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The most important stories for you to know today
  • A train festival, 'Bring It On' anniversary & more
    A young child wears a railroad engineer's hat and neckerchief while standing near a train, pointing off camera.

    In this edition:

    A Thai food fest serves up eats on Santa Monica Pier, Union Station hosts a train extravaganza, One Man, Two Guvnors hits the stage at A Noise Within and more of the best things to do this weekend.

    Highlights:

    • Do the locomotion down to Union Station for a day of free railroad-themed fun for all ages at the Union Station Train Festival. There will be railroad equipment tours and displays, model train exhibits, interactive information booths, live entertainment and more!
    • Grab your pom poms and get ready for the cheer showdown that ended all cheer showdowns, the 2000 high school comedy Bring It On. The Kirsten Dunst classic is showing at Alamo Drafthouse for its 25th anniversary.
    • Thai food, music and cultural performances take over Santa Monica Pier at the Thai Fest by the Beach. It's free to explore, so head west and experience the delicious dishes and entertainment.

    We have a lot on the agenda this edition. First, make sure you get to the Jeffrey Gibson show at The Broad before it closes. It’s even free this weekend in celebration of the museum’s 10th anniversary! Gibson's vibrant, indigenous-inspired creations spark joy and meaning, and a special event on Saturday features a music lineup of all indigenous artists.

    Plus, French band Air performs their debut studio album Moon Safari with an orchestra at the Hollywood Bowl on Sunday, and Hacks and Too Much it-girl comedian Meg Stalter does her stand-up show, Prettiest Girl in America, on Saturday at the Largo.

    Explore even more available throughout LAist.com, where you can catch up on anything you missed at last weekend’s Emmy Awards, get excited for Christmas Tree Lane’s return to Altadena and find out what jazz legend Herb Alpert is doing to help local music students.

    Events

    Through Sunday, September 28
    One Man, Two Guvnors
    A Noise Within
    3352 E. Foothill Blvd., Pasadena
    COST: FROM $49.75; MORE INFO

    The best British farces feel like total escapes — slapstick comedies that are so out there and take incredible acting precision to pull off. One Man, Two Guvnors is one of those. James Corden won a Tony for the role he originated in London back in 2012. The Noise Within production stars Kasey Mahaffey as Francis Henshall, a down-on-his-luck Londoner in the 1960s tasked with working for two bosses at once. The L.A. Times says, “The wit is crisp and the comic routines are evergreen.”

    September 20-21, 10 a.m. to 6 p.m.
    Union Station Train Festival 
    Union Station 
    800 N. Alameda St., Downtown L.A.
    COST: FREE; MORE INFO

    A young Asian boy and older Asian woman make a peace sign and wave from the windows of a train.
    (
    Union Station Los Angeles
    )

    Do the locomotion down to Union Station for a day of free railroad-themed fun for all ages at the Union Station Train Festival. There will be railroad equipment tours and displays, including the steam locomotive Santa Fe 3751 of the San Bernardino Railroad Historical Society. Plus, enjoy model train exhibits, interactive information booths, live entertainment and more. What better way to spend time in one of L.A.’s coolest Art Deco buildings?

    Saturday, September 20, 7 to 8:30 p.m. 
    Poems & Prayers Revivals Tour: Matthew McConaughey + John Mayer
    Saban Theatre
    8440 Wilshire Blvd., Beverly Hills
    COST: $67.90; MORE INFO

    Alright, alright, alright. Book Soup is hosting this conversation between two of the most earnest performers out there — musician John Mayer and actor (and author) Matthew McConaughey. The pair will discuss McConaughey’s new book, Poems & Prayers, and — I am not making this up — “put a mirror to our souls to see if we recognize each other again.” I guess you will have to attend to figure out what that means.

