The Brief

Coachella is the spring break of the music world: a pair of long weekends in the California desert, featuring over 100 acts across eight stages spanning too many genres to count, from vintage groups mounting reunions to the biggest pop stars on the planet to rising talents with viral hits. Nearly the entire event is streamed live via YouTube, starting Friday afternoon, which makes the prospect of catching more acts easier — you don't have to sprint across the grounds of Indio's Empire Polo Club to make it from one set to the next. But even if you're watching from home, the prospect of mapping your route through the weekend in order to catch the greatest possible collection of live experiences can be overwhelming.

To help, three members of NPR Music's team have sifted through the lineup to identify a day-by-day guide. Below, you'll find must-see acts and recommendations to ensure you catch the artists you should prioritize when set times conflict. (Note: All set times listed below are Pacific.)

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Matt Winkelmeyer

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FRIDAY

Plan by Dora Levite

Must see:
"Young millionaire, man, I feel like Weezy," says fakemink on his recent EP The Boy who cried Terrified ., a ramp-up to his upcoming album. The 20-year-old London prince of SoundCloud rap has racked up enough well-deserved hype through a steady stream of excellent hyperpop singles and star-studded cosigns (SZA, Drake, Frank Ocean, Ecco2K) to sustain a massive North American tour bookended by Coachella on one side and Lollapalooza on the other.

Naturally, fakemink's hype has sparked a slew of online discourse, which has seemingly had the effect of splitting his fan base in two: day-one devotees who insist the rest of the world is late, and new appreciators who feel their precious attention is what brought him to the global sphere. Regardless of where you fall, this is the must-see set of the day — a chance to hear some of his very best music and to figure out, if you even care, where you stand in his fandom.

Day plan:
The best way to prepare yourself for a day at a music festival is to establish your stage loyalties early. Start with Doom Dave's DJ set at 1 p.m. at the Sonora stage, then release all your pent-up festival anxiety with a cathartic scream when Las Vegas screamo band Febuary takes over.

At 2:10 p.m., I'd watch the Cahuilla Bird Singers and Dancers at the Gobi tent, a Coachella staple for the past few years. At 2:50 p.m., the pop star of the hour, Slayyyter, comes on for her first show with a live band since her excellent new album WOR$T GIRL IN AMERICA. Head back to the Sonora stage at 3:40 p.m. to catch the majority of Wednesday's set — the North Carolina band released one of the greatest rock albums of 2025 and is a guaranteed stellar live show.

After that, things get complicated. Start with Lykke Li on the Outdoor Theatre stage at 5:20 p.m.; last time she played Coachella in 2015, she was a festival highlight, and now with new music on the horizon, she's likely to feed the nostalgia the festival loves and bring some more sparkling pop. Head over to Mojave no later than 5:50 to hopefully see Central Cee close out his set with "Sprinter" (cross your fingers for a Dave cameo). Before Dijon starts at the Outdoor Theatre at 6:40 p.m., you'll have time to see the first bit of CMAT, a fresh face in country-tinged theatrical pop, on the Gobi stage.

Next, of course, is fakemink — the buzziest name of the day. 7:20 p.m. on the Gobi stage.

From there it all falls into place: Turnstile (8:05 p.m., Outdoor Theatre, bound to be a great energy boost), Sabrina Carpenter (9:05 p.m., Main stage, every person should see "Manchild" live once in their life), Ethel Cain (10:35 p.m., Mojave tent, the Coachella haunting experience), and finish the night with Blood Orange (11:55 p.m., Mojave — maybe recent collaborator Brendan Yates of Turnstile will skip over from the Outdoor Theatre to join the fun).

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Frazer Harrison

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SATURDAY

Plan by Sheldon Pearce

Must see: 
There is something thrilling about watching Alex G strap on an accordion mid-song for "June Guitar," from last year's Headlights, during a gig, and that alone might be worth the price of a Coachella ticket. (OK, probably not, but definitely worth seeing on a livestream for free.) The only thing preventing the DIY king turned major-label convert from being the can't-miss performance of Saturday is a last-minute addition: 2025 Rock Hall inductee Jack White, who joins the first weekend as a surprise set at the Mojave tent. He likely won't play "Seven Nation Army" — so what. You don't even really have to like his last few albums to appreciate him live. It's the one forum where his finicky guitar ways always pay off big — he will grab three to four axes, rotate through them across the set, and shred like he's playing to scrape together bus fare out of Indio.

