The Brief

Coachella is the spring break of the music world: a pair of long weekends in the California desert, featuring over 100 acts across eight stages spanning too many genres to count, from vintage groups mounting reunions to the biggest pop stars on the planet to rising talents with viral hits. Nearly the entire event is streamed live via YouTube, starting Friday afternoon, which makes the prospect of catching more acts easier — you don't have to sprint across the grounds of Indio's Empire Polo Club to make it from one set to the next. But even if you're watching from home, the prospect of mapping your route through the weekend in order to catch the greatest possible collection of live experiences can be overwhelming.

To help, three members of NPR Music's team have sifted through the lineup to identify a day-by-day guide. Below, you'll find must-see acts and recommendations to ensure you catch the artists you should prioritize when set times conflict. (Note: All set times listed below are Pacific.)

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FRIDAY

Plan by Dora Levite

Must see:
"Young millionaire, man, I feel like Weezy," says fakemink on his recent EP The Boy who cried Terrified ., a ramp-up to his upcoming album. The 20-year-old London prince of SoundCloud rap has racked up enough well-deserved hype through a steady stream of excellent hyperpop singles and star-studded cosigns (SZA, Drake, Frank Ocean, Ecco2K) to sustain a massive North American tour bookended by Coachella on one side and Lollapalooza on the other.

Naturally, fakemink's hype has sparked a slew of online discourse, which has seemingly had the effect of splitting his fan base in two: day-one devotees who insist the rest of the world is late, and new appreciators who feel their precious attention is what brought him to the global sphere. Regardless of where you fall, this is the must-see set of the day — a chance to hear some of his very best music and to figure out, if you even care, where you stand in his fandom.

Day plan:
The best way to prepare yourself for a day at a music festival is to establish your stage loyalties early. Start with Doom Dave's DJ set at 1 p.m. at the Sonora stage, then release all your pent-up festival anxiety with a cathartic scream when Las Vegas screamo band Febuary takes over.

At 2:10 p.m., I'd watch the Cahuilla Bird Singers and Dancers at the Gobi tent, a Coachella staple for the past few years. At 2:50 p.m., the pop star of the hour, Slayyyter, comes on for her first show with a live band since her excellent new album WOR$T GIRL IN AMERICA. Head back to the Sonora stage at 3:40 p.m. to catch the majority of Wednesday's set — the North Carolina band released one of the greatest rock albums of 2025 and is a guaranteed stellar live show.

After that, things get complicated. Start with Lykke Li on the Outdoor Theatre stage at 5:20 p.m.; last time she played Coachella in 2015, she was a festival highlight, and now with new music on the horizon, she's likely to feed the nostalgia the festival loves and bring some more sparkling pop. Head over to Mojave no later than 5:50 to hopefully see Central Cee close out his set with "Sprinter" (cross your fingers for a Dave cameo). Before Dijon starts at the Outdoor Theatre at 6:40 p.m., you'll have time to see the first bit of CMAT, a fresh face in country-tinged theatrical pop, on the Gobi stage.

Next, of course, is fakemink — the buzziest name of the day. 7:20 p.m. on the Gobi stage.

From there it all falls into place: Turnstile (8:05 p.m., Outdoor Theatre, bound to be a great energy boost), Sabrina Carpenter (9:05 p.m., Main stage, every person should see "Manchild" live once in their life), Ethel Cain (10:35 p.m., Mojave tent, the Coachella haunting experience), and finish the night with Blood Orange (11:55 p.m., Mojave — maybe recent collaborator Brendan Yates of Turnstile will skip over from the Outdoor Theatre to join the fun).

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Frazer Harrison

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SATURDAY

Plan by Sheldon Pearce

Must see: 
There is something thrilling about watching Alex G strap on an accordion mid-song for "June Guitar," from last year's Headlights, during a gig, and that alone might be worth the price of a Coachella ticket. (OK, probably not, but definitely worth seeing on a livestream for free.) The only thing preventing the DIY king turned major-label convert from being the can't-miss performance of Saturday is a last-minute addition: 2025 Rock Hall inductee Jack White, who joins the first weekend as a surprise set at the Mojave tent. He likely won't play "Seven Nation Army" — so what. You don't even really have to like his last few albums to appreciate him live. It's the one forum where his finicky guitar ways always pay off big — he will grab three to four axes, rotate through them across the set, and shred like he's playing to scrape together bus fare out of Indio.

Day plan:
To get the best Saturday experience, start your stream at 2:40 p.m. with the first 20 minutes of Blondshell's set at the Outdoor Theatre before flipping over to catch Jack White in the Mojave tent.

Stretch your legs, grab a bite, walk the dog, then tap in for Ecca Vandal, a South African-born, Melbourne-raised punk-rock rapper who plays the Sonora stage at 4:20 p.m. Hit Alex G (5:10 p.m., Outdoor stage) and the gripping (and polarizing) band Geese (6:15 p.m., Gobi) back to back.

