The Brief

A new music festival comes to Santa Monica this weekend, curated by a living legend. The inaugural Santa Monica International Jazz Festival is the brainchild of master bassist Stanley Clarke, a five-time Grammy winner who has played on every festival stage from Montreux to Monterey. He said the idea to bring a jazz fest to Santa Monica came to him during a walk on the Third Street Promenade.

" I live very close to Santa Monica and I'm pretty much in Santa Monica all the time," Clarke said. "That whole area down there is really beautiful, and I thought, 'Man, what a perfect place for a jazz festival.' And it was really that simple. Just in my head. Bing."

The festival runs from May 1-9 and includes performances from headliners Kamasi Washington (who recently won a Grammy with Kendrick Lamar), Isaiah Collier and Lakecia Benjamin. Clarke will also be performing two sets during the festival. One will be a tribute to John Coltrane. The other will feature drummer Stewart Copeland from The Police. Clarke said over time, jazz has become a more undefined term to him.

"It's a lot of different things for me," Clarke said. "Where I'm at on the definition is that any music that has improvisation in it, where guys playing solos and are jamming, I can say that it has a jazz feel. So, the term jazz is more of a feel to me now than anything."

In a modern world of TikTok fads and music made by artificial intelligence, jazz may seem like it belongs to an older generation. But Clarke said he isn't worried about the genre's future.

"I actually think that jazz is definitely in the city of Los Angeles exploding," Clarke said. "We have my festival.  There's another festival called the L.A. Jazz Festival. There's the Blue Note that just opened up too.  So, there's a resurgence."

Clarke said education plays a key part in promoting jazz. Because of that, an afternoon slot on the festival will feature the Santa Monica High School jazz band.

"All these new groups and all these new young people that are just doing stuff," Clarke said. "I don't think it's so conscious where everyone's getting together and having a meeting going, 'Hey, we're gonna expand jazz.' I think it just human nature. Things just come together."

Clarke said the community will ultimately decide if this festival becomes a part of the fabric of Santa Monica.

" I think for a jazz festival, the main thing is it's not just music," Clarke said. "It's community, food, weather, scenery and we have all of it. It's the royal flush."

Performances on May 3 at Third Street Promenade are free to the public. Tickets for all other events are available at the festival's website.

This story first appeared on The LA Local.

After Inglewood systematically violated state law, a judge reminded the city it was required to release records on police misconduct and use of force — but rolled back an earlier ruling that would have required the records to be posted online.

Barring an appeal, the decision brings five years of legal wrangling between the city and the American Civil Liberties Union of Southern California closer to a conclusion.

Inglewood won’t face serious consequences for the pattern of breaking California public records law, but the city must pay attorney fees for the ACLU and Trisha Shanklin, who joined the ACLU’s 2021 lawsuit. Inglewood police fatally shot Shanklin’s sister, Kisha Michael, and Marquintan Sandlin in 2016.

LA Superior Court Judge Amy Carter said the city will not have to proactively post the records online, which another judge had previously ordered the city to do for the next three years. Carter said during a Wednesday hearing that such a requirement would have to come from state legislators, not a judge.

Over the last decade, California lawmakers have expanded the public’s right to access police misconduct and use-of-force records, but Inglewood has thrown up a series of obstacles to that access.

The Inglewood City Council voted to destroy decades of internal affairs records in 2018 just weeks before one law went into effect, though Mayor James Butts denied the move was intended to thwart the law, according to LAist. The LA Times reported that the city nearly did it again in 2021 before being blocked by a judge.

This week’s court ruling found the city has routinely violated the law since then, missing deadlines, sharing incomplete records, and at times, failing to provide any documents at all.

Tiffany Bailey, an ACLU attorney, celebrated the decision and said it streamlines the civil rights group’s ability to get police records from the city in the future.

David Loy, an attorney with the First Amendment Coalition, said the case was a great win for the ACLU.

“These kinds of (public records) delays are not uncommon throughout the state,” Loy said. “I hope and believe this is a signal to other cities to get their house in order.”

Attorneys for the city declined to comment on the ruling, and Mayor James Butts did not immediately reply to written questions from The LA Local.

