The Frame

Veteran music producer Harvey Mason, Jr. produced dozens of songs for the animated film, "Sing"; Sandra Hüller is a standout in the likely Oscar nominee, "Toni Erdmann"; a N.Y. judge rules that pre-1972 songs don't have copyright protection.

When Dennis Lehane's novel "Live By Night" was adapted by Ben Affleck into a feature film, it was just the latest gritty, crime-filled book of his to get the movie treatment; voice actor Rob Paulsen has been going strong in the business since the early 1980s, but a recent bout with throat cancer almost derailed his career.

Gibney's documentary about cyber warfare all but predicted the hacking of the Democratic National Committee; the operator of an illegal venue says the city should not take a blanket approach to its crackdown; life as a voiceover actor (part 1).

The 2016 election has ignited Beau Willimon to action. The creator of "House of Cards" has formed the Action Group Network to embark on a new form of advocacy; singer-songwriter Angelica Garcia opens up about how moving from L.A. to a small colonial-era Virginia town gave rise to her debut album, “Medicine For Birds."

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

The writer's iconic essay about the tumultuous 1960s is interpreted by director Lars Jan and actress Mia Barron; remembering French filmmaker Agnes Varda, who died at the age of 90; Resonance Records is unearthing never-released jazz classics.

Jordan Peele's "Get Out" and "Us" were scored by Michael Abels who, prior to those films, was teaching music in LA; Jazz album made by Dreamers wins Grammys; Employment conditions for janitorial staff at big movie theater chains may surprise you.

The singer and bassist experiments with a variety of styles on her latest album, with each song corresponding to different body parts; the Fox Network has some decisions to make about the future of "Empire" and its co-star, Jussie Smollett.

Alison Klayman's documentary follows the former White House strategist since his departure from the Trump Administration; the Autry Museum is seeking to sell the historic Southwest Museum property in Highland Park; the Open Fist Theatre Company examines the political landscape in "What Matters Now?"

The musician plays cello, guitar and banjo, and displays those talents on her album, “The Capitalist Blues”; Apple unveils its plans for streaming movies and TV content; playwright Sarah DeLappe's "The Wolves" has its L.A. premiere

The actor hosts the latest from Adam McKay, who's known for taking on serious subects, but adding a major dose of humor.

The actor's one-man show, "Lackawanna Blues," captures the colorful world of the 1950s boardinghouse in upstate New York that was his childhood home.

The David Hare play at Boston Court is set in 1895 — the best and the worst of times for the playwright; Disney's purchase of the Fox studios is final. Now what?; singer Emily King opts for a change of 'Scenery'

In the new Hulu series, the actress plays a teenage girl whose mother raised her to believe she was plagued by a range of physical and cognitive ailments.

In "The Inventor" Alex Gibney turns his camera on one of the biggest scammers in modern history– Elizabeth Holmes and her company, Theranos. Then, the surfer guitarist Dick Dale has died leaving behind a raucous musical legacy.

“The Highwaymen” tells the true story of the Frank Hamer and Maney Gault who finally took down the 1930’s outlaws Bonnie and Clyde after the FBI were unable to do it.

If you've ever been confused about bitcoin, wondered if counterfeiting is really that big of a deal, or been curious about how exactly money laundering works, Kal Penn will help you figure it out in the Amazon series "This Giant Beast That is the Global Economy."