    Saturday, September 20, 6 to 8 p.m.
    Upcycle Embellishment Workshop
    The Hidden Rivet
    8366 1/2 W. 3rd St., Los Angeles
    COST: FREE; MORE INFO

    A woman sorts through a rack of patterned shirts.
    (
    Becca McHaffie
    /
    Unsplash
    )

    What’s old is new again. Show up with your tired t-shirts, jeans or tote bags, and go home with a whole new look, made by you. The Upcycle Embellishment Workshop at The Hidden Rivet will provide the flair to upgrade your look with things like grommets, vintage charms, mother-of-pearl buttons, beads, patches, rare textiles and more for just $15.

    With L.A.-based designer Kenzie and stylist Isa on hand, you’ll have pros helping you transform your wardrobe in just a couple of hours. They suggest bringing “items with stains or damage, and transform them before they hit the rag pile!”

    September 20-21, 4 p.m.
    Free Theatre in the Parks: Pericles 
    Kings Road Park
    1000 North Kings Road, West Hollywood
    COST: FREE; MORE INFO

    Summer is winding down, and so are your Shakespeare in the Park opportunities. But there are still a couple more chances to check out the free performance of Pericles, put on by The City of West Hollywood and Coeurage Ensemble in Kings Road Park. Seating is first-come, first-served.

    Friday, Sept. 19, 7:30 p.m. 
    The Swell Season
    The Greek Theatre
    2700 N. Vermont Ave., Los Feliz
    COST: FROM $40.50; MORE INFO

    Markéta Irglová and Glen Hansard of The Swell season smile and bump shoulders while performing on stage. Glen is playing an acoustic guitar.
    Markéta Irglová and Glen Hansard of The Swell Season perform during the 2025 Newport Folk Festival in Rhode Island.
    (
    Douglas Mason
    /
    Getty Images
    )

    Who hasn’t been in love with Glen Hansard and Markéta Irglová of The Swell Season since they charmed us in the Irish movie musical Once? Plus, Hansard's been in his band The Frames for even longer, of course. The Swell Season will be performing for one night only at the Greek Theatre during their current tour, featuring both old favorites and songs from their new album, Forward.

    Through Sunday, September 28 
    Luminous Streets: A Highland Park Theatrical Tour 
    The Pop-Hop 
    5002 York Blvd., Highland Park 
    COST: $20; MORE INFO

    Neighborhood favorite spots like Johnny’s Bar, Cafe De Leche, Moryork, Be Nice Have Fun and Pop-Hop Books become the set for Luminous Streets: A Highland Park Theatrical Tour, showcasing short plays by Jesse Bliss, Melissa Lugo, Tyree Marshall, Roger Q. Mason and Ligiah Villalobos. Directed by Bliss, the Roots and Wings Project event takes the audience into local businesses, gives them an opportunity to support them, and tells stories of women’s survival and pursuit of justice.

    Friday, September 19, 7 p.m.
    Pearl and the Oysters
    Farm House Collective 
    1393 University Ave., Riverside 
    COST: $26.22; MORE INFO 

    Farm House Collective is a very cool space in Riverside — a former 1950s motel that’s now a music venue, local business hub and food hall. KCRW-pick Pearl and the Oysters are playing a show with Dent May supporting. Take advantage of seeing them in a more intimate space.


    Outdoor Pick

    Saturday, September 20, 9 a.m. to 12 p.m. 
    California Coastal Cleanup Day 
    Manhattan Beach Pier
    2 Manhattan Beach Blvd., Manhattan Beach 
    COST: FREE; MORE INFO 

    A light green digital banner promoting Coastal Cleanup Day 2025 on Manhattan Beach Pier.
    (
    Roundhouse Aquarium Teaching Center
    )

    Join Roundhouse Aquarium for California Coastal Cleanup Day in Manhattan Beach, where you’ll pick up trash, meet some other conservation-minded folks and learn about marine conservation. All trash is weighed, and the data is sent back to the California Coastal Commission.


    Viewing Pick

    September 18-24
    Bring it On: 25th Anniversary Screening 
    Alamo Drafthouse Cinema 
    700 W 7th St., Suite U240, Downtown L.A.
    COST: $19.18; MORE INFO

    Five actors, including Kirsten Dunst and Eliza Dushku in front, post in the middle of a cheerleading performance in the 2000 movie "Bring It On."
    (
    Universal Pictures
    )

    Grab your pom poms and get ready for the cheer showdown that ended all cheer showdowns, the 2000 high school comedy Bring It On. The Kirsten Dunst classic is showing at Alamo Drafthouse for its 25th anniversary. And has much changed? It does sometimes feel like we’re living in a cheerocracy.


