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The Brief

The most important stories for you to know today
  • How an LA family fought for its return
    Two women, one with gray hair, wearing a black suit, and one with brown hair, wearing a green patterned dress and a black cardigan, both wearing glasses, stand next to each other in a formal room with a marble fireplace and antique paintings on easels behind them
    Cheryl Bernstein and Rebecca Friedman at the Holocaust Claims Processing Office Art Restitution Ceremony in Prague.

    Topline:

    A new exhibition at the Skirball Cultural Center traces the 80-year effort by three generations of Angeleno women to track down a painting from the 1700s taken from their family’s home in Czechoslovakia.

    Why it matters: Cheryl Bernstein, granddaughter of Hedy Shenk, who was forced to flee her family home, says in a testimonial video: “The desire to heal wounds, to understand your family history is very strong, and neither restitution or reclamation is about making money."

    Why now: While Hedy Shenk filed claims for the looted art as soon as she arrived in L.A. during World War II, it was only in 2020 that the family was able to reclaim the painting through the Holocaust Claims Processing Office in Prague.

    The exhibit: At the Skirball Cultural Center you can see a replica of the family's dining room with the painting on the wall.

    In 1943, Hedy Shenk arrived in Los Angeles. She was one of the thousands of Jewish refugees from Europe fleeing the Nazis. Life as a single mother was hard, and Hedy worked tirelessly as a bus driver, quality control supervisor at Xerox, and toy entrepreneur.

    But Hedy had another job, which meant more to her than any other. She was determined to reclaim the artworks and treasures stolen from her family during the horrors of the Holocaust.

    RECLAIMED: A Family Painting, on view at the Skirball Cultural Center Oct. 19 to March 3, tells the remarkable story of Hedy, her daughter, Liz Goldman, and her granddaughter, Cheryl Bernstein. These three generations of Angeleno women spent over eight decades fighting to regain their rightful inheritance. “

    The desire to heal wounds, to understand your family history is very strong, and neither restitution or reclamation is about making money,” Cheryl Bernstein says in a testimonial video on view at the exhibition. “It's more about understanding family, bringing families back together.”

    A light skinned man and woman stand next to each other in a black and white vintage photo from 1903. He is wearing a black hat, long black coat, collar and tie and is holding a cane. She is wearing a fur hat, a long coat with a fur collar, and is holding a muff.
    Johann and Lisbeth Bloch in Brno, Czechoslovakia, c. 1903
    (
    Carl Pietzner, K.U.K Hof-Atelier
    /
    Courtesy of Elizabeth H. Scholtz
    )

    The family’s saga begins in another time and place. Hedy was born in 1906, to Johann and Lisbeth Bloch. Johann ran E. Block & Company, his family’s prominent leather goods business. The elegant Bloch home in Brno, Czechoslovakia, was a vibrant, cultural place, filled with noted artworks and Czech glass collected by Lisbeth. The Blochs passed on their love of the arts to their daughter, Hedy, who took art classes and learned how to sew from the family’s live-in seamstress.

    In 1922, the Blochs purchased their most valuable work, Baroque German artist Johann Carl Loth’s 17th century painting Isaac Blessing Jacob from the Dorotheum Auction House in Vienna. The painting was hung in place of honor in their dining room, which was often graced by members of their close, extended family, many who would later be killed in the Holocaust.

    Lisbeth would have little time to enjoy her prized painting. She was killed in a car crash in 1928. Life went on, and Hedy married a Catholic engineer named Leo Schenck (Hedy would later change the spelling of her name to Shenk). Their daughter, Liz, was born in 1936. But the family’s happiness was tempered by the growing menace of the Nazis.

    A painting dating back to the 1700's. It shows a light skinned man with long hair and a grey beard, in bed, his chest bare, with a young man looking up at him from the side, and an older woman standing behind him.
    Isaac Blessing Jacob by Johann Carl Loth
    (
    Robert Wedemeyer
    /
    Loan courtesy of Elizabeth H. Scholtz
    )

    Aware of the enormous danger facing him as Jewish man, Johann and his new wife, Erna, attempted to get a visa to Switzerland, but they were denied. In September 1938, the Nazi-controlled Czech government confiscated the Blochs’ grand Brno home, along with their art collection. Johann and Erna fled to family in Prague. While still attempting to export his art collection to England for safety, Johann died of natural causes in 1940. Erna was killed by the Nazis.

