The Frame

Hello from Park City! Host John Horn, editor Darby Maloney and producer Michelle Lanz check in to talk about a few of the standout films they've seen so far, as well as which filmmakers you can look forward to hearing on The Frame in the coming weeks.

The Frame host John Horn reports from Sundance on the festival's opening night and he interviews director Sydney Freeland (“Deidra and Laney Rob a Train”) and the husband-and wife team of Janicza Bravo and Brett Gelman ("Lemon").

Sundance's new initiative, "The New Climate," features documentaries that are focused on the environment; Solange Knowles dissects “Cranes In the Sky” from her breakthrough album, “A Seat at the Table.”

Composer Nicholas Britell talks about combining classical music with hip-hop production techniques to create his compelling score; the 2017 Sundance festival is expecting nearly 50,000 movie lovers, Hollywood executives, filmmakers and entertainment journalists.

After John Lewis was criticized by President-elect Donald Trump, the Congressman's grahic novel trilogy about the Civil Rights Movement shot to the top of Amazon's best-seller list; Netflix has a new version of the Norman Lear sitcom that puts a 21st Century spin on matters.

Andrew Garfield, who can be seen in two current films,"Silence" and "Hacksaw Ridge," reflects on Meryl Streep's Golden Globes speech and opens up about how he finds meaning in his work as an artist; Oscar-winning editor William Goldenberg shares secrets from the editing room; and a new exhibit at the J. Paul Getty Museum has artists turning their attention to the news as a muse.

News that filmmaker George Lucas will build a museum for his personal art collection in Los Angeles has a lot of people talking about "Star Wars" but this passion project will house more than memorabilia, says L.A. Times architecture critic Christopher Hawthorne; and Jeffrey Kahane, the musician and conductor who led the LA Chamber Orchestra for two decades now leads the Lift Every Voice music festival which challenges racial and religious injustice.

A new study reports that there is more violence in PG-13 films than ever — even more than in R-rated movies; you may not recognize Finn Wittrock by name, but you surely know his face from FX's "American Horror Story" to big films such as "The Big Short;" Sarah Megan Thomas is adapting her female-centric film, "Equity," for the small screen.

The new comic book anthology, "Love Is Love," was curated by Marc Andreyko, who marshaled an army of artists in the wake of the 2016 massacre at the Pulse nightclub in Orlando; meet a music supervisor who worked with Issa Rae and Solange Knowles on HBO's "Insecure;" the Producers Guild of America makes its picks for the best films of 2016.

Is Hollywood pushing a liberal agenda through the entertainment it makes? If you watched Meryl Streep’s speech at the Golden Globes last night you might think so. Mary McNamara of the LA Times and James Poniewozik of the New York Times join The Frame to discuss; Then theater director Pam MacKinnon shares how she turned the beloved film "Amélie" into a stage musical with "Hamilton" star Phillipa Soo in the lead.

The writer's iconic essay about the tumultuous 1960s is interpreted by director Lars Jan and actress Mia Barron; remembering French filmmaker Agnes Varda, who died at the age of 90; Resonance Records is unearthing never-released jazz classics.

Jordan Peele's "Get Out" and "Us" were scored by Michael Abels who, prior to those films, was teaching music in LA; Jazz album made by Dreamers wins Grammys; Employment conditions for janitorial staff at big movie theater chains may surprise you.

The singer and bassist experiments with a variety of styles on her latest album, with each song corresponding to different body parts; the Fox Network has some decisions to make about the future of "Empire" and its co-star, Jussie Smollett.

Alison Klayman's documentary follows the former White House strategist since his departure from the Trump Administration; the Autry Museum is seeking to sell the historic Southwest Museum property in Highland Park; the Open Fist Theatre Company examines the political landscape in "What Matters Now?"

The musician plays cello, guitar and banjo, and displays those talents on her album, “The Capitalist Blues”; Apple unveils its plans for streaming movies and TV content; playwright Sarah DeLappe's "The Wolves" has its L.A. premiere

The actor hosts the latest from Adam McKay, who's known for taking on serious subects, but adding a major dose of humor.

The actor's one-man show, "Lackawanna Blues," captures the colorful world of the 1950s boardinghouse in upstate New York that was his childhood home.

The David Hare play at Boston Court is set in 1895 — the best and the worst of times for the playwright; Disney's purchase of the Fox studios is final. Now what?; singer Emily King opts for a change of 'Scenery'

In the new Hulu series, the actress plays a teenage girl whose mother raised her to believe she was plagued by a range of physical and cognitive ailments.

In "The Inventor" Alex Gibney turns his camera on one of the biggest scammers in modern history– Elizabeth Holmes and her company, Theranos. Then, the surfer guitarist Dick Dale has died leaving behind a raucous musical legacy.

“The Highwaymen” tells the true story of the Frank Hamer and Maney Gault who finally took down the 1930’s outlaws Bonnie and Clyde after the FBI were unable to do it.

If you've ever been confused about bitcoin, wondered if counterfeiting is really that big of a deal, or been curious about how exactly money laundering works, Kal Penn will help you figure it out in the Amazon series "This Giant Beast That is the Global Economy."