Day plan:
To get the best Saturday experience, start your stream at 2:40 p.m. with the first 20 minutes of Blondshell's set at the Outdoor Theatre before flipping over to catch Jack White in the Mojave tent.

Stretch your legs, grab a bite, walk the dog, then tap in for Ecca Vandal, a South African-born, Melbourne-raised punk-rock rapper who plays the Sonora stage at 4:20 p.m. Hit Alex G (5:10 p.m., Outdoor stage) and the gripping (and polarizing) band Geese (6:15 p.m., Gobi) back to back.

You can opt in or out of best new artist Grammy shortlister Sombr's 7:05 p.m. set at the Outdoor theatre — maybe you want to see what all the hype is about or maybe you need to step away from the screen for a spell — before embracing the exuberant Afropop pioneer Davido (7:50 p.m., Gobi).

In the first major conflict of the day, catch PinkPantheress at 8:55 p.m. in the Mojave tent instead of The Strokes over on the main stage; sure, she's nostalgic for the era the band got famous in, but her time is now, post-Fancy That? and her Alysa Liu cosign. If you're really yearning for post-punk revivalists from NYC's aughts indie scene, have no fear: Interpol is on at Mojave right after. Then stay up late for whatever Swag hijinks Saturday headliner Justin Bieber has planned for the main stage.

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Matt Winkelmeyer

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SUNDAY

Plan by Anamaria Sayre

Must see: 

My friends: Little Simz. This something-for-everyone artist who retains her own unmistakable flair has graced the desert stage before, appearing in tiny print on the 2019 poster and making a guest appearance with Gorillaz in 2023. On Sunday, the U.K. rapper is back with space to release the full Simz flow on a much larger stage.

Simz has always had a gift for taking a live opportunity to hit you over the head with her rapid-fire flow. She unleashes venom with impressive control and is always certain to mix equal parts slam and R&B. In this late afternoon solo slot, she could have an opportunity to fill out her set with a tight live band or maybe sneak in some strings, all the better to represent a sound that gets bigger and brighter with each new record.

Day plan:

The desert is a marathon, not a sprint. You've made it to Sunday (whether on the ground or virtual) so you're well-versed in pacing. We have to start out slow and maybe a little sad, so first stop is Samia (playing the Mojave tent at 3:15 p.m.), leading directly into Little Simz on the same stage.

From there, keep the energy up by hopping over to Clipse (5:15 p.m., Outdoor Theatre) for what's sure to be a performance as gripping as their off-kilter beats. Do a quick flip halfway through to make it over to the Sonora stage by 5:50 p.m. for the last half of Los Retros. It's sure to be sonic whiplash, given that these young romantic crooners bring living room vibes, but it's worth the sprint, and anyway, by this point in the weekend you're a pro at juggling disparate sounds. When that's over, if you wanna lean into the mood shifts and go for one more heart-rate spike via hardcore cleanse, you can just make the last 15 minutes of Suicidal Tendencies back at the Mojave tent.

Take a little breather, get some sustenance, and hop back to it for some straight-from-Norway dance floor flair with Röyksopp. If you're watching the live stream, you may have to skip the Norwegian gathering (Yuma stage isn't currently included on the YouTube schedule) and trade it for a bumping party closer to home — Georgia-bred rapper Young Thug on the main stage.

Now we're sprinting to the finish: You'll split time at a pair of worthwhile overlapping sets by starting with avant-garde English singer FKA twigs (innovation is twigs' most tried and true mode of being, so there's certain to be something we've never seen before), and (if you can tear yourself away before the end) moving on to catch the end of Chicago's own French Police. Close out the night on the main stage, starting at 9:55 p.m. with the first Latina to ever headline Coachella, la bichota herself, Karol G.

