The Frame

Alison Bechdel says she thought the idea of having her graphic novel memoir turned into a musical was "insane"; composer John Adams says his landmark opera, "Nixon in China," is as timely as ever; NBC has invested $500 million in Snapchat with big plans for using the social media platform.

Bruna Papandrea has produced hit films such as "Wild" and "Gone Girl," and now she's part of the team behind HBO's "Big Little Lies"; Netflix has a new reality competition series that's being produced for six global markets simultaneously.

C-SPAN anchor Steve Scully (aka "the most patient man on television") talks with The Frame about C-SPAN's origin story, its mission and the role it fills in today's media landscape; Then, actress Jane Kaczmarek explains why she's spending her post "Malcolm In the Middle" years doing theater like Eugene O'Neill's "Long Day's Journey Into Night."

When Asghar Farhadi won the Academy Award for Best Foreign Language Film, he did not pick up his statue in person. But he was in L.A. last year following our election and he spoke with us about his movie, "The Salesman," and then-President elect Trump; R&B producer and musician Raphael Saadiq has branched out to scoring movies and TV shows.

Award-winning screenwriter Dustin Lance Black created the ABC miniseries, "When We Rise," to bring the history of the gay rights movement into America's living rooms in the hopes of bridging a divided nation and inspiring activism in a new generation; The Oscars are finally over. What must Hollywood do to become more inclusive?

On this year's Frame Oscar preview, get to know some nominees ahead of the big night. Among the guests are the writer/directors of "La La Land" and "Moonlight," actors Ruth Negga, Emma Stone, Dev Patel, and Andrew Garfield; Documentary filmmakers Ava Duvernay and Ezra Edelman; the screenwriters for "Hidden Figures" and "The Lobster," and songwriter Lin-Manuel Miranda. Plus, John Horn and his co-host in The Awards Show Show podcast, Kyle Buchanan, make predictions.

Comedian and art collector Cheech Marin walks the galleries of Frank Romero's retrospective with the artist himself; "Hacksaw Ridge" sound mixer Kevin O'Connell has 21 Oscar nominations but no win ... yet; political and topical ads are likely during the Academy Awards. Who's advertising and how are they hoping to benefit?

Melanie Lynskey felt a deep connection with her character in the Sundance hit, "I Don't Feel at Home in This World Anymore"; a federal judge issues an injunction against a law that prevented websites such as IMDb from publishing the birthdate of actors.

Jordan Peele (of "Key & Peele" fame) makes his film directing debut with the horror movie, “Get Out," which takes on racism in the creepiest fashion; John Horn debates how to improve the Academy Awards broadcast with his "Awards Show Show" podcast co-host, Kyle Buchanan, and TV mavens Alex Jung and Jen Chaney.

The Oscar-nominated movie "Lion" is based on the memoir of Saroo Brierly, whose unbelievable life story was turned into a two-hour film by screenwriter Luke Davies; an annual report on diversity in Hollywood makes a strong case that on-camera diversity is directly linked to box office and ratings success; the WGA honored the screenwriters of "Moonlight" and "Arrival."

Hear from a wide range of nominees including David Byrne (alternative album); Linda Perry (producer of the year); H.E.R. (album of the year, best new artist); Yuja Wang (classical solo performance); Janelle Monáe (album of the year); Mary Gauthier (folk album); Mark Ronson (song of the year); Boz Scaggs (contemporary blues album); and Max Baca of Los Texmaniacs (regional Mexican album)

Nadine Labaki directed Lebanon's entry to the Academy Awards, which tells the heartbreaking story of a 12-year-old boy who just wants a future; Spotify makes a big podcast play by purchasing Gimlet Media; singer/songwriter Bhi Bhiman's new album, "Peace of Mind," is released song-by-song as a podcast.

Filmmaker Joe Berlinger talks about his current docu-series and his coming feature film about the serial killer; how is Hollywood lining up behind Democratic presidential candidates?; Kurt Farquhar went from being homeless to becoming a prolific composer for TV shows.

Ganatra talks about the film she directed, which was written by Kaling and was a big hit at Sundance; the latest study from USC's Inclusion Initiative has some distressing news about women in the music industry; the search to replace a legendary drummer and professor at a prominent music program.

The actor immersed himself in the painter's life for "At Eternity's Gate"; what is, and isn't coming to your TV in the coming months; actor Bill Pullman on what it takes to play the president.

The rock/folk music veteran recounts his life and career in the documentary, "David Crosby: Remember My Name"; Domee Shi's "Bao" has an Academy Award nomination for Best Animated Short.

Comedian Abby McEnany is at the festival debuting her TV pilot, in which she co-stars with Julia Sweeney; John Horn reports from Sundance on the festival's final weekend; Lynell George reviews the new project by musician Anthony Wilson that combines his songs and photography.

The director becomes the rare woman to helm an action thriller; GLAAD puts the spotlight on LGBTQ-inclusive film scripts; the documentary "Of Fathers and Sons" is nominated for an Academy Award.

The singer/songwriters put their talents together for the album, “Better Oblivion Community Center”; an artificial intelligence company has an algorithm that writes movie scripts; cinematographer and Academy Award nominee Matthew Libatique ("A Star Is Born").

Rachel Lears on her documentary about a quartet of progressive women who ran for Congress, "Knock Down the House"; L.A. Times reporter Jen Yamato recaps her time at Sundance; Richard Ladkani's documentary, "Sea of Shadows," is about the tragic and illegal harvesting of fish in Mexico's Sea of Cortez.

The actor re-teams with writer/director Dan Gilroy ("Nightcrawler") for a horror film set in L.A.'s contemporary art world; film critic Claudia Puig assesses the first few days of Sundance; Alexandre O. Philippe, writer/director of the documentary, “Memory: The Origins of Alien.”

John Horn and a couple of producers are at the Sundance Film Festival where they will provide a daily recap of which films are getting the most buzz; also today: the director of "Untouchable," a documentary about Harvey Weinstein that is premiering at the very festival where he once ruled the roost.