    Dine & Drink Deals

    Saturday, September 20 
    Pacific Wine & Food Classic 
    Newport Dunes Waterfront Resort & Marina
    1131 Back Bay Drive, Newport Beach
    COST: $199; MORE INFO

    Six glasses of wine being held up for a cheers.
    (
    Kelsey Knight
    /
    Unsplash
    )

    Chefs from across Orange County come together at the Pacific Wine & Food Classic in Newport Beach. Enjoy bites from restaurants like Luke’s Lobster, Red O, Salt & Lime, Scratch Bakery, The Crack Shack and dozens more. There will be wines from Paso Robles wineries and much more. It's currently sold out, but you can add yourself to the waitlist.

    September 20-21
    Thai Fest by the Beach 2025 
    Santa Monica Pier
    200 Santa Monica Pier, Santa Monica
    COST: FREE, MORE INFO 

    Thai food, music and cultural performances take over Santa Monica Pier at the Thai Fest by the Beach. It's free to explore, so head west and experience the delicious dishes and entertainment with the family!

    Sunday, September 21, 12 to 5 p.m. 
    AeroPress Championship 
    MICA Studios
    356 S. Mission Road, Boyle Heights
    COST: $10; MORE INFO

    A poster promoting the 2025 AeroPress Championship rounds in 5 cities, including Los Angeles on September 21. It features an illustration of a cake with a slice cut out.
    (
    @aeropress
    /
    Instagram
    )

    Full disclosure: I recently made my first AeroPress coffee, and while I’m definitely far from ready to compete in the AeroPress Championship, I do now get why this is a thing. If you, too, are a fan of the low-tech espresso maker, join some of L.A.’s best roasters and watch them compete for a spot to move on to the U.S. AeroPress Championship in San Francisco. Of course, great coffee will be on offer, plus food, drinks, music and more.

  • following LADWP pipe repairs
    LADWP workers hammer a pipe as they work to repair a section of pipe on Sunset Boulevard. They wear protective headgear and safety vests. One of them holds a hammer.
    Crews prep a replacement pipe following a water main break that flooded streets in West Hollywood, and shut down a portion of Sunset Boulevard.

    Topline:

    A portion of Sunset Boulevard reopened overnight after LADWP crews finished repairs on a water main break in West Hollywood that shut down the area for more than a week.

    The backstory: The 110-year-old water main ruptured on Thursday, flooding streets and damaging businesses.

    What's next: LADWP says crews will need to be back to finish up work in the coming weeks.

    A portion of Sunset Boulevard reopened overnight after LADWP crews finished repairing a water main break in West Hollywood that shut down the area for more than a week.

    The water trunk line broke more than a week ago on Thursday, July 16, flooding streets and opening a sinkhole on Sunset Boulevard. LADWP says crews will need to return in the coming weeks to complete permanent paving and other work.

    LADWP also said it's accelerating the installation of a new trunk line to replace the 110-year-old pipe. The infrastructure project, which was originally scheduled to begin installation in 2031, is currently “60% designed” and will take approximately four years to complete.

    How to get help

    Those affected by the water main break can file damage claims with LADWP.

    West Hollywood contact info:

  • Sponsored message
  • Nonprofit wants to transform shuttered landmark
    Front view of the historic Westlake Theatre building on a sunny day. A large rooftop sign reads “WESTLAKE THEATRE” above an ornate facade with arched windows and decorative architectural details. Storefronts and market stalls line the ground level, with colorful umbrellas, hanging merchandise, and orange spherical bollards along the sidewalk. The sky is clear blue, and the street runs across the foreground.
    The historic Westlake Theatre across the street from MacArthur Park opened in 1926 and closed in 1991. A group seeks to revive the space with input from community members.

