The Brief

Ahem. Please indulge this minor rant: I’m over this whole “location upon RSVP” trend with L.A. events. I’m not paying to go to something, only to find out it’s all the way on the other side of town at 7 p.m. on a Thursday — and I wouldn’t want you to have to do that either! Event organizers, I want to hear from you. Are things really getting that popular that you’re hesitant to share a location? Can we at least designate “Westside” or “Eastside” or “Orange County”? Is there an underground scene I’m not cool enough to know about that folks are afraid of outing? OK, rant over.

In more important issues, Saturday is the next No Kings Day protest, so please be safe if you’re heading out to any of the many rallies being organized all across L.A. and Orange County.

Music-wise, if you were lucky enough to snag a ticket to Sir Paul McCartney himself at the Fonda on Friday or Saturday, count me as jealous. Beyond that, Lyndsey Parker at Licorice Pizza recommends former Smiths guitarist Johnny Marr at the Lodge Room and Nick Lowe at the Bellwether on Friday. Saturday, the Freestyle Explosion is at YouTube Theater, with Exposé, Lisa Lisa, Pretty Poison and more. Also on Saturday, the first-ever darkwave festival, Los Darks, has an amazing lineup at Santa Ana Stadium with Caifanes, Johnny Marr, Twin Tribes, The Adicts, London After Midnight and Mareux. Finally, Mariah the Scientist plays Saturday and Sunday at the Palladium.

Elsewhere on LAist, you can get the latest on Metro’s K Line plans and get a sneak peek at the designs for LA28.

Events

Dodgers Opening Weekend vs. Diamondbacks

Thursday, March 26 to Saturday, March 28
Dodger Stadium
1000 Vin Scully Ave., Elysian Park
COST: FROM $85; MORE INFO 

Shohei Ohtani and the Dodgers are looking for a three-peat.

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Ronald Martinez

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We made it to another baseball season! The Dodgers are at it again for what will maybe be a three-peat World Series season (we can dream). Head out to see Shohei Ohtani and the rest of the squad take on the Arizona Diamondbacks in their first home games of the year, or watch the games on the big screen at one of the many baseball bars around town.

Cole’s French Dip Closing Weekend Extravaganza

Saturday and Sunday, March 28 to 29 
Cole’s French Dip 
118 E. 6th St., Downtown L.A. 
COST: VARIES; MORE INFO 

Say it ain’t so! While downtown icon Cole’s French Dip has been threatening to close for a while now, this weekend is the last weekend that the 118-year-old establishment will be open. For real. Get your last orders in and celebrate the end of an era with other local chefs inspired by Cole’s, including special “dips” from Jitlada, Found Oyster, Little Fatty’s, Bay Cities and more. Proceeds will go to the Independent Hospitality Coalition in support of their efforts to save L.A.'s independent operators.

Women Who Create

Saturday, March 28, 10 a.m. to 2 p.m. 
Runway Playa Vista 
12775 W. Millennium Drive, Playa Vista
COST: FREE; MORE INFO 

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Courtesy Runway Playa Vista

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Wrap up Women’s History Month by supporting local women makers, creatives and small businesses. Runway Playa Vista is hosting this artisan market, which also includes mahjong lessons, live music and an “interactive junk journaling table.”

California Native Plant Festival

Saturday, March 28, 10 a.m. to 3 p.m. 
California Botanic Garden 
1500 N. College Ave., Claremont
COST: FREE; MORE INFO 

Get to know our native flora at the second annual California Native Plant Festival at the California Botanic Garden in Claremont. Featuring workshops on native plant gardening, talks and tours on ecology and plant restoration, family-friendly crafting, and live music, the day is a great way to explore the garden (for free!) and learn more about improving your corner of the ecosystem.

Green-House record release concert 

Sunday, March 29, 8 p.m. to 10 p.m. 
Geoponika Greenhouse
3209 Fletcher Drive, Glassell Park 
COST: FROM $22; MORE INFO

Continue your plant-focused weekend with a visit to the Geoponika Greenhouse, where the (aptly named) band Green-House will be playing a record-release concert for their new album, Hinterlands. Their ethereal sounds follow a walk through “a labyrinth of rare and exotic cacti” alongside “visuals made by Michael Flanagan and the office axolotl.”

Mail-Art Making inspired by Raymond Saunders

Saturday, March 28, 12 p.m. to 4 p.m.
David Zwirner Gallery 
616 N. Western Ave., Melrose Hill 
COST: FREE; MORE INFO

Oakland-based artist Raymond Saunders marked his time in Los Angeles by collecting mementos and found objects. David Zwirner Gallery is currently showing his work (Notes from L.A. is on view through April 25) and hosting a special crafting activity in the gallery’s gorgeous garden. You can make your own “mail-art” with collage items and send postcards to friends and family. Plus, there will be matcha from neighborhood favorite Rocky's Matcha.

