The Frame

The late L.A. artist Carlos Almaráz is the subject of a new exhibition at the L.A. County Museum of Art; filmmaker Gregory Monro spotlights Jerry Lewis' directing career in "The Man Behind the Clown;" playwright Gretchen Law remembers comedian and activist Dick Gregory, the subject of her play, "Turn Me Loose."

First-time director Geremy Jasper drew from his musical past to make "Patti Cake$," the story of an overweight, white female rapper; the film 'La La Land' gets a drag parody that's so bad it's good; summer box office numbers are down 12 percent from last year. What's keeping fans away from the multiplex?

Spotify takes down some white supremacist music; Disney Jr. show "Doc McStuffins" draws praise and some criticism for a recent episode that includes a family with same-sex parents; “Gook,” a new film written, directed by and starring Justin Chon, revisits the 1992 L.A. riots from the perspective of Korean Americans.

Apple plans to spend $1 billion on original content to rival streaming services; "Lemon" filmmakers Janicza Bravo and Brett Gelman channel their own anxieties into an uncomfortable comedy; Adam Langdon plays a character with an unspecified disorder in the stage adaptation of "The Curious Incident of the Dog in the Night-Time."

What goes into playing Jaime Lannister on "Game of Thrones?" Where did Nikolaj Coster-Waldau find the time to make the new movie "Shot Caller?" The Danish actor opens up about all this and more; investigations are underway in Vancouver where a fatal stunt occurred Monday on the set of “Deadpool 2.”

Producer Will Packer has several hit movies under his belt, and now he has the provocative TV series, "Black America," in the works at Amazon; Shonda Rhimes' move is a major development in the networks’ ongoing struggle with the aggressive streaming services.

Choreographer Kenny Ortega talks about his long-time love of musicals and his dream to make a musical about a gay teenager who comes out; Soundcloud was on the brink of shutting down until new investors surfaced; in "Morningside 5," filmmaker Mike Tollin revisits the subjects of "Hardwood Dreams," his film about high school NBA hopefuls.

In part 2 of our chat Steven Soderbergh, he talks about why "Logan Lucky" was the movie to bring him back to filmmaking. Then, we go behind the scenes at the Hollywood Bowl to find out what exactly goes into making that music sound so good out there, and with the TCA press tour over we find out what's to be learned about the state of the TV business.

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

Megyn Kelly's "Today Show" debuted to mixed reviews and negative social media chatter; coming soon to an L.A. film festival is a little-seen North Korean film with an incredible back story; Clive Davis reflects on six decades in the music business, making stars and shepherding careers.

"Stronger" tells the inspiring true story of Jeff Bauman, a man who after enduring the Boston Marathon bombing, lost both legs and became a reluctant hero. Jake Gyllenhaal, who stars in and produced the film, discusses how personal the story was and answers criticisms that the lead should not have been played by an able-bodied actor; we look at Hugh Hefner lesser known history as a regular backer and producer of documentaries about pioneering women in early Hollywood.

Actor-turned-director John Carroll Lynch talks about making "Lucky" with Stanton, who died earlier this month; the Academy Museum of Motion Pictures is moving toward a 2019 opening; after Sofia Maldonado finished a mural in Long Beach, her return home was canceled by Hurricane Maria.

Zach Anner has cerebral palsy, which helps him as a writer on the TV series, "Speechless"; voice actors who work on video games end their long strike against game producers; Facebook has a new feature where you can watch original video content.

Hannah Beachler's career as a production designer is booming — from "Fruitvale Station" to "Moonlight," "Lemonade" and "Black Panther"; how will the clash between the NFL and President Trump affect TV ratings?; "It" is now the highest grossing R-rated horror film of all time, so who is that little girl featured in the creepy score?

In "Unrest," Jennifer Brea documents life with Myalgic Encephalomyelitis or ME–commonly known as Chronic Fatigue Syndrome. By turning the camera on herself and others she hopes to teach audiences about this misunderstood illness; In 1992, a 24-year-old black man named William Ford, Jr. was shot and killed by a white man in Long Island. Now, his brother, Yance Ford has made the documentary “Strong Island" to uncover why it happened and what the aftereffects were.

Choreographer Matthew Bourne has made a career out of adapting his favorite movies and novels into dance productions. His latest work is based on the 1948 film, "The Red Shoes"; the new streaming service Revry is filling a niche that other platforms miss by targeting an LGBTQ audience; the family of Colombian drug lord Pablo Escobar ratchets up their trademark dispute with Netflix over "Narcos," while refusing to comment on the killing of a crewmember in Mexico.

Director Darren Aronofsky explains his divisive thriller, "mother!"; MacArthur fellow and USC professor Josh Kun and percussionist Alberto Lopez discuss their curation of the soundtrack to "Pacific Standard Time: LA/LA"; The new players who replaced the familiar, traditional buyers at the 2017 Toronto International Film Festival.

Director Angelina Jolie and producer Rithy Panh discuss their new film, "First They Killed My Father," about the Cambodian genocide. The film was made was made with an entirely Cambodian cast and crew and is the country's official foreign language entry for the Oscars. The online platform Patreon was created in 2013 to help artists connect with patrons. CEO Jack Conte explains what $60 million in new funding will mean for the site.

'Battle of the Sexes' co-directors Valerie Faris and Jonathan Dayton say their movie about the 1973 tennis match between Billie Jean King and Bobby Riggs is both about the public fight for gender equity and King's private struggle with her sexuality; newly minted Emmy winner Reed Morano on directing the first three episodes of 'The Handmaid's Tale'; What were the highs and lows of last night's Emmys?

We discuss some of the films that screened at TIFF and look at how the triad of fall film festivals (which includes Venice and Telluride) have already begun to shape the awards races; Reality TV veteran Jonathan Murray's latest show "Born This Way," follows a group of seven young adults with Down syndrome and their families.

The Pacific Standard Time art extravaganza features more than 60 institutions across Southern California presenting Latino art; Hollywood Reporter TV critic Daniel Fienberg chats about who will win at the Emmy Awards; actress Natalie Portman has helped turn Jonathan Safran Foer’s book, “Eating Animals," into a documentary of the same name.