You can opt in or out of best new artist Grammy shortlister Sombr's 7:05 p.m. set at the Outdoor theatre — maybe you want to see what all the hype is about or maybe you need to step away from the screen for a spell — before embracing the exuberant Afropop pioneer Davido (7:50 p.m., Gobi).

In the first major conflict of the day, catch PinkPantheress at 8:55 p.m. in the Mojave tent instead of The Strokes over on the main stage; sure, she's nostalgic for the era the band got famous in, but her time is now, post-Fancy That? and her Alysa Liu cosign. If you're really yearning for post-punk revivalists from NYC's aughts indie scene, have no fear: Interpol is on at Mojave right after. Then stay up late for whatever Swag hijinks Saturday headliner Justin Bieber has planned for the main stage.

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Matt Winkelmeyer

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SUNDAY

Plan by Anamaria Sayre

Must see: 

My friends: Little Simz. This something-for-everyone artist who retains her own unmistakable flair has graced the desert stage before, appearing in tiny print on the 2019 poster and making a guest appearance with Gorillaz in 2023. On Sunday, the U.K. rapper is back with space to release the full Simz flow on a much larger stage.

Simz has always had a gift for taking a live opportunity to hit you over the head with her rapid-fire flow. She unleashes venom with impressive control and is always certain to mix equal parts slam and R&B. In this late afternoon solo slot, she could have an opportunity to fill out her set with a tight live band or maybe sneak in some strings, all the better to represent a sound that gets bigger and brighter with each new record.

Day plan:

The desert is a marathon, not a sprint. You've made it to Sunday (whether on the ground or virtual) so you're well-versed in pacing. We have to start out slow and maybe a little sad, so first stop is Samia (playing the Mojave tent at 3:15 p.m.), leading directly into Little Simz on the same stage.

From there, keep the energy up by hopping over to Clipse (5:15 p.m., Outdoor Theatre) for what's sure to be a performance as gripping as their off-kilter beats. Do a quick flip halfway through to make it over to the Sonora stage by 5:50 p.m. for the last half of Los Retros. It's sure to be sonic whiplash, given that these young romantic crooners bring living room vibes, but it's worth the sprint, and anyway, by this point in the weekend you're a pro at juggling disparate sounds. When that's over, if you wanna lean into the mood shifts and go for one more heart-rate spike via hardcore cleanse, you can just make the last 15 minutes of Suicidal Tendencies back at the Mojave tent.

Take a little breather, get some sustenance, and hop back to it for some straight-from-Norway dance floor flair with Röyksopp. If you're watching the live stream, you may have to skip the Norwegian gathering (Yuma stage isn't currently included on the YouTube schedule) and trade it for a bumping party closer to home — Georgia-bred rapper Young Thug on the main stage.

Now we're sprinting to the finish: You'll split time at a pair of worthwhile overlapping sets by starting with avant-garde English singer FKA twigs (innovation is twigs' most tried and true mode of being, so there's certain to be something we've never seen before), and (if you can tear yourself away before the end) moving on to catch the end of Chicago's own French Police. Close out the night on the main stage, starting at 9:55 p.m. with the first Latina to ever headline Coachella, la bichota herself, Karol G.

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Angelenos looking up Saturday may have noticed a particularly striking sight — a vibrant sunset framed by clouds.

Tropical moisture coming in from far off the coast could explain it.

“One thing that might have played a role in making it look awfully nice yesterday was those high clouds that were moving in,” Robert Munroe, meteorologist with the National Weather Service, said. “The way the sun was hitting the high clouds made some bright yellows and oranges in the sky. That moisture is actually related to probably mostly Odalys.”

An early sunset at yesterday's "Be The Light" 5K event in Valencia last night.

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Jenn Baughman

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Jenn Baughman

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Odalys is the hurricane (since downgraded to a tropical storm) churning off the coast of Mexico, along with Hurricane Polo.

Neither is expected to make landfall here, but they're forecast to bring high surf, dangerous rip tides and potential flooding to coastlines already battered this month by Hurricane Marie.

The bright side is Munroe said those high clouds from yesterday will be sticking around through at least today, which could make for another pretty sunset this evening.

An earthquake with a magnitude of 3.6 struck off the South Bay at about 8:40 a.m. and was reported as being felt as far as Oxnard.

The U.S. Geological Survey says it was centered about four miles west-southwest of Hermosa Beach. More than 1,500 people reported feeling it within the first hour after it struck. [You can report what you felt to the USGS.]

No significant damage has been reported, which is typical at this low of a magnitude.

The quake was below the threshold of 4.0 magnitude that triggers an alert on the ShakeAlert app.

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Courtesy ShakeAlert

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We have earthquake resources

We don't want to scare you, but the Big One is coming. We don't know when, but we know it'll be at least 44 times stronger than Northridge and 11 times stronger than the Ridgecrest quakes in 2019. To help you get prepared, we've compiled a handy reading list:

• Your guide to surviving the Big One
• For earthquakes, forget the 'go-bag.' Here's how to prepare
• How to not get life-threatening diarrhea after a major earthquake
• 10 earthquake-related questions to ask your landlord immediately
• How to prepare for an earthquake if you have a disability

Listen to our podcast

On a Sunday night at the Mexican restaurant La Popular in Claremont, diners are eating to a soundtrack that starts with cumbia and jumps to J Balvin and Bad Bunny before landing on Luther Vandross.

