The Brief

Carly Usdin was the kind of kid who spent a lot of time in imaginary worlds: reading comic books, imagining superheroes and watching David Copperfield specials.

Whenever their parents hit the garage door button, Carly liked to stand next to it with their arm out, as if they were controlling the lifting and lowering of the heavy metal gate.

Carly Usdin in 2023.

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Natalie Chudnovsky

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LAist

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When Carly Usdin moved to Los Angeles, they became obsessed with getting inside its iconic members-only club for magicians, the Magic Castle.

The Castle: Part 1

When Carly Usdin moved to Los Angeles, they became obsessed with getting inside its iconic members-only club for magicians, the Magic Castle.

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Carly knew they didn’t have real magical abilities, but in pretending they found something they needed — a sense of power.

“I think many kids feel powerless,” they say, “but especially the kid that I was, getting teased at school for being smart and being queer and being Jewish, and not even knowing I was queer yet, and wanting out of that so badly.”

Carly Usdin as a child.

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Courtesy of Carly Usdin

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Carly did get out. They left their small town in central New Jersey, became a filmmaker and married their now-wife. And then in 2013, at the age of 30, they moved to Los Angeles.

In L.A., Carly was reminded of their childhood interest in magic, and started to get curious about why there were so few famous women magicians. At the time they were identifying as a woman, their gender assigned at birth (they now are non-binary and trans). While in a research rabbit hole, they started reading about the Magic Castle, an exclusive members-only Los Angeles club for magicians and lovers of magic.

Carly had heard of the Magic Castle. They knew it had a reputation for being frequented by celebrities, that its former president was Neil Patrick Harris and that it was invitation-only. And Carly desperately wanted to get in.

Besides being invited by a member, there are several workarounds to getting into the Magic Castle — for example, if you book a stay at the Magic Castle hotel. But gaining longer-term access is more difficult.

“I started doing research into the Magic Castle,” Carly remembers, “and I found the Magic Castle website and it said ‘we offer adult magic classes.’ And the kicker is that while you're enrolled in lessons, you basically have a temporary membership to the castle.”

The Magic Castle in Hollywood on Oct. 13, 2021.

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Valerie Macon

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AFP via Getty Images

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Carly had found a backdoor into the Castle.

And Carly was aware they didn't fit the magician stereotype. Actually, that’s what made them excited about it.

“If you say magician, you get a very specific image in your head," says Carly. "It's probably an older cis white heterosexual man, because that has long been the archetype of the magician in American popular culture. So I was like, I'm gonna infiltrate. I'm gonna take my queer self in there, cause it's a space that's clearly not meant for me.”

Why is the Magic Castle a big deal? 

The Magic Castle , or just “The Castle” as many members call it, is run by the Academy of Magical Arts. Just a few blocks from the tourist center of Hollywood, the Castle, with its stained glass windows and turrets, looks like a French chateau plucked out of a Disney movie. It was built as a private home around 1909. And then in 1963 it opened as a private clubhouse for magicians, complete with a liquor license.

An evening at the Castle requires not only an invitation but adherence to a dress code, an admission charge, parking fees and the purchase of an entree. If you throw in a cocktail, that’s at least a $100 night out. There are no photos or videos allowed inside. The exclusivity of the experience is part of the allure.

Besides its mystique to the layperson, the Castle is an important institution in the world of magic because being a member, or better yet, a booked performer, serves as a stamp of legitimacy.

“There isn't a Ph.D. in magician,” says magician and Castle member Paul Draper. “So, when I'm auditioning for a television show, when I speak to an event planner, the first question I'm asked is, 'Have you ever performed at the Magic Castle?'"

Magician Kayla Drescher performs at the Magic Castle on Oct. 13, 2021.

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Valerie Macon

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The Castle is also a coveted and somewhat rare performance venue, especially in contrast to the kinds of gigs that sustain many magicians.

“You know who doesn't wanna watch magic? A bunch of people at their company holiday party. They wanna get drunk and just talk about how weird the year was,” says magician Kayla Drescher.

But at the Castle?

“People actually put in the effort to come watch magic,” says Kayla. “They're all dressed up and they're so excited to see you.”

Membership at the Castle comes with other benefits: access to its library, spaces to workshop tricks and a place to connect with some of the best magicians in the world.