Copyright 2026 NPR

Artist Betye Saar, whose work reflects Black identity, culture and spirituality, died Sunday morning in Los Angeles at 99.

Saar’s death was confirmed Monday by relatives. She would have turned 100 this week.

A central figure of the 1960s Black Art Movement, Saar pioneered assemblage boxes, or sculptures made of found objects, and reclaimed Jim Crow-era memorabilia as powerful totems of Black liberation.

“Her symbolically rich body of work has evolved over time to demonstrate the environmental, cultural, political, racial, technological, economic and historical context in which it exists,” according to Roberts Projects, the Los Angeles gallery that represents her.

Saar began her career in design and shifted to art at age 35. She continued to make art into her 90s. She grew up in Pasadena and was part of a community of Black artists in nearby Altadena; she often cited Simon Rodia’s Watts Towers as an early source of inspiration.

Saar’s practice incorporated painting, printmaking, sculpture and found objects including dolls, washboards and other antiques. Boats, clocks, cages and altars recur in her practice, as well as symbols of the occult and cosmology. She often referenced her astrological sign of Leo in the form of lions, punctuating many works.

“Her appropriation of Black collectibles, heirlooms and utilitarian objects are transformed through subversion,” the gallery said. “Among the older generation of Black American artists, Saar is without reproach.”

Made in 1969, “Black Girl’s Window,” was groundbreaking. Still, it wasn’t widely celebrated until decades later, and it was acquired by the Museum of Modern Art in New York in 2019.

“There weren’t that many galleries in Los Angeles at the time and there certainly weren’t any for Black artists,” she once said in an interview.

“The Liberation of Aunt Jemima,” created in 1972, is one of her most important works. It features memorabilia she collected that denigrated Black people, included a “mammy,” or 19th century minstrel character who smiled while serving white slave owners.

In Saar’s hands though, the figure is reclaimed: She smiles, but holds a rifle and has a hand grenade.

It came in response to the 1968 assassination of the Rev. Martin Luther King Jr. in Memphis, Tennessee. Saar said King’s death “triggered a rage within me, and the mystic transformed into the warrior.”

“I had a lot of hesitation about using powerful, negative images such as these — thinking about how white people saw Black people, and how that influenced the ways in which Black people saw each other,” Saar said. “What saved it was that I made Aunt Jemima into a revolutionary figure.”

After more than 130 years, Quaker Oats announced it would retire its Aunt Jemima brand in 2020, acknowledging the logo and its origins were “based on a racial stereotype.”

Saar taught and mentored generations of Black artists, including painter Kerry James Marshall.

Though Saar’s work was exhibited in a 1975 solo show at the Whitney Museum of American Art, in the decades that followed large institutions have exhibited her work only sporadically. In 2019 though, the Los Angeles County Museum of Art and MoMA mounted concurrent solo shows.

In spring 2026, Saar was inducted into the American Academy of Arts and Letters.

“She had boundless energy for making art. I think she had a lot to say and was tired of the art world being dominated by white males,” said Angela Robinson Witherspoon, who produced and directed a documentary in 2023 on Saar’s life. “Betye Saar: Ready to Be A Warrior” features interviews with John Legend, Tina Knowles and other prominent voices.

“She was raising her three young daughters and she wanted to be part of the Civil Rights Movement,” Robinson Witherspoon said.

“Let’s Get It On: The Wearable Art of Betye Saar,” which focuses on costume design, is currently on view at Roberts Projects in Los Angeles, and there are 26 of an eventual 100 dolls on view at The New York Historical in Manhattan.

Associated Press writer Anna Furman contributed reporting from Los Angeles.

International students in Southern California say new visa time limits imposed by the Trump administration don’t square with the realities of trying to complete a degree in four years.

Under the new rules, there is now a limit to how long international students can remain in the country, as opposed to remaining in the U.S. for as long as it took to complete their degree program.

Department of Homeland Security Markwayne Mullin said in a statement that the previous rules allowed thousands to become “forever students” by perpetually enrolling in courses to avoid departure. LAist has reached out to the department about how many of these students are in Southern California.