    The family believes that Isaac Blessing Jacob was stolen from the Bloch house in 1939, and resold at Dorotheum Auction House, one of approximately 600,000 Jewish owned artworks looted by the Nazis.

    A black and white photo of a dining room from the 1930's in Czechoslovakia. There is a dining table covered by a white lace tablecloth, surrounded by sturdy wooden chairs. The room has attractive wooden furniture all around. On the wall there is a large painting in a gold frame.
    Bloch Family Dining Room in Brno, Czechoslovakia, 1930s
    (
    Dr. Bruno Wolf
    /
    Courtesy of Elizabeth H. Scholtz
    )

    Meanwhile, Hedy and her husband were in their own race to escape. In 1938, Hedy and her daughter were baptized by a Catholic priest to shield them from anti-Jewish persecution. The young family fled to Switzerland, but Hedy had one more thing she had to do.

    In 1939, she ventured back to Brno, collecting important family photos, including one showing Isaac Blessing Jacob in the family dining room, which would prove invaluable in her fight for reclamation.

    “My grandmother was so incredibly smart and forward-thinking,” Cheryl Bernstein says. “As she's fleeing in the middle of the night with her toddler, she had the presence of mind to take the professional photographs of the inside of her father's home with her, and the minute she found out her father had died … they started working on his estate.”

    A black and white photo of a light-skinned young child holding on to the rails of a ship, overlooking the ocean. It is from the 1940's; she is wearing a dress with a white collar, socks with lace tops and shoes.
    Elizabeth Schenk arriving in New York as a refugee, 1940.
    (
    Courtesy of Elizabeth H. Scholtz
    )

    As World War II ravaged Europe, Hedy was able to obtain visas for her family to go to America. In July 1940, they arrived in New York aboard the Cunard White Star’s RMS Scythia along with many other war refugees. A photo of an excited looking four-year-old Liz was published in the Daily News, along with other child refugees. The paper minimized the trauma Liz had suffered, claiming she took the escape as a “lark.”

    The small family moved around America as Leo took engineering work before permanently settling in Los Angeles, then a haven for European refugees. Always industrious, Hedy was able to obtain a bank loan to purchase a small apartment building and rent out some of the units to tenants. Hedy and Leo divorced in 1947, and Hedy proved to be an enterprising spirit. In the 1950s, she even created a line of whimsical hand sewn stuffed animals called Hollyfornia Creations.

    However, Hedy never forgot the life and inheritance that had been stolen from her. For 50 years, she repeatedly filed art claims with the Czech and German governments, using photos and surviving family members’ testimony to prove ownership.

    With her modest funds, Hedy hired expensive international lawyers and traveled to Europe repeatedly in an attempt to track down her family’s collection. In the 1960s, Liz joined in the search and brought her daughter Cheryl along. Together, the three-generations toured Austrian salt mines, where Nazis reportedly hid looted art, and visited the Bloch family home in Brno searching for clues.

    Although Hedy would receive modest reparations and payments from the Blochs’ confiscated bank accounts and property, she was never able to recover Loth’s Isaac Blessing Jacob or her family’s other lost artistic treasures. She died in 1997.

    But her daughter and granddaughter were not finished. In the early 2000s, Liz took up the family’s quest. “n 2001, a claim was filed with the Art Loss Register. That claim led to the Holocaust Claims Processing Office.

    “It took about 20 years until this very brilliant attorney, Rebecca Friedman, finally started looking into…the Czech claims, that things really started to roll along,” Cheryl says. “In about 2019, she called me with this great news that the Loth painting has shown up at the Dorotheum for auction, and they contacted her because we had a claim. It was really at that point that the hard work started because they had the painting, we knew we were heirs, we had to prove to them that we were the heirs.”

    Using Hedy’s meticulous records, her decades of legal correspondence, and the photos she had spirited away, the family was able to prove that Isaac Blessing Jacob was rightfully theirs. In 2020, the painting was finally returned to the Bloch family. In February, four paintings Johann Bloch had been forced to “donate” to the National Gallery Prague were also returned to Cheryl at an official restitution ceremony.