“You have all these magicians that have performed here, you have all this history,” says Kayla. “There's a library of all these books with secrets. The guy who made the Statue of Liberty disappear for David Copperfield? He's just sitting at the bar. All the people, all the tricks, all the stories, it all just exists in one place.”

Beginner's magic

Carly was full of nerves driving to their first class at the Magic Castle in the fall of 2014.

Inside, there was a small reception area lined with bookshelves and no doors. Unsure of what to do next, Carly examined the bookshelves, drawn to one particular statue of an owl.

“The people working at the front told me you have to say the magic word in order for the owl to grant you admittance to the Castle,” says Carly. So they spoke the magic words (“Open Sesame”) and the bookshelf pulled back to reveal the Castle.

“Just that moment alone, I was giddy,” Carly says. “Basically you're in a parlor-looking bar area and there's like a big old timey fireplace. The color palette is like reds and golds and purples. All the wood is old, dark wood. It is Victorian, dark, moody, so much old art and old artifacts of magic. It feels like exactly this thing that's plucked out of time.”

The Close-up Gallery at the Magic Castle, in Hollywood on Oct. 13, 2021.

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Valerie Macon

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AFP via Getty Images

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The Castle can feel maze-like, with its various floors and bars. Every week there’s a new schedule of booked magicians performing at the many theaters, from the intimate Close-up Gallery to the larger stage at The Palace of Mystery. There are tables for magician members to set up impromptu shows. And a self-playing piano takes song requests (if they’re directed to the ghost of Irma — and yes, she also takes tips).

After several wrong turns, Carly found their way to a small instructional classroom. And they were delighted by every aspect of that first class.

“It felt like being back in school,” they say. “We went over the rules of being a magician. Some of the primary ones being, you don't do the same illusion for the same audience more than once. Obviously, you do not reveal your secrets.”

Carly remembers the initial classes being focused on card tricks: how to handle a deck, different ways of shuffling and grips. And Carly was delighted that they learned it all easily.

Carly has obsessive compulsive disorder — OCD. In high school, before they got proper care, they had a tough time focusing because of it. But learning magic tricks engaged their attention in a very specific way.

“When I was doing these tricks, I wasn't experiencing my OCD symptoms," Carly says. "It's just this perfect blend of mental and physical working in harmony where you have to be paying attention on both levels really closely.”

Carly Usdin practicing close-up magic, circa 2014-2015.

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Courtesy of Carly Usdin

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Courtesy of Carly Usdin

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Carly was in love. They didn’t want to become a professional magician, but they were constantly thinking about magic, carrying a deck of cards everywhere to practice, savoring the feeling of delight that came with successfully pulling off a trick.

After the beginner course ended, Carly took Magic 2 and then Magic 3 and Magic 4, learning coin tricks and more complicated illusions. After class, Carly would catch magic shows at the Castle with their classmates.

And they noticed that the Castle’s demographics matched their initial assumptions.

Stepping back in time

Several current and former Magic Castle members have described the experience of going to the club as stepping back in time, which comes with charms and also, drawbacks. Most glaringly, the demographics of the Castle.

A shelf hangs at The Houdini Seance Room at The Magic Castle on Oct. 24, 2008.

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Getty Images North America

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Several members have described the club as mostly white and mostly male. In an email, a Castle representative said the club doesn’t keep data on the race of its members and did not provide data on the gender of members, either.

But according to one former member who gathered numbers from a Castle membership representative, in 2019 magician membership was 12% women.

Numbers of women performers at the Castle are even lower — the Castle’s own records identify only about 8% of performers over the last three years as being women.

That tracks with national estimates of women magicians in the U.S. For much of its history, performance magic in the Western world was exclusively male.

For magic historian and Magic Castle member Angela Sanchez, the story starts as far back as the Witch Trials in 16th century Europe.

“In a patriarchal society, for women to know something that men do not, is a bad thing. And so to be accused of being a witch is to be accused of having secret knowledge that a man does not have access to,” says Angela. “And so this notion that a witch, a woman who holds power, is adverse to what a woman should and ought to be, is something that cues you into how women in magic are generally treated in Western European societies.”

At the same time as women were being burned at the stake for witchcraft, there were men who earned money doing magic tricks at carnivals. In the 18th and 19th centuries in Europe and the U.S., magic made its way from street entertainment into Broadway theaters and the parlor rooms of upper classes.