    Topline:

    An L.A. nonprofit theater company wants to buy the century-old Westlake Theatre near MacArthur Park and transform the shuttered movie palace into a community arts and nonprofit hub.

    The org: Strindberg Laboratory led about 50 people — including representatives from the Koreatown Youth and Community Center, Homies Unidos, LA Commons and other groups — on a flashlight tour of the vacant theater recently, pitching a shared civic center that could host performances, film screenings, neighborhood council meetings, workshops and office space for nonprofits.

    Why it matters: The Westlake neighborhood has few public gathering places, and the proposal would revive a 1926 landmark that has sat largely unused since it closed as a movie theater in 1991 and became an indoor swap meet. Preservation advocates see a chance to restore a historic building while creating badly needed community space.

    This story first appeared on The LA Local.

    Armed with flashlights, dozens of community members stepped into the darkened Westlake Theatre on Thursday, sidestepping puddles and broken glass as they imagined what the century-old movie palace could become.

    Inside, much of the theater looks frozen in time. Dust coats the staircases leading to the balcony, while rows of worn seats still face the stage beneath peeling painted ceilings and decorative plasterwork. Above the auditorium, a faded Anthony Heinsbergen mural offers a glimpse of the theater’s past.

    Los Angeles nonprofit theater company Strindberg Laboratory hopes to change that.

    The organization wants to purchase the historic Westlake Theatre and transform it into a community arts and nonprofit hub. Their proposal calls for preserving the space while adapting it into a shared civic center that could host live performances, film screenings, neighborhood council meetings, lectures, arts workshops and office space for community organizations.

    The effort is in its early stages.

    The building has not been purchased, no major funding has been secured and organizers say community input will help determine what the project ultimately becomes before fundraising begins. The group’s proposal estimates acquiring and restoring the theater would cost between $6 – $8 million.

    “This is just the first gathering,” Michael Bierman, founder of Strindberg Laboratory, told The LA Local. “It’s not an exclusive club. We welcome everybody and anybody. Everybody has something to input in their community.”

    Bierman wants to create a coalition to see the project come to life. Several organizations have already expressed interest, he said, and about 50 people attended Thursday’s tour, including representatives from the Koreatown Youth and Community Center, Homies Unidos, LA Commons, the Los Angeles Historic Theatre Foundation, Central City Neighborhood Partners and other community groups.

    The Westlake Theatre opened in 1926 as a 1,949-seat vaudeville and movie palace overlooking MacArthur Park, according to the Los Angeles Historic Theatre Foundation. It operated as a movie theater until 1991, when it closed and was converted into an indoor swap meet. The city’s Community Redevelopment Agency bought the property in 2008 with plans to restore it as a live entertainment venue, but those plans stalled after the agency was dissolved in 2012.

    In 2018, the property was sold to 634 Alvarado LLP, an entity controlled by Jamison Properties and today, the ground floor houses a swap meet with small businesses, including clothing vendors, tailors and a barbershop, while the historic auditorium remains unused.

    Bierman said the next step is forming a steering committee before seeking philanthropic, local, state and federal funding. If organizers can secure enough partners and financing, he hopes the coalition can purchase the theater by winter. Restoring the building, he said, would likely take several years.

    View from a theater balcony overlooking the stage of the historic Westlake Theatre. The proscenium arch is richly decorated with painted murals, ornamental trim, and arched side openings. The stage appears vacant and under renovation, with a dark floor, scattered equipment, and temporary structures visible. The auditorium shows signs of age, with worn finishes and peeling paint on the ceiling and walls, while ambient lighting illuminates the expansive interior.
    An interior view of the historic Westlake Theatre, which has been closed for at least three decades. The space is vacant on July 23, 2026.
    (
    Semantha Raquel Norris
    /
    The LA Local
    )

    What neighbors want to see

    For many who attended Thursday’s tour, the proposal was also personal.

    Aurora Corona, a former Pico Union Neighborhood Council member, remembers visiting the theater as a child.

    “It just brings back memories of the glory of the way it was,” Corona said. “The history is here. So for me, revitalizing and bringing back to what it was is like a dream.”