California State University spokesperson Amy Bentley-Smith said international students from over 160 countries “add to the rich diversity, voices, and perspectives that enrich our campuses.”

Rachel Zaentz, senior director of strategic and critical communications at the University of California Office of the President, told LAist in a statement that the new policy “significantly changes the way international students have studied in the U.S. for decades.”

“The prior Duration of Status rule provided international students and scholars with the time needed to complete their studies, conduct research, teach, train and work, provided they maintained their nonimmigrant status, in support of the country’s global competitiveness and innovation economy,” she added.

Studies have also shown that international students help boost colleges’ financial footing since they aren’t eligible for aid.

In a letter to DHS , the UC Office of the President said international students contributed $6.4 billion to California’s economy during the 2023-24 academic year and supported more than 55,000 jobs.

Katherine S. Newman, UC System Provost and executive vice president for academic affairs, wrote that the then-proposed visa limits would deter international students from pursuing doctoral programs in the U.S. and instead turn to countries like China, which has been heavily investing in doctoral programs.

Additionally, the letter highlights how students take varying times to complete their degrees. The new changes set limits to four years for visas with an option to apply for extensions. But Newman wrote that the graduation rate for almost 90% of incoming freshmen is six years.

Adding to worries 

Reva Kaneri, a graduate student from India pursuing a degree in data science from the University of California, San Diego, said the new rules affects her mental health.

Reva Kaneri, a graduate student from India, is pursuing a degree in data science from the University of California, San Diego.

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“It adds a layer of uncertainty and pressure that international students already live with,” she said. “As someone who simply came here to pursue an education, build a career, and experience a new country, that uncertainty can be scary at times.”

The new visa limits, she said, reduces the flexibility international students had to find a job.

Kaneri took out a loan to pursue her degree so she wouldn’t be a financial burden on her parents.

“At one point, I genuinely thought I’d have to give up on my dream because every door seemed closed,” said Kaneri, who also worked on campus as a teaching assistant to help cover some of her tuition.

But, she said, it’s worth it.

“I honestly didn’t want to settle for average. I wanted to learn from some of the best people in the world. The U.S. has an incredible tech ecosystem, from Silicon Valley to Seattle and beyond, and many of the world’s leading technology companies are headquartered here,” Kaneri said. “I wanted the opportunity to work with talented people, network with founders and innovators, and absorb as much as I possibly could. For the goals I had, I felt there wasn’t a better place.”

For Rohit Nair, an international student from India pursuing a master’s degree in business analytics at USC, finding a job is not optional.

Rohit Nair is an international student from India pursuing a master’s degree in business analytics at USC.

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He took out a loan of around $87,000 to come to the U.S. to study. But if he doesn’t get a job in the U.S. after graduating, it would be impossible for him to pay it back in Indian rupees.

“ I would be in generational debt if I take that step,” he said.

The post LAUSD sets virtual meetings on the Lineage fire before students return to class appeared first on LA Local.

The Los Angeles Unified School District (LAUSD) is inviting parents and guardians to virtual meetings on its plans for the new school year following the Lineage Logistics warehouse fire in Boyle Heights.

District officials will update families on what to expect on the first day of school and answer questions about preparations for students returning to campus.

According to a district statement, LAUSD’s Office of Environmental Health and Safety will monitor air quality in and around school sites, “with additional testing planned before the first day of school.” To improve air quality inside classrooms, the district said it is adjusting airflow “to limit outdoor contaminants” and upgrading or replacing HVAC filtration systems where needed. (Read more about the schools LAUSD will be monitoring).

Several LAUSD schools sit near the warehouse, including Eastman Elementary and Stevenson College and Career Preparatory Middle School, both less than a mile from the fire site. With the new school year approaching, many parents have questions about how the fire cleanup may affect students’ return to campus.