CalMatters maintains a searchable database of police misconduct and use-of-force records called the Police Records Access Project that includes records from the Inglewood Police Department.

The universe is a strange place — filled with exploding stars, ancient galaxies, and unseen worlds. Now, astronomers are about to get a brand new tool to explore it.

The $4.3 billion Nancy Grace Roman Space Telescope is scheduled for launch Aug. 30. Named for NASA's first chief astronomer, the observatory is expected to reveal new information about the expansion of the universe and discover multitudes of planets orbiting distant stars.

Roman, as it is known to its friends, has an unusual history. About 15 years ago NASA was making plans to build a space telescope that could, among other things, search for exploding stars known as Type 1A supernovas. These supernovas were used as a kind of cosmological measuring stick to uncover a mysterious force called dark energy that was causing the universe to expand — a discovery that earned the Nobel Prize in 2011.

Cosmologist Daniel Scolnic at Duke University says finding more of them would be key to better understanding that expansion.

As NASA was developing plans for this new telescope, a call came in from the government office in charge of surveillance satellites.

"The National Reconnaissance Office reached out to NASA," Scolnic says, "saying, 'We have this amazing satellite sitting in a hangar that we're not using. And what what do you guys think about instead of pointing downwards, we point upwards, and you guys use it?'"

NASA said yes. It took some substantial modifications, but now that old satellite is set to become NASA's next major space observatory.

Scolnic says that the new observatory could fundamentally change the scientific model that astronomers use to understand our universe.

"In the last few years, there have been measurements saying that model might be wrong — and that's something that Roman will absolutely nail, whether the model's right or wrong," he says.

Another goal of the telescope is to spend a month surveying all the stars in the Milky Way galaxy. Julie McEnery is Roman's project scientist. She says even though Roman has broadly the same sensitivity and sharpness of vision as the currently orbiting Hubble Space Telescope, its design lets it do things much faster.

"That one month of observations to survey our Milky Way galaxy would take about a century with Hubble," says McEnery.

Instead of focusing on a single object, Roman is designed to make catalogs of large swaths of the sky, and McEnery says these catalogs will be available to everyone, not just academics.

"You can be a teacher in a high school in Kentucky and your students have the opportunity to see Roman data at the same time as a professor in Princeton," she says.

One professor eager to get his hands on Roman data is Scott Gaudi at The Ohio State University. Along with colleagues, Gaudi developed a technique for detecting planets around distant stars. It's called gravitational microlensing, and it measures the way those planets bend the starlight that passes them by.

Albert Einstein described the idea in 1936 but thought it would be impractical. New technology has proven him wrong — and Gaudi expects Roman will find tons of planets that way.

"We're looking for planets that are just completely undetectable by any other method," Gaudi says. That includes planets at the center of our galaxy, "that are very analogous to our own solar system planets like Jupiter, Saturn, Uranus and Neptune."

In addition to new planets, Roman should also reveal new galaxies, helping astronomers to get a better idea of the large-scale structure of the universe.

But predicting what will be Roman's greatest accomplishments over the course of its five-year mission is a tricky business.

"The history of astronomy really has shown that when you get a new capability, and especially a survey capability, you learn something new, something unexpected," says Wendy Freedman, an astronomer at the University of Chicago. "Often that turns out to be the most exciting part of a new facility. So I am completely open to what this telescope will find."

Copyright 2026 NPR

The sounds of Los Angeles are bringing together people from all walks of life to record and archive them, from the buzzing of a bees’ nest in Griffith Park to church bells echoing over goose honks in Echo Park.

And you can listen to these recordings tomorrow in Highland Park.

George Jensen founded the Los Angeles Field Recording Club a little over a year ago. He said it has attracted sound lovers with all levels of recording sophistication, from people using their phones to folks with professional recorders worth thousands of dollars.

A longtime radio guy with shows on dublab and KCHUNG radio, Jensen fell in love with preserving audio moments in the city and beyond after capturing the serene sounds of a cove in Big Sur.

“There’s a certain fluctuation of sound happening — a pulse you might say — in this city," Jensen told LAist. "Once people sit and be still for a moment, they hear it.”