    She said she hopes the restored theater could host performances, international films, festivals and local artists while reflecting the surrounding community.

    Sara Zapata Mijares arrived in the Westlake neighborhood from Yucatán in 1969, when she was 17 years old. She remembers when MacArthur Park served as a gathering place for families in the neighborhood.

    How to participate

    The coalition’s steering committee is expected to meet in the coming weeks to discuss the project’s next steps.

    Residents and organizations interested in joining the effort can email Strindberg Laboratory to participate in the discussion. 

    “This used to be a park where my dad and I used to come and have picnics and he would play ballgaming here with a lot of families,” she said. “I remember coming to the park and coming to watch movies here.”

    Zapata Mijares said reviving the theater could also help nearby businesses. Visitors to the nearby Mexican Consulate, she said, could help boost the local economy if they stayed in the neighborhood to shop or eat after their appointments.

    The idea to transform the theater into a community hub grew out of Strindberg Laboratory’s own search for a permanent home after rising rental costs made it increasingly difficult to continue working out of the Frida Kahlo Theater. But after touring the three-story building, Bierman realized the space was too large for a single organization.

    “We dreamed of a community public space that also is a hub for culture and arts and theater and films and education and newspaper and all those things that every single community needs,” Bierman said.

    What happens to the swap meet?

    The effort faces practical questions beyond raising millions of dollars. The proposal would have to address the future of the businesses already operating inside the building.

    Sofía García, who has sold clothing inside the swap meet for about a year, said she hopes a restoration would bring customers back to the space.

    “That would be good because it would improve the atmosphere here,” García said in Spanish. “By improving the theater, there would be more people and therefore more sales.”

    García estimated her sales fell sharply after parking was removed outside the building and nearby street construction made it difficult for customers to visit her business.

    Bierman acknowledged that vendors will have to be part of the conversation if the project moves forward.

    “They are part of the community,” he said. “We’re not going to just come in and take over and boot them out. We need to talk to them and see what they want.”

    Jesús Sosa Guerra, who recently opened a tailoring business inside the swap meet, said he supports the proposal but worries existing tenants could be displaced.

    “It wouldn’t be good to sideline small businesses, because we all need to hustle to make ends meet,” he said in Spanish.

    Preservation advocates see the project as an opportunity to restore a historic landmark while creating badly needed public space in a neighborhood with few gathering places.

    “This city is filled with talented people who are lacking one very fundamental thing, which is a place to show what they’re capable of and to make connections,” said Kim Cooper, co-founder of Esotouric, a walking tour that explores various neighborhoods around the city.

    Cooper said the space could be opened up to people who have bands and want to perform, to book events, to readings, to poetry slams, to any kind of number of things.

    “You could have spelling bees, like anything. You could just have a neighborhood potluck. You could have fruit exchanges. I don’t know. I mean, the neighborhood will tell you what they want to do,” she said.

    Cooper’s partner, Richard Schave called Bierman’s proposal “an opportunity for a neighborhood that has had perhaps the worst succession of public policy decisions made about it to finally have one decent public policy decision made about it.”

  • Haitians face tough choice as legal status ends

    Topline:

    A Supreme Court ruling stripped Haitian migrants of their temporary legal status. Those with U.S.-born children face an agonizing choice: should they take them back to a still-dangerous Haiti?


    Why it matters: By one Princeton researcher's estimate, there are 50,000 children who've been born in the U.S. to Haitian parents with TPS. The loss of those protections means a large new population of mixed-status families are vulnerable to being split apart by the Trump administration's mass deportation drive.

    The backstory: The Supreme Court last month allowed the Trump administration to kick 350,000 Haitians and 6,000 Syrians out of the Temporary Protected Status program that has allowed them to live and work in the U.S. because of unsafe conditions in their countries.

    SAN DIEGO — Josiane Valsaint has lived and worked legally in the U.S. since 2010. But she and hundreds of thousands of other Haitian nationals are set to lose their legal status as soon as Monday, opening the door for federal immigration agents to round them up for deportation.