Cento Pasta Bar x Bravo Toast

Friday and Saturday, March 27 to 28, 5 p.m. to 10 p.m.
Bravo Toast
632 1/2 N. Doheny Drive, West Hollywood
COST: VARIES; MORE INFO

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Max Shuster

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Cento Pasta Bar

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West Adams favorite Cento Pasta Bar is popping up at Bravo Toast on Doheny, bringing cult-favorite pastas to West Hollywood. Try the acclaimed beet pasta or spicy pomodoro with basil oil.

Octavia Butler Science Fiction Festival 

Friday, March 27, 3 p.m. to 6 p.m.
OEB Magnet Academy 
1505 N. Marengo Ave., Pasadena
COST: FREE; MORE INFO

Go on interplanetary adventures at the Octavia Butler Science Fiction Festival — from stargazing in an inflatable planetarium to upcycling a space-themed costume for the costume contest to earning free books by completing “missions.” This kid-focused event honors local Pasadena author Octavia Butler and aims to inspire the next generation of explorers.

The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

The Academy added that its rules and eligibility standards have always evolved alongside technologies such as sound, color, and CGI, and that AI is no different. Awards rules and guidelines are reviewed and refined each year.

A blow for Tilly Norwood 

Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

Particle6, the production company behind Norwood, did not immediately respond to NPR's request for comment on Saturday about its creations' ban from consideration. In March, Norwood commented, "Can't wait to go to the Oscars!" in an Instagram post announcing its newly released music video.

The Academy also requires screenplays to be "human-authored" and said it reserved the right to investigate the use of generative AI in any submission.

Meanwhile, qualifying flesh-and-blood human actors can now be nominated for multiple performances in the same category if those performances get enough votes to land in the top five. So, someone like Anne Hathaway, who has five major movies scheduled for release in 2026, could now theoretically sweep the nominations – though that outcome seems extremely unlikely.

"If an actor has an extremely prolific year, might we even see someone swallow up three of the five nominations?," wrote Deadline's awards columnist and chief film critic Pete Hammond about the changes. "Probably won't happen, but it's now possible."

Under previous rules, an actor could only receive one nomination per category. If they had two high-ranking performances in Best Actor, for example, only the one with the most votes would move forward.

International films prioritizes filmmakers over countries

While international films can still be the official selection of their countries, now they can qualify by winning the top prize at a major international festival such as the Palme d'Or at Cannes, the Golden Lion at Venice, or the World Cinema Grand Jury Prize at Sundance.

Historically, countries "owned" the nomination, and only one film per country was allowed. The new rules allow multiple films from the same country to compete if they are critically acclaimed, and it shifts the honor from a geopolitical entity to the filmmakers themselves.

Largely positive response

The changes have prompted a largely positive reaction from the film community on social media, such as on the popular The Shade Room entertainment and celebrity-focused Instagram feed, where commenters widely praised the "human-only" move to protect creative jobs.

The Academy's Awards Committee oversees the rules in tandem with branch executive committees, the International Feature Film Executive Committee and the Scientific and Technical Awards Executive Committee.

The rules are scheduled to go into effect next year, covering films released in 2026.

Copyright 2026 NPR

Los Angeles changes fast, and oftentimes that means some of the architectural relics of our shared past get swept up and paved over in all the "progress." (RIP Garden of Allah.)

But there are still places where you can find ruins that tell a tale, like a long-forgotten speakeasy reputedly for old Hollywood near La Crescenta.

The ruins are still there 

On a recent afternoon, author and local historian Mike Lawler led me just beyond the boundary of Crescenta Valley Park. Joggers like me might have seen an old, towering stone arch shrouded by bushes there — and wondered what lies beyond.

Turns out there was once a place called the Verdugo Lodge back there and Lawler has spent years excavating its history.

A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.

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Kadletz Family Archives)

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“It was a very high-end speakeasy for a time,” Lawler, who also helps run the Historical Society of the Crescenta Valley, said. “An amazing thing. And all the ruins are still here, just like this arch.”

Lawler said we don’t know exactly when the lodge was built, but we do have some of the picture starting in the late 1920s. The place was set up kind of like a timeshare where people bought 10 x 10 foot ‘tent lots’ that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool — and a lodge with gambling and alcohol.

“The Crescenta Valley in the teens and '20s was a hotbed of moonshine, prostitution, all that stuff," Lawler said. "It was a quiet little community. But in all these canyons up here, stuff was going on. Illegal stuff!”

We don’t have a full guest list, but Lawler said it’s likely at least a few Hollywood types had gone up to the lodge to circumvent Prohibition era laws.

In some ways, it was kind of like the original glamping. Lawler said patrons probably weren’t doing much sleeping, though.

“They might have been unconscious!” he said with a chuckle.

Lawler led me to a road that swooped around a meadow. We passed by a massive swimming pool nestled into the hillside.

Once known as the “Crystal Pool,” it’s now empty and fenced off, with pitch black locker rooms below.