Alma Lagunas, an East L.A. resident, said her sons, 10 and 17, would typically spend the summer playing soccer or basketball and riding their bikes in the neighborhood. But since the fire broke out June 17, the family has been isolated behind closed doors and windows. Going outside has meant smoke, unhealthy air and now, being hit with the worsening smell of rotting food. Lagunas worries about what will happen if the warehouse is not cleared by the time her 10-year-old starts fifth grade at Eastman.

The first day of classes for LAUSD is Aug. 12 — two days before the 45-day cleanup deadline set by L.A. Mayor Karen Bass. At a town hall meeting July 9, Lineage said it would do its best to meet the deadline, which the company acknowledged was “aggressive.”

Below are the meeting dates and information on how to join.

Meeting Details

All meetings will take place virtually at 6 p.m. and can be found at bit.ly/LAUSDBHUpdates2026.

Meeting dates:

• Wednesday, July 29, 2026
• Wednesday, Aug. 5, 2026
• Monday, Aug. 10, 2026

For more information and resources, visit https://east.lausd.org/apps/news/.

Boyle Heights Beat reporter Laura Anaya-Morga contributed to this story.

This story was originally published by CalMatters. Sign up for their newsletters.

A new California Supreme Court ruling on retirement pay for public employees centered on a small amount of money — just one week’s salary for a retired attorney — but it had the potential to be a much costlier decision for government agencies and taxpayers.

The question: How much accrued vacation time can retiring public employees cash out at the end of their careers in ways that boost their pensions? Former Democratic Gov. Jerry Brown took aim at that perk, among others, in his 2013 pension reform law, but it was unsettled in courts until now.

The California Supreme Court’s answer: Under Brown’s law, employees can count toward their pension formula whatever amount of vacation their contract allows them to cash out in a single calendar year.

That sounds simple, but some California government workers end their careers with two months or more worth of accrued vacation time — enough to cash out in increments over several years and increase their retirement pension by hundreds of dollars a month.

The case that reached the state Supreme Court turned on retired Ventura County Counsel Leroy Smith, who designated October 2019 to October 2020 as his final year of civil service and cashed out 240 hours of accrued time off over that period.

His contract allowed him to cash out only 200 hours a year and his pension plan, the Ventura County Employees’ Retirement System, would not count the extra 40 hours toward his retirement formula.

Smith and other retired Ventura County employees argued Brown’s law did not specify that the hours had to be in a single calendar year, and they should have been able to count leave cashed out over any 12-month period.

A state appeals court ruled against them two years ago. Two public safety unions appealed that decision, bringing the case to the high court. They argued that Brown’s pension law does not refer to a calendar year when it discusses cashouts.

“If the Legislature intended to restrict annual leave cashouts to a calendar year, it would have used the term “calendar year” instead of “each 12-month period,” attorneys for Ventura County attorneys and sheriff’s deputies wrote in a briefing to the court.

But the Supreme Court found otherwise, pointing to what justices described as the common meaning of a 12-month period and the broader context of what Brown and lawmakers were trying to accomplish when they passed the pension reform law.

At the time, California’s major pension funds were recovering from two successive blows — first the dot-com bust and then the Great Recession. The law Brown signed trimmed benefits, compelled employees to work longer to earn a full retirement and required them to kick in more money from their paychecks to fund their pensions.

The Supreme Court ruling conceded that Smith wanted just 40 additional hours to count toward his pension, but the justices noted that other employees could go much further if California allowed workers to “straddle” a calendar year with vacation cashouts. They could effectively double the pensionable cashout if they timed it correctly.

The justices wrote that it would be “perhaps not so inconceivable as to rank as absurd” to think the Legislature intended for that kind of pension boost in the pension reform law.

The new decision applies to workers and retirees enrolled in California’s county-run pension plans. They operate outside of the statewide pension funds, which are the California Public Employees’ Retirement System and the California State Teachers Retirement System.

A group of county pension funds wrote a brief to the court urging judges to limit pensionable cashouts to a single calendar rather than a movable 12-month period. They wrote it would be expensive for them to revise retiree benefits if the rules change.

“There is no reason to cause this confusion and undue burden to the (county retirement) systems,” they wrote.

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.