes. For performers craving a creative outlet when auditions are harder to come by, the league offers a community to cheer them on.
The backstory: The L.A. league is part of United Karaoke, a national network of chapters that share a competition format, voting app and pledge to always keep the vibe friendly.
What's next: Teams compete for a spot in the finals. The public is welcome to watch and vote for their favorite performances.
For many of us, karaoke is a chance to sing our favorite shower song in public.
But at a North Hollywood bar every Wednesday night, it’s a team sport. And competitors in the L.A. Karaoke league are more serious about putting on an over-the-top production than hitting all the right notes.
At a social in late September, league manager Michelle Goff kicked off a new season of weekly themed showdowns, from dance-floor favorites to internet memes to songs inspired by birds.
Brittany Gates, the CEO of United Karaoke, who was visiting from D.C., did her rendition of 'Let's Hear It For The Boy' by Deniece Williams.
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Josie Huang
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LAist
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"You are going to see numbers that people came up with in their crazy dreams maybe three years ago, and it's going to be amazing,” Goff told performers at the social. “And then they’re never going to be done again.”
Michelle Goff unveils the different themed weeks, from dance-floor favorites to internet memes to songs inspired by birds.
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Josie Huang
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LAist
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Performances range from solos to group numbers, and the crowd votes for its favorites. Props and costumes are highly encouraged.
Here, dark wizards from Harry Potter duet to Taylor Swift. A singer tosses flowers to the crowd while belting Seal's “Kiss From a Rose.” Once, Goff danced around as an erupting Mount Vesuvius as her teammates sang Bastille's "Pompeii."
Like intramural sports but with microphones, teams compete over six weeks, followed by two weeks of playoffs, then the finals.
It all happens at the Good Nite bar, on a darkened stretch of Burbank Boulevard. Inside, there’s an inviting purple glow and warm conversation that can be hard to come by in a city as big as L.A.
“You know, the city, exciting as it is, still has so many strangers,” said Carlos Mulia.
A newcomer to the league, the chef-turned-actor already feels like he belongs.
Want to join the L.A. Karaoke league?
Where: The Good Nite, 10721 Burbank Blvd., North Hollywood.
When: Wednesday nights during the season.
How: Check the chapter’s website or @WeSingLA on Instagram for season announcements. Fall season registration is closed. The next season will start in late January or early February.
Cost: Registration costs $65 to $80, depending on when you sign up and whether you use a discount code.
Can I go watch: Yes! League nights are open to the public, with no cover charge, and anyone can vote for their favorite performances.
“Sometimes you can go to a karaoke bar and everyone’s talking and no one’s paying attention to you — that can be a downer,” he said. “But here, everyone’s contributing, everyone’s cheering for each other.”
For Mulia, the league also offers a creative outlet during Hollywood’s production slowdown, when he says opportunities to perform are scarce.
Actor Carlos Mulia said competitive karaoke gives him a creative outlet and a place to find community in a big city.
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Josie Huang
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LAist
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“There’s not that many auditions," he said. "They’re far and few between, and it can really affect your psyche. So this allows you to just let it all out.”
The L.A. league started in Santa Monica in 2014 before moving among venues around the region and finding its current home at the Good Nite in 2021.
It’s part of United Karaoke, a loose national network with chapters in Washington, D.C., Baltimore and Chicago. The local leagues share a competition format, voting app and a pledge to keep the vibe welcoming.
In the league, friendships spark right away. Mulia hit it off with another actor, Jordan Delgado, who teaches children art at a studio.
They quickly figured out they’re both half-Filipino and grew up with karaoke, a fixture of Filipino social life.
“It is in our blood to do karaoke,” Delgado said. “So yeah, I’m honoring my ancestors in a way by being here tonight.”
Anybody is welcome on karaoke competition nights and invited to vote for their favorite performances.
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Josie Huang
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LAist
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Delgado loves to perform but says the karaoke league promises more than that.
“It’s something to look forward to in the downtime of the part-time jobs,” Delgado said. “A reason to regularly meet up with people, where we could just be silly, without any judgment.”
For her league debut, Delgado is going with a tried and true crowd-pleaser.
“My go-to song that my friends and family have heard me sing a billion times is ‘You and I’ by Lady Gaga," Delgado said. "It really gets the crowd going.”
When it’s her turn, Delgado bounds onto the tiny stage up front with a big confident smile that matches a powerful voice.
“We got a whole lot of money, but still pay rent,” Delgado sings, striding across the tiny stage to whoops and cheers.
Several weeks after her league debut, Delgado would go on to win best performer during Graveyard Week, when the league revives songs so overdone they’re normally off-limits.
Her winning number? “Shallow,” with Delgado singing both the Lady Gaga and Bradley Cooper parts.
And she brought the theatrical flair. Dressed as Gaga on one side of her body and Cooper on the other, she was her own duet partner.
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By Jeremiah Dobruck | Long Beach Post, Dañiel Andres Martinez
Published October 31, 2026 1:34 PM
A sign a Rosies Dog Beach in Long Beach warn visitors of the contaminated water. Photographed at Rosie's Dog Beach on Sunday, Jan. 2, 2022 in Long Beach, CA.
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Myung J. Chun
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Los Angeles Times via Getty Images
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Topline:
All coastal waters in Long Beach — including beaches, lagoons and bays — remain closed Sunday, after health officials say 29,000 gallons of sewage spilled out of a mainline pipe in Belmont Shore on Friday evening.
What happened: The spill happened around 6:30 p.m. near Livingston Drive and Second Street, according to a statement from the city’s Health Department.
The latest update: City crews tried to catch as much sewage as possible before it reached drainage systems that led to the ocean, but about 14,000 gallons ultimately reached the sea, forcing Long Beach to close its coastal waters.
All coastal waters in Long Beach — including beaches, lagoons and bays — remain closed Sunday after health officials say 29,000 gallons of sewage spilled out of a mainline pipe in Belmont Shore on Friday evening.
Joy Contreras, a public information officer with Long Beach Utilities, told LAist that emergency repairs to the sewer main were completed Saturday night.
"The Utilities Department will investigate the cause of the force main break, as a break of this magnitude is extremely rare," Contreras said Sunday.
Water quality testing, Contreras said, will resume on Monday. The Long Beach Health Department, she said, will determine when swimming areas will reopen once samples meet State water quality standards.
What happened
The spill happened around 6:30 p.m. on Friday near Livingston Drive and Second Street, according to a statement from the city’s health department.
“The spill was associated with a force main break, a pressurized pipe to convey wastewater,” according to the statement. There was no word on what caused the break.
Long Beach Utilities stopped the spill by rerouting sewage to bypass the line.
City crews tried to catch as much of the sewage as possible before it reached drainage systems that led to the ocean, but about 14,000 gallons ultimately reached the sea, forcing Long Beach to close its coastal waters.
History of sewage spills
Long Beach is no stranger to beach closures because of sewage spills, but it most commonly happens when sewage flows down the Los Angeles or San Gabriel rivers from upstream cities. Over one recent five-year span, local beaches were closed for 63 days because of upstream spills.
State law requires the closures any time sewage makes its way to the coast until testing shows the water meets quality standards. These rigorous rules don’t hold true for all types of spills.
