The Frame

The writer and stand-up comedian has a new book and a newfound passion for performing; TV networks preview their coming shows, including the next season of "Fargo," starring Chris Rock and Jason Schwartzman; the exhibit "Natural History of Horror" looks at how real events inspired some favorite scary movies.

There aren't many women working as second unit directors on movies, much less African-Americans, but Victoria Mahoney has broken through; Jeffrey Katzenberg and Meg Whitman make their sales pitch for Quibi.

Zahra Noorbakhsh, an Iranian-American comedian who regularly incorporates her identity into her act, now has some new material; actor Yahya Abdul-Mateen II played Doctor Manhattan on "Watchmen" and this year, he’ll star in two high profile movies; the man behind The Daptone Sound.

The pianist has taken full advantage of his role as bandleader for "The Late Show with Stephen Colbert"; breaking down the Directors Guild Award nominations.

Stars and executive producers Kate Moenning and Leisha Hailey talk about the reboot of the Showtime series; Harvey Weinstein's trial gets underway in New York City; the influential L.A.-based artist John Baldessari has died.

"Watchmen" star Yahya Abdul-Mateen II is in high profile movies this year from Jordan Peele and Aaron Sorkin; John Horn reviews the evolution in film, television, pop music and theater over the last decade; we meet the band Mariachi Arcoiris de Los Angeles.

The highlights and lowlights from the 2010s in movies with Manohla Dargis (New York Times) and culture critic Tre'vell Anderson, and pop music with Nate Sloan and Charlie Harding of the podcast, “Switched on Pop.”

The highlights and lowlights from the 2010s in TV with Lorraine Ali (Los Angeles Times) and Daniel Fienberg (The Hollywood Reporter), and theater with Jesse Green (New York Times).

In his memoir, "Acid For The Children," the bass player from the Red Hot Chili Peppers (born Michael Peter Balzary) details his wild days as a child and teen before forming the band in Los Angeles.

The singer/songwriter's memoir reflects on death, sex, motherhood and misogyny.

Kulap Vilaysack discusses her Seeso reality TV spoof “Bajillion Dollar Propertie$” and the documentary she's making about the search to find her biological father. Variety's Brent Lang reports on why and how the directors of the Han Solo spinoff movie were fired. And The Frame contributor Tim Grieving visits with the Los Angeles Percussion Quartet at Walt Disney Concert Hall to hear how they're reinventing what percussion is and could be.

'Time: The Kalief Browder story' recounts the tragic life and death of a teenager who was held a Rikers Island for years without being tried of a crime. The series' writer-director Jenner Furst puts his story into a larger context. Was Gal Gadot underpaid for starring in the smash hit “Wonder Woman?” The internet thinks so. Vulture's Kyle Buchanan helps us sort fact from fiction. Common Sense Media which rates movies and TV shows for language, violence, sex and drug use now assesses for gender stereotypes.

The new documentary, “Nobody Speak: Trials of the Free Press,” uses the Hulk Hogan/Gawker lawsuit to highlight the importance of freedom of speech — even when it’s tawdry; Singer/guitarist Benjamin Booker was in a rut in New Orleans, so he went to Mexico City to record his new album, "Witness"; Bloomberg entertainment reporter Lucas Shaw talks about Apple, Vice and Snapchat's plans to make original scripted programming.

Sofia Coppola has remade the 1971 film, "The Beguiled," which is a Civil War-era story set at a girls' boarding school in the South (starring Nicole Kidman); "Thumbprint" is an opera about a Pakistani woman who sought justice after she was gang raped in her village.

When Judd Apatow learned that Sony was releasing "clean" versions of R-rated and PG-13 movies — including two he produced — he was not happy. He tells The Frame why these edited films should have the filmmakers' consent; The Secret Sisters return to making music with their new album, "You Don't Own Me Anymore"; and we go for a run with the people in the new L.A. Film Festival documentary, "Skid Row Marathon."

Former Bravo network executive Andy Cohen now hosts two shows and has become a reality TV guru; corporations are being extra cautious about advertising in an age when opposition campaigns can quickly gain traction; after a long hiatus, the band Fleet Foxes is back.

Gabriela Cowperthwaite, who directed the documentary “Blackfish," moves to features with “Megan Leavey,” the true story of a Marine and her service dog; how the Los Angeles Film Festival distinguishes itself through a commitment to diversity; a music industry gathering in Mexico where talent from across Latin America gets showcased.

New York's Public Theater is getting heat over its production of "Julius Caesar" that depicts the Shakespeare character as Donald Trump; Tony Award-winning composers Benj Pasek and Justin Paul talk about their songs for 'Dear Evan Hansen'; director Lucia Aniello talks about her raunchy comedy, "Rough Night."

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."