The exterior of the locker rooms for the old Crystal Pool.

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We continued our journey up the hill and eventually arrived at a cascading stone stairway.

And at the top, the big show: overgrown with orange monkey flowers and goliath agaves lies the foundation of the old Verdugo Lodge, with lofty stone fireplaces the only guardians keeping the surrounding oak trees at bay.

Lawler takes out a floorplan that one of the former owners drew up for him.

“This is what it was laid out like on the inside. So a dancehall, and band stand on that side... And then upstairs was the gambling,” Lawler said.

Lawler had in hand a copy of a Los Angeles Times article from 1933 he found. The headline reads: “Revelers Flee in Lodge Raid.”

“The police that raided it were here at 3 o'clock in the morning. And there were still 500 people here. And they said it was the classiest joint they had ever raided... Anyway, people were diving out of windows and everything,” Lawler explained.

In a ruin like this, covered with moss and overgrowth, the imagination can run wild, too.

The archway that still stands outside of what's now known as Mountain Oaks.

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Lawler pointed out a questionable door jam below the old dancefloor that’s been cemented over.

“That is a door. So what is behind there? So there’s a room in there that got walled in for some reason,” he said.

What we do know is that, sometime after the raid, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

The future of Mountain Oaks 

After they sold it in the ‘60s, Lawler said Mountain Oaks faced a “nightmare” of development threats. Over the years, some of the subdivided "tent lots" had been combined and sold off, Lawler said. A dozen private homes now stand on these pieces of land, next to the ruins of the Verdugo Lodge.

A map showing the Mountain Oaks public property acquired by The Mountains Recreation and Conservation Authority (MRCA).

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Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant among other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

Paul Edelman, MRCA's director of natural resources and planning, said his group will continue to manage the land, doing things like brush clearance, trash pickup and sign maintenance. And he said there are no current plans to remove the ruins or make any major changes to the property.

“If somebody comes up with a grand idea where they can find some funding for us to do something to enhance it, we’re always open to it,” Edelman said.

The purchase was good news for local preservationist Joanna Linkchorst.

“I grew up directly up the hill. But I always saw the sign that said ‘private property’ and didn’t really think about it until several years ago when I finally asked Mike. And he said, ‘Oh yeah, we got a resort speakeasy down the street,’” Linkchorst said standing among the oaks and overgrowth.

Linkchorst, who founded the group Friends of Rockhaven to preserve another nearby historic site, said it’s been amazing to see all of the decaying structures that were still hiding out at Mountain Oaks.

“There’s almost like these little ghosts in your head as you imagine what it was like when there was a beautiful wood floor and there was a second floor that people came jumping out of,” Linkchorst said.

Now, let’s check in to the Overlook Hotel.

That’s the fictional place Stanley Kubrick brought to life in his 1980 film The Shining, loosely based on Stephen King’s novel of the same name.

A local architect who hails from South Pasadena meticulously crafted a 3D model of the iconic space so Shining fans everywhere never have to check out.

‘I just couldn’t stop’ 

At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights meticulously recreating a virtual replica of the Overlook Hotel from the film that first scared him when he was 12.

Of course he started with the deeply haunted Room 237. That’s where Jack Torrance, played by Jack Nicholson, has a terrifying encounter with a ghostly woman.

Chieh's 3D rendering of Room 237

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Anthony Chieh

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“But once I started, I just couldn’t stop,” Chieh told LAist.

“I ended up modeling the Colorado Lounge, and then after that I was thinking maybe I should make the lobby and then arriving to the Gold Room, and then Grady’s bathroom.”

“It’s like a rabbit hole,” he said.

Users who download Chieh’s free 3D model can fly through all of those spaces, immersed in atmospheric sounds and music from the film.

“It’s interesting to dive into these kind of fictional environments and try to make sense of it,” Chieh said. “And the hope is people will get a different perspective once they’re in there.”

Kubrick’s take on the Overlook was famously inspired by real hotels like the Timberline Lodge in Oregon and the Ahwahnee in Yosemite. But the interiors you see in the film were created on sound stages in England.

“Real architecture, physical buildings, are built for people to live. And for movies, these are more meant to express the emotional aspect of things. It’s a psychological construct,” Chieh said.

In a recently published video essay on YouTube, Chieh dives deep into those psychological constructs and how, as he puts it, “Kubrick designed the Overlook Hotel not as a backdrop, but as the film's true villain.”

How spaces scare 

Chieh said during the monthslong process he was reminded of the power of architecture and design in the real world too – whether it’s an uncomfortably repetitive carpet design or a claustrophobic hallway.

“A physical construct can affect your emotion,” Chieh said.

“You can use it in a way to make people feel comfortable and you can also use it in a way to create fear.”

Chieh's 3D rendering of the Torrance's apartment in 'The Shining'

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Anthony Chieh

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What’s next for this architect moonlighting as a 3D modeler?

Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

That is, of course, if he can ever escape the Overlook.