    While much of the Bloch collection remains lost, Isaac Blessing Jacob is the centerpiece of RECLAIMED: A Family Painting, hanging in a recreation of the Bloch family dining room, filled with mementoes and artifacts from the family’s century long odyssey.

    “This painting has brought my mother and I even closer together. I'm grateful for the journey that this painting brought in my life, and the deeper understanding of everything she went through,” Cheryl Bernstein says. “I am grateful to the Skirball for allowing us to put it here, where I knew it would be honored in the way that I felt my grandmother deserved and my mother deserved. Grandma worked on this her entire life.”

  • Cases continue to tick up
    A scaled-up image of a flea viewed from the side. It appears translucent orange-brown against a gray background, with a bulbous body, two giant pincer-like arms coming from near its mouth, and two other pairs of legs coming from its midsection. Hair-like fibers stick out from all parts of its body like little thorns.
    A magnified view of an Oriental rat flea, a species known to spread typhus.

    Topline:

    Public health officials are urging the public to be wary after a recent outbreak.

    The details: Five people were hospitalized with typhus after the outbreak in the Pico-Union neighborhood of Los Angeles. All have recovered. A record number of cases were recorded in L.A. County in 2025. They have been rising for over a decade but have nearly doubled over the last few years.

    What is typhus? Typhus is caused by a bacteria that is transferred to humans from animals such as rats, opossums and free-roaming cats. It can’t be spread from human to human. It causes flu-like symptoms including fever, headaches, muscle aches, and nausea. It’s treatable with antibiotics, especially if it’s caught early.

    Read on … to learn how to protect yourself.

    Public health officials are urging people to be wary of flea-borne typhus after a recent outbreak of the illness.

    The outbreak in late July was centered in the Pico-Union neighborhood of Los Angeles. The L.A. County Department of Public Health said five people were hospitalized; all recovered.

    The outbreak comes as typhus cases continue to tick up in L.A. County.

    Cases have been increasing fairly steadily for more than a decade, but they nearly doubled over the last three years. The Public Health Department logged a record 220 cases in 2025, and officials say this year is on track to exceed that.

    Public health officials say the increase is likely because human-animal interactions are also increasing. That could be due to human population expansions into areas with more animals, available food sources for wildlife in populated areas or more people owning pets.

    The bacteria that causes typhus is transmitted from animals to humans through fleas.

    Typhus can’t be passed from one human to another, and public health experts say the illness is completely treatable, especially if it’s caught early.

    Outbreaks and how to prevent them

    Most of the time, typhus cases are spread out across L.A. County. But sometimes, there’s a localized spread over a short period of time that turns into an outbreak.

    Public health officials respond to a few of them in L.A. County each year.

    Generally, outbreaks are triggered by high concentrations of host animals.

    “Wherever these animals may be present or wherever they may be congregating, in those areas we can see an increase in the number of human infections,” said Dr. Aiman Halai with the L.A. County Department of Public Health.

    The most common hosts for typhus are rats, opossums and free-roaming cats. When people or pets come in contact with host animals, they can pick up the infected fleas and bring them into homes, spreading them to other people and animals in the process.

    Halai says a variety of factors can attract animals and lead to an outbreak, including overflowing dumpsters, overgrown vegetation or a well-meaning neighbor feeding local critters.

    You can help prevent outbreaks by securing trash in bins, making sure food isn’t left outside, and ensuring pets are on up-to-date flea control medication. Cutting back overgrown vegetation and blocking off crawl spaces can eliminate places where animals can shelter in and around homes.

    Halai also says it’s important not to feed wildlife.

    Should you be worried?

    Although public health experts are wary of the typhus uptick in L.A. County, the 220 cases recorded in 2025 in L.A. County are not overly concerning.

    "That’s a very  low rate at the population level,” said Dr. Jeffrey Klausner, a professor of infectious diseases at USC’s Keck School of Medicine.

    Typhus is an acute infection caused by bacteria known as Rickettsia typhi. Variations of the bacteria also cause other illnesses transmitted by fleas, ticks, lice and mites, including tick-borne Rocky Mountain Spotted Fever.