    The question that sends tears streaming down Valsaint's face is: If that happens, what will happen to her 10- and 12-year-old children, born in San Diego, who attend public school here?

    "Who's going to take care of my kiddos?" she asked. "They're not adults yet. They were born here." Taking them to Haiti, much of which is now controlled by heavily armed gangs, is not an option, she said.

    The Supreme Court last month allowed the Trump administration to kick 350,000 Haitians and 6,000 Syrians out of the Temporary Protected Status program that has allowed them to live and work in the U.S. because of unsafe conditions in their countries. There are many uncertainties now agonizing these communities, including how aggressively immigration agents — who have their addresses — will seek to detain them, and what will happen to their children, many of whom are U.S. citizens.

    Guerline Jozef is executive director of the Haitian Bridge Alliance, a San Diego-based nonprofit that supports Haitian immigrants. She said if the government begins rounding up Haitians whose Temporary Protected Status has been revoked, family separations are likely because most parents can't fathom taking their children back to a country largely controlled by armed gangs.
    (
    Adrian Florido
    /
    NPR
    )

    By one Princeton researcher's estimate, there are 50,000 children who've been born in the U.S. to Haitian parents with TPS. The loss of those protections means a large new population of mixed-status families are vulnerable to being split apart by the Trump administration's mass deportation drive.

    In deciding to strip Haitians of their temporary legal status, the Trump administration has said it's no longer justified because "conditions in Haiti have improved sufficiently to support the return of Haitian nationals' safely. It's also said allowing Haitian migrants to remain is "contrary to the U.S. national interest."

    Haitian migrants and advocacy groups have disputed those conclusions. In fact, they say, Haiti is more dangerous now than when the Obama administration first granted TPS to Haitians after the 2010 earthquake that killed hundreds of thousands of people. Haiti's president was assassinated in 2021. Today, armed gangs control vast swaths of the island nation's territory, infrastructure and economy, and restrict the movement of citizens.

    Almost invariably, Haitian TPS holders say taking their children there is unfathomable.

    "They cannot take those children back to Haiti," said Guerline Jozef, executive director of the San Diego-based Haitian Bridge Alliance, which advocates for Haitian immigrants. "Not because Haiti is not beautiful. Not because there's no hope. But because right now, in July 2026, it is impossible for them to be safe there."

    In late June, Haitians in the U.S. with Temporary Protected Status attended an information session at the Haitian Bridge Alliance, in San Diego, about what the loss of their legal status could mean for them and their families — and how to prepare.
    (
    Adrian Florido
    /
    NPR
    )

    Many Haitian TPS holders, Jozef said, are just beginning to consider the impossible decisions they'll soon face. Leave their children in someone else's care? Take them back to Haiti? Try fleeing to another country?

    "I think family separation is more likely," Jozef said. "To take them back with them is not even a choice."

    Valsaint, whose 10 and 12-year-olds speak perfect English and sing in a church choir in San Diego, said about her plans only that, "families stick together." And then, her voice catching, she added: "We can't go back to Haiti." She said she's hoping for a miracle.

    Sandra, a Haitian woman with TPS who asked NPR to use only her first name because she fears deportation, said her teen son came to her after the Supreme Court ruling and expressed suicidal thoughts over the prospect of being sent to Haiti, a country he's never been to but whose troubles he's kept up with online.

    "I cried," said Sandra, who works as an in-home caretaker in San Diego. "I'm supposed to protect them, and I feel like I'm failing."

    It's not clear how aggressively Immigration and Customs Enforcement will move to detain and deport Haitians newly stripped of TPS protections, or how much capacity Haiti has to receive deportation flights. Haiti's top migration official told local reporters that based on a conversation with the U.S. embassy in Haiti, he expects about a thousand deportees to arrive on flights from the U.S. each month.

    NPR asked the Department of Homeland Security how it plans to handle the U.S.-born children of Haitians it seeks to detain. In an emailed statement, an unnamed spokesperson wrote, "ICE does not separate families. Parents are asked if they want to be removed with their children or ICE will place the children with a safe person the parent designates. This is consistent with past administration's (sic) immigration enforcement."