That’s the aim of DJ collective Compás Discoteca — to bring connection and community through live vinyl mixing at La Popular and El Balcon in Ontario.

How Compás Discoteca was born 

Ricardo Carlos, Elias Ruiz, Albert Piña and Adrian Silva have been friends for about two decades. They all DJ as a hobby and often share music. On a night out in 2024, they saw a sign: a parking space for a “compact car,” minus two letters.

“The C and T are missing — compá. Like, ‘We're compás,’” Carlos said, recounting that night.

A "Compás Discoteca" turntable mat.

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Their DJ collective, Compás Discoteca, was born. “Compás” means “buddies” in Spanish and “Discoteca” means “nightclub."

Seasoning the scene

When Compás Discoteca first formed, the members said Southern California’s vinyl-listening scene was more focused on track selection, letting songs play out in full. The collective wanted to bring more life to the experience by mixing music live.

“It just seemed a little stale,” Silva said. “I feel like we helped to bring some seasoning to that.”

They also wanted to play genres people wouldn’t normally hear together.

“You might hear us jump from funk to cumbia to hip-hop to disco, soul to house. We're just trying to take people on a journey with us,” Silva said.

Each compá takes their turn at the turntables for two 30-minute sets. And each brings their own sound.

Three of the "compás" pose for a picture in between their sets.

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Silva is the “party-starter.” He gets people dancing.

Carlos has a Latin bent, taking influence from his Puerto Rican, Salvadoran and Creole roots.

Ruiz lives for “jaw-drop moments” and brings records he thinks will surprise his fellow DJs.

Piña spins rare world grooves in the funk and boogie vein.

“He probably gets the most Shazams from us and from the audience,” Ruiz said of Piña. “But most importantly, you feel like you're hanging out and with some good music.”

Albert Piña prepares looks through a box of vinyl records during his DJ set at "La Popular" in Claremont.

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Feeding off the energy

Compás Discoteca DJs at El Balcon in Ontario on the first Friday of each month and at La Popular in Claremont on the third Sunday.

The vibes for Sundays are chill, they said, and Fridays are for letting it all loose.

“There's like an energy there, like, ‘Oh, man, we made it through the week.’ We try to feed off of that,” Piña said.

Along Highway 62 in Joshua Tree, a stack of high school lockers holds something the High Desert was missing: a real New York-style bagel.

For that, you have DIY baker Richard Lee to thank.

“I want a bagel. What do I do?” Lee remembered thinking after moving to Twentynine Palms in 2023 from Los Angeles, where he had lived for more than a decade.

The Bagel Portal off Highway 62 in Joshua Tree.

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It wasn’t just any bagel the born-and-raised New Yorker was craving, but the kind from back home that gives “a little crunch” when you bite into its crust — with a “chewy, softer” inside and a taste Lee calls “ineffable.”

“Like maybe a sourdough or an Italian bread,” he said.

Taught by YouTube, tested by family in New York

Richard Lee converted his garage in 29 Palms to make bagels.

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A tinkerer by nature, Lee launched 29 Loaves in early 2024, bringing bagels he handcrafts in his licensed home operation to Twentynine Palms, Joshua Tree and surrounding communities.

“I went to the culinary school of YouTube,” he said, having watched more than 100 videos on how to make a bagel. At first, he relied on his own taste buds as a guide, before sending his creations to his family in New York to taste.

After months of overnight shipping, Lee said, “Even a UPS store is asking me, ‘Why are you doing that?’”

“I know it makes no sense,” he told them. “That's how I operate.”

29 Loaves serves up New York-style bagels to Joshua Tree and other desert communities.

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Eventually, his sister gave the thumbs-up. To be extra, extra, extra sure, Lee went to folks living in the desert with New York ties to get their blessing.

“Attention is an ingredient,” Lee said of his bagels. It’s a philosophy he’s honed while running his other business providing IT services, which he now operates remotely.

“Garbage in, garbage out,” he said. “If you make a mistake or something falls on the bagel and marks it, it’ll end up that way as a finished product.”

Why bagels mean so much to him

Lee, whose father is Korean and mother is Brazilian, said his bakery is ultimately about food memories — and draws inspiration from what he ate growing up. The only other baked good 29 Loaves sells is pão de queijo, a gluten-free Brazilian cheese puff he makes.

Richard Lee handmakes New York-style bagels at his home operation.

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Courtesy 29 Loaves

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But nothing rivals bagels. Sundays were often bagel days in his childhood home in the Long Island suburbs. As a teenager working for his father, Lee remembered they would make detours off the Long Island Expressway to grab fresh bagels.

“They were nice and plump, and they were so hot,” he said.

Father and son would eat them straight out of the bag — no cream cheese, no nothing.

“Those were the types of memories that I wanna bring here,” Lee said.