    Doctors can test for typhus fairly easily, and it is treatable with antibiotics. Symptoms are similar to the flu, and can include fever, headaches, muscle aches and nausea. It can also cause rashes in some cases.

    Most infections are mild, but they can cause hospitalization and, in rare cases, can be fatal.

    Klausner said the concern is that testing for typhus is not always routine.

    “The most important thing is that when patients come in to their doctor — and they have fever, they may have a rash, they may have headache, may have muscle or joint aches — that the doctor's thinking about potentially flea-borne infectious diseases because the treatment can be different,” Klausner said.

    The best treatment for typhus is the antibiotic doxycycline. If a patient with typhus gets another type of antibiotic like penicillin or amoxicillin, the treatment may not be as successful.

    According to Klausner, when presented with flu-like symptoms, it’s also a good idea for patients to tell their doctors if they’ve been around animals, spent time in an encampment or even just gone on a hike.

  • Sponsored message
  • Close to getting permanent state protections
    A green frog sits on brown dirt.
    The vertical-slit pupils are one distinguishing feature of the Western spadefoot. Others are a spade on its back feet, and its distinctive peanut buttery smell.

    Topline:

    Good news for frog fans — the California Fish and Game Commission voted this month to designate the Western spadefoot as a candidate for the state’s endangered species list. One thing that makes this frog unique? It smells like peanut butter.

    Why it matters: The small amphibian is found in the grasslands of Southern California and the Central Valley. But habitat loss, urban sprawl and longer droughts have been threatening the species’ population in recent decades.

    What happens next: The California Department of Fish and Wildlife will conduct a year-long review to determine if the Western spadefoot should be permanently protected.

      Topline:

      Good news for frog fans — the California Fish and Game Commission voted this month to designate the Western spadefoot as a candidate for the state’s endangered species list. One thing that makes this frog unique? It smells like peanut butter.

      Why it matters: The small amphibian is found in the grasslands of Southern California and the Central Valley. But habitat loss, urban sprawl and longer droughts have been threatening the species’ population in recent decades.

      What the protections do: Now that the Western spadefoot is a candidate for permanent protections, any development project planned for Western spadefoot habitats will have to take the amphibians into account.

      Some exceptions may apply: The commission did carve out exceptions for solar projects in the Central Valley. To take advantage of federal tax credit deadlines, some projects can continue to be built, as long as they protect breeding pools and curtail construction during the season when spadefoots are most active.

      What conservationists say: Brendan Cummings, conservation director with the Center for Biological Diversity, said in Southern California the biggest threat to the Western spadefoot is not solar development: “It’s warehouses or data centers and road widenings and all manner of construction activities.”

      What happens next: The California Department of Fish and Wildlife will conduct a year-long review to determine if the Western spadefoot should be permanently protected.

      • City makes $7M in cuts to positions, programs
        Aerial day time view of a residential neighborhood
        Fullerton, pictured in an overview shot

        Topline:

        Fullerton city officials this week closed a multi-million dollar budget deficit without dipping into the city’s reserves. Some of the largest cuts were made to vacant city positions and library programming.

        What happened: The City Council voted 3-2 to approve the budget on Tuesday night, with Councilmembers Ahmad Zahra and Shana Charles opposing the spending plan. Zahra called the cuts “drastic.”

        Why the cuts matter: On the chopping block were 26 vacant positions from various departments, including Parks and Recreation, Police and Public Works. More than $400,000 was cut from the library budget for security, electronic resources and the book collections in the adult and teen sections.

        The city’s graffiti removal team was reduced from two truck units to one.

        How did we get here? City spending outpaces incoming revenue, according to city staff. The City Council rejected a sales tax measure to fill up the city coffers.

        Why is the budget so late? The vote comes a month after the start of the new fiscal year because of an internal audit. Staff identified that nearly $10 million had been incorrectly categorized for specific uses rather than general spending. The city hired an independent auditing firm to look into the city’s accounting.

      • Manufacturers say CA restrictions could bump costs
        Plastic packaging is seen from above in a large trash pile.
        Mixed plastic recyclables move on a conveyor belt at Recology's Recycle Central in San Francisco on Sept. 24, 2024.

