The Frame

On today's show: 50 years after the assassination of Robert F. Kennedy, filmmaker Dawn Porter talks about her Netflix docu-series, "Bobby Kennedy For President"; until recently, singer-guitarist Naia Izumi could barely survive by performing on the streets of L.A. Now, he’s on his very first national tour after winning NPR’s Tiny Desk Song Contest.

On today's show: Filmmaker Morgan Neville adds Fred Rogers to his eclectic list of documentary subjects; Jihan Zencirli is unlike any balloon artist you've ever encountered.

On today's show: Samantha Bee said she crossed a line with her vulgar comment about Ivanka Trump, but where is that line these days on TV?; actor Simon Baker makes his film directing debut with "Breath"; music under the stars at the Mt. Wilson Observatory.

On today's show: Writer/director Bart Layton talks about the true story behind his new heist film, "American Animals"; Spotify's founder admits the company erred in its attempt to punish some recording artists accused of misconduct; The Miracle Project brings together teenagers and young adults with autism to create and perform a musical.

On today's show: TV critics Lorraine Ali (Los Angeles Times) and Daniel Fienberg (Hollywood Reporter) talk with John Horn about the broader issues raised by the "Roseanne" debacle; With "The Americans" coming to an end, we learn trade secrets from the show's costumer and makeup artist.

On today's show: Ted Johnson of Variety talks about ABC's dramatic move after Barr's racist tweet about former Obama official Valerie Jarrett; actress Shailene Woodley talks about her role in the new film, "Adrift"; L.A. Times art critic on how MOCA should solve its leadership issues.

The Frame's John Horn and L.A. Times reporter Jen Yamato guide you through the summer movie lineup. We've got interviews with Ethan Hawke, Shailene Woodley and Tessa Thompson, "Incredibles 2" director Brad Bird, and the paleontologist who consulted on all the "Jurassic" movies. Plus, John visits with concession stand vendors who are marketing the next generation of movie snacks.

On today's show: actor Jussie Smollett is an executive producer of "America Divided." His episode looks at the inheritance of slavery; songwriter Mary Gauthier wrote an entire album with veterans; an attorney who represents sexual harassment victims talks about the significance of Harvey Weinstein's arrest.

On today's show: The acclaimed filmmaker responded to the pope's invitation to make a documentary about the Catholic Church under his leadership; with "Solo: A Star Wars Story" opening, are fans suffering from galactic fatigue?; screenwriter Zak Penn on what makes for a successful Summer blockbuster.

On today's show: L.A. Times pop music critic emeritus Robert Hilburn talks about his new Paul Simon biography and about the singer/songwriter's final tour; the Portland-based musicians who record as Wonderly on how they created the theme song for The Daily — the radio version of the New York Times’ hugely popular daily news podcast.

Kulap Vilaysack discusses her Seeso reality TV spoof “Bajillion Dollar Propertie$” and the documentary she's making about the search to find her biological father. Variety's Brent Lang reports on why and how the directors of the Han Solo spinoff movie were fired. And The Frame contributor Tim Grieving visits with the Los Angeles Percussion Quartet at Walt Disney Concert Hall to hear how they're reinventing what percussion is and could be.

'Time: The Kalief Browder story' recounts the tragic life and death of a teenager who was held a Rikers Island for years without being tried of a crime. The series' writer-director Jenner Furst puts his story into a larger context. Was Gal Gadot underpaid for starring in the smash hit “Wonder Woman?” The internet thinks so. Vulture's Kyle Buchanan helps us sort fact from fiction. Common Sense Media which rates movies and TV shows for language, violence, sex and drug use now assesses for gender stereotypes.

The new documentary, “Nobody Speak: Trials of the Free Press,” uses the Hulk Hogan/Gawker lawsuit to highlight the importance of freedom of speech — even when it’s tawdry; Singer/guitarist Benjamin Booker was in a rut in New Orleans, so he went to Mexico City to record his new album, "Witness"; Bloomberg entertainment reporter Lucas Shaw talks about Apple, Vice and Snapchat's plans to make original scripted programming.

Sofia Coppola has remade the 1971 film, "The Beguiled," which is a Civil War-era story set at a girls' boarding school in the South (starring Nicole Kidman); "Thumbprint" is an opera about a Pakistani woman who sought justice after she was gang raped in her village.

When Judd Apatow learned that Sony was releasing "clean" versions of R-rated and PG-13 movies — including two he produced — he was not happy. He tells The Frame why these edited films should have the filmmakers' consent; The Secret Sisters return to making music with their new album, "You Don't Own Me Anymore"; and we go for a run with the people in the new L.A. Film Festival documentary, "Skid Row Marathon."

Former Bravo network executive Andy Cohen now hosts two shows and has become a reality TV guru; corporations are being extra cautious about advertising in an age when opposition campaigns can quickly gain traction; after a long hiatus, the band Fleet Foxes is back.

Gabriela Cowperthwaite, who directed the documentary “Blackfish," moves to features with “Megan Leavey,” the true story of a Marine and her service dog; how the Los Angeles Film Festival distinguishes itself through a commitment to diversity; a music industry gathering in Mexico where talent from across Latin America gets showcased.

New York's Public Theater is getting heat over its production of "Julius Caesar" that depicts the Shakespeare character as Donald Trump; Tony Award-winning composers Benj Pasek and Justin Paul talk about their songs for 'Dear Evan Hansen'; director Lucia Aniello talks about her raunchy comedy, "Rough Night."

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."