    Haitian flags at the offices of the Haitian Bridge Alliance, a San Diego nonprofit.
    (
    Adrian Florido
    /
    NPR
    )

    The statement stressed the administration's longstanding position that Temporary Protected Status was always meant to be temporary.

    "For too long, TPS has been allowed to function as a de facto amnesty program," the statement said. "The Trump administration is restoring integrity to the immigration system by ensuring that individuals who no longer qualify for TPS either pursue another lawful immigration status, voluntarily depart using the Department's available return assistance, or face removal in accordance with federal law."

    In some states with large Haitian communities, such as Massachusetts, officials have published guides to help parents who want to designate temporary guardians for their U.S. citizen children. Jozef, of the Haitian Bridge Alliance, said advocates are scaling up other support systems to help Haitians make plans to protect themselves and their children in the weeks and months ahead.

    On Monday, a lower federal court in D.C. is expected to implement the Supreme Court's ruling allowing TPS for Haitians to end. That would allow immigration agents to begin arrests. Advocates are exploring other legal options and urging Congress to pass a bill that would extend TPS protections for Haitians. It passed the House with support from some Republicans in April, but was blocked by Senate Republicans this week.

    If you or someone you know may be considering suicide or is in crisis, call or text 9 8 8 to reach the Suicide & Crisis Lifeline.

    Copyright 2026 NPR

  • Nerd-fave bar Scum and Villainy to add a location
    A light skinned man and woman stand behind a bar. The man has a mohican hair cut and is wearing a T shirt that says Scum and Villainy Cantina. The woman has long red hair and is wearing a white T shirt.
    J.C. Reifenberg and Jen Smith, co-owners of Scum & Villainy Cantina, who are hoping to expand to Burbank.

    Topline:

    If you’re the kind of person who nerds out on Star Wars, Marvel, Game of Thrones, for the past eight years you’ll likely have found your community at Scum and Villainy Cantina in Hollywood. Now the owners are raising money to open a bar and creative culture hub in another location: Burbank.

    Why it matters: For those who crave the community of other fans — or feel the desire to cosplay every weekend — Scum and Villainy hits the spot.

    Why now: Owners J.C. Reifenberg and Jen Smith want to open the new location, Scum and Villainy: Rendezvous, before Avengers: Doomsday comes out on Dec. 18.

    For the past nine years, if you’re the kind of person who nerds out on Star Wars, Marvel, Game of Thrones, or any nerd franchise that exists in the galaxy, you’ll have found your community at Scum and Villainy Cantina in Hollywood.

    While the exterior looks like just another unassuming business on the often bustling street, walking in reveals a highly curated space honoring every facet of nerd culture down to the last detail. The design honors the Mos Eisley Cantina in Star Wars Episode IV: A New Hope. Custom cocktails allude to different fandoms with names like “Sauron Sour” and “Harley Quinn.”

    A spookily lit interior with a circular bar. The bar has green lights, the ceiling green and blue and areas behind arches are red and orange.
    Scum & Villainy Cantina's bar may look familiar.
    (
    Jim Donnelly
    /
    Courtesy Scum & Villainy
    )

    Most importantly, the people enjoying the space are openly expressing their love for these stories and universes, whether that be through intricate costumes or lively debate. It’s a scene one might find after (or before) a sci-fi convention, which is exactly what J.C. Reifenberg, co-owner of Scum and Villainy, intended.

    “We wanted to create the post-convention bar experience every night of the week,” Reifenberg said.

    As a veteran of such conventions, he’s seen Mark Hamill (who played Luke Skywalker) speak numerous times, but he doesn’t remember any of the speeches. He does remember the people he met at the bar when the long day was over.

    Three light skinned women and a medium skinned man are sitting around a table. All are wearing different costumes connected to franchises like Star Wars.
    Revel in nerd culture (costumes encouraged) at Scum & Villainy.

    "The best part about fandom is the community. That’s what people crave,” Reifenberg said. “This geek world has grown up with the kids that fell in love with it and continues to offer comfort, companionship, friendship and opportunity.”

