The Frame

Ira Sachs' latest is a coming-of-age film with a gentrification angle set in Brooklyn; a dinner theater in Hollywood is combining Shakespeare with '80s pop music and a chef-driven menu; screenwriter Mark Boal is trying to avoid turning over all his taped interviews with Bowe Bergdahl.

Patricia Rozema, the writer-director of "Into the Forest," says it was hard to get a film with two female leads off the ground; Stephen Colbert could face a legal challenge over the use of his former "Colbert Report" persona; the Hollywood Bowl's production of "A Chorus Line" is directed by a member of the show's original cast.

Rock the Vote, the non-profit founded by music industry pros doing PSAs on MTV, is still rockin'. The organization has hired a former Bernie Sanders operative to do marketing and was present at both the GOP and Democratic conventions; Bonnie Raitt opens up about a life in music.

Filmmaker Paul Greengrass returns to make a new Jason Bourne movie, this time with cyber security on his mind; Now that Verizon is buying Yahoo!, what will become of the search engine's streaming TV shows?; A Sophocles play gets a modern update with veterans in the cast; Bill Clinton, binge watcher.

What happens when an aspiring filmmaker works as a nanny for wealthy L.A. mothers? Naturally, she comes up with a movie idea. Writer-director Sian Heder talks motherhood, movie-making and "Tallulah;" and a “Star Wars” movie set accident that could have killed Harrison Ford ends with a guilty plea.

The Congressman and civil rights icon was at Comic-Con to introduce the third part of his graphic novel memoir, "March"; there was plenty of news and previews at Comic-Con to keep the fanboys (and fangirls) happy.

The filmmaker leads a tour of the dwelling that houses his extensive collection of horror memorabilia and serves as his retreat; the Republican Convention had plenty of drama, but how much of it was scripted?

The annual pop culture extravaganza is underway in San Diego, with more than 100,000 fans expected to attend; CURRENT: LA chose 16 artists to make water-themed site-specific artwork around the city; "Lights Out" producer Lawrence Grey on why every big Hollywood director secretly wants to do a horror film.

Comedian Mike Birbiglia's new film is about improv, friendship and the struggles that go along with striving for your big break; "The Wolf of Wall Street" producer Red Granite Pictures is at the center of a federal complaint alleging that the film was financed with embezzled funds from Malaysia; We look into the history of pop song usage at political conventions.

R&B singer Irma Thomas never got the acclaim of Aretha Franklin or Etta James, but she is still the undisputed Soul Queen of New Orleans; actor LeVar Burton narrates the kids audio tour of The Broad museum because he's compelled to teach; after tragic shootings of police officers, the USA Network postpones its new series, "Shooter," to the fall.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

How director Denis Villeneuve created the suspense of 'Sicario' and why he's remaking 'Blade Runner'; The Broad is about to open its doors and art critics are critical; Harry Nilsson fans lobby the Rock & Roll Hall of Fame.

Go inside The Broad museum's galleries, art storage and hidden corners with the Chief Curator as our guide; What we watch when we watch the Emmys; The LA Phil has turned itself and its conductor Gustavo Dudamel into a roving virtual reality experience.

Working in Visitor Services at the new museum means being part-concierge, part-docent, and part-guard; Director Scott Walker and actor Joel Edgerton were challenged in making the Bulger story, "Black Mass"; ABC News partners with the virtual reality company Jaunt to make VR more accessible.

As creator of the TV series "Transparent," Jill Soloway is a rarity, according to a new report from the Center for the Study of Women in Television and Film; Joe Adalian of Vulture.com handicaps the new TV season; Jay Duplass went from being a reluctant actor to a vey happy one.

Film composer Atticus Ross took Brian Wilson's music and created sound collages for the score to "Love and Mercy"; the Academy Museum of Motion Pictures has settled differences with a neighborhood group over the new facility planned for Wilshire and Fairfax; for composer Derrick Spiva, music is all about movement.

Author Emma Donoghue adapted her best-selling novel into a screenplay about a mother and son being held captive; National Geographic Society CEO Gary Knell says it will maintain its mission even though 21st Century Fox now owns a controlling interest; The Toronto International Film Festival is huge, and hugely influential.

The actor plays a homeless man in the new feature film, "Time Out of Mind," which he also produced; Aretha Franklin's objection to the screening of the documentary "Amazing Grace" has now affected the Toronto and Chicago film festivals; In our latest installment of "Song Exploder," Hrishikesh Hirway breaks down "Feeling OK" with the band Best Coast.