About 20 club members meet up once a month at places like the purportedly haunted Greystone Mansion in Beverly Hills, a scrap yard in Sun Valley and a section of Griffith Park, where someone recorded a cacophony of bees buzzing around their nest.

Jensen, who works as a prop fabricator in the TV and film industry, said people are drawn to field recording for many reasons: Some love nerding out over the gear; others need the sound to embellish an art or music project.

The club's next endeavor, he said, is an interactive sound map where field recordists can archive their audio online for all to enjoy.

The club’s outings end up being a bit of an antisocial social club, Jensen joked.

“At the beginning, everybody meets each other... and then you go be by yourself and be quiet,” he said.

He added there's a meditative quality to field recording that hooks people.

“I think once people do it, they realize that you kind of stop and listen," Jensen said. "You become in the present. You’re forced to.

"I think there’s, like, a certain therapeutic thing that comes with it,” he said.

Michael Hyatt was photographing the new L.A. punk scene tearing up Hollywood when he got an offer few would refuse.

It came shortly after the band X released their seminal 1980 debut, Los Angeles. Singer Exene Cervenka and bassist John Doe had liked a photo Hyatt had taken of the Plugz.

“They asked me if I would photograph X,” Hyatt said.

For the first half of the ‘80s, Hyatt photographed X wherever he could. On their first national tour where he also drove the jury-rigged tour van. At the Whisky just months after the unexpected death of Exene’s sister. On a downtown L.A. rooftop, days before the band’s big Greek Theatre show.

Exene.

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“I never pose people. I find a location, a backdrop and just let them be human beings,” Hyatt said. “People reach a point where they forget the camera —  that's when the good photographs happen.”

Hyatt’s works are compiled in a new book, X: On the Road & At the Crossroads, 1980-2024, with an accompanying exhibition opening at Beyond Baroque on Sept. 5 — where Cervenka will join Hyatt for a reading.

Exene Cervenka and John Doe in the Louisiana countryside in 1980.

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A band built on chance encounters 

X’s story reads like a constellation of happenstances hurtling toward inevitability. In 1976, Doe and guitarist Billy Zoom answered each other’s ads in the Recycler. That same year at a Beyond Baroque poetry night, Doe met Cervenka and saw punk lyrics in her writing. Ray Manzarek of the Doors, after seeing X live, offered that very night to produce their debut album in 1979.

A year later, Los Angeles helped cement L.A. punk, with a sound and sensibility markedly different from contemporaries the Germs and Black Flag.

A release party marked by tragedy

For the album’s release party, Hyatt said, X played two back-to-back shows in April at the Whisky a Go Go. Before they went on stage, Cervenka was told that her sister had been en route to the show when she was hit and killed by a drunk driver.

Three months later, Hyatt took this portrait of the band after another show at the Whisky.

X at the backstage area of Whisky a Go Go in July 1980, three months after the sudden death of Exene's sister.

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“I placed Exene against that plywood panel,” Hyatt remembered. “My goal, maybe on an unconscious level, was to capture the emotion related to the tragedy that happened three months prior.”

The iconic rooftop shot

A photo of X taken two days after their 1981 Greek Theatre show.

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In August 1981, X played in front of a crowd of 5,000 at the Greek Theatre.

“ They had reached the height of their powers,” Hyatt said.

He wanted to capture that zeitgeist. So two days later, he met the group at the rooftop of their rehearsal studio, which Hyatt scoped out at a practice session prior to the big Greek show.

“I went up and I thought, ‘Wow, this is a fantastic spot,’” he said. “Got a little bit of the skyline off in the distance of downtown L.A., but you've got the Roosevelt Hotel right there too.”

After three rolls of film, Hyatt said one shot clearly stood out.

Four decades later, still at the front row

At X's Houston show in 2024, Hyatt photographed a married couple that went on a first date to see the band in 1980.

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In 2024, X went on tour for their final album, Smoke & Fiction. One stop was Houston, Texas.

They’d played in Houston on their national tour in 1980, at a long-defunct punk venue called the Island.

In the crowd at the Island in 1980 was a young couple on their first date. A couple years later, Hyatt said, they got married.

“And there they were, 44 years later, right up front cheering on X — who they saw on their very first date,” Hyatt said.

Still together, wearing matching X shirts.