        Topline:

        More than two dozen California Assembly Democrats and one state senator sent a letter Wednesday to legislative leaders asking them to delay fees under SB 54, the state’s landmark plastic reduction law, for two years — an eleventh-hour push as the Legislature hurtles toward the end of session.

        The ask: Signed by 23 Assemblymembers and Sen. Melissa Hurtado, the letter asks lawmakers to pause fee assessment and collection this year and next, commit to a “reform package” next session, and increase legislative oversight of the program going forward.

        The context: The request lands amid a broader fight over how the plastics law is rolling out. Little by little California is demanding that the packages you pick up at your doorstep or at the store contain less plastic. A law Gov. Gavin Newsom signed four years ago aims to phase out 25% of non-recyclable, non-compostable plastic by 2032.

        Industry response: Industry groups say the price tag for complying with the law could be tens of billions of dollars higher than California originally estimated. An industry-commissioned study found the law could cost consumers three times what the state projected — between $683 and $948 a year, rather than $190. That means groceries, shampoo bottles and other consumer goods packed in plastic could cost a little more as the law takes effect.

        State reasoning: The California Department of Resources Recycling and Recovery, which oversees implementation, declined an interview but said in a written statement that the law puts consumers first and pushes producers to design packaging with recycling in mind.

        More than two dozen California Assembly Democrats and one state senator sent a letter Wednesday to legislative leaders asking them to delay fees under SB 54, the state’s landmark plastic reduction law, for two years — an eleventh-hour push as the Legislature hurtles toward the end of session.

        The letter, addressed to Senate President Pro Tempore Monique Limón and Assembly Speaker Robert Rivas, was signed by 23 Assemblymembers and Sen. Melissa Hurtado. It asks lawmakers to pause fee assessment and collection this year and next, commit to a “reform package” next session, and increase legislative oversight of the program going forward.

        The request lands amid a broader fight over how the plastics law is rolling out. Little by little California is demanding that the packages you pick up at your doorstep or at the store contain less plastic. A law Gov. Gavin Newsom signed four years ago aims to phase out 25% of non-recyclable, non-compostable plastic by 2032.

        To get there, the state tasked a nonprofit, the Circular Action Alliance, with drafting a plan to meet the state goals. The group estimated the work would cost $17.2 billion over five years – and is asking for a three-year exemption from the source-reduction deadline.

        But as the state moves to implement the law, questions are mounting over how the organization calculates the fees producers — and eventually consumers — will pay, and how much oversight the group actually faces.

        Industry groups say the price tag for complying with the law could be tens of billions of dollars higher than California originally estimated. An industry-commissioned study found the law could cost consumers three times what the state projected — between $683 and $948 a year, rather than $190.

        That means groceries, shampoo bottles and other consumer goods packed in plastic could cost a little more as the law takes effect.

        The California Department of Resources Recycling and Recovery, which oversees implementation, declined an interview but said in a written statement that the law puts consumers first and pushes producers to design packaging with recycling in mind.

        “Californians are facing rising costs and pollution from increasingly complex packaging that wasn’t designed for the recycling systems local governments, ratepayers, and the state developed and funded over the past four decades,” said CalRecycle director Zoe Heller. “The law’s rollout is a dial, not a switch, giving producers flexibility to redesign packaging, invest in recycling systems, reduce single-use plastics, and make adjustments along the way,” she added.

        Watching the watchers

        The Circular Action Alliance published its fee schedule in June, spelling out what each producer owes into the system. The fees could add up to more than $10 million for some businesses, according to the Dairy Institute of California. The Dairy Institute is a trade association that represents milk processors and dairy product manufacturers.

        But unlike a state agency, the Circular Action Alliance answers to almost no one, said Katie Davey, executive director of the Dairy Institute.

        “[The alliance] does not have to go through an audit by the state auditor. They’re not subject to the (California open government law) Brown Act. They’re not subject to public records requests. The Legislature does not approve their budget and does not approve how many employees they need, or how many fees they can charge,” Davey said.

        As a private nonprofit, Circular Action Alliance indeed is not subject to the Brown Act or public-records law — but records it submits to CalRecycle or other government entities may be.