There were some famous women magicians, notably English performer Adelaide Hermann, who was billed “the Queen of Magic,” as well as female assistants who would vanish or levitate, but many onstage assistants at the time were boys and for the most part, magic was a field for men.

And then in 1921, magic introduced a new role for women: being in peril.

John Shryock and his daughter Jasmine, 16, rehearse before their performance at the Magic Castle on Oct. 13, 2021.

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Valerie Macon

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AFP via Getty Images

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In 1921, illusionist P.T. Selbit specifically called for women to participate in what would become an iconic trick: sawing a woman in half.

“This was very much a situation that would go forward in branding magic with very clear gender roles,” says Angela. “The magician is a guy in a tux and a woman on stage is the individual who gets sawed in half, split apart and lit on fire.”

Carly was seeing echoes of this history at the Magic Castle in the ways that some magicians spoke about or interacted with women onstage, but they also saw signs of progress. They recalled their magic class being fairly diverse, and were inspired by a women magician’s group at the Castle, co-founded by Angela.

Carly dreamed about starting a group for queer magicians. Of getting to spend as much time as they liked in the immersive magical space of the Castle. And of being able to invite whomever they wanted.

Carly realized that they wanted to become a member.

The audition

There are different levels of membership at the Castle (for example, Junior, or Associate for magic-lovers) but to become a Magician Member requires several steps, including an application with essays and, most nerve-wracking for Carly, an audition.

Carly Usdin at the Magic Castle.

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Courtesy of Carly Usdin

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Carly had heard horror stories about people bombing auditions and about how hard it was to impress the panel.

They picked out four tricks that they practiced for months.

“I was full of fear and dread driving there,” Carly says.

Carly remembers about five other people auditioning. All of them, hanging out at the bar, getting called downstairs, one … by one. Until finally … it was Carly’s turn to go before the panel.

“And I went in and there was like, I wanna say four or five magicians in there. I don't believe any of them were familiar to me, but they were all cis men. It was an incredibly intimidating room. They do a little interview. And then they're like, all right, show us your tricks.”

It didn’t go as smoothly as Carly had practiced.

Carly Usdin with a spread of cards.

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“The thing with close-up magic especially, is that it's all about your hands,” Carly says. “And the thing with anxiety is that my hands were shaking. I felt like I fumbled stuff and it wasn't as clean as it could have been.”

The panel stopped Carly, telling them they had seen enough. Carly felt like they’d blown their chance and went back to the bar to wait for the bad news.

“And then they came and, and got us. And so we had to go back to the room downstairs. And they're like, congratulations, all six of you made it. And I wanted to cry.”

Carly was officially a member.

They were on the inside of this private, exclusive, prestigious magicians club. For Carly it was like being handed a golden key, because members can invite any guests they want. It meant Carly could open up the Castle to their friends ... people who didn’t necessarily look like the typical magic showgoer.

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Courtesy of Carly Usdin

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“I had no misgivings of like … I'm gonna change the face of the community,” Carly says. “It was on a very small scale of like, I just wanna bring my friends and then from there, if I can start a group for queer magicians, that would be really cool.”

Did Carly think the Castle would be receptive?

“I really didn't know.”

In Part II, Carly finds out. Coming Dec. 6, 2023. 

LAist reports on local issues for — and with — communities across Southern California, but chances are most readers have never spoken with a journalist before. Your stories and experiences power our reporting, so it’s important that people know what to expect when they speak with a reporter.

That’s what this guide is for.

Below are some tips from our newsroom on what to keep in mind when talking to a journalist.

Remember: You are the expert on your own life

Tell the story you want to tell about yourself.

Be honest. Truthfulness and facts are central to journalistic ethics.

Also know your worth. Reporters come to you for a reason. They may be intimidating because they have a mic or a camera, but you have a perspective they need. Media outlets also want to expand their audiences, and that includes you.

Common questions

How can I get a journalist’s attention?

Contact reporters by social media or send them a personal email — at LAist, contact information is available on our staff page. If you meet a reporter, get their business card. It will usually have a direct phone number to talk with them.

Will all my words be published?

Probably not. Journalists are often working with a limited word count or air time. They will likely use one short sound bite or quote from you. It’s also possible they will not use your interview at all. Reporters and their editors decide what will get published.

