The Frame

Errol Morris' documentary miniseries examines the mysterious death of a government biochemist who was given LSD by the CIA; Kira Kelly is a Hollywood rarity: an African-American female cinematographer. She got an Emmy nomination for shooting Ava DuVernay's documentary, "13th," which led to her working on the filmmaker's drama series, "Queen Sugar."

The filmmaker says the roots of his latest movie, "The Shape of Water," go back to his childhood when he saw "Creature from the Black Lagoon."

From The Frame's vaults: actress and writer Zoe Kazan was speaking about rampant sexual harassment in Hollywood months before the Harvey Weinstein floodgates broke; singer and performer Lizzo on her wild year that started with a fateful appearance on Samantha Bee's show.

“The Post" screenwriters Elizabeth Hannah and Josh Singer talk about writing a movie with a woman— Washington Post publisher Katharine Graham — as the hero; Los Angeles Times pop music critic Mikael Wood shares some of his picks for the best music of 2017.

The film “Hostiles,” written and directed by Scott Cooper, both indulges in and overturns some of the familiar tropes of the Western genre; Rotten Tomatoes senior editor Grae Drake looks back on the year in film reviews and addresses some of the controversy surrounding the movie review aggregation site.

Writer/director Dee Rees on her film "Mudbound," about the harsh reality of life in the Jim Crow South, and its new resonance in 2017; Pasadena Playhouse brings the 1947 'Miracle on 34th Street' radio play to the stage; Facebook makes a play for YouTube's hold on music videos.

Questlove, drummer and leader of "The Tonight Show's" house band The Roots, talks about the emotional ballad he wrote for the movie "Detroit"; Actor/tax attorney Sandra Karas explains Actors' Equity Association's opposition to the tax overhaul that Congress passed today.

For his role in "The Florida Project" Willem Dafoe immersed himself into the world of the "hidden homeless;" A new website called Rotten Apples allows users to search TV shows and movies to see if anyone on the projects was accused of sexual misconduct; Italian filmmaker Marta Savina revisits a landmark rape case from 1965 in her short film “Viola, Franca."

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who's grabbing attention even before the film opens; how the radio drama version of "Star Wars" helped put NPR on the map; and three film critics (who happen to be under the age of 10) weigh in on "The Last Jedi."

DeLappe's play about high school girl soccer players was a Pulitzer Prize finalist for drama; what effect will the Net Neutrality vote have on content creators and distributors?; an old fashioned marquee gives a theater company a new identity.

Kulap Vilaysack discusses her Seeso reality TV spoof “Bajillion Dollar Propertie$” and the documentary she's making about the search to find her biological father. Variety's Brent Lang reports on why and how the directors of the Han Solo spinoff movie were fired. And The Frame contributor Tim Grieving visits with the Los Angeles Percussion Quartet at Walt Disney Concert Hall to hear how they're reinventing what percussion is and could be.

'Time: The Kalief Browder story' recounts the tragic life and death of a teenager who was held a Rikers Island for years without being tried of a crime. The series' writer-director Jenner Furst puts his story into a larger context. Was Gal Gadot underpaid for starring in the smash hit “Wonder Woman?” The internet thinks so. Vulture's Kyle Buchanan helps us sort fact from fiction. Common Sense Media which rates movies and TV shows for language, violence, sex and drug use now assesses for gender stereotypes.

The new documentary, “Nobody Speak: Trials of the Free Press,” uses the Hulk Hogan/Gawker lawsuit to highlight the importance of freedom of speech — even when it’s tawdry; Singer/guitarist Benjamin Booker was in a rut in New Orleans, so he went to Mexico City to record his new album, "Witness"; Bloomberg entertainment reporter Lucas Shaw talks about Apple, Vice and Snapchat's plans to make original scripted programming.

Sofia Coppola has remade the 1971 film, "The Beguiled," which is a Civil War-era story set at a girls' boarding school in the South (starring Nicole Kidman); "Thumbprint" is an opera about a Pakistani woman who sought justice after she was gang raped in her village.

When Judd Apatow learned that Sony was releasing "clean" versions of R-rated and PG-13 movies — including two he produced — he was not happy. He tells The Frame why these edited films should have the filmmakers' consent; The Secret Sisters return to making music with their new album, "You Don't Own Me Anymore"; and we go for a run with the people in the new L.A. Film Festival documentary, "Skid Row Marathon."

Former Bravo network executive Andy Cohen now hosts two shows and has become a reality TV guru; corporations are being extra cautious about advertising in an age when opposition campaigns can quickly gain traction; after a long hiatus, the band Fleet Foxes is back.

Gabriela Cowperthwaite, who directed the documentary “Blackfish," moves to features with “Megan Leavey,” the true story of a Marine and her service dog; how the Los Angeles Film Festival distinguishes itself through a commitment to diversity; a music industry gathering in Mexico where talent from across Latin America gets showcased.

New York's Public Theater is getting heat over its production of "Julius Caesar" that depicts the Shakespeare character as Donald Trump; Tony Award-winning composers Benj Pasek and Justin Paul talk about their songs for 'Dear Evan Hansen'; director Lucia Aniello talks about her raunchy comedy, "Rough Night."

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."