        CalRecycle must approve its fee schedule and implementation plan, and has the authority to audit the organization’s performance, said CalRecycle spokesperson Lance Klug, who added that the plastics law includes provisions to ensure the group’s budget and fees are appropriate.

        The alliance’s role “is not to set California policy,” said its spokesperson, Larine Urbina. “Our role is to implement the framework established by SB 54 under CalRecycle’s oversight.”

        Davey said the gap extends to enforcement. Businesses that fall short will face so-called malus fees, which fund bonuses for those that comply. But the Circular Action Alliance hasn’t said what those fees will be.

        Shane Gusman, a lobbyist for the Teamsters, which represents hundreds of thousands of California workers, raised similar concerns. “They’re a wholly independent nonprofit organization that has no oversight. That’s part of the problem.” The union backed the plastics law hoping it would boost jobs; Guzman now says the fees could affect workers too.

        Shortly after the alliance published its fee schedule, Davey and a coalition of industry leaders — including the California Restaurant Association, the California League of Food Producers, the American Forest and Paper Association and the Print Creative Alliance — commissioned a study disputing CalRecycle’s numbers.

        It found CalRecycle’s 2025 estimate of $21 billion in implementation costs, or $190 a year per California household, rests on “idealized assumptions that fail to capture real-world costs and complications the regulations will create.”

        The study puts the number somewhere between $35 and $58 billion, rising after the implementation period.

        Klug of CalRecycle said the agency’s earlier reports were just estimates. “The actual costs will be determined by producer choices,” he said. “These costs, for example, will reflect the infrastructure needed to recycle materials that producers are choosing to use.”

        Agriculture groups push back 

        The biggest hurdle for producers is cutting plastic use 25% by 2032 — which state regulators say will require redesigning packaging and shifting toward reusable products, such as dishes at restaurants and paper-based packaging for produce.

        Business groups say they support the state’s goals but call the timeline unworkable.

        Food safety is one sticking point: alternatives like paper-based containers for berries are less breathable and spoil faster, while heavier glass or cardboard adds transportation costs, said Casey Creamer, president of the California Fresh Fruit Association.

        “We just don’t want to force something out and not be able to deliver a fresh, healthy commodity, or create a situation that has more significant or adverse environmental concerns just because we look at plastics and packaging in a silo,” Creamer said.

        Environmental groups oppose any pause.

        “All of us pay for plastic pollution through higher garbage bills and clean-ups of polluted beaches and waterways, not to mention the damage to our environment and our health,”said Nick Lapis, director of advocacy for Californians Against Waste.

        Sen. Ben Allen, a Democrat representing coastal Los Angeles County who authored the law, said it’s time plastic producers are held accountable for the waste they produce.

        “This 11th-hour Hail Mary is only trying to maintain status quo and avoid due responsibility, throwing years of good-faith negotiations, and affordability and sustainability improvements out the window,” he said in a statement about producers’ efforts to pause implementation of the law.

        Businesses pass costs to consumers

        Whether the plastics law is actually driving up grocery prices yet is hard to pin down. Creamer said businesses may already be factoring the organization’s planned fees into their prices.

        Federal data show grocery prices dipped slightly in July from June, though prices have climbed year over year and that rate is accelerating, said Richard Volpe, a consumer-price expert at Cal Poly San Luis Obispo. Neither the USDA nor the Bureau of Labor Statistics has released August figures, and no data yet isolates the state plastics law’s effect from broader inflation.

        Volpe said retailers, who run on thin margins, will eventually pass costs on to consumers — but probably not right away.

        “It will not happen overnight,” he said. “And it will still be relatively small, mostly on the order of pennies on the dollar.”

        Industry groups warn it will add up.

        “If someone’s even on the cusp of food insecurity and they’re looking at $1,000 more a year, that’s pushing them over the food cliff,” said Nate Rose, a spokesperson for the California Grocers Association.

        The Teamsters, which backed the plastics law hoping it would boost jobs, now worry the fees could affect workers too.

        The law “has been morphed into something that is going to cost California consumers a substantial amount of money at a time when I don’t know if we need to spend thousands more on groceries,” said Gusman, the Teamsters lobbyist. “That also has an impact on the workforce.”