Can I see a copy of the story before it's published?

Probably not. It is against journalistic ethics to have sources review a story before it’s published. Imagine if a journalist were to do a piece about government corruption. You wouldn’t want the government agency to review the story and edit it. Editors review stories for accuracy.

When will the story be published?

It depends on the type of story. Some stories are short and may air on the radio or be published online the same day you talk to the reporter. Other times a reporter might work on a story for several weeks or months. It’s OK to follow up with the reporter who talked to you and ask when the story might be done and ask them to let you know where you can read or hear it.

Can I speak with a fact-checker?

You are welcome to ask reporters about their fact-checking process or how they make sure a story is accurate. Not all outlets have fact-checkers. If the story is an investigative story or a long-form or magazine format, designated fact-checkers are more common. At LAist, reporters and editors are responsible for verifying information.

What if I am asked about something that makes me feel uncomfortable?

Your story is your own and during an interview you have full control over what you say to a reporter. Answer questions in any way that makes you feel most comfortable, and you can always decline to answer a question.

What do I do if a reporter asks me about my immigration status?

You don't have to disclose your immigration status to a reporter. If it's directly relevant to the story, a trustworthy reporter will explain that and also tell you how they'd handle the information. You can decline to answer.

• More on how LAist handles this topic

How do I determine if the newsroom I'm speaking with has a specific point of view?

It's a great question and relates directly to media literacy — meaning how well you can spot misinformation, disinformation and bias. The reality is that we all have points of view. Here are some tools to check on where a publication falls across the political spectrum:

• FAIR's (Fairness & Accuracy In Reporting), which describes itself as a "progressive media watchdog group" has this media literacy guide.
• PEW Research Center, which describes itself as a nonprofit, nonpartisan nonadvocacy organization, has information on sources most popular with different political perspectives
• You should be able to find information on who funds the work on the site (corporations, individual owners, subscribers, members and so on).
• You can also check out this interactive chart tracking media outlets across the political spectrum (note that you may need a paid version to search smaller outlets). Ad Fontes Media, which describes itself as a "public benefit corporation" which they said means they are "a for-profit business with a stated public mission," has been publishing its analysis since 2018.

Is everything I say usable in a story?

You can come to an agreement with reporters ahead of the conversation about how your words can be used:

• “On the record”: This means that everything you say in your conversation with the journalist can be quoted, published and attributed back to you. By default, you should assume any exchange you have with a journalist is on the record unless you mutually agree otherwise. 
• “On background”: This means that you are sharing information with a journalist that can be referenced in a story, but is not directly attributed to you. 
• “Off the record”: This means that you are sharing information that is not for publication. People may share experiences or tips off the record if they want the journalist to be aware of the information but don’t want it mentioned in a story. Remember that “off the record” only counts if both you and the journalist agree to it. 

It's worth noting that different newsrooms may use these terms slightly differently. You should confirm with the reporter that you have as shared understanding of the meaning.

Do I need to pay to be in a news story? Can I get paid?

No and no. You will not pay or get paid to be in a news story because this is against journalistic ethics. Anyone who receives payment for a story could be swayed to bend the truth.

What if the reporter gets my story wrong?

If you feel that the reporter misrepresented your story, you can ask for a correction or an update to clarify a point. Reporters want to get the story right and they don't want to incorrect or misleading information to go unchecked. That said, corrections deal with information that is factually incorrect, so you should be ready to explain what was wrong and why. Under California law, you have 20 days to demand a correction and the publisher has to respond within a set period of time.

• More on California civil defamation claims and the definition of defamation.

How can I prepare for an interview?

Think about the main points you want to get across in your interview. What are the most critical things for the reporter to know? Some people like to organize their thoughts into three major points. If you are not used to telling your story, you may want to have a friend ask you some questions to practice. Depending on the story, a reporter may also ask if you have any pictures to share that they can use to help tell the story.

Get involved with LAist

Ask LAist reporters questions

You can reach out to LAist reporters through the contact information listed on their bios. All our editorial staff, including the teams reporting, editing and producing news, are listed here.

How else you can be a part of LAist's reporting

Aside from contacting journalists directly, you can share your story with LAist through short surveys and meeting us in person. Learn more here.

