The Frame

Broken Social Scene wants to make music memories. They talk about their love of festivals and bringing music "to the people." And Pasadena City Councilmember Steve Madison says why he wanted to bring music to his city with the Arroyo Seco Weekend. And where are all the film scoring jobs going these days? Two people in the industry tell us why California needs to include film scoring in its production incentive program.

Coal magnate sues John Oliver for defamation just days have the HBO host's scathing "Last Week Tonight" segment. The tumultuous love story of Frida Kahlo and Diego Rivera is now a bilingual opera called "Frida." And two of the lead actors in the play "The Pride" open up about the personal and political reasons they wanted to tell this story of gay men in love.

Kulap Vilaysack discusses her Seeso reality TV spoof “Bajillion Dollar Propertie$” and the documentary she's making about the search to find her biological father. Variety's Brent Lang reports on why and how the directors of the Han Solo spinoff movie were fired. And The Frame contributor Tim Grieving visits with the Los Angeles Percussion Quartet at Walt Disney Concert Hall to hear how they're reinventing what percussion is and could be.

'Time: The Kalief Browder story' recounts the tragic life and death of a teenager who was held a Rikers Island for years without being tried of a crime. The series' writer-director Jenner Furst puts his story into a larger context. Was Gal Gadot underpaid for starring in the smash hit “Wonder Woman?” The internet thinks so. Vulture's Kyle Buchanan helps us sort fact from fiction. Common Sense Media which rates movies and TV shows for language, violence, sex and drug use now assesses for gender stereotypes.

The new documentary, “Nobody Speak: Trials of the Free Press,” uses the Hulk Hogan/Gawker lawsuit to highlight the importance of freedom of speech — even when it’s tawdry; Singer/guitarist Benjamin Booker was in a rut in New Orleans, so he went to Mexico City to record his new album, "Witness"; Bloomberg entertainment reporter Lucas Shaw talks about Apple, Vice and Snapchat's plans to make original scripted programming.

Sofia Coppola has remade the 1971 film, "The Beguiled," which is a Civil War-era story set at a girls' boarding school in the South (starring Nicole Kidman); "Thumbprint" is an opera about a Pakistani woman who sought justice after she was gang raped in her village.

When Judd Apatow learned that Sony was releasing "clean" versions of R-rated and PG-13 movies — including two he produced — he was not happy. He tells The Frame why these edited films should have the filmmakers' consent; The Secret Sisters return to making music with their new album, "You Don't Own Me Anymore"; and we go for a run with the people in the new L.A. Film Festival documentary, "Skid Row Marathon."

Former Bravo network executive Andy Cohen now hosts two shows and has become a reality TV guru; corporations are being extra cautious about advertising in an age when opposition campaigns can quickly gain traction; after a long hiatus, the band Fleet Foxes is back.

Gabriela Cowperthwaite, who directed the documentary “Blackfish," moves to features with “Megan Leavey,” the true story of a Marine and her service dog; how the Los Angeles Film Festival distinguishes itself through a commitment to diversity; a music industry gathering in Mexico where talent from across Latin America gets showcased.

New York's Public Theater is getting heat over its production of "Julius Caesar" that depicts the Shakespeare character as Donald Trump; Tony Award-winning composers Benj Pasek and Justin Paul talk about their songs for 'Dear Evan Hansen'; director Lucia Aniello talks about her raunchy comedy, "Rough Night."

Artist Rafa Esparza uses traditional handmade adobe bricks in his installations and to bond with his father; Led Zeppelin goes to trial for "Stairway to Heaven" copyright case; meet MØ, a Danish pop singer with the most-played song on Spotify.

Director James Wan took a detour with "Furious 7," but he's back to the horror genre in "The Conjuring 2"; "Harry Potter and the Cursed Child" begins previews in London; Pulitzer Prize winner Caroline Shaw is one of the featured composers at the Ojai Music Festival.

"The Fits" filmmaker Anna Rose Holmer makes a coming-of-age movie that has very little dialogue but a whole lot to say; the L.A.-based band The Allah-Las found early inspiration while working at Amoeba Records; the movie "Me Before You" has revived the debate over how Hollywood portrays people with physical disabilities.

Cellist Yo-Yo Ma and his Silk Road Ensemble are the center of the new documentary, "The Music of Strangers." He reflects on what drives his passion and how music is a source of creative connection and cultural diplomacy; Dissecting where Clinton, Sanders and Drumpf stand in Hollywood on the eve of the California primary.

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.