    An interior of a bar showing lots of people sitting at tables. The atmosphere is fun and lively, with happy faces all around.
    Scum & Villainy Cantina in Hollywood.
    (
    Harry Levin
    /
    LAist
    )

    Reifenberg is now taking that concept and doubling down, hoping to create not just another gathering place, but a community hub for makers and creators to learn the craft.

    Expanding to Burbank

    For the past eight months, he and his wife, Jen Smith, who designed the interior of both establishments, have been crowdsourcing to raise $1 million for Scum and Villainy: Rendezvous, which they hope to open in Burbank, steps below the AMC 16. It’s certainly attracting interest; so far the pair have raised more than $600,000 toward the goal.

    A spooky looking interior of a bar; in the foreground is a red metallic phone; in the background behind the bar are rows of bottles, and above alien creatures are lit in blue.
    Scum & Villainy, open to people of all galaxies.
    (
    Jim Donnelly
    /
    Courtesy Scum & Villainy
    )

    Reifenberg said he can’t confirm an official launch date because they’re waiting on their permits from the Department of Planning in Burbank. But they are shooting to open by the time Avengers: Doomsday comes out on Dec. 18.

    “My goal is for people to watch Avengers and walk down the steps to Rendezvous with everybody in the movie theater,” Reifenberg said. “We’ll have ‘No spoilers’ signs up until the last showing of the night is over.”

    The new space is 5,200 square feet over two floors. The bottom floor is for the post-convention hangs, similar to the current Scum and Villainy. Upstairs, there will be private dining and a professional podcast and livestreaming studio. Reel Rejects, the movie and television commentary channel on YouTube, is partnering with Rendezvous for live events and recording.

    There’s also a multi-purpose room hosting classes taught by entertainment professionals, for which they’ll be tapping some industry heavy hitters. After running Scum and Villainy and working in film and television, including many projects with fellow super nerd Kevin Smith, Reifenberg and Smith have come to know Marc Bernardin (who wrote episodes of Batman: Caped Crusader and Eyes of Wakanda), Fon Davis (who worked at George Lucas’s visual effects company, Industrial Light & Magic), and many more professionals behind geek franchises.

    “I’m connected to all these wonderful makers, and these people love to share what they learned,” Reifenberg said, noting that when he grew up in Chicago, not only was there not nearly as much of an industry for this kind of work, but any time he would share his big ideas, his peers would shoot them down as impossible. Not here in Los Angeles.

    “Los Angeles is a city of dreamers,” Reifenberg said. “I remember how magical and untouchable these things were. What can I do to help inspire the next kid to do an impossible thing?”

    Fundraising for it

    The first five investors of $5,000 in the WeFunder campaign for Rendezvous will get to shoot their short films there, and there are plenty of bigger perks as well. Individual tiers go as high as $100,000, offering everything from lifetime discounts to being in a commercial for the space directed by Kevin Smith. (Smith invested $10,000, and has hosted numerous episodes of his podcast Fatman Beyond at the original Scum and Villainy). Then, if the total goes over $750,000 or reaches the total goal of $1 million, everyone who contributed gets extra benefits, such as 20% off merch.

    The $1 million amount may seem ambitious, but in 2017, the original Scum and Villainy was just a weekend pop-up instead of a year-round establishment. After announcing it, they sold more than $1 million in tickets from April to July 2017, and they realized they needed to keep it open for the community.

    The pair told me so many stories about how Scum and Villainy has changed people’s lives. Some are about couples meeting there on May 4 (yes, May the Fourth, the internationally recognized Star Wars holiday) who then proposed on a later May 4. Others are about people who came to every weekend of the pop-up in costume because it was the first place in their entire lives they felt truly safe to express who they are.

    “I have worked in bars and restaurants for 20 years, and I have seen restaurateurs who don’t believe in their concept. They’re not willing to put the time and effort into massaging it to appease the community,” Smith said. “This whole place exists because the community is like ‘Please don’t close.’”

    Reifenberg added: “If we build it, they will come.”