This guide was originally written by former LAist early childhood producer Stefanie Ritoper, with contributions from Mariana Dale. Cato Hernández and David Rodriguez also contributed to this guide. 

File this under things that could only happen in L.A.

Paradise Dynasty, the Singapore-based chain known for its signature eight-flavor xiao long bao, has teamed up with Burritos La Palma — the SoCal burrito institution whose birria de res recipe traces back over 45 years — to create a limited-edition birria soup dumpling. The Birria XLB will be available starting Monday (May 11) for a limited time at Paradise Dynasty locations.

I've eaten my weight in both soup dumplings and burritos, so naturally, I'm a fan of both.

Paradise Dynasty has been on a steady ascent as a major player in L.A.'s dumpling scene, with locations at South Coast Plaza in Costa Mesa and The Americana at Brand in Glendale.

Meanwhile, Burritos La Palma — known for its simple, savory burritos and finely crafted flour tortillas — has been capturing hearts and stomachs since Alberto Bañuelos opened the first eatery in L.A. in 2012. It’s since grown to several spots across L.A. and Orange County, earning a Michelin Bib Gourmand award in 2024 for its high-quality, Zacatecan-style handmade flour tortilla burritos at an affordable price.

How the collab came together

So what exactly is a birria soup dumpling? A delicate wrapper, lightly packed with tender birria de res — slow-braised beef stewed in chilies and spices — juicy, savory and gone in one bite.

It all began with a call from Paradise Dynasty, when Jason Kuo, district manager for Paradise Dynasty USA, reached out to Bañuelos, calling it, simply, a perfect match between the two dishes.

Kuo said the idea came straight from the community.

"When we started asking guests and people around us what flavor they would want to see in a soup dumpling, birria kept coming up again and again — it was very clear. If we're going to do birria, it has to be done right. Burritos La Palma was the first name that came to mind."

Bañuelos was "beyond thrilled" to have been approached.

"We come from a small town in Mexico, and to be able to elevate to the level of Paradise Dynasty and that culinary perfection, I can't even really put it into words," he said.

It took months of R&D to get the right consistency. Bañuelos said the process required dialing down the moisture and upping the spice potency and landed on serving a fresh red salsa with thin slivers of serrano peppers alongside — a riff on the black vinegar and pickled ginger traditionally served with soup dumplings.

The Birria XLB's juicy interior is part of what makes it work — the dish is served with a fresh, tomato-based salsa and slivers of serrano pepper in place of the traditional black vinegar and pickled ginger.

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How it tastes

I got a chance to try the dumplings ahead of the public launch and was struck by how well the combination worked. The juicy nature of birria is almost turbocharged in dumpling form, its savory, herbaceous flavors fully encapsulated in the thin skin, creating an exceptional texture in every bite. The dish hits even harder when dipped in the light tomato-based salsa — a rush of freshness that cuts through the richness, with a spike of heat from fresh serrano. (Feel free to skip the peppers if spice isn't your thing.)

But what's most impressive is how organic it all feels. This isn't fusion for fusion's sake — it's a natural meeting of two dishes that are deeply embedded in the Southern California diet, each playing to the other's strengths.

It feels like a logical meeting of the minds — birria and soup dumplings have both been part of L.A.'s culinary zeitgeist for the better part of a decade, and it makes sense that these worlds should collide.

When asked whether a collaboration like this could happen anywhere else, Bañuelos was quick: "It has to start in L.A. You just can't compete."

Where to try it

Nine Democratic House members from California are demanding information about how the Trump administration is treating unaccompanied migrant children who are pregnant and in federal custody. They’ve signed a letter, along with 39 other House Democrats, to Trump officials expressing their concern that the girls are not receiving adequate medical care or access to abortion.

The letter comes in the wake of an investigation by the California and Texas Newsrooms, public media collaboratives in those states. LAist is part of The California Newsroom.

The joint investigation found that the federal government is detaining pregnant migrant girls in a single group home in South Texas. Doctors and reproductive-health experts interviewed for the investigation said prenatal care is severely limited in that region.

The letter says the detention violates federal regulations because the children are “entitled to the full range of medical care, including reproductive health care.”

Rep. Gil Cisneros, who represents the central San Gabriel Valley, says he worries that pregnant migrants who are apprehended in California will be put at risk if they’re sent to a part of Texas that is short on obstetric care. Of particularly concern: High-risk pregnancies are common among minors.

“If they were in California," he said, "they would be able to have more choices of the type of health care that they would get when it comes to reproductive health care.”

Rep. Judy Chu, who represents the West San Gabriel Valley, wrote in a statement that “this administration is so intent on restricting abortion that it is using immigration detention as a tool to control these girls’ bodies.”

Mark Betancourt is a regular contributor to The California Newsroom. 

The U.S. Department of Education is investigating how the Los Angeles Unified School District responds to educators accused of sexual misconduct with students.

The department accuses the district of maintaining a policy that “automatically” reassigns teachers to other schools when they are accused of sexual misconduct with students and cites a 2024 agreement with the teachers union.

A Los Angeles Unified spokesperson wrote in a statement that it’s “not true” that staff being investigated for sexual misconduct are reassigned to other school sites.

“‘Reassignment’ typically means an employee is directed to remain at home and away from students and schools during an investigation,” the spokesperson wrote.

United Teachers Los Angeles called the DOE's accusations a “fundamental misunderstanding” of the district’s reassignment policy.

“[Employees] are not reassigned to another classroom or to any other setting where they would interact with students,” read a statement provided by the union. “This policy protects both students and staff and creates conditions for a thorough and appropriate investigation of allegations.”

What to expect from the federal investigation

The federal investigation, overseen by the department’s Office for Civil Rights, will assess whether the district’s policy violates Title IX, a law that prohibits sex-based discrimination in federally funded education programs.

Kimberly Richey, the assistant secretary for civil rights, wrote in a statement that Title IX requires schools to address claims of sexual misconduct in a “timely manner.”

“It is unconscionable that the district would simply ignore Title IX’s procedural requirements to protect teachers who cause life-changing harm to their kids,” Richey wrote. “The Trump administration will always fight to uphold the law, protect the safety of all students and restore common sense to our schools.”

The Trump administration also has recently targeted LAUSD's desegregation policy and transgender student protections.

Last year, the office failed to resolve any cases related to sexual harassment, sexual violence or racial harassment, according to a report released by Sen. Bernie Sanders in late April. Sanders is the top-ranking Democrat on the Senate Education Committee.

In March 2025, the Trump administration pushed to cut over half of OCR’s nearly 600 staff members, which contributed to a growing backlog of cases. Those employees were placed on administrative leave pending the result of legal challenges, and many were later brought back.

The Education Department has also withheld records related to civil rights investigations, prompting a lawsuit from investigative nonprofit newsroom ProPublica.

What does LAUSD’s policy say? 

LAUSD protocol related to employee misconduct says administrators must remove accused employees from their classroom or worksite whenever there is a risk to the safety of students or staff.

The 110-page protocol document also lists several other requirements for allegations related to sexual misconduct, including contacting law enforcement and the agencies that license teachers.

“Los Angeles Unified takes all allegations of sexual misconduct and harassment with the utmost seriousness,” a spokesperson wrote in a statement. “Our primary responsibility is to ensure the safety, dignity and well-being of every student and staff member in our care.” The statement also said the district follows Title IX procedures and continuously reviews its policies, training and reporting systems.

The UTLA settlement outlines several circumstances where an employee can be reassigned, including a law enforcement investigation of misconduct, sexual harassment of a student, behavior toward a student perceived to be motivated by a sexual interest and communicating with a student for non-school-related purposes.

School employees are “mandated reporters” who must, by law, notify local law enforcement or child welfare agencies of suspected child abuse or neglect. California Attorney General Rob Bonta reminded K-12 school district leaders in late April of their legal obligation to prevent sexual misconduct and protect students.

How prevalent is sexual misconduct in California schools?

There have been few comprehensive studies of sexual misconduct in schools. A 2004 report to the Department of Education estimated 1-in-10 students experiences sexual misconduct, ranging from inappropriate comments to physical abuse.

A new California law requires schools to train students and staff to recognize and report misconduct and write new policies on “appropriate behavior.” It also will create a new database of educators credibly accused of abuse.

More than 1,000 lawsuits related to sexual abuse that date to the 1940s have been filed against California school districts since the enactment of a 2019 law that gave victims a three-year window to sue.

LAUSD has authorized $750 million in bonds to pay for sexual misconduct